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In September 2020, American Dreams expanded with the launch of their heavy sub-imprint American Decline Records.\u003c\/p\u003e","products":[{"product_id":"hindsight-13","title":"Hindsight","description":"\u003cp\u003eOn Hindsight, Nick Zanca's first album as a singer-songwriter, Zanca leads a crack band of musicians from all over New York's musical map - After nearly a decade making electronic music under the name Mister Lies, Zanca began focusing his energies as a producer, working with adventurous up-and-coming artists such as Wendy Eisenberg and Lucy Liyou and sculpting songs of his own\u003c\/p\u003e","brand":"AMERICAN DREAMS","offers":[{"title":"Black LP","offer_id":50380219318603,"sku":"2209102","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_62a49d60_thumbnail_4096.jpg?v=1726211124"},{"product_id":"chthonic-2","title":"Chthonic","description":"\u003cp\u003eAcclaimed experimentalists Lawrence English (AUS) and Lea Bertucci (NYC) travel the world on Chthonic, a shape-shifting ambient collaboration The pair have impressive resumes. In the last fve years alone, English has collaborated with William Basinski, Loscii and Merzbow, and Bertucci has, over a decade-plus, released numerous wide-ranging, innovative releases and presented her music at prestigious museums around the world (MOMA, Walker Museum, ReWire, Unsound). Here they branch out into new approaches (trans-hemispheric collaboration) and instruments (Bertucci plays cello, fute, violin and lap steel). The results are deeply compelling and rooted in vastness of geological scale and time. It's all here - the emotion, the scale, the density, the fear, the wonder, the dirt. Chthonic is for everyone, but if you're a head, you already know this is a special release. 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Where his breakout release, 2021's Hidemi, used choruses of saxophones and vocals to memorialize his grandfather, I Was Too Young To Hear Silence expands the scope of his remembrance. Shiroishi's chosen instruments are alto saxophone, glockenspiel, and a cavernous parking garage through which the former's melodies reverberate. It's an apt setting for Shiroishi's continuing confrontation of the legacy of Japanese concentration camps.\u003c\/p\u003e","brand":"AMERICAN DREAMS","offers":[{"title":"Black LP","offer_id":50394732626251,"sku":"2055908","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_7d5c6422_thumbnail_4096.jpg?v=1726447181"},{"product_id":"eremos-2","title":"Eremos","description":"\u003cp\u003eOver the past decade, Siavash Amini's compelling electronic music has quietly garnered praise from Pitchfork, The Guardian and AllMusic - From his home base in Tehran, Iran, Amini has collaborated with artists like Rafael Anton Irisarri and 9T Antiope, and regularly uses literature, film, mysticism, and medieval Iranian culture as musical launchpads - Amini's new album, Eremos, illustrates a passage from Avicenna, the preeminent philosopher and physician of the Islamic Golden Age: one can move out of darkness, he writes, by confronting the darkness within\u003c\/p\u003e","brand":"American Dreams Records","offers":[{"title":"Black LP","offer_id":50394927038795,"sku":"2056967","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/0727431749611_4b32f127_thumbnail_4096.webp?v=1726450646"},{"product_id":"come-with-me-if-you-want-to-live-2","title":"Come With Me If You Want To Live","description":"\u003cp\u003eDevon Welsh roars back with a powerful new album. 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Pitchfork raved about Gay? and Split Personalities, and a collaboration with Todd Rundgren, 2000's Separation Anxieties, followed. Bandleader Ryan Olcott wrote, recorded and played everything you hear on If We Stayed Alive. \"To be honest,\" he says, \"I think it's the best material I've had to offer so far.\" Its sound, themes, mood are evergreen. It's 12 Rods. It's new. It's everything we've waited for. 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Originally issued on\ncassette in April 2020 by Already Dead Tapes, this marks its first\nappearance on vinyl, mastered by Andrew Weathers (Lucy Liyou, Hayden\nPedigo, More Eaze).\u003c\/p\u003e\u003cp\u003eComing on the heels of last year's breakout album, \u003ci\u003eA Softer Focus\u003c\/i\u003e (American\nDreams), or her 2022 \u003ci\u003eEverything Perfect Is Already Here \u003c\/i\u003e(Shelter Press), \u003ci\u003eA Heavenly Touch\u003c\/i\u003e foreshadows Rousay's future releases and serves as a North Star\nin her acclaimed discography. \u003c\/p\u003e","brand":"American Dreams Records","offers":[{"title":"LP","offer_id":50406807667019,"sku":"2000136","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a_heavenly_touch_96278668_thumbnail_4096.jpg?v=1726591353"},{"product_id":"horror-vacui-6","title":"Horror Vacui","description":"\u003cp\u003eIn Horror Vacui, Paris-based, Iran-born 9T Antiope use a sparse palette of octave mandolin, violin and octave violin, synthesizer and vocals, to build a dynamic world that seems to exist outside of the bounds of time and place. 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Although its name comes from the literal translation of the Korean term  - which could mean anything from fanciful daydreams to nightmarish terrors, but always alluding to the idea that they are nonsensical, unrealistic, or simply silly - Lucy Liyou's sophomore album instead takes seriously these questions of why we dream what we dream, what slumber offers us that sober reality fails to, and which forgotten desires dare only emerge as our bodies go to rest. 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Together, they push the boundaries of jazz into songcraft, songcraft into art song, and art song into jazz, cementing Eisenberg’s work as a guitarist, improviser, composer - and establishing Eisenberg as a singular talent in 21st-century jazz.\u003c\/p\u003e","brand":"American Dreams Records","offers":[{"title":"Black LP","offer_id":50448029450571,"sku":"2215119","price":34.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Viewfinder_eeda79c2_thumbnail_4096.jpg?v=1727085328"},{"product_id":"welfare-practice","title":"Welfare \/ Practice","description":"\u003cp\u003eThis is Lucy Liyou, the Philadelphia-based experimental musician behind cinematic sister LPs \u003ci\u003eWelfare \u003c\/i\u003eand \u003ci\u003ePractice\u003c\/i\u003e. 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A Collection clocks in at about two hours and fifteen minutes and boasts thirteen songs, split over two CDs. \u003c\/p\u003e\u003cp\u003eRousay selected her favorite drumming cuts to fill the first CD and did the same with musique concrete\/new music for the second. On disc one, scattershot, frenetic percussion compositions like \u003ci\u003eAll,Tusk\u003c\/i\u003e and \u003ci\u003eGood Set\u003c\/i\u003e share space with more constant drumming pieces like \u003ci\u003eVirulence\u003c\/i\u003e. Disc two often maintains the use of percussion, but even at the outset on \u003ci\u003eThings I Doubt You'd Care About\u003c\/i\u003e, we hear Rousay's vocals - sometimes spoken, sometimes whispered. We begin to find light melodic content, a shrill drone frequency, her now-staple field recordings, and voice-to-text like on \u003ci\u003eI'm Not A Bad Person.\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003eWant to find where Claire Rousay begins? 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Knowler, 24, came to guitar through an obsession with Norman Blake, teaching himself over years of practice sessions 12 to 16 hours long; he's honed a measured approach to the guitar informed by wide-ranging folk cultures and desert silence. At 23, Winter (named an artist to watch by The Guardian and 'generational talent\" by NYCTaper) has developed a moving command like that of inspirations Daniel Bachman and Jack Rose. \u003c\/p\u003e\u003cp\u003eOn \u003ci\u003eAnticipation\u003c\/i\u003e, the pair play outside of their comfort zones, building a new vocabulary of playing. \u003ci\u003eStrawberry Milk\u003c\/i\u003e sets the tone: sweet, inquisitive, daring. The result? 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From the teenage 4-track tapes she made as Greenpot Bluepot to the recent albums under her own name, Natalie Rose LeBrecht's recordings have been fascinating dispatches from her progressively deeper dives into her gorgeous, weird, wildly idiomatic aesthetic. 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