{"title":"Agogo Records","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eAgogo Records is an independent label based in Hannover, Germany. Founded in late 2006 by the two musicians and producers Ralf Zitzmann and Markus Kammann, along with DJ Michael Reinboth, Agogo Records has quickly established itself as a prominent player in the music industry.\u003c\/p\u003e\n\n\u003cp\u003eThe label focuses on releasing high-quality music across various genres including jazz, funk, soul, and electronic. With a roster of talented artists from around the world, Agogo Records prides itself on discovering unique sounds and promoting emerging talent.\u003c\/p\u003e\n\n\u003cp\u003eWith their distinct blend of musical styles and dedication to artistic integrity, Agogo Records has gained recognition for their innovative approach to music production. Their releases have received critical acclaim and have been featured on international radio stations and playlists.\u003c\/p\u003e","products":[{"product_id":"mango-2","title":"Mango","description":"\u003cp\u003eMo’ Horizons enter their seventh album chapter and remarkably, celebrate 25 years of their exultant and globally enriched, forward-thinking, electronic sound.\u003c\/p\u003e\u003cp\u003eFeaturing a cast of guest singers, including Ghanaian legend Gyedu-Blay Ambolley, Mango, is a fiery and sample-heavy blend of future-funk, balearic, highlife, Brazilian drum ‘n bass and lo-fi hip hop, set to be released on their long-standing label Agogo Records.\u003c\/p\u003e\u003cp\u003eFamiliar and warming sounds pervade Mango; the call of the Brazilian cuica, the snapping snares, rolling breakbeats, swooning sax licks, and dreamy beach vibrations. Yet there are brand new tricks; on Havanna B-Boys Arthur Lee’s gravelly voice is sampled whilst a frenetic funk-ridden groove pulses, and the mesmeric vocal samples from Anglo-Portuguese singer Guida de Palma feature on opener Anotha Bossa. Both shine as the album’s singles. Outside Ambolley’s contribution, further collabs sees Mo’ Horizons reconnect with Venezuelan percussionist Nené Vásquez, Colombian singer Ivan Camelo, Hannover based, Israeli singer Noam Bar Azulay and Spanish singer Laura Insausti.\u003c\/p\u003e\u003cp\u003eSpanning over three decades, German DJ and production duo Mo’ Horizons, led by Ralf Droesemeyer, \u0026amp; Mark Wetzler have been a relentless force on the global groove scene. 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Highlife is Ghana’s colourful national tradition and is at the heart of Berlin based Jembaa Groove’s groove. And this newly crafted follow up to their debut album, \u003ci\u003eSusuma\u003c\/i\u003e from 2022, goes even further in provoking new perceptions of jazz and soul music helped by young and senior blood from Ghana and its diaspora. \u003c\/p\u003e\u003cp\u003eVocal masterclasses come via Sheffield (UK) based K.O.G and original veteran of the 70s and 80s highlife scene Gyedu Blay Ambolley with Ghanian multi-instrumentalist and producer Kwame Yeboah (Kwashibu Area Band) also providing inspiration.   Yet this is not a breakout moment. 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Jembaa Groove is a multicultural band founded in late 2020 by bass player and composer Yannick Nolting, and singerpercussionist Eric Owusu.\u003cbr\u003e \u003cbr\u003eSpeaking the same musical language, they quickly realized the fruitful outcome of their musical encounter and decided to spend a couple of months composing their original music. Digging deep into both their backgrounds and musical identities, they came up with an organic result both like to label as Afro-Soul.\u003cbr\u003e \u003cbr\u003eAfter seeking for the right companions for the upcoming journey and stumbling on a few of Berlin's finest musicians, they finally formed Jembaa Groove, a 7-piece band that combines fresh sounds from Berlin's underground music scene with traditional West-African sounds from Ghana and Mali, such as Highlife, Adowa and Wassoulou. 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The recording was brought to life in Laiz’s relaxed city of Hildesheim in 2023. In Portuguese, \u003ci\u003eEla Partiu\u003c\/i\u003e is the name of a classic Tim Maia track, the ‘70s tortured soul-boy from Brazil, one of Laiz’s heroes. It also translates to ‘she has gone’ referring to Laiz’s early-life decision to leave her family home.\u003c\/p\u003e\u003cp\u003eThere’s little doubt \u003ci\u003eEla Partiu\u003c\/i\u003e offers new bridges between tropicalia, Brazilian MPB and hip hop, lighting up Brazilian musical traditions in similar ways that Marcelo D2 or Criolo attempted. Its joyful, yet poses serious questions, and with a highly talented group of emigrant musicians from every corner of the globe, it’s so much more than a Brazilian record, brought to life by a talent and traveller who thrives on the off-beat path, and is clearly still finding her way. “The origins of every Brazilian is very foggy. 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We we're talking about the intentions of North Malis Tuareg to gain independence, Ahmed served sweet tea only to play me some of his new songs later throughout the night. Hours passed and we came up with an idea – relocate Ahmed to Berlin to fuse his distinct Desert Beat with influences from the cities Jazz and World Music scene. Two phone calls were enough to get the ball rolling, even though we knew that a few shows set up short term would only be able to cover his travel expenses. Without many people noticing, oftentimes its the bass players who're responsible for not only a projects groove but also the beat and its rhythm. For example we saw Kalle Enkelmann, the man on bass for Onom Agemo \u0026amp; The Disco Jumpers, founding the band Orion Congregation on the fly, a musical outfit both incorporating artists active in Onom Agemo as well as the brass section of the Omniversal Earkestra. They set up a highly acclaimed series of shows at Berlin Friedrichshain BLO venue featuring several guest musicians in which seemingly endless Desert Beat phrases were garnished with furious sax impro sessions or 70s space synths by Johannes Schleiermachen as spine-tingling Hammond action by Embryo's Michael Wehmeyer. Throughout these days Onom Agemo were busy recording their latest studio album and invited Ahmed to record with them, an invitation resulting in two tracks heavily inspired by their aforementioned live sessions. The outcome is quite a journey, merging classic Tuareg rhythms with the Disco Jumper's distinct interpretation of Afro-Berlin-Jazz. Using his Stratocaster we experience Ahmed Ag Kaedi in constant search for new rhythm signatures whilst providing a thrilling guttural vocal contrast to traditional Tuareg choir passages. Ahmed's native home is located deep within Sahara desert, way beyond the Tuareg town of Kidal. His songwriting process takes place under the nightly stars, sitting by the campfire or throughout the day when he's on the lookout for goats, camel-back riding whilst covering his face from the merciless sun and the ever present sand of the region. Always with him is his 12V amplifier, usually fastened to his saddle, his guitar on his knees, rolling along with the rhythm of his mount. So it's no surprise that he defines his personal beat as a beat that makes camels dance. He spent his youth as a mercenary fighting for the Ghaddafi army, believing in the, never fulfillied, promises made about an independent Tuareg nation of Azawad. After realizing that he's only used as a figure in a game of chess, played by forces beyond his own imagination, he decided to replace his AK47 with a guitar. His lyrics deal with topics present in today's Tuareg society, which is looking and fighting for an identity of its own whilst being trapped between globalization and islamic fundamentalism, a set of topics and themes that's now transferred, translated to and becoming relevant for first world listeners through his collaboration with Onom Agemo.\u003c\/p\u003e","brand":"Agogo Records","offers":[{"title":"7\"","offer_id":50435750035787,"sku":"1024623","price":5.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/052f39dd-68be-4f39-9a83-fc24d21b081c_thumbnail_4096.jpg?v=1726907172"},{"product_id":"para-todos","title":"Para Todos","description":"\u003cp\u003eNatalie was born in post-colonial Mozambique and raised in Denmark from infancy. 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However, electronic sounds are just as important to Wanubalé. All of the nine are in their early twenties. All of them are into Dub, Bass Music and Broken Beats. And several members are DJs, as well. The Wanubalés are first rate musicians. They tend to take their time writing arrangements, yet they are careful not to overly emphasize their Jazz skills. Songwriting is a collaborative affaire, everything is developed organically. Just like the band name, which dates back to the days of fooling around in the schoolyard, playing with syllables (“nuba” came first). Sound was crucial. Some say “Wanubalé” means “brother” in Swahili. Wanubalé: four horns, two drummers, guitar, bass, keyboards. Nine musicians with a knack for funky breaks, mighty brass sounds and great melodies. The musicians don’t hide their influences: Snarky Puppy, Fat Freddy's Drop, plus younger acts like Hiatus Kaiyote. But Wanubalé do their own thing. Wanubalé: four horns, two drummers, guitar, bass, keyboards. 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We put our emphasis on expanding to other European regions as well as including different countries than on Vol. 1 and we also wanted to give it a bit of a different musical twist. The result are 14 tracks covering what we consider a broad and diverse spectrum but still clinging to our initial idea of building a musical bridge between the continents of Africa and Europe. The immense cultural diversity of both is represented by newcomers alongside more well known names, both of which have a strong connection to the rich musical traditions of Africa. On board are African artists living in diaspora on equal footing with Europeans that incorporate their high affinity to the African continent into their music. Exciting outernational collaborations round off the selection for Vol. 2!\u003c\/p\u003e\u003cp\u003e01 Onipa – Yenimno 02 Karthala 72 - Heavy Revolution 03 David Nesselhauf - Space Station 04 Wanubalé vs. Dr. Markuse – Strange Heat (Dub) 05 Lua Preta feat. 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