{"title":"Batov Records","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eBatov Records is a British label that specializes in releasing music from the genres of Global Funk, World Beats, and Middle Eastern Grooves. With a passion for showcasing diverse and unique sounds, Batov Records has become an authoritative figure in the music industry.\u003c\/p\u003e\n\n\u003cp\u003eWith an impressive roster of talented artists, *Batov Records* continues to push boundaries and break barriers. Their dedication to promoting global fusion and cultural exchange is evident in each release. From funky beats to mesmerizing melodies, their music transports listeners on a captivating journey around the world.\u003c\/p\u003e\n\n\u003cp\u003eWhether you're a fan of traditional Middle Eastern rhythms or enjoy exploring new musical horizons, *Batov Records* offers something for everyone. Discover the vibrant sounds of their artists and immerse yourself in the rich tapestry of global music with Batov Records.\u003c\/p\u003e","products":[{"product_id":"the-sky-unfurls-the-dance-goes-on","title":"The Sky Unfurls, The Dance Goes On","description":"\u003cp\u003eTeaming up once more with the London based, globally-looking imprint Batov Records, Wax Machine journey beyond the psych-folk universe, tapping into more ambient, classical, and world-folk sounds. Led by songwriter and singer Lau Ro, the recording sessions for\u003ci\u003e The Sky Unfurls; The Dance Goes On\u003c\/i\u003e gave space to the musicians involved to express themselves, in part searching for the sense of freedom and organic looseness found on the records of Alabaster Deplume and Don Cherry.\u003c\/p\u003e\u003cp\u003eOn \u003ci\u003eThe Sky Unfurls; The Dance Goes On\u003c\/i\u003e they explore the process of returning to a state of intimate re-connection with one’s own nature and nature at large. The breakdown of individual identity and the return to flow.\u003c\/p\u003e\u003cp\u003eThe sun-kissed lead single Glimmers is an expression of the exuberant ecstasy at being by the sea, while the ethereal River comes from a place of awe and melancholy at the delicate ephemerality and complexity of life. Recorded in their own studio, Lau Ro was joined by Ozzy Moysey, Adam Campbell, Isobel Jones and Toma Sapir, with Marwyn Grace and Ella Russell involved for the choir parts.\u003c\/p\u003e","brand":"Batov Records","offers":[{"title":"LP","offer_id":50394577174859,"sku":"2055055","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/The_Sky_Unfurls_The_Dance_Goes_On_41622413_thumbnail_4096.jpg?v=1726443307"},{"product_id":"aspan","title":"Aspan","description":"\u003cp\u003eSababa 5 continues their musical journey following the success of their acclaimed self-titled debut album, which fused deep funk and Middle Eastern grooves. Their latest offering, still under the Batov Records label, ventures into more explorative and experimental instrumental compositions. While evolving their musical direction, \u003ci\u003eAspan \u003c\/i\u003edelves into the realm of psychedelic rock while retaining the essence of the band's signature Middle Eastern groove.\u003c\/p\u003e","brand":"Batov Records","offers":[{"title":"LP - Black","offer_id":50395155136843,"sku":"2128102","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"LP - White","offer_id":57548690915659,"sku":"R4074-9149","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Aspan_1aae3845_thumbnail_4096.jpg?v=1726456510"},{"product_id":"sababa-5","title":"Sababa 5","description":"\u003cp\u003eSababa 5’s knack for intricate grooves and catchy melodies have led to a series of acclaimed singles, from fresh takes on classic melodies to vocal collaborations, championed by the BBC’s Gilles Peterson, Cerys Mathews, and Gideon Coe in the UK, and Radio Nova and FIP, in France, whilst they gradually found their own contemporary sound, creating original music together that could stand up on its own across a whole album.\u003cbr\u003e \u003cbr\u003eAcross these eight songs, the group blends the Afro disco, reggae, jazz, funk and a plethora of Middle Eastern traditions, whilst traveling time and space, drawing a musical, cultural and geographical line from Somalia to Iran, via Ethiopia, Sudan, Egypt and Turkey, from the late 70s and early 80s to today. Thus Sababa 5 create a unique psychedelic groove that builds on the approach that the likes of the Daptones have taken to working independently, writing, producing and recording original music, with their own modern take on 70s soul and funk.\u003cbr\u003e \u003cbr\u003eStand outs include “Malca” (a girl’s name that means “queen”). Built around broken synth lines, a languid East Africa meets Anadolu psych groove and vintage organ licks, the instrumental peaks a transformative chord change, shooting it into the stratosphere.\u003cbr\u003e \u003cbr\u003eThe carnivalesque “Lizarb” (“Brazil” backwards), raises the tempo and temperature. The piece kicks off with a guitar-led call-and-response before a synth-led melody lifts everything to another level. Topped off before the end by a beautiful wah-wah meets psychedelic Mizrahi style guitar solo over a pulsating drum and groove line, demanding a physical response.\u003cbr\u003e \u003cbr\u003e“Habedil” (“the idiot” in Hebrew), is named for the innocent, child-like synths that lead off towards the start, whilst the bass and guitar riff repetitively, crafting an irresistible groove before dovetailing into an epic disco synth vamp.\u003cbr\u003e \u003cbr\u003eWith this, their debut, self-titled album, Sababa 5 are ready to take a seat among the most exciting and original instrumental-based groups across the globe, with an exciting and distinct approach to groove, sound and melody.\u003c\/p\u003e","brand":"Batov Records","offers":[{"title":"LP - Black","offer_id":50403175203147,"sku":"1166600","price":19.99,"currency_code":"GBP","in_stock":true},{"title":"LP - Green","offer_id":53365064401227,"sku":"R6565-5791","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/21320ad9-34e8-442f-8d93-d1e0839d26fc_thumbnail_4096.jpg?v=1726558371"},{"product_id":"bezani-ashkamoni","title":"Bezani \/ Ashkamoni","description":"\u003cp\u003eWith two albums, an EP featuring vocalist Shiran Tzfira, and five highly collectable 45s under their belt, Sababa 5 have established themselves as trailblazers in the global grooves scene alongside the likes of Altın Gün, Yin Yin, and Misha Panfilov. Bezani transports listeners on a sonic journey with its electric synths and percussion-fueled 6\/8 rhythm. Drawing inspiration from early electronic sounds and Persian folk, the track creates a mesmerizing atmosphere that pushes the boundaries of genre blending.  On “Ashkamoni”, Sababa 5 showcase their versatility with a rockier feel infused with a rocksteady swing. The track’s captivating melody builds dynamically, while the lead guitar and synth engage in enthralling solos, demonstrating the band’s exceptional musical prowess.  Sababa 5’s collective experience backing a wide variety of international artists has no doubt driven their tight sound and ability to seamlessly fuse genres. With influences ranging from the world renowned Funk Brothers, Wrecking Crew and Daptones, to Middle Eastern psych, the band effortlessly blends diverse musical elements into their distinctive sound.  “Bezani” and “Ashkamoni” mark another milestone in Sababa 5’s musical journey, further solidifying their reputation as innovators in the world of psychedelic groove. Fans and music enthusiasts alike can expect to be enthralled by these latest additions to the band’s impressive repertoire.\u003c\/p\u003e","brand":"Batov Records","offers":[{"title":"Black 7\"","offer_id":50416126165323,"sku":"2189871","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/BTR095_BTR095D_Artwork_cb97c99d_thumbnail_4096.jpg?v=1726695934"},{"product_id":"enerjy-2","title":"Enerjy","description":"\u003cp\u003eBorn in Israel with Iranian roots, Liraz’s world balances on and revolves around multiple cultural circles. 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On the B-side we find the funkier “Coral Sex”, whichaccording to Itamar tells a story of a drunk tramp bothering the refined and self-important occupants of an exclusive hotel lobby. Reflecting this friction, the track juxtaposes a silky and sophisticated R\u0026amp;B sound, with loosely, or even drunkenly, played take on rebetiko, a traditional Greek music associated with the poorest of city dwellers, played on along-necked Greek lute known as a bouzouki.\u003c\/p\u003e\u003cp\u003eAs each track develops, new layers are revealed, inviting the listener to delve deeper. The effect is intentional. As Itamar says, “there is this kind of music that hooks you in a different way every time you hear it, different places in the songs lighting up in different colors, like slowly revealed layers. In our (Eje Eje) case, it is just such a hazed blend. 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Mamman's music embodies a sense of intimacy, echoing the presence of a solo artist in the room with the listener. This album is the result of a serendipitous meeting at the Nyege Nyege Festival in Uganda. Both artists shared a residency and studio space, which led to long recording sessions together over the course of two weeks, capturing the organic fusion of Mamman's synth melodies and Tropikal Camel's percussive electronic beats. Despite their divergent backgrounds and ages, Mamman at 73 and Tropikal Camel at 44, they found equilibrium in their collaborative process.  \u003c\/p\u003e\u003cp\u003e‘Nijerusalem’ pays homage to the warm synth sounds of the 80s while infusing them with an African electronic aesthetic. Mamman's music, rooted in Nigerien folk traditions, finds new life in this sonic exploration, resonating Mamman Sani and Tropikal Camel Nijerusalem Batov Records presents \u003ci\u003eNijerusalem\u003c\/i\u003e, a groundbreaking collaboration between Nigerien synth pioneer Mamman Sani and Berlin-based electronic artist Tropikal Camel. Worldwide Distribution by !K7 Mamman Sani with authenticity and innovation. Both Mamman Sani and Tropikal Camel draw from rich and diverse cultural backgrounds, creating a dialogue of cultural exchange and mutual respect. 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Only interrupted last year by their first full length album, which cemented their reputation for crispy desert grooves that combine psych, surf, and funk with a Middle Eastern accent, and caught the attention of BBC 6 Radio Music icons Iggy Pop, Huey Morgan and Cerys Matthews, and leading French radio station FIP and Nova Radio.\u003c\/p\u003e\u003cp\u003eOn the A-side, the simply titled “Funk #1” packs a solid punch of Skull Snapping drums and electric bass, Mediterranean synths and a healthy dose of JBs meet Omar Khorshid guitar, finally let loose for a hair-raising solo.On the flip, “Funk 2” picks up the pace with a frenetic drum rhythm, classic circling funk guitar, and crazed synths, held down by an irresistible bassline and psychedelic organ chords.\u003c\/p\u003e\u003cp\u003eDon’t stop, pass go and collect the latest essential slice of wax from Tel Aviv’s premiere psychedelic funk exports on Batov Records delectable Middle Eastern Groove series.\u003c\/p\u003e","brand":"Batov Records","offers":[{"title":"7\"","offer_id":50427131035979,"sku":"2011336","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/415b98f8-7891-5b7f-fc01-70c60b36e526_595259e9_thumbnail_4096.jpg?v=1726822050"},{"product_id":"uzi-kinrot-sea-gull","title":"Uzi Kinrot \/ Sea Gull","description":"\u003cp\u003eComprising accomplished musicians \u003cstrong\u003eRoy Bar-Tour\u003c\/strong\u003e, \u003cstrong\u003eAtzmon Avrahami\u003c\/strong\u003e, and \u003cstrong\u003eAdam Yodfat\u003c\/strong\u003e, \u003cem\u003eLes Dynamites\u003c\/em\u003e built themselves a strong following for their fresh blend of Mediterranean and classic surf rock with Balkan and Yemini folk, catching the attention of Middle Eastern groove connoisseurs Batov Record.\u003c\/p\u003e\n\n\u003cp\u003eTheir debut single for the label, \"\u003cem\u003ePop Oud #2\u003c\/em\u003e\", packed enough punch, and funk, for both psych fans and break dancers. 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San’s joyful and infectious style is bulked out by some Ventures-style grit, rock drumming, and the Vox Jaguar, sixties style hammond, ready to uplift any hot and liquor-soaked dancefloor.\u003c\/p\u003e\n\n\u003cp\u003eRecorded in single takes with minimal overdubs, \"\u003cem\u003eSea Gull\u003c\/em\u003e\" packs a powerful punch, avoiding the pitfalls of overthinking and multi-track re-recording. Recorded, co-arranged, produced, mixed, and mastered by Uri “MixMonster” Wertheim of famed funk band, The Apples, and obscure sample scientists, RadioTrip.\u003c\/p\u003e\n\n\u003cp\u003eOn \"\u003cem\u003eUzi Kinrot\u003c\/em\u003e\" and \"\u003cem\u003eSea Gull\u003c\/em\u003e\", the group pay tribute to the Mediterranean surf heroes who inspired them most. 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These tracks, featured on their debut 45 for Batov Records, demonstrate the band’s eclectic melding of diverse musical styles with seamless precision.\u003c\/p\u003e\u003cp\u003eComprising Julia Beresikowa (vocals, guitar, percussions), Sebastian Carrizosa (guitar), Andrea Buccio (bass guitar), and Hannes Neupert (drums, percussions), Saturno 4000 isn’t just a studio project; they’ve extensively toured Germany’s live and festival circuit, captivating audiences with their infectious energy and layers of guitar fuzz. On the A-Side, “Ma Belle Fille” delivers a solid groove, with Andrea Buccio’s mesmerising bassline intricately synchronised with Hannes Neupert’s Afrobeat-inspired drumming, enhanced by Diego Moscoso’s djembe contributions.. On top of this formidable foundation, Julia Beresikowa and Seba Carrizosa’s electric guitars add both elegance and grit, while Julia’s arresting French vocals ponder love and loss.\u003c\/p\u003e\u003cp\u003eFlipping the record, “Solar Heart” transports us to Peru via the Mediterranean, as vibrant cumbia rhythms are given a surf rock twist, Reminiscent of the classic gritty psychedelic strain of Peruvian cumbia yet very distinctly fresh, Beresikowa and Carrizosa’s guitars take the lead, languidly followed by Andrea’s loping bassline, Neupert’s tight drumming and Moscoso’s percussion.\u003c\/p\u003e\u003cp\u003e“Ma Belle Fille” and “Solar Heart” showcase Saturno 4000’s ability to reimagine classic sounds into new sonic possibilities, fitting seamlessly into Batov Record’s Middle Eastern Groove series, known for its exceptional quality and innovation.\u003c\/p\u003e","brand":"Batov Records","offers":[{"title":"Black 7\"","offer_id":50440857420107,"sku":"2202800","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/b8df9dc7-c17d-408c-bbc4-d31a3d5cfe50_10a95bf1_thumbnail_4096.jpg?v=1726969014"},{"product_id":"where-did-you-go","title":"Where Did You Go?","description":"\u003cp\u003eSandman Project’s long awaited debut album \u003ci\u003eWhere Did You Go?\u003c\/i\u003e is a borderless amalgam of brass heavy sounds, a document of a band whose musical tendencies mimic their open-minded ethic where Ethio- jazz, Afrobeat, American soul music and psychedelic, Mediterranean funk traverse.\u003c\/p\u003e","brand":"Batov Records","offers":[{"title":"Black LP","offer_id":50441078800715,"sku":"2194795","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/BTR093_BTR093D_Artwork_eddde844_thumbnail_4096.jpg?v=1726972662"},{"product_id":"satellites","title":"Satellites","description":"\u003cp\u003eThe Şatellites’ sound shimmers between traditional Turkish folk and instrumentation, ethereal psychedelic guitar leads and groovy dance-floor baselines. 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Ilam Smilan’s exceptional guitar playing stands out, as does the unwavering groove and rhythm of drummer Raz Man; recently heard among a coterie of feted studio musicians for Mr Bongo signing Project Gemini. On \"A Flower Called Indica”, Yurika’s Japanese vocal pays tribute to the ubiquitous allure of flowers, and the powerful bonds between friends, over Sababa 5’s psychedelic groove.\u003c\/p\u003e\u003cp\u003eThe second half of the record collects Sababa 5 and Yurika’s earlier and incredibly popular singles. The dance floor smashing “Tokyo Midnight” is an uptempo psychedelic funk ripper, whilst “Nasnusa”, with its walking bassline and nostalgic love story, is the biggest hit in Sababa 5’s repertoire thus far. 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Drawing on their wide blend of musical tastes, from spiritual jazz and folk to classical and electronic sounds, to create an imaginary soundtrack that could easily sit beside the best of Piero Piccioni or Michel Legrand. The album features the duo playing over a dozen different instruments between them, with some heavyweight support from the Nostalgia 77 rhythm section.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eVictime De L'aube\u003c\/i\u003e, embodies Bolbec's unique blend of musical tastes and eclectic instrumentation, and the album's title, which translates to \"Victim of the Dawn”, reflects the duo's exploration of the poignant emotions evoked by the breaking of dawn.\u003c\/p\u003e\u003cp\u003eAxel and Barth share, \u003ci\u003eVictime de l’Aube\u003c\/i\u003e could be the title of an erotic zombie movie. Unfortunately, it doesn’t exist yet. It just describes this moving feeling when night and dreams end while the morning sun sets the bedroom curtain alight”. 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Likewise they developed a fascination with elevator muzak, film soundtracks, and even the hotel pianist performing day-by-day in the lobby of the Sheraton Moriah where Tamir’s mother worked, overlooking the Dead Sea.  \u003c\/p\u003e\u003cp\u003eRelocating years later to the vastly different environment of Berlin, capital of a country that enjoyed its own Brazilian moment, Tamir and Moosh’s shared passion for Brazilian music would encourage them to create their own songs inspired by the warm pulse of Brazil, albeit a world apart, through a vastly different lens.  \u003c\/p\u003e\u003cp\u003eWhilst the initial inspiration for Moriah Plaza can be traced back to Tel Aviv and the Dead Sea, the band itself was conceived by Tamir and Moosh in Solarium Studio, Berlin, from the broken fragments of their former shoegaze band, Soda Fabric, who had the honour of backing outsider legend Daniel Johnston. 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Celebrating their twentieth anniversary, the Tel Aviv based band combine cinematic atmospherics and high-powered surf rock on their first album for international ambassadors of Middle Eastern grooves, Batov Records.\u003c\/p\u003e\u003cp\u003e Over the course of eight thrilling tracks, \u003ci\u003eRoya\u003c\/i\u003el leads listeners on a topsy-turvy journey from Middle Eastern exotica to Spaghetti Western style scores, via scorching Mediterranean beaches. Highlights of the album include the surf-meets-Western delights of “Silver Lining”, where irresistible guitar lines are piled high and topped with euphoric synths and rock drums, resulting in a timeless soundtrack for both headless nights in dive bars and heedless days at the funfair. “Juda” follows, a deadly combination of Zepellin and Middle Eastern rock with subtle hints of synth funk. The track is named after living legend and Middle Eastern guitar hero, Yehuda Keisar, who also joins the band for this song, contributing a scorching solo. The thunderous guitar riffs are matched pound-for-pound by the irresistible percussive groove. \u003c\/p\u003e\u003cp\u003eBoom Pam “Rock the Casbah” on title track \u003ci\u003eRoyal\u003c\/i\u003e, revealing another card up their sleeve, as they transform a famous 80's Israeli radio theme into a discoinspired super jam with a punk edge. The band maintain their reputation for first-rate and distinctive surf rock on the fast paced “Daber Yafé” and “Monsour”. The sonic imprint is both warmed and widened by the rare addition of a tuba supplying the lower frequencies. Meanwhile, opener “Lava Tongue”, and “Golden” emphasize the melodic side to the band, conjuring dreamy sunset mirages to hypnotize the listener. \u003c\/p\u003e\u003cp\u003eBoom Pam have established themselves as pioneers of modern Middle Eastern surf rock, combining sophisticated yet catchy guitar riffs, with roaring tuba basslines and fiery drums. In the past decade the band have frequently collaborated with and backed legendary Turkish folk singer-songwriter, Selda Bagcan, on stage and record, and performed at some of the world's most renowned festivals, including Primavera Sound, Lollapalooza, Fuji Rock, the Montreal Jazz Festival and many more. An engaging listen from beginning to end, \u003ci\u003eRoyal\u003c\/i\u003e is the perfect representation of Boom Pam’s incredible 20-year journey, showcasing their superior skills in pushing the boundaries of their genre. \u003c\/p\u003e","brand":"Batov Records","offers":[{"title":"LP","offer_id":50506366517579,"sku":"2018966","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Royal_a58b25d3_thumbnail_4096.jpg?v=1727822449"},{"product_id":"bigane-namdar","title":"Bigne \/ Namdar","description":"\u003cp\u003eSababa 5 have demonstrated their special blend of Middle Eastern psych, funk and disco over a course of eights 45s for Batov Records, a collaborative EP with singer Shiran Tzfira, and an acclaimed self-titled album, receiving plaudits from the likes of BBC radio legends Gilles Peterson and Gideon Coe. Hot off the back of extended instrumental faze, covering their self-titled debut album, that drew comparisons to the Menahan Street Band, and a pair of essential 45s overflowing with funk, Sababa 5 hit the studio to cut a pair of killer songs with Turkish synth, electro and alternative pop sensation Canay Doğan. Currently a member of the Jazz Department at Istanbul University, Canay has been releasing her own songs since 2021. Known for her versatility not only as a singer but across keyboards, drums and percussion, she can be seen accompanying many artists on vocals and keyboards. The collaboration came about after Canay heard Sababa 5’s “Nasmusa”, delving deeper and noting the similarities with Turkish music she reached out to suggest they work together. Compounded by Sababa 5 already having a presence in Turkey, it was meant to be. Dreamy and melancholic synths meet gritty funk rhythms on “Bigâne”. According to Canay, the song addresses issues around depressions about the relative meaninglessness of life, the emptiness of so many questions and answers, and the “variability of the truth”. The urgent music of “Namdar” backs a paean to the fakeness of most friendships, and empty daily questions such as “how are you?”, and how many socalled friends are in truth jealous and bitter. The deep and searching questions of Canay’s lyrics give weight to the beautiful vocals that almost float over Sababa 5’s compelling grooves. “Bigâne” and “Namdar” add another deadly string to Sababa 5’s bow and are essential grooves destined for DJs’ 45 boxes and discerning listeners’ playlists. \u003c\/p\u003e","brand":"Batov Records","offers":[{"title":"7\"","offer_id":50506709762379,"sku":"2029286","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cf9ee956-0c54-3ce6-481b-7e0ab1db7fe5_0c5ad056_thumbnail_4096.jpg?v=1727828101"},{"product_id":"5-seasons","title":"5 Seasons","description":"\u003cp\u003eBatov Records opens another chapter, introducing ‘Five Seasons, the debut album of Eje Eje, the brand new solo project of Itamar Klüger, of the Şatellites, presenting a fresh and contemporary world incorporating the rich diversity of Middle Eastern and Mediterranean musical styles with psych, funk, dub and other internationally known sounds.\u003c\/p\u003e\u003cp\u003eItamar Kluger is best known for his work with the Şatellites, a six-piece band whose blend of Turkish folk and psych with funk and disco won them champions and listeners across the globe, from KEXP in Seattle to BBC Radio 6 Music, and FIP in France.\u003c\/p\u003e\u003cp\u003eWith Eje Eje, Itamar brews a fresh blend of psychedelic rock and funk, incorporating a wide range of influences, from Levantine dabke, Persian bandari music played at weddings and other celebrations, the traditional “Khaliji” music heard across the Gulf, and Turkish traditional folk music, to the more international renown sounds of Afrobeat, Saharan blues, indie rock, electronica, and Jamaican roots and dub.\u003c\/p\u003e\u003cp\u003eEje Eje’s special blend of musical perspectives reflects Itamar’s interest in humankind’s subjective perception of reality, informed by national and global cultural movements and traditions, and insistence on collectively creating and sharing stories, at times to explain the unexplainable.\u003c\/p\u003e","brand":"Batov Records","offers":[{"title":"LP","offer_id":50509630505291,"sku":"2027365","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/969ae97a-96df-37b9-1107-b654e7265371_45ab64e8_thumbnail_4096.jpg?v=1727866924"},{"product_id":"like-a-river","title":"Like A River","description":"\u003cp\u003eActing as the introduction to the musical world and lyrical narratives of the upcoming record Like A River, the track leans into the river theme, providing an all-encompassing, flowing journey. Tim von Malotki's percussive bass clarinet lines cut through the meandering wash of Benjamin Schneider's rootsy, highlife-inspired guitars and atmospheric piano flourishes, courtesy of Jan Janzen. Vocalist Nora Beisel floats across the arrangement, backed by emotive horn harmonies whilst reflecting on the change of path at the end of a relationship; a new orientation and course set.\u003c\/p\u003e\u003cp\u003e\"Musically we tried to really engage with the river metaphor. We worked with all these 'water' sounds and effects that kind of produce this ocean vibe. As the song evolves, it also follows along this idea of a river that grows stronger and more dangerous as the current grows.\"\u003c\/p\u003e\u003cp\u003eAn album focused on transitional moments in life, and separation from ingrained social ideals, 'Like A River' is anchored around the three movements of 'Like A River Parts I-III' which act as the record's source, middle and end point. Set to be accompanied by a film to which these movements are the score, it's an achievement of songwriting and collective arrangement, incorporating wide-ranging influences that span afrofunk, gnawa, contemporary jazz and rumba. Whereas their previous albums have mostly linked to afrobeat, and addressed topics like social equality, racial politics and climate change, \u003ci\u003eLike A River \u003c\/i\u003eis a concept album that takes a more intimate, personal approach.\u003c\/p\u003e\u003cp\u003eTracks such as 'Like A River Part II' dip into swirling psychedelia centred around an explorative 12\/8 groove, whilst 'Carry Me' takes a subtle shift away from the 70s analogue sounds favoured by the band, combining full bodied synth soundscapes with euphoric horn arrangements. Not content with just its core members, the group also employ the skills of Belgo-Congolese vocalist Reinel Bakolé for 'Let Go' and 'All This While', further expanding their pool of influence into the world of future soul.\u003c\/p\u003e\u003cp\u003eLed by tenor saxophonist and composer Niklas Mündemann, Muito Kaballa are a collective based in Cologne. Originally started as a one-man loop station street show, the project has grown to be known for its eclectic and mesmerising live show. 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On the A-side, the four-piece tackle \"Seni Sen Olduðun Ýçin Sevdim\", a lesser-known gem by Arabesque pioneer Hakký Bulut, with the force of The Stooges crossed with the JBs. The song kicks off with a mighty swathe of synth before Ariel Harrosh on bass and Raz Man on drums launch an aggressive groove, crowned by Itamar Klüger on electric saz. Before you can catch your breath, Yuli Shafriri beautifully and clearly voices the infectious melody. On the flip, Satellites deliver another deadly instrumental jam, putting on a raw and uptempo psych-rock spin, à la Jefferson Airplane, on the traditional \"Saskin\". This version is tailor-made for toe-tapping and dancing in a safer, freer world. Satellites met and bonded over a shared love for Turkish psych. Ariel and Raz happened to be looking for a saz player whilst Itamar, obsessed with Anadolu rock, collecting records, and attempting to emulate his heroes on a bargain saz, was looking for a band! Rather than attempting exact facsimiles of these gems from another time and place, the band allows the songs to run through them, capturing the influences and experiences of musicians who grew up in the 90s in Tel Aviv, listening to psych and rock, Led Zeppelin to Rage Against the Machine. Operating as a full democracy from the start, they continue to tighten their chops by busking regularly in a flea market in Jaffa.\u003c\/p\u003e","brand":"Batov Records","offers":[{"title":"Black | 7\"","offer_id":50529992114507,"sku":"1129549","price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a55a45e7-e3fb-4109-b156-81ccf345f6c6_thumbnail_4096.jpg?v=1728069817"},{"product_id":"tension","title":"Tension","description":"\u003cp\u003eEthio-jazz pioneer \u003cstrong\u003eMulatu Astatke\u003c\/strong\u003e joins the Hoodna Orchestra, Tel Aviv’s number one Afro funk collective, melding his enchanting vibraphone playing with their brass heavy force across seven original compositions that pay tribute to the classic Mulatu sound while forging fresh paths.\u003c\/p\u003e\n\n\u003cp\u003eProduced by and featuring Dap-King Neal Sugarman, the results are gritty, yet majestic, soulful and uplifting.\u003c\/p\u003e","brand":"Batov Records","offers":[{"title":"Black LP","offer_id":50531285270859,"sku":"2220237","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"Red LP","offer_id":50531285434699,"sku":"2220239","price":27.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":51032767955275,"sku":"2237511","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Tension_21f4a279_thumbnail_4096.jpg?v=1728102846"},{"product_id":"desert-rose","title":"Desert Rose","description":"\u003cp\u003eOn their debut 45 for Batov Records, Indonesia-based Babon deliver two irresistible jams, cooked from a recipe full of Indonesian flavours, Afro Latin funk, Morricone grooves, Bollywood breaks and blues, they call “Tropical Desert Music”. A must-hear for fans of Surprise Chef, Khruangbin, or Sababa 5. \u003c\/p\u003e\u003cp\u003eDrummer Wahyudi T. Raupp and multi-instrumentalist Rayi Raditia, friends since high school in Jakarta, via university life in Melbourne, formed Babon in 2023 to address environmental issues through instrumental music, thus combining two mutual passions.\u003c\/p\u003e\u003cp\u003eWorking in their home studio free of time restraints, Babon developed their “Tropical Desert Music’’ sound, mixing the energy and influences of Melbourne’s vibrant music scene, with traditional Indonesian forms, from the pulsating rhythms of dangdut, and gamelan, the ritualistic percussion ensemble music native to Java and Bali, to keroncong, a popular and melodic folk style; while addressing environmental concerns and societal complexities, such as the impact of ruthless exploitation on tropical regions.\u003c\/p\u003e\u003cp\u003eOn the A-side, “Desert Rose” is a spaghetti blues dedicated to the widows marginalised and objectified by mine workers. Rayi’s electric guitar gently wails with the cinematic effect akin to a Tarantino soundtrack, over a hypnotic groove that never grows tired.\u003c\/p\u003e\u003cp\u003eOn the flip, “TNT” explores the moral dilemma faced by a miner torn between the destructive nature of his occupation and the dire financial needs of his family, leading to a downward spiral of alcohol abuse. Slowly raising tension levels, \u003c\/p\u003e\u003cp\u003eBabon pit somber organ riffs over bass guitar fuzz and Indonesian-sounding guitar motifs, leading to a final explosion\u003c\/p\u003e\u003cp\u003eof guitars and drums. Babon’s “Tropical Desert Music” perfectly complements Batov Records’ rich catalogue of Middle Eastern grooves and is an irresistible sound its own right with a poignant message.\u003c\/p\u003e","brand":"Batov Records","offers":[{"title":"Black 7\"","offer_id":50940031762763,"sku":"2230668","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Babon_-_Desert_Rose_-_BTR101_-_Packshot_5d9d22eb_thumbnail_4096.jpg?v=1733462956"},{"product_id":"shehzadi-shhjaadii-ranjha-raanjhaa","title":"Shehzadi -  \/ Ranjha -","description":"\u003cp\u003eRenowned for their instrumental releases that fuse traditional and contemporary Middle Eastern music with psychedelic rock, funk, and disco, Sababa 5 have also pushed boundaries in collaborations with vocalists such as Shiran Tzfira, Yurika Hanashima, and Inbal Nur Dekel. These efforts have won them support from the likes of Gilles Peterson, Cerys Matthews, and Jeremy Sole, on BBC Radio 6 Music and KCRW. Now, the band joins forces with Sophia Solomon for their latest musical exploration.\u003c\/p\u003e\u003cp\u003eBorn in Bengaluru, South India, and trained in Hindustani classical music in Mumbai, Sophia Solomon is a versatile, multilingual singer, recording artist, and live performer, drawing inspiration from Bollywood legend Asha Bhosle. A standout moment early in her career - a global tribute to Mahatma Gandhi - ignited her passion for bridging musical traditions across cultures.\u003c\/p\u003e\u003cp\u003e“Shehzadi” (“Princess”) is an Indo-disco delight. Solomon’s Hindi vocals soar effortlessly across Sababa 5’s finely balanced arrangement of hypnotic drums, pulsing electric bass, fanning electric guitar, and sparkling synths in a beguiling minor key. There’s a strong hint o 80s nostalgia with a contemporary shine, evoking a Stranger Things meets Bollywood charm.\u003c\/p\u003e\u003cp\u003e\"Ranjha” (“Lover”) takes on a more Middle Eastern feel, with synth notes that undulate with longing and emotion, reminiscent of traditional instruments like the saz or baglama. The upbeat groove pairs seamlessly with Solomon’s dynamic, hope-filled vocals. Well-timed pauses add dramatic flair, while Sophia’s performance allows space for an exuberant synth solo.\u003c\/p\u003e\u003cp\u003eThis exciting collaboration marks another bold turn for Sababa 5, infused with new life through Sophia Solomon’s artistry. “Shehzadi” and “Ranjha” represent a fruitful exchange of cross-cultural musical exploration, destined to be played on repeat far and wide.\u003c\/p\u003e","brand":"Batov Records","offers":[{"title":"Black 7\"","offer_id":51065396560203,"sku":"2238568","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/777f8a5e-d19f-b9bc-a19b-14cc56477916_9da686b2_thumbnail_4096.jpg?v=1736421484"},{"product_id":"aylar","title":"Aylar","description":"\u003cp\u003eŞatellites blast back into orbit on Aylar delivering a bold evolution on the psychedelic folk-meets-groove sound they established on their acclaimed debut album.\u003c\/p\u003e\u003cp\u003eHeavily influenced by the wave of psychedelic rock fused with traditional folk music that swept across Turkey in the 60s and 70s, Şatellites’ self-titled debut album received international acclaim. The record earned support from outlets such BBC Radio 6 Music and FIP in France, and were invited to record live sets for both Gilles Peterson’s Worldwide FM, and KEXP in Seattle.\u003c\/p\u003e\u003cp\u003eAfter two years of touring, this cohesive and reinvigorated lineup entered the studio with renewed purpose and closer musical bonds. \u003ci\u003eAylar\u003c\/i\u003e (Turkish for “moons” or “months”) showcases more ambitious arrangements, extended compositions, intricate harmonies, and unexpected twists, reflecting the band’s commitment to innovation and their passion for the original wave of Turkish psychedelic music.The album opener, “Tisladi Mehmet Emmi” serves as a gateway to their expanded sound. This reimagining of a traditional Türküler—a Turkish folk song by the prolific saz-playing singer-poet Aşık Ali Doğan—transforms it into a modern psychedelic funk masterpiece. Kluger’s saz and Mishali’s synths intertwine seamlessly, underpinned by Ariel Harrosh’s infectious basslines and Yaish’s dramatic drumming, all culminating in Rotem’s husky, emotive vocals. Lyrically, the track narrates two elderly men lamenting the state of the world—a timeless theme.\u003c\/p\u003e\u003cp\u003eOne of the album’s standout surprises, “Midnight Sweat” reveals a darker, sultry side of the band. Rotem delivers a steamy late-night lullaby over a slinky disco-rock groove. Developed collaboratively, the track began as a sketch by bassist Ariel Harrosh, before Itamar added a melody and Rotem crafted lyrics in Turkish. The song tells a passionate love story, punctuated with sensual imagery.“Hot Jazz” ventures into cinematic territory, as the band flexes their jazz and funk chops. The hard-hitting groove is destined to energise breakdancers. The bağlama and flute riffs, steeped in minor scales and modal nuances, infuse the track with a distinctive Middle Eastern character.\u003c\/p\u003e\u003cp\u003eElsewhere, \u003ci\u003eAylar\u003c\/i\u003e delivers genre-bending highlights such as “Gizli Ajan”, which opens with a percussive intro reminiscent of the Incredible Bongo Band’s “Bongolia.” This instrumental jam has become a live favorite. “Yok Yok” reinterprets an Erkin Koray classic with a prog-tinged punk-rock flair, transitioning through four distinct sections before concluding with a rousing 9\/8 Zeybek rhythm.\u003c\/p\u003e\u003cp\u003eThe album’s most ambitious cover is their cosmic folk-funk rendition of Hakki Bullut’s ballad “Ikmiz Bir Fideniz” is followed by the original instrumental “Beş Kardeş” (“Five Brothers”), a smoky, 5\/4-time piece led by Itamar’s reverb-drenched bağlama.\u003c\/p\u003e\u003cp\u003eThe album closes with a dynamic duo: “Zülüf Dökülmüs Yüze” a cosmodelic disco-fuzz take on a classic Türküler by Neşet Ertaş, and “Zülüf B (Reprised)”, which deconstructs and reassembles the groove. 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A cinematic journey through groove, nostalgia, and diverse cultural soundscapes, the album showcases Romano’s rich musical heritage and cutting-edge creativity, building a unique sound worldwide from influences as vast as funk, disco, reggae, to Latin America, the Balkans and particularly the Middle East.\u003c\/p\u003e\n\u003cp\u003eInitially, Lior found joy in creating music alone, crafting his own beats, bass lines, and lead parts. However, his musical journey evolved as he began collaborating with others, discovering the magic of playing with fellow musicians. This newfound dynamic transformed his approach, leading him to work alongside a diverse range of talent. He eventually went on to tour with internationally renowned artists such as Ester Rada, and Yossi Fine (David Bowie). These experiences saw him perform at iconic venues and festivals around the globe, opening for superstars like Alicia Keys and Sting. He also recorded with likeminds, such as Sababa 5, before launching his own group, Baharat, known for their distinctive take on Middle Eastern surf music. \u003c\/p\u003e\n\u003cp\u003eHowever the constant travelling took its toll and Lior retreated into his own world at home, full of vintage synthesizers, and slowly, with the occasional guest, built up a library of irresistible grooves, bridging all his seemingly disparate influences into a playful new world - one hard to place geographically, stylistically or even in a particular time - nostalgic yet timeless. Romano’s upbringing in a multicultural family certainly shaped \u003cem\u003eGüle Güle\u003c\/em\u003e into a crossroads of sound. From Turkish flatbreads to Ethiopian border rhythms, each track draws deeply from personal and global traditions. “Guzleme” layers vintage synths, disco-influenced bass lines, and Babe Ruth-meets-Morricone guitar breaks, evoking nostalgic memories of old movies and 1970s Loft-era disco parties. \u003c\/p\u003e\n\u003cp\u003eTitle track “Güle Güle”, Turkish for goodbye, encapsulates the album’s personal meaning for Romano as he says farewell to his previous life as a globetrotting keyboardist and welcomes his new role of a keyboard-obsessessive artist. Funky synth bass lines are layered with bubbling motifs, underpinned by rhythmic Greek-like clapping and buoyant Balkan accordion, exuding an infectious energy. “Debka Strut”, meanwhile, marries New Orleans grooves with Arabic scales. 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Their latest release is a testament to their boundary-pushing spirit, offering a soundscape that is both otherworldly and deeply rooted.\u003c\/p\u003e","brand":"Batov Records","offers":[{"title":"LP - Red and White Splatter","offer_id":58111866306891,"sku":"R8120-4168","price":26.99,"currency_code":"GBP","in_stock":true},{"title":"LP - Black","offer_id":51707146142027,"sku":"R8120-0871","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/unnamed_40.jpg?v=1745574088"},{"product_id":"electro-baghdad-lyktrw-bgdd","title":"Electro Baghdad - اليكترو بغداد","description":"\u003cp\u003e‘Electro Baghdad’ expands on the ideas explored on the duo’s self-released 2023 debut EP ‘Electro Hafla, and builds upon Shiran's solo work, which earned her a Songlines “Top of the World” award and widespread praise for her expressive voice and dynamic reinterpretation of traditional Yemeni music - an influence drawn from her maternal heritage.\u003c\/p\u003e\n\u003cp\u003eBoth born to half-Yemeni, half-Iraqi parents in Israel, Shiran and Bakal’s music reflect their diverse heritage. 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Traditional Middle Eastern instrumentation, such as the stringed qanun, ney flute, and handclapped Dabke-like percussion, intertwines with driving electronic basslines, bridging past and present.\u003c\/p\u003e\n\u003cp\u003eAlbum opener “Sghayiroun” (Little One) is a tender and poetic reflection on love, separation, and longing. It speaks of missing a younger loved one “dearer to us than our whole family,” with lyrics so poignant they declare, “I swear I’ll sew my eyes shut until they return”. This emotional weight is counterbalanced by a hypnotic mid-tempo groove, driven by a pulsating bassline and adorned with saz-like synths, making it one of the album’s most mesmerising tracks.\u003c\/p\u003e\n\u003cp\u003eAnother highlight, “Eshrab Kasak Wethanna” (Drink Your Glass and Be Happy), embraces joy despite the pain it took to reach it. The lyrics toast to resilience: “Drink, my love. My family turned against me because of you, and people told me to leave, but I stayed”. The song celebrates choosing happiness even when others don’t understand your love, blending heartache and warmth in a way that feels deeply real. Bakal’s electronic production builds an immersive world, where lovers can dance the night away, untouched by the judgement of others.\u003c\/p\u003e\n\u003cp\u003e“It’s a personal album for us, connecting past and present, tradition and future – but also something that can move people physically and emotionally,” say SHIRAN and Bakal. 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The title, Nadir, is an astronomical term referring to the point on the celestial sphere directly beneath an observer, diametrically opposite the zenith. Metaphorically, it signifies the lowest point or a moment of adversity. This duality resonates with the band's exploration of contrasting musical themes—melding the cosmic and the terrestrial, the ethereal and the grounded.\u003c\/p\u003e\n\u003cp\u003eThe name encapsulates the album's essence, reflecting a journey through deep, introspective soundscapes that are both otherworldly and rooted in raw, earthly grooves. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNadir\u003c\/em\u003e opens with “VU” - close to four minutes of mysterious, darkly seductive, rhythm-driven funk. Swirling guitars, an Arabesque electric organ, and raga-like drones evoke the haze of a smoky Cairo bar, while the track nods to their close musical kin, vuvuvu, whose raw, noisy, and playful energy has rubbed off on the band.\u003c\/p\u003e\n\u003cp\u003eThe title track itself conjures the sultry ambiance of a Mediterranean night, plunging listeners into a realm of intrigue and intensity. A brooding bassline sets a suspenseful tone before a synth-led melody, laced with Italian motifs and Middle Eastern tonalities, unfolds— recalling the cinematic flair of soundtrack legends like Piero Umiliani and Stelvio Cipriani. Subtle wah-wah guitar accents add a psychedelic touch, echoing the acid rock elements of classic Poliziotteschi scores. \u003c\/p\u003e\n\u003cp\u003eHowever, not all tracks dwell in darkness; “Tell” sports a brighter tone reminiscent of ‘Aspan’. 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The songs on ‘Give Me Disco - Vol. 1’ were born in Naples. Collaborators Jan Janzen and Niklas Mündemann enlisted the production expertise of Pellegrino S. Snichelotto — founder of Early Sounds Recordings, former Nu Genea producer, and a key architect of the Neapolitan funk renaissance, to further refine their sound. \u003cbr\u003e\u003cbr\u003eThe Neapolitan connection shines brightest on opener “Gino”. Gentle, breeze-like percussion interlocks with a gorgeous guitar line and a buttery bassline, laying the foundation for a seductive Neapolitan-style vocal. Flute and synth flourishes are the icing on the cake. Things crank up a notch on “Senza Benza”. This uptempo, largely instrumental track fuses Afro disco rhythms with Azymuth-esque synths. The relentless groove hardly lets up, save for a brief, wordless vocal break. 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Drawing on Moroccan Gnawa, Colombian cumbia, Afrobeat, Jamaica dub and roots, and cosmic jazz, the six-piece ensemble create deep, hypnotic music rooted in global traditions and shaped for contemporary dancefloors.\u003c\/p\u003e\n\u003cp\u003e“Magic Plant” distills the band’s signature blend of hypnotic grooves, lush percussion and woozy synths, like Jimi Tenor lost in the Colombian Amazon. A dreamlike, dub-infused trip driven by organic rhythm and cosmic textures. “Huachuma” picks up the thread, fusing Afrobeat percussion, swirling basslines and psychedelic flourishes into a hallucinogenic jam made for a tropical dancefloor.\u003c\/p\u003e\n\u003cp\u003e“High Grow” conjures images of The X-Files set in Addis Ababa, with Ethio- jazz-style synths dancing and tripping across a relentless Mulatu-inspired bassline and Afrobeat drums, all drenched in foreboding dub delay. 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This time, they team up with two very different artists on two distinct tracks built from the same hypnotic groove: soulful Turkish alt-pop sensation Canay Doğan and reed flute specialist Itzhak Ventura.\u003c\/p\u003e\n\u003cp\u003eAfter four albums and a strong run of 45s and EPs, plus support from tastemakers like Gilles Peterson, Cerys Matthews, Gideon Coe and Jeremy Sole, Sababa 5 lay down a cinematic, slow-burning groove built for hazy summer days. Raz Man’s crisp drumming locks in with Amir Sadot’s psych-soul bassline.\u003c\/p\u003e\n\u003cp\u003eOn “Gaip”, returning collaborator Canay Doğan brings her emotive and distinctive voice, turning the groove into a deep psychedelic soul cut. The feel recalls the kind of Turkish soul Leon Michels (El Michels Affair) has helped craft with Derya Yıldırım \u0026amp; Grup Şimşek. The title, borrowed from Arabic, refers to “the unseen” or “the unknown”. “This is our second time working with Canay”, say the band. “She brings bold energy, deep emotion, and a voice that really stands out in Turkish music”.\u003c\/p\u003e\n\u003cp\u003eOn the flip, “Seher” takes the same groove somewhere else entirely, featuring the haunting tones of the ney – a reed flute found in Persian, Turkish, Jewish and Arabic music – played by Itzhak Ventura. “Seher” means “dawn” in Turkish, and the track captures that quiet, mysterious moment before sunrise. “That feeling is deeply present in this track”, say the band, “stillness, awakening, and a touch of mystery”.\u003c\/p\u003e\n\u003cp\u003eThough they share the same root groove, “Gaip” and “Seher” explore different moods and textures – two individual pieces that complement each other while standing firmly on their own. 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The laid back jazz organ, subtle Latin touches and Gretchen’s carefree vocals carry an irresistible charm. \u003c\/p\u003e\n\u003cp\u003e“Besos en La Playa” takes the listener further across the continent into a more pronounced Latin jazz mode, with Spanish lyrics whispering romantic beachside tales.\u003c\/p\u003e\n\u003cp\u003eThe EP closes on the slow-building, “Dom Dom”, gradually blossoming into an epic vocal crescendo, drawing reflections of Stereolab and Zero 7. 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Still oozing with soul, and nods to not only African funk and hip hop but strong modern references, including electronic pop favourites Jungle By Night and cosmic groove merchants Khruangbin. \u003c\/p\u003e\n\u003cp\u003eThe album commences with lead single “Loving You”, a heartwarming yet almost melancholy groover simultaneously recalling both classic soul, and the contemporary soul of electronic maverick Jitwan’s “Opendoors”. Held to earth by a steady mid-tempo snare-and-tambourine rhythm, whilst the irresistible harmonising between voice and horn threatens to lift it off the ground as the vocal slowly unfolds. “In My Delir” follows perfectly. Featuring South African singer and KEXP fave, Petite Noir, and shaped in collaboration with Muito guitarist Benjamin Schneider, the song opens with a beguiling guitar riff that melts through the speakers like a disintegrating highlife loop. 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Across eleven tracks, Hazan deepens his exploration of layered grooves, spiritual melodies, and experimental textures, resulting in his most expansive and personal statement to date. The album’s title embodies Hazan’s experience of being tested by life when multiple challenges arrived at once - musically, personally, and physically. A painful period in which he was unable to play double bass or guimbri due to joint issues became the spark for rediscovering the electric bass, reconnecting him with an instrument he had set aside personal projects for years.  \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe record documents this transition, capturing the tension between struggle and renewal. The opening track,“Kolot”, was born from a half-forgotten session with Ethiopian saxophonist and vocalist Abate Berihune, re-emerging years later as something entirely new. 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Hazan draws influence from Malawian one-man-band Gasper Nali, the spiritual openness of his recording sessions with legendary drummer Hamid Drake, and years of improvisational collaborations across jazz and global traditions. ‘When It Rains It Pours’ captures Shay Hazan at a turning point: confronting physical and personal limitations, yet finding new creative channels in response. By leaning into bass, guitar, and studio experimentation, Hazan has crafted an album that feels at once urgent, meditative, and transformative, a body of work that situates him firmly among today’s most adventurous voices in spiritual jazz and beyond.\u003c\/span\u003e\u003c\/p\u003e","brand":"Batov Records","offers":[{"title":"LP - Black","offer_id":53722307625291,"sku":"R9107-6653","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/ee1a8490-e16d-4afd-cf6d-0f98d6906196.jpg?v=1761321929"},{"product_id":"ca-va-ca-va","title":"Ca Va Ca Va","description":"\u003cp\u003eWith four albums already behind them, Sababa 5 have earned global support, from Songlines magazine and BBC Radio 6 Music tastemakers including Gilles Peterson, Jamz Supernova and Iggy Pop to France’s FIP Radio and Radio Nova, for their unique blend of traditional Middle Eastern celebration music with psychedelic grooves, funk, jazz, rock, and international vocal collaborations spanning Japan to India. The Paris-based group have taken this sound to stages across Europe, including Reeperbahn Festival and Dresden’s Super Fest.  \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eÇa Va Ça Va\u003c\/em\u003e is the band’s hafla album – a return to the wedding and event celebration music that first shaped Sababa 5. Recorded in Paris, it draws directly from the sounds of hafla – the joyful, communal music heard at Middle Eastern weddings, parties and festive gatherings – with a sprinkling of influences from the wider Mediterranean. The group utilise their classic combination of electric guitar, bass, drums, organ, and synths to transform these ideas into vibrant melodies, dance-ready rhythms, and a spirit of abundance and  \u003cbr\u003etogetherness.  \u003c\/p\u003e\n\u003cp\u003eOpening track “Bienvenue” sets the tone with a mysterious, longing guitar solo before bursting into an irresistible rhythm and jubilant guitar motif. It flows seamlessly into “Allô”, straight into wedding-riot territory – a fast-rising instrumental that showers the dancefloor with energy as it builds around a hypnotic, arpeggio-driven riff. The album is almost entirely original material, with two key exceptions: “Ypárcho” (I Exist), a beautiful instrumental journey inspired by a classic Greek song traditionally performed by Stelios Kazantzidis, and “Asunsan”, an instrumental flip of the much-loved Sababa 5 collaboration “Nasnusa” with Yurika Hanashima. Another impressive step in the Sababa 5 story, \u003cem\u003eÇa Va Ça Va\u003c\/em\u003e captures both joy and longing – the unmistakable warmth of Eastern Mediterranean celebration and the band’s surf-rock edge – sounding more confident, spirited and deeply rooted than ever.  \u003c\/p\u003e","brand":"Batov Records","offers":[{"title":"LP - Black","offer_id":56128613122379,"sku":"R1684-8887","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/unnamed-2025-12-16T143906.206.jpg?v=1765895954"},{"product_id":"naja-bazaar","title":"Naja \/ Bazaar","description":"\u003cp\u003eZherav unleashes hypnotic Middle Eastern grooves on Naja \/ Bazaar 45 for Batov’s highly collectable 45 series.\u003c\/p\u003e\n\u003cp\u003eNew Zealand-based producer ZHERAV announces his debut release,Naja \/ Bazaar, a double single and 45 on Batov’s Middle Eastern Grooves series. The record fuses psychedelic rock, hypnotic rhythms, and electronic production influences, creating a sound that moves between swung grooves and cinematic, reverb-soaked textures.\u003c\/p\u003e\n\u003cp\u003eZherav draws from his background in house and techno, layering live guitar, bass, and synths over programmed drums. “I had a production template for house music on Ableton” he explains, “and I thought about how to switch to this Middle Eastern sound using the same format”. Most of Zherav’s tracks developed through improvisation - starting with programmed drums, then experimenting around scales on instruments until something works. Zherav has already received support from independent radio in Australia and New Zealand, and encouragement from international artists like Ko Shin Moon.\u003c\/p\u003e\n\u003cp\u003eBoth tracks explore Middle Eastern scales, bringing a distinct flavour to the grooves, while maintaining Zherav’s signature hypnotic layered sound. Zherav had something in mind related to snakes and their charmers when creating the A-side, Naja (“Indian Cobra”). An ominous bassline loops repeatedly over snapping drums and percussion, whilst ZHERAV improvises guitar riffs and effects over the top.\u003c\/p\u003e\n\u003cp\u003eThe B-side, Bazaar, evokes the bustling, nocturnal imagery of a Middle Eastern market at night. Again, shaped organically through improvisation and analogue texture, but at a faster pace. Flutes and percussion introduce the song before a pulsating bassline leads the way.\u003c\/p\u003e\n\u003cp\u003eLooking ahead, Zherav is exploring live\/DJ hybrid sets and collaborations with local musicians. 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The record is inspired as much by the cut-and-paste production techniques of Portishead and the Beastie Boys as by the legendary composers of le cinéma français and il cinema italiano.\u003c\/span\u003e\u003c\/p\u003e","brand":"Batov Records","offers":[{"title":"LP - Black","offer_id":56788760625483,"sku":"R8665-7042","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cdd48ddd-998a-6fdc-042e-2805c1118629.jpg?v=1773410888"},{"product_id":"dodehavet","title":"Dodehavet","description":"\u003cp\u003eKronstad 23 returns with \u003cem\u003eDødehavet\u003c\/em\u003e, the Norwegian quartet’s third album and first release on Batov Records. Continuing their instinctive, analogue-led approach, the record sits between cinematic jazz and psychedelic rock, threaded with Scandinavian folk and wider global influences. Recorded live to tape with minimal preparation and no modern studio intervention, \u003cem\u003eDødehavet\u003c\/em\u003e captures a band working on feel, interaction and momentum rather than polish or precision.\u003c\/p\u003e","brand":"Batov Records","offers":[{"title":"LP - Black","offer_id":57109396586827,"sku":"R5623-4056","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/333a1edc-ab42-2751-15c2-3b83f3c7a4de.jpg?v=1777022900"},{"product_id":"reverie-5","title":"Reverie","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\u003cem\u003eReverie\u003c\/em\u003e is the first full-length collaboration between Ori Kaplan and Lihu Melamed - a cinematic, soul-soaked LP that drifts between modal jazz, cinematic scores and psychedelic rock, released on Batov Records.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSaxophonist and producer Ori Kaplan is best known as a founding member of Balkan Beat Box, for his work with Gogol Bordello and more recently, Shotnez, while Melamed brings a deep studio craft honed over years as an engineer, producer and multi-instrumentalist. Together, they create a record that feels both ancient and immediate: music that evokes old biblical films, sun-bleached Western soundtracks and 70s jazz explorations, while remaining playful, spontaneous and deeply human.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere’s a strong cinematic undercurrent throughout Reverie. Think Charles Heston wandering through an Old Testament epic; Ennio Morricone soundtracking a desert horizon; Nino Rota scoring Fellini’s Rome; or Pasolini filming in Ethiopia. Minor-key strings, modal structures and unhurried grooves sit alongside echoes of Mingus and Yusef Lateef, with Ori’s baritone sax and flutes guiding the listener through shifting scenes and moods.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMelamed’s influence pulls in another direction: the spirit of 70s rock and psychedelia - The Doors, Woodstock, King Crimson – with organs, guitars and a sense of scale that balances Kaplan’s love of folk traditions, heavy percussion, Klezmer modes and Middle Eastern textures. The result is a careful blend of composition and instinct, where structure is often nudged aside in favour of feel.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eThe pair first met during recording sessions for Balkan Beat Box, with Melamed engineering the band’s sixth album. 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