{"title":"BBE","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFounded in 1996 by Peter Adarkwah\u003ca href=\"https:\/\/bbemusic.com\/artist\/peter-adarkwah\/\" data-internal-link=\"true\"\u003e\u003c\/a\u003e, Barely Breaking Even (BBE Music) started life as a London club night, taking its name from the eponymous Disco record by the Universal Robot Band. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA quarter of a century and well over 500 titles later, having worked with Mark Ronson, Roy Ayers\u003c\/span\u003e\u003cspan\u003e, Questlove, Hugh Masekela\u003c\/span\u003e\u003cspan\u003e, , RZA, Laurent Garnier, Black Coffee, DJ Shadow, David Rodigan and \u003c\/span\u003e\u003cspan\u003eJohn Morales among many others, BBE Music looks to the future, celebrating its rich heritage while continuing to release a bounty of fresh titles.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"planets-2","title":"Planets","description":"\u003cp\u003eSince 2018, BBE Music has been leading the field in reissuing rare modern jazz from Japan’s golden period spanning the late 60s to the early 80s. The J Jazz Masterclass Series continues to present the finest in Japanese jazz with Planets by Masaru Imada Trio + 1. Originally released in 1977 as a private press album, Planets showcases the refined playing and sophisticated compositions of one of Japan’s leading pianists, Masaru Imada. In a fifty-plus year career he has released over 40 albums, including several that have won awards from some of Japan’s leading music publications and has recorded with leading US jazz artists such as David Sanborn, Brecker Brothers, Steve Gadd, and Grover Washington Jr. Imada’s Bosendorfer piano is joined by the drums of Tetsujiro Obara and the bass of Kunimitsu Inaba, augmented by Yuji Imamura on percussion. The opening title track on Planets (featured on J Jazz vol 3) is a wafer-thin modal waltz, beginning with gentle bells and shells, followed by Obara’s deft brush work and Inaba’s hypnotically pliant bass that gives a discrete yet steady support to the gossamer melody from Imada-san’s piano. The other standout track is the suite, Sea's Pasture, an epic piece that undulates and heaves, like the dark endless ocean, rich with mystery and each side of the album ends with a solo piece on the haunting Bosendorfer. Planets comes with full reproduction of the original artwork with obi strip, extra photos, a translation of the original sleeve note and a 3000 word new sleeve note by Tony Higgins including an interview with Masaru Imada himself. The J Jazz Masterclass Series is curated by Tony Higgins and Mike Peden for BBE Music.\u003c\/p\u003e","brand":"BBE","offers":[{"title":"CD","offer_id":50384335733067,"sku":"2000991","price":17.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50384335929675,"sku":"2000992","price":34.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Planets_11a377ba_thumbnail_4096.jpg?v=1726295652"},{"product_id":"rainer-trueby-presents-soulgliding","title":"Rainer Trueby Presents Soulgliding","description":"\u003cp\u003eFormer member of A Forest Mighty Black and founder of Trüby Trio, Rainer Trueby presents his new compilation, \u003ci\u003eSoulgliding\u003c\/i\u003e, released on BBE Music. Starting life as a group on Facebook, ‘Soulgliding’ is a phrase coined by Rainer Trueby to describe the more languid, smoother side of 2-Step, Boogie, Modern Soul and even Jazz. This silky collection spans several decades and sums up what Soulgliding is all about: evocative airy music that feels like a dream-flight across a friendly sky.\u003c\/p\u003e\u003cp\u003eThis set of gliders has all the elements; from the slow (enough!) boogie of \u003ca href=\"https:\/\/www.bbemusic.com\/downloads\/first-flight\/\"\u003eC\u003c\/a\u003erystal Winds, to the jazzy excursions courtesy of Ambiance and Les Hooper, and a clutch of tunes that are closer to the original 2-Step blueprint from Demo Cates, Bridge, Cloud One and Donna McGhee. Then there are the eighties drum machine grooves of Patrice Rushen and Fifth Of Heaven and the ethereal beatless magic of Peter Brown’s \u003ci\u003eWithout Love\u003c\/i\u003e. A selection that manages to amalgamate plenty of obscurities without losing the essence, a selection which shimmers, soothes, inspires……glides.\u003c\/p\u003e","brand":"BBE","offers":[{"title":"CD","offer_id":50384408674635,"sku":"1082271","price":14.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50384409788747,"sku":"1082272","price":34.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/2a086080-73a3-43c1-9a10-8e22fcfb37ef_thumbnail_4096.png?v=1726298283"},{"product_id":"who-are-you-7","title":"Who Are You?","description":"\u003cp\u003eSoul Liberation was borne from the ministry of Tom Skinner, a former gang-leader turned evangelical preacher from New York City. Tom Skinner toured the United States doing revival-style “Crusades,” at first using local choirs and bands as his backup. He eventually decided to recruit a band dedicated to his Crusades from musicians that he had worked with on his tours. From these auditions Soul Liberation came to be, with its members hailing from New York and the Midwest. \u003c\/p\u003e\u003cp\u003eSoul Liberation toured with Tom Skinner full-time for twenty years from 1973 to 1993, doing about 260 gigs a year, in a variety of venues (high schools, colleges, prisons, wherever Skinner was preaching). When not on tour, the men of Soul Liberation shared a house in the Bronx, while the women lived with their families. The group finally split in 1993, as the members settled down into family life.\u003c\/p\u003e","brand":"BBE","offers":[{"title":"CD","offer_id":50394531332427,"sku":"2055586","price":17.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50394531791179,"sku":"2055588","price":34.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Who_Are_You_a9a2fde8_thumbnail_4096.jpg?v=1726442068"},{"product_id":"airto-flora-a-celebration-60-years-sounds-dreams-other-stories-2","title":"Airto \u0026 Flora - A Celebration: 60 Years - Sounds, Dreams \u0026 Other Stories","description":"\u003cp\u003eAirto Moreira and Flora Purim, the legendary King and Queen of Brazilian Jazz, have captivated audiences for over six decades with their vibrant albums and exhilarating live performances. With a dedicated global fan base including the UK's jazz funk and jazz dance scene to Japan's concert halls, the power couple continues to make waves in the industry – Flora's 'If You Will' (2022) album was even nominated for a Grammy! The duo met and came together musically in Sambalanço and the Sambrasa Trio. The mixture of Airto's rural Brazilian background and percussion talents and Flora's classical training and involvement in the underground Bossa Nova movement, created a unique blend of sounds that resonates across generations. They have not only collaborated with music legends like Miles Davis and Chick Corea but have also produced ground-breaking music alongside the likes of Hermeto Pascoal. Despite facing numerous challenges, including Flora's arrest and incarceration in 1974, the duo's close connection with friends-musicians like Thelonius Monk and Cannonball Adderley, their persistence and absolute passion for music have propelled them to the pinnacle of success. They worked with renowned musicians like Wayne Shorter, Jaco Pastorius, Herbie Hancock, Joe Henderson, McCoy Tyner, George Duke and producers such as Orin Keepnews and Creed Taylor. Having been a part of numerous prestigious ensembles, including Dizzy Gillespie's United Nations ensemble, Airto and Flora's journey is a testament to their innovation and devotion to their craft. This collection offers a glimpse of that incredible journey, showcasing their extraordinary talent and unique sound and it’s also the first comp scanning their 60 year careers Compiled by Straight No Chaser editor\/publisher Paul Bradshaw \u0026amp; Totally Wired Radio presenter Roberta Cutolo. Àṣẹ.\u003c\/p\u003e","brand":"Bbe","offers":[{"title":"LP","offer_id":50395913617739,"sku":"2164452","price":104.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_fee6a57e_thumbnail_4096.jpg?v=1726475396"},{"product_id":"reminicent-suite-4","title":"Reminicent Suite","description":"\u003cp\u003eAs the BBE Music J Jazz Masterclass Series hits its 19th title, the milestone is suitably matched by a collaboration between two giants of jazz brought together to deliver an exceptional album, working with a band of the very best Japanese jazz musicians. ‘Reminicent Suite’ by American pianist Mal Waldron and Japanese trumpeter Terumasa Hino was originally released in 1973 on the famed Victor label and was one of several Japan-only albums recorded and released by Waldron over a thirty-year period, most of which have never been available outside Japan. ‘Reminicent Suite’ comprises two extended tracks, both taking up a side each. The title track on Side A is composed by Waldron, and is a dark, brooding heavy groove typical of his early 70s sound. ‘Black Forest’ on side B is written by Hino and is a vivid and energetic piece, layered and textured with dense percussion and Hino’s signature trumpet tone. Mal Waldron started out in the early 1950s working extensively on the Prestige label with notable figures such as Gene Ammons, Jackie McLean and Charles Mingus. Most famously, he worked with Billie Holiday before leaving the States in the mid-60s and relocating to Europe where he established himself as a major figure working across many countries including France, Italy, and Germany, where he made his home in Munich. In 1969, Waldron recorded the first releases for two major European jazz labels, ECM and Enja, before visiting Japan on tour for the first time in 1970. Waldron instantly fell in love with Japan and, over the next three decades, extensively toured and recorded there for numerous labels. Terumasa Hino is one of the towering figures of post-war modern jazz in Japan. Coming to prominence via the Hideto Shiraki and Sadao Watanabe bands in the mid-60s, Hino soon emerged as one of the prime movers in new jazz generation that changed the direction of jazz in Japan. He explored a more open, freer, and improvised sound, mixing psychedelic and rock elements with freeform and post-bop jazz. Hino recorded for many of the leading jazz labels of the era including Columbia, Three Blind Mice, and East Wind and would go on to relocate to the US in the mid-70s, immersing himself with the leading fusion players of the New York scene including Larry Corryell, Mtume, Al Foster, Dave Liebman and many more. In the early 80s, Hino’s jazz funk tracks were dancefloor smashes on the UK jazz dance scene. Joining Waldron and Hino on ‘Reminicient Suite’ is a band made up of the very best Japanese jazzman of their day: Takeo Uematsu on sax, Terumasa’s brother, Motohiko Hino, on drums, and the legendary bass master, Isao Suzuki. Together, they deliver one of the very best albums of the era, a richly articulated and dynamic session that exemplifies the very best that the Japanese jazz scene was doing in the early 1970s. ‘Reminicent Suite’ is pressed on 200g vinyl presented in a gatefold sleeve plus obi strip, with new photos by Tadayuki Naito; translated original sleeve notes; and a 7500-word essay including interview with Terumasa Hino from Tony Higgins, co-curator of the J Jazz Masterclass Series. This is the first time this album has been available outside of Japan.\u003c\/p\u003e","brand":"Bbe","offers":[{"title":"Black LP","offer_id":50398986207563,"sku":"2173194","price":37.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50398987223371,"sku":"2173205","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_d8d68642_thumbnail_4096.jpg?v=1726500334"},{"product_id":"joy-hallelujah-2","title":"Joy (Hallelujah)","description":"\u003cp\u003eThere's a saying amongst the elders: \"Weeping may endure for a night, but joy comes in the morning!\" When you first hear the pulsating rhythms of \"Joy (Hallelujah),\" you realize that the darkness of the night has ended, and the glory of morning has arrived. Produced by the legendary DJ Marley Marl and lifted by the soulful lead vocals of House music empress Lady Alma and the powerful refrains of the iconic Kenny Bobien, \"Joy (Hallelujah)\" delivers nothing less than a pure soul-stirring, hand-clapping celebration. As gospel means glorious good news, and House denotes body jacking, heart pumping and high-energy rhythms, this union gives birth to a spectacular anthem that will serve as a reminder that all music can heal, inspire, convey thanks and give praise all at once. \"Joy (Hallelujah)\" is an expression of nothing but love!\u003c\/p\u003e","brand":"Bbe","offers":[{"title":"Black LP","offer_id":50399068160331,"sku":"2173195","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_5320af2a_thumbnail_4096.jpg?v=1726501229"},{"product_id":"reference-point-compiled-by-mark-gv-taylor-and-george-arthur","title":"Reference Point - Compiled by Mark GV Taylor and George Arthur","description":"\u003cp\u003eCurated by Reference Point residents Mark GV Taylor and George Arthur, this 15 track compilation album features tracks the pair have played at their peripatetic, Europe wide events since 2012. \u003c\/p\u003e\u003cp\u003eStretching from the 1970s to the present day the Reference Point compilation spans a whole range of genres, tempos, languages and grooves where the quality of music is paramount whether $1.00 bin records or $1000 rarities. Reference Point, 'a place to hear the music', is a truly trans-global album with music from Argentina, Brazil, Oakland, Detroit, Texas, London and more, including tracks from private press albums, from artists who have played at Reference Point events and from current artists such as MF Robots and Caixa Cubo. \u003c\/p\u003e","brand":"BBE","offers":[{"title":"CD","offer_id":50403130704203,"sku":"2047677","price":17.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50403131818315,"sku":"2047678","price":34.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/0197188075750_9b413e6a_thumbnail_4096.jpg?v=1726557955"},{"product_id":"roots-funkadelia-3","title":"Roots Funkadelia","description":"\u003cp\u003eFollowing the great success of BBE’s 2023 reissue of Remi Kabaka’s 1976 lost masterpiece 'Son of Africa' comes yet another neglected and hitherto-hidden slice of pure Kabaka goodness: 1980’s 'Roots Funkadelia'. While the 1976 album was recorded at Island Studios London, roots was recorded and mixed in L.A. in the midst of a golden period for the Motown studios, and the sheer quality of the mix shows in spades. An unexpected but welcome bonus is the appearance throughout of the ‘mean machine’- Motown artists the commodores’ brass section alter-ego. Released in 1980 on Polygram Nigeria with no international distribution deal, and lurking almost unnoticed in a handful of dedicated afro vinyl collections, this is the first-ever reissue outside Africa of an album that regularly fetches £500 plus on the ‘those who know’ market’.\u003c\/p\u003e","brand":"Bbe","offers":[{"title":"CD","offer_id":50425914130763,"sku":"2200587","price":17.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50425915048267,"sku":"2200593","price":34.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Roots_Funkadelia_370815d9_thumbnail_4096.jpg?v=1726795893"},{"product_id":"jazz-in-detroit-strata-concert-gallery-46-selden","title":"Jazz in Detroit \/ Strata Concert Gallery \/ 46 Selden","description":"\u003cp\u003eThe radical discovery by Amir Abdullah of 5 two-track master tapes in the care of Hermine Brooks – widow of innovative Detroit drummer Roy Brooks – of the Charles Mingus Quintet recorded live in Detroit at Strata Concert Gallery is cause for some serious celebration. These electrifying recordings took place during Mingus’ week-long residency in February 1973. They were broadcast live by drummer \/ producer and broadcaster Robert “Bud” Spangler for WDET FM – a public radio station dedicated to jazz – from Kenny and Barbara Cox’s multi-purpose home for Strata Records at 46 Selden. Entrance to the gig was $5 dollars in advance and $6 on the door.\u003c\/p\u003e\u003cp\u003eBy the early Seventies Mingus’ militant musings, volatile character and hugely innovative musical offerings had already earned him global notoriety. He’d played with the Bird, Dizzy, Max Roach, Duke Ellington and had released universally acclaimed albums as a leader like \u003ci\u003eBlues and Roots\u003c\/i\u003e, \u003ci\u003eOh Yeah\u003c\/i\u003e and \u003ci\u003eBlack Saint and The Sinner Lady\u003c\/i\u003e. This gig – one of a Jazz In Detroit series that also included Keith Jarrett, Tribe and Herbie Hancock – took place a few months after the release of Mingus’ “third stream” masterpiece \u003ci\u003eLet My Children Hear Music\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003eThe music on these tapes is blazing. According to the late Roy Brooks, the band – which included himself and fellow Detroit trumpeter Joe Gardner - had not long returned from playing two tours in Europe. Fresh to the quintet was stellar pianist Don Pullen and listening to these recordings Pullen’s church-driven power, blues sensibility and harmonic sophistication perfectly complements the bassist’s own vision. On tenor saxophone we have the soulful and innovative John Stubblefield. Like Pullen he was a recent recruit. Unfortunately, the saxophonist’s time with Mingus lasted a mere 5 months: “I got in a fight with Mingus and I shouldn't have done that. After that, I couldn't get arrested in New York.\" Ironically, when Sue Mingus formed the Mingus Big Band in 1992, to perpetuate her husband's legacy, Stubblefield emerged as a talismanic presence in the ensemble until he passed in 2005. Thanks to BBE, 180 Proof Records and Strata Records we can now tune in to WDET-FM and transport ourselves back to Detroit ’73, and get a taste of the furious energy and compositional sophistication of a unique and modern master at work in the most intimate of settings.\u003c\/p\u003e","brand":"BBE","offers":[{"title":"CD","offer_id":50428197110091,"sku":"1045374","price":37.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/447c9118-dc0a-4f50-9ce6-99f4c65c2e4b_thumbnail_4096.jpg?v=1726830727"},{"product_id":"dj-amir-presents-strata-records-the-sound-of-detroit-volume-1","title":"DJ Amir presents 'Strata Records-The Sound of Detroit' Volume 1","description":"\u003cp\u003eIn association with DJ Amir and 180 Proof Records, BBE Music presents 'Strata Records - The Sound of Detroit - Volume 1', a new compilation taking in just a few highlights from the short-lived but hugely influential jazz imprint.  With a raft of Strata material now entering entering the BBE Music catalogue for the first time, joining together with already-released gems such at the long-lost Charles Mingus live album 'Jazz In Detroit', we asked 180 Proof founder and Strata catalogue curator DJ Amir to compile a selection of tracks as an introduction to the uninitiated.  Over to DJ Amir to tell us more: ? I carefully selected my top-choice select tracks that have not been already bootlegged or comp'd in the past; from the well-known fan favourites, to the obscure, to the previously unreleased cuts. This is by no means an exhaustive and comprehensive compilation, but these are the songs that truly represent the catalog and help to tell the story of Strata. ? I thought it would be fitting to begin the compilation with one of my all-time favourites from the catalog, 'Beyond the Dream' by Kenny Cox, a spiritual groover, highlighted with the haunting mellotron strings and soulful vocals from Detroit legend Ursula Walker. And I absolutely love the ending, with the chanting of \"Vamonos Que Ya Fiesta Se Acabo\" (\"It's time to go because the party is coming to an end\")! ? When I originally issued the previously unreleased album 'Mirror, Mirror' by Sam Sanders in 2013, the track?'Face At My Window' that features an unknown vocalist instantly became a fan favourite thanks to its hypnotising vocals and mellotron strings. ? How could I not include my all-time track from Lyman Woodard, 'Saturday Night Special'? This track represents the best of that lo-fi jazz funk organ groove and bass combined, again, with those mellotron strings.? And after meeting Lyman in 2008, I became even more of a fan! His magnum opus that is 'Saturday Night Special' began my journey to re-introducing the world to the Strata label. ? After a chance discovery of a Strata master with only the letters 'TJ' written on the front, I took a chance and digitally transferred the master.? Unfortunately, the master was in awful shape, but what I discovered was truly a stunning recording!? At first, I thought I was listening to a young Shuggie Otis but then I quickly realised that I was not. TJ, armed with a basic drum machine, guitar, and incredibly infectious vocals, was able to communicate the pain and joy in his soul so clearly in tracks like 'Time Is Wasting'.  ? With further tracks from Kenny Cox featuring the Contemporary Jazz Quintet (CJQ), Larry Nozero (saxophone player on 'What's Goin' On' by Marvin Gaye), to the ever-elusive and spiritual deep Maulawi Nururidin, to a few previously unreleased gems from Ursula Walker, Mixed Bag, and the Soulmates, hopefully, you'll be inspired to dive deeper into the Strata catalog!  ? Enjoy! ? Amir\u003c\/p\u003e","brand":"Bbe","offers":[{"title":"Black LPx3","offer_id":50434211807563,"sku":"2009917","price":42.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_f2b99947_thumbnail_4096.jpg?v=1726886672"},{"product_id":"j-jazz-vol-4-deep-modern-jazz-from-japan-the-nippon-columbia-label-1968-1981-2","title":"J Jazz Vol. 4: Deep Modern Jazz from Japan - The Nippon Columbia Label 1968 -1981","description":"\u003cp\u003eWith J Jazz volume 4, the BBE J Jazz Bullet Train continues its journey traversing the expansive landscape of modern Japanese jazz. Volume 4 is the latest in the universally praised compilation series exploring the best, rarest and most innovative jazz to emerge from the Far East. Please take your seats for a first-class ticket to J Jazz central. This latest station stop off is with the famed Nippon Columbia label, one of the biggest labels in Japan, whose jazz output embraces every possible style imaginable. Focussing on the key years 1968-1981, J Jazz volume 4 sees compilers Tony Higgins and Mike Peden dig even deeper into their record collections and pull-out tracks that span styles ranging from solo to big band, jazz classical interpretations and heavy jazz rock, to febrile post-bop, white hot samba fusion, and modal psychedelic wig-outs. J Jazz volume 4 features icons such as drum master Takeo Moriyama, keyboard magi Hiromasa Suzuki, Fumio Itabashi, and Masahiko Satoh, and guitar wizards Kazumi Watanabe and Kiyoshi Sugimoto, alongside big band maestros and innovators Nobuo Hara and his Sharps and Flats, and Toshiyuki Miyama’s New Herd. Thunderous basslines nestle alongside glistening runs of electric piano, bubbling synths and air-tight drumming as the heavy psychedelic modal blues of Jiro Inagaki flows with the infectious samba grooves of Takashi Mizuhashi featuring Herbie Hancock; Shigeharu Mukai’s fusion funk epics take the music to another level and Mikio Masuda’s driving keyboard rhythms brings the heat to an incendiary dancefloor zone.\u003c\/p\u003e","brand":"Bbe","offers":[{"title":"Black LPx3","offer_id":50435137667403,"sku":"2143998","price":42.99,"currency_code":"GBP","in_stock":true},{"title":"CDx2","offer_id":50435129147723,"sku":"2143986","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/14687f2a-d8fb-48c7-8c06-dd6f6eb6f812_1feb6ce9_thumbnail_4096.webp?v=1726900253"},{"product_id":"j-jazz-free-and-modern-jazz-albums-from-japan-1954-1988","title":"J Jazz - Free and Modern Jazz Albums From Japan 1954 - 1988","description":"\u003cp\u003eBBE Music is thrilled to present \u003ci\u003eJ Jazz: Free and Modern Jazz From Japan 1954-1988\u003c\/i\u003e, a remarkable large-format book covering some of the deepest, rarest, and most innovative jazz music released anywhere in the post-war era. Compiled by Tony Higgins and Mike Peden, co-curators of BBE Music's acclaimed J Jazz Masterclass Series, the book also features a foreword by Japanese jazz icon, Terumasa Hino. \u003c\/p\u003e\u003cp\u003eThis is the first time a book of this type has been published outside of Japan and the first anywhere of this size and scale. It is a unique collection of over 500 albums of free and modern jazz released in Japan during a period of radical transformation and constant reinvention. An era that saw Japan return from the ravages of World War Two to become a global economic power and emerge as both a technological leader and an international cultural force. \u003c\/p\u003e\u003cp\u003eThrough a unique gallery of albums, J Jazz charts the development of jazz in Japan from the first stirrings of the modern jazz scene in the mid to late 1950s and on through the hard bop and modal jazz of the 1960s. It steers the reader into the radical directions of the 1970s when free jazz, fusion, post-bop, and jazz-funk opened up a growing number of Japanese jazz artists to a new global audience before consolidating in the mid to late 1980s with a musical scene that laid the path for the contemporary jazz generation to follow.\u003c\/p\u003e\u003cp\u003e Over 500 full-colour sleeves from many of the leading names in Japanese jazz sit alongside rare and private pressings that tell a story of constant change and musical exploration. J Jazz includes profiles of several leading record labels such as East Wind, Frasco, King Records, and Nippon Columbia as well as critical independents such as Three Blind Mice, ALM, and Aketa’s Disk.\u003c\/p\u003e\u003cp\u003e J Jazz includes interviews with celebrated jazz photographer Tadayuki Naito, and pianist Tohru Aizawa, bandleader on the totemic spiritual jazz album, Tachibana Vol 1, as well as free-jazz record collector and jazz musician Mats Gustafsson. \u003c\/p\u003e\u003cp\u003eThe book also features a chapter on albums by non-Japanese artists that only received a Japanese release, with collectible, rare, and obscure releases by figures such as Herbie Hancock, Miles Davis, Mal Waldron, Steve Lacy, and Art Blakey. J Jazz includes Japanese jazz charts from some of the world's leading jazz DJs including Gilles Peterson, Toshio Matsuura, Paul Murphy, and Shuya and Yoshihiro Okino. Among the specialist content is a feature on obi strips by record dealer and Japanese jazz expert, Yusuke Ogawa, plus a special article on Japanese Blue Note albums. \u003c\/p\u003e\u003cp\u003eAcross its 300-plus pages, J Jazz includes a detailed introduction contextualising the music, tracing the story of Japan's fascination with jazz back before the war. 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The release of her incredible debut album, \u003ci\u003ePush\u003c\/i\u003e, coincided with a surge in popularity for local female jazz singers such Kimiko Kasai, Yasuko Agawa, etc. that crossed over into the pop market. It was originally released by the now-defunct label, Yupiteru Records in 1978. Since then, it has been reissued a few times in Japan but recently, along with a surge of worldwide interest in old Japanese music, \u003ci\u003ePush\u003c\/i\u003e has been gaining a cult status among foreign music heads, with the price for an original pressing skyrocketing in the second hand record market. 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Taken from the rare 1978 private press album \u003ci\u003eIntroducing\u003c\/i\u003e by the Hideyasu Terakawa Quartet featuring Hiroshi Fujii, this private press gig recording was originally released in less than 100 copies. This BBE Music edition is the first time this very rare album has ever been reissued.  Led by saxophonist Hideyasu Terakawa alongside bassist Tetsuo Miura and drummer Aki- hiro \"Thunder\" Nakaya, the album was recorded live in concert as Terakawa stopped by at  the jazz spot DIG in Masuda City, Japan, on the first of a seven-day regional tour in October 1978. \u003c\/p\u003e\u003cp\u003eJoining the trio was the featured guest, vibist Hiroshi Fujii. According to Fujii, “a special label, Red Horison, released only this one album and it was sold at a few local record stores and available for sale when we played live. 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Five years after the release of his Sun Ensemble debut ‘Earthly Delights’, also reissued on BBE Music, spiritual jazz bassist and prolific composer David Wertman returned to the studio in 1983 to record the follow-up, \u003ci\u003eWide Eye Culture\u003c\/i\u003e. Now, thanks to David’s wife and musical partner Lynne Meryl, in this special deluxe edition of the album we’ve been able to include three more obscure independent releases by Wertman and Meryl, which bridge the gap between the two LPs. 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Ayers kept the master tapes in storage until Peter Adarkwah of BBE Records in London got wind of them, at which point they were collected on the aptly named Virgin Ubiquity. The songs feature all the different permutations of Roy Ayers’ band, which maintained a core philosophy through shifting rhythm sections and vocalists. The under appreciated Merry Clayton brings a husky edge to \u003ci\u003eOh What A Lonely Feeling\u003c\/i\u003e, \u003ci\u003eI Really Love You\u003c\/i\u003e and \u003ci\u003eWhat’s the T? \u003c\/i\u003eher earthy voice contrasting with the liquid textures of Ayers’ arrangement. Carla Vaughn was another of Ayers’ singing vixens, her sensual presence blending seamlessly into \u003ci\u003eBoogie Down, Mystic Voyage\u003c\/i\u003e and \u003ci\u003eTogether Forever.\u003c\/i\u003e Although performances here rich with detail, it is a pleasure to hear\u003ci\u003e I Just Wanna Give It Up\u003c\/i\u003e, an uncharacteristically spare arrangement that allows us to study the inner dynamics of the Ayers machine.\u003c\/p\u003e","brand":"BBE","offers":[{"title":"Black | LP | x2","offer_id":50471019905355,"sku":"1004133","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50471020134731,"sku":"1082319","price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/93518699-5841-4116-be6b-a20226d5264b_thumbnail_4096.png?v=1727388160"},{"product_id":"charity-begins-at-home","title":"Charity Begins at Home","description":"\u003cp\u003eBBE present another long-lost classic from the golden age of African music, from a figure who is still beginning to get his props internationally, Eji Oyewole. Born to a royal lineage in Ibadan, Prince Eji Oyewole has had a career as a flautist, saxophonist and sometime bandleader spanning well over half a century. He trained both in Nigeria and then at Trinity the prestigious music school in London, and his life as an itinerant musician also saw him living for extensive periods in Geneva, Hamburg and in Lyon. While for many years Fela Kuti (with whom Eji played) and King Sunny Ade commanded international attention to the exclusion of most other Nigerian musicians, as if there was only room for one Nigerian superstar at a time on the world stage, on the domestic scene things were very different. Eji was part of the huge craze for 'highlife', a generic term that in fact subsumed many different styles, united in their fusion of traditional west African forms with jazz influences and electric instruments, and in the bands' working practices as entertainers at the nation's numerous hotel \/ nightclubs. As this cracking album, recorded for EMI Nigeria at the tail end of the '70s and now remastered, reveals, Eji's version of highlife was even more distinctive than most, eschewing the usual emphasis on guitars for a brasher, horn-laden sound, seemingly influenced as much by American funk as it was jazz, and of course with the heavy percussive undertow central to most African music. This gave Eji a chance to shine, and there are some scorching solos as well as tight ensemble playing across the four lengthy (to ears accustomed to the three-minute pop song) songs. Eji also played piano on the session. The material has an element of social commentary (Oil Boom and Unity In Africa) and should help feed the seemingly insatiable appetites of the many who have been turned onto African music by the enterprising efforts of devoted collectors, labels and fellow fans. Surely one of the few musicians who has played with Fela, Miles Davis and Bob Marley, Eji Oyewole still plays regularly in Lagos, recently had an album of new material out with his current band The Afrobars, and has been a member of Faaji Agba, a super-group that has toured internationally and been dubbed 'the Nigerian Buena-Vista Social Club'.\u003c\/p\u003e","brand":"Bbe","offers":[{"title":"LP","offer_id":50471020429643,"sku":"394480","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50471020790091,"sku":"394479","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/31b5869a-5da1-4903-ab9f-e27f5eeb0726_thumbnail_4096.jpg?v=1727388187"},{"product_id":"i-got-it-dj-spinna-remix-bring-it-to-a-halt-jake-one-remix","title":"I Got It (DJ Spinna Remix) \/ Bring It To A Halt (Jake One Remix)","description":"\u003cp\u003eIt's fair to say that veteran Portland rapper Vursatyl has been making major waves of late, with praise and support for his 'Crooked Straights' coming from Kenny Dope, Okayplayer, 2DopeBoyz and Urb magazine among many others. Off the back of a world tour supporting the mighty Blackalicious and in response to popular demand, BBE press two very special new remixes on strictly limited 7\" vinyl. It features mixes from DJ Spinna and Jake One.\u003c\/p\u003e","brand":"Bbe","offers":[{"title":"7\"","offer_id":50471033405771,"sku":"397685","price":8.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/01318c8e-489b-4ddc-b425-f83f02a2fb4d_thumbnail_4096.jpg?v=1727388819"},{"product_id":"houston-talent-expo-82","title":"Houston Talent Expo '82","description":"\u003cp\u003eBBE release this highly sought after early 80's gem, originally created as a showcase project for young artists and composers by a community music organisation in Texas. Originally referred to as the 'Pop Music Lab', The Peoples' Workshop was formed in 1976 at Texas Southern University as a space for students to compose and perform, free from the constrains of Western classical music education. Swiftly gathering momentum, in 1980 the organisation was granted non-profit status and in 1983, moved off the TSU campus. The Workshop has since grown in size and scope, becoming the first Black-founded organisation to present shows in major performance venues around the Greater Houston area. Houston Talent Expo '82 features original compositions by members of The Peoples' Workshop, performed exclusively by musicians from Houston. The songs vary in style, but remain centered around gospel, funk and soul; music and lyrics with a powerful positive message. Many of the artists featured remain active today around the world, working with such acts as Alice Coltrane and The Charles Mingus Band among others. Houston Talent Expo '82 comprises a truly special collection of songs born from the struggle, true to the spirit of togetherness that underpins The Peoples' Workshop, written and performed by astonishing young talents.\u003c\/p\u003e","brand":"Bbe","offers":[{"title":"LP","offer_id":50471055655243,"sku":"396824","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e6a0afb3-a0eb-4db8-aa11-108f28f1508f_thumbnail_4096.jpg?v=1727389786"},{"product_id":"rim-arrives-international-funk","title":"Rim Arrives \/ international Funk","description":"\u003cp\u003eBBE release the first of two legendary 'lost' albums both previously available only as rare-as-hen's teeth private presses, from one Samuel K. Mfojo, the man known as Rim Kwaku Obeng. As well as heralding the arrival as solo artist of an exciting new drummer, the title of his 1977 debut, 'Rim Arrives', also makes reference to the long struggle Kwaku had in getting to that point. To say that he 'paid his dues' is an understatement! A member of one of Ghana's most popular bands, the Uhuru Dance Band, during a period when 'every song was a hit', the recording studios of LA were even more alluring to an aspirant musician, and he followed his bandmate, Duke Oketa, there for a session in 1973. Despite having hired a massive string section, Oketa failed to provide charts for the session, and it was postponed for a week, with Kwaku being asked to write them instead. He turned it around, pocketed $700, and won the admiration of Quincy Jones who was hanging out at A\u0026amp;M's studios and asked Kwaku to join him ... only to back off when Oketa intervened, threatening a lawsuit if Kwaku walked. That scuppered opportunity was as nothing compared to the disaster that next befell him: having flown to London with Duke's band, to record with 'a band called Traffic' and a young singer-songwriter called Joan Armatrading, Kwaku found himself marooned in the city without money, documentation or friends. Oketa had checked out of their hotel the first night, and had Kwaku's passport and luggage with him. Despite the sympathy of the hotel staff, he found himself on the streets, and thus in 1973 began a six-month period as a homeless, destitute, undocumented stranger. That Kwaku by chance managed to meet Armatrading, who helped him get his life back on track, by chance passing Ronnie Scott's where she was playing, was an even more unlikely twist in the fate of this promising young musician. He never found out why Oketa had abandoned him, but he fulfilled his promise, recording Rim Arrives in San Francisco in 1977. That year was the zenith of disco, and pretty much anybody who entered a recording studio that year cut a disco record. Rim was no exception, his Ghanaian rhythms tailor-made for the percussive energy that was fuelling the clubs of the day. With a mixture of hot LA session musicians and African emigrés, he cut an album that very much captures the spirit of its time. As well as kit drums, conga and an array of percussive instruments, the multitalented bandleader also played piano and clavinet on the sessions. Throw in some tight horn riffs, Fela-style call and response vocals, and you have an album that fits the current mania for both vintage African music and ever-more obscure disco perfectly. Cuts like Brushing Means Making Love, Gas Line and Believe In Yourself and have been tearing up dancefloors in the hands of specialist DJs for some time: now it's time for the rest of the world to catch up. Also included is 'International Funk', a very in-demand 12\" he recorded later as Rim and The Believers, with drum machines and synths in full 1980s effect! Serious Afro-disco heat here, with the originals fetching silly money, these records were overlooked at the time, with the glut of amazing music that characterized the era; but, nearly four decades on, it's fair to say that, Rim really has arrived.LP - Double LP with Download.\u003c\/p\u003e","brand":"Bbe","offers":[{"title":"LP","offer_id":50471060209995,"sku":"392976","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/4641aa64-d581-419e-a0cc-6750f78b0948_thumbnail_4096.jpg?v=1727390004"},{"product_id":"grow-slow","title":"Grow Slow","description":"\u003cp\u003eThere was once a young African princess who embarked on a huge journey in pursuit of her dreams. She arrived at a mystical island covered in clouds where she met a cunning wizard...  Sounds like the beginning of some Disney fantasy but the truth is not so different. The Princess is Sena who came from Accra, Ghana to a festival in the centre of Budapest, Hungary and met a musical wizard by the name of DJ Vadim... that was in 2005. What happened that night was the meeting not only of like minded souls, but the beginning of a future journey into sound and space. First came recordings for Vadim for the Soundcatcher album 'Talk To Me' (2007 BBE) which was much lauded by Gilles Peterson at the time... Which led to a long process of creating an album. Much happened in between. Each had many of their own adventures. Grammy Award shows, sell out arena shows for Sena's band in Hungary - Irie Mafia - plus the birth of her beautiful daughter Kekeli and the release of her second solo album 'Lots Of Trees' on French Soulbeats Records; world wide shenanagins for DJ Vadim with his groups, One Self, The Electric and many solo projects...  Perhaps a good analogy would be the perfect pasta. One needs both to cook it exactly, not too hard or too soft and also a complimentary sauce. It takes time, love, effort and good ingredients. What's the result, simple but delicious and what a perfect combination Sena and Vadim make also. Perhaps add some chile pepper to bring out the African funk mixed with London tricknology from the grimey east London hoods and that's what it sounds like. It's not just soul but has a peppery kick, a proud African roar with somewhat a Caribbean touch. Then again, that's the Dubcatcher Vadim bringing his bass and skank to the mix. This isn't rose tinted squeaky clean US R\u0026amp;B, this is a diamond in the ruff worldly spoken words, raps and emotions... Think Erykah Badu meets Damian Marley over the new upsetter hot steppa.\u003c\/p\u003e","brand":"Bbe","offers":[{"title":"CD","offer_id":50471105069387,"sku":"388298","price":12.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50471105298763,"sku":"388297","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/ddebf68a-6ee7-4477-b54f-fa4121330ded_thumbnail_4096.jpg?v=1727391282"},{"product_id":"kon-and-the-gang","title":"Kon and the Gang","description":"\u003cp\u003eObsessive, renowned DJ and leading light of the global edit scene, Kon knows a thing or two about good music. His latest project, Kon and The Gang, introduces a selection of tracks, remixes and edits that the Boston native has lent his golden touch to over the years. Featuring artists a la mode Truccy (Compost's Rainer Trueby and Corrado Bucci), Eli Escobar, Seven Davis Jr, Medlar and Thatmanmonkz, the album gives newcomers to the scene a fantastic taste of the DIY disco \/ throwback house revival which is currently taking the underground by storm. A mixture of effortlessly cool, slow slung disco and boogie and deftly edited dancefloor gems, 'Kon and The Gang' is sure to delight fans of soulful music old and new.\u003c\/p\u003e","brand":"Bbe","offers":[{"title":"LP","offer_id":50471148224843,"sku":"403046","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/dee8077c-7835-4e9f-8935-3101157b4853_thumbnail_4096.jpg?v=1727393083"},{"product_id":"timeless-closer","title":"Timeless \/ Closer","description":"\u003cp\u003eIntroducing Kon's forthcoming compilation album 'Kon and The Gang', BBE are delighted to present this 12\" sampler featuring two incredible cuts taken from the LP, as well as an exclusive remix from Caserta. Opening track 'Timeless' could hardly be more aptly named. Sublime, smokey piano touches on the intro give way to an uplifting, languid disco track, jammed full of sunshine. Catchy vocal snippets, rock solid bass and guitar licks build up the groove beautifully alongside Kon's trademark staccato, squelchy synth chord stabs.\u003c\/p\u003e","brand":"Bbe","offers":[{"title":"12\"","offer_id":50471148519755,"sku":"403032","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e5ce923d-86f7-49c1-a3f5-cc1cf4b3fe45_thumbnail_4096.jpg?v=1727393104"},{"product_id":"give-it-to-y-all-original-and-instrumental","title":"Give It To Y'All (Original and Instrumental)","description":"\u003cp\u003eRecord Store Day 2016 Release. Previously released on 2001's 'Petestrumentals' album, this fiery slice of authentic hip hop features Flipmode Squad's Roc Marciano and Wu Tang affiliated rapper Trife. One of the most respected producers in hip hop, Pete Rock's production on 'Give It To Y'All is special, even by his standards. An instrumental version is also included on the flip side of this strictly limited release. Very special artists packages, released on 7\" vinyl for the first time, exclusively for RSD 2016, strictly very limited.\u003c\/p\u003e","brand":"Bbe","offers":[{"title":"7\"","offer_id":50471169524043,"sku":"400501","price":8.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/30d22ea2-6250-4eda-84fe-f923475fab0f_thumbnail_4096.jpg?v=1727393918"},{"product_id":"rich-medina-presents-jump-n-funk","title":"Rich Medina Presents Jump n Funk","description":"\u003cp\u003eStarting life as a small New York event aimed at raising awareness for Fela Kuti's musical message, 'Rich Medina's Jump N Funk' party has now been rocking dancefloors across the globe for over 15 years. Honouring Fela's contribution to music as well as his political and cultural legacy, Medina has made his events a platform to celebrate Afro-Life across the Black Diaspora. With guests such as Wunmi, the cast of Fela! On Broadway, Asiko and Antibalas providing captivating live performances, Jump N Funk is so much more than a club night. In creating this compilation to represent the spirit of his events, Rich Medina has chosen an eclectic selection of undeniably afro-tinged, unashamedly life-affirming music. With most tracks either referencing, sampling or inspired by the great man, the record also includes material by Fela himself, as well as son Seun Kuti and long-time band member Tony Allen the inventor of the afrobeat set drum syncopation that is equally as notorious as Fela and his message... The album's artwork has been lovingly created by Lemi Ghariokwu, the fabled Nigerian artist who designed some of Fela's most iconic covers. From the record's sleeve to the music contained within, Jump N Funk is a cultural artefact with one foot in the past, the other in the future. An echo of Fela's message: a reminder to celebrate, to empower, to progress.2LP - Double LP with bonus 7\".\u003c\/p\u003e","brand":"Bbe","offers":[{"title":"LP","offer_id":50471169786187,"sku":"400461","price":32.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50471169917259,"sku":"400462","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/f7eec733-2ed8-4cc0-b0f9-f2ebca0eced9_thumbnail_4096.jpg?v=1727393949"},{"product_id":"from-the-archive-compiled-by-volcov","title":"From the Archive Compiled by Volcov","description":"\u003cp\u003eProducing under the moniker Isoul8, as well as teaming up with Domu under the Rima alias for the incredible jazz \/ fusion album 'This World', Volcov is a truly important player in the underground music scene. Remixing artists such as Frankie Valentine, Azymuth and Taylor McFerrin, running his two labels Archive and Neroli, as well as DJing all over the World has given Volcov a rare knowledge of soul, funk, disco and deep house music; knowledge which is very apparent throughout this album.\u003c\/p\u003e","brand":"Bbe","offers":[{"title":"CD","offer_id":50471186989387,"sku":"396825","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/43fcef7a-f4a4-42c6-8765-f12c0b4283f6_thumbnail_4096.jpg?v=1727394572"},{"product_id":"everything-happens-for-a-reason","title":"Everything Happens For A Reason","description":"\u003cp\u003eBBE present Kiko Navarro’s brand new solo album \u003ci\u003eEverything Happens For A Reason\u003c\/i\u003e. A highly respected artist for many years now, Kiko Navarro is a name synonymous with the Balearic House sound, thanks to his residencies at Space and Pacha as well as his countless productions and remixes. \u003ci\u003eEverything Happens For A Reason\u003c\/i\u003e displays a dizzying array of musical flavours, with guest appearances from DJ Spen, Boris Dlugosch and multi-instrumentalist Gabriele Poso, whose compilation \u003ci\u003eThe Language Of Tambores\u003c\/i\u003e is coming soon on BBE. Within a framework of warm, soulful House music, Kiko explores afro-latin rhythms, broken beats, nu-jazz and straight up Chicago-inspired acid. A deep re-imagining of Maze and Frankie Beverly’s 80s classic \u003ci\u003eTwilight\u003c\/i\u003e, irrepressible floor-filler \u003ci\u003eI Can Show You The Way\u003c\/i\u003e and a new orchestral version of 2007 classic \u003ci\u003eSoñando Contigo\u003c\/i\u003e are among the immediate highlights, but this album is so much more than the sum of its parts. \u003ci\u003eEverything Happens For A Reason\u003c\/i\u003e sees iko Navarro concentrating his wealth of experience curating and creating music into a highly potent and deeply personal soundtrack to his life and career so far.\u003c\/p\u003e","brand":"BBE","offers":[{"title":"CD","offer_id":50471238926667,"sku":"1007334","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e3cb6435-cc1e-4a5a-bf87-ea75c095acae_thumbnail_4096.png?v=1727396611"},{"product_id":"the-men-in-the-glass-booth-ground-breaking-re-edits-and-remixes-by-the-disco-era-s-most-influential-djs-compiled-by-al-kent","title":"The Men In The Glass Booth - Ground Breaking Re Edits and Remixes by the Disco Era's Most Influential DJs - Compiled by Al Kent","description":"\u003cp\u003eIn May 1976 a record was released that would have an unforeseen and lasting impact on the music industry \u003ci\u003eTen Percent\u003c\/i\u003e by Double Exposure was an early release on the New York independent label Salsoul Records. America was in the grip of a disco explosion with new clubs opening on a weekly basis; Salsoul saw what was happening and swiftly created a sound for their label, heavily influenced by the music then coming out of Philadelphia, aimed directly at New York’s dance-floors. Records like \u003ci\u003eSalsoul Hustle, Tangerine and You’re Just The Right Size\u003c\/i\u003e by The Salsoul Orchestra borrowed heavily from the beautifully orchestrated Philadelphia International records but added a more percussive, bass heavy depth that New York’s DJs loved. So what was so special about this particular single then? Double Exposure was, after all, just another band, \u003ci\u003eTen Percent\u003c\/i\u003e just another song; one of many “disco” records released that week. First of all Salsoul became the first record label to make a twelve inch single available to Joe Public - the exotic format was previously only available to DJs as promotional items or bought under the counter at certain record stores. Not only that though, the extended version was created by Walter Gibbons, a DJ at New York’s Galaxy 21 who’d built his reputation making exclusive versions of tracks to play in his sets. In 1976 it was unheard of for a DJ to set foot in a recording studio, being seen as little more than living jukeboxes by the serious music industry. Recording studios were strictly the domain of recording artists and producers so Walter found himself in a unique position, gaining access to a world no DJ had been granted before. Or so we thought...\u003cbr\u003e\u003ci\u003eThe Men In The Glass Booth\u003c\/i\u003e tells the full story. Featuring ground breaking re-edits and remixes by some of the Disco era's most influential DJs including Walter Gibbons, Bobby DJ Guttadaro, Tom Savarese, Jellybean Benitez, Tee Scott and John Luongo, this opulent release also includes a 40 page book which features exclusive photos and insights from some of the story's key figures.Package contains previously unissued versions of classictracks by pioneering DJs of the disco era.\u003c\/p\u003e\u003cp\u003e3CD - With 40 Page Booklet.\u003c\/p\u003e\u003cp\u003e5LP - Part A contains 40-page coffee table book telling the story of the DJ as remixer and featuring previously unseen vintage photographs.\u003c\/p\u003e\u003cp\u003e5LP+ - Part B contains a marvellous vintage style poster.\u003c\/p\u003e","brand":"Bbe","offers":[{"title":"LP | x5","offer_id":50471257014603,"sku":"1001370","price":69.99,"currency_code":"GBP","in_stock":true},{"title":"CD | x3","offer_id":50471257473355,"sku":"1001366","price":27.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50471257243979,"sku":"1001371","price":69.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/2f44f1b2-6da3-4d59-92c3-da50c620c1f3_thumbnail_4096.png?v=1727397429"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/collections\/test_f56a16bf_thumbnail_4096_63ba6448-0beb-4161-8339-7875faead849.jpg?v=1726295625","url":"https:\/\/shop.roughtrade.com\/collections\/bbe-1.oembed","provider":"Rough Trade","version":"1.0","type":"link"}