{"title":"Be With Records","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eBe With Records is a reissue record label that specializes in officially licensing and releasing vinyl records. They focus on making music available that is currently unavailable or has never been released on vinyl before. The label works closely with artists to ensure they have as much input as they desire.\u003c\/p\u003e\n\u003cp\u003eTheir mission is to bring *unreleased* gems and forgotten classics back into the spotlight, allowing music lovers to experience these timeless tracks in their original format. Be With Records carefully selects each release, ensuring the highest quality sound and packaging for collectors and enthusiasts alike.\u003c\/p\u003e\n\u003cp\u003eWith an extensive catalog spanning various genres, *artists* from Be With Records have gained recognition for their contributions to the world of music. From soulful melodies to funky beats, their releases offer a diverse range of sounds that appeal to a wide audience. Whether you're a seasoned collector or new to vinyl, Be With Records offers something special for everyone.\u003c\/p\u003e","products":[{"product_id":"drugs-3","title":"Drugs","description":"\u003cp\u003eSven Torstenson's notorious \u003ci\u003eDrugs\u003c\/i\u003e is a loopdigga's fever dream, bursting with breaks\nfor days and featuring possibly the most iconic cover of all library music's cult classics.\nFirst released in 1980, it's now a hyper-rare and seriously sought-after electronic\nalbum full of experimental soundscapes and samples just waiting to be flipped. It's\nboth terrifying and terrifyingly good. So much so, it's been brilliantly sampled by\nKendrick Lamar and Chance The Rapper.\n\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"LP","offer_id":50383265268043,"sku":"2051976","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/BEWITH136LP_e1eb88df_thumbnail_4096.jpg?v=1726266027"},{"product_id":"release-the-beast","title":"Release The Beast","description":"\u003cp\u003eRemastered for this vinyl reissue, Be With Records present this modern soul double-sider. Essential in every way. Breakwater’s earth-shattering \u003ci\u003eRelease The Beast \u003c\/i\u003eis unquestionably the standout song from their 1980 funk masterpiece LP Splashdown. It also came out as a now-hen’s-teeth-rare 7\" in the same year and when it came to putting it out as a 7\" again Be With just had to do it in a miniature version of the Splashdown sleeve. It’s one of the best album cover shoots of all time. For the b-side, it's backed with Breakwater’s biggest track: the quietly majestic gem \u003ci\u003eLet Love In\u003c\/i\u003e, another winner from the same LP.\u003c\/p\u003e\u003cp\u003ePossessing a sound and a feel that was lightyears ahead of its time, Release The Beast is a showcase for Breakwater’s phenomenal power-funk capabilities. The energy is astounding. It rips out of the grooves on a deep funk tip, with speaker-smashing, room-shaking drums competing with distorted funk-rock guitar, bumping bass and space-age synths. But it’s not without its compellingly haunting elements too. What else can we say? It’s a genius piece of music.\u003c\/p\u003e\u003cp\u003eAnd, yes, of course this is the tune Daft Punk sampled for their 2005 track \u003ci\u003eRobot Rock\u003c\/i\u003e. Let’s be blunt, they lifted the Philly act’s funk-rock vamping pretty much wholesale. But to be fair to them we wouldn’t have messed with the perfection of the original either and those Parisians shone a much- needed spotlight on an innovative band from the halcyon period of post-disco funk.\u003c\/p\u003e\u003cp\u003eOn the flip, \u003ci\u003eLet Love In\u003c\/i\u003e is a smooth, easy glide that demonstrates Breakwater’s superb, sophisticated musicianship. The tight horn section and irresistible bass make for an undeniable groove. However, it also reveals a depth to their lyricism that’s often overlooked. In these dark days, the sentiment of the opening lines is truly one to we should all take to heart:\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Black 7\"","offer_id":50383962046795,"sku":"1070423","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a4cce6e2-8ae0-444e-b11f-b4b58a418fb5_thumbnail_4096.jpg?v=1726280621"},{"product_id":"hard-candy-5","title":"Hard Candy","description":"\u003cp\u003eNed Doheny’s \u003ci\u003eHard Candy,\u003c\/i\u003e originally released in 1976, is widely considered the finest blue-eyed soul album of all time. It has long been a source of great frustration then, that this perfectly-formed Southern California masterpiece has been unavailable on vinyl for almost 40 years.\u003c\/p\u003e\u003cp\u003eBe With Records continues apace by marking its third release with the first officially licensed reissue of Doheny’s nautical classic. Perhaps most famously, this impeccably smooth set features the timeless “Get It Up For Love”, a wonderful example of mid-70s mid-tempo white-(hot)-funk.\u003c\/p\u003e\u003cp\u003eProduced by the legendary Steve Cropper, it featured a veritable who’s-who of the Laurel Canyon soft-yacht sound (JD Souther, The Eagles, Linda Ronstadt, the entire horn section for Tower of Power!) yet bombed mysteriously. It’s been a cult record since.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Black | LP","offer_id":50385187406155,"sku":"2180110","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Hard_Candy_3bc8760d_thumbnail_4096.jpg?v=1726309517"},{"product_id":"voices-in-harmony-the-kpm-reissues","title":"Voices in Harmony (The KPM Reissues)","description":"\u003cp\u003e\u003ci\u003eVoices In Harmony\u003c\/i\u003e was released in 1973 as “a selection of contemporary pop titles featuring voices, brass and rhythm”. We choose to describe this collection of works by Keith Mansfield and John Cameron as “a string-laced, harmony-drenched KPM classic”. From the bright, lilting harmonies of \u003ci\u003eLiquid Sunshine\u003c\/i\u003e to the melting flutes of \u003ci\u003eLoving Touch\u003c\/i\u003e and \u003ci\u003eGentle Persuasion\u003c\/i\u003e, this is warm, effervescent soul music for dreamy, idyllic moods. The supreme \u003ci\u003eHusky Birdsong\u003c\/i\u003e is so, so smooth, with its unrelenting bossa bassline and warm keyboards. \u003ci\u003eHalf Forgotten Daydreams\u003c\/i\u003e is a gorgeous wordless groove. As with all ten re-issues, the audio for\u003ci\u003e Voices In Harmony \u003c\/i\u003ecomes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. The same care has been taken with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.\u003c\/p\u003e\u003cp\u003eLP - Remastered 180 Gram Vinyl.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"LP.","offer_id":50387907674443,"sku":"1049703","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/3d7387ab-ddd7-4edd-a7ff-e925baea88f5_thumbnail_4096.jpg?v=1726338229"},{"product_id":"keep-on-lovin-me-turn-me-out-2","title":"Keep On Lovin’ Me \/ Turn Me Out","description":"\u003cp\u003eTwo seminal 12\" mixes of a pair of enormous tracks from The Whispers. Both\nboogie \/ street-funk flavoured, these sought-after versions have never been\npaired on the same record before.\nSide A features the notorious anthem “Keep On Lovin’ Me” whilst over on the flip you’ll find the outstanding, semi-\nslept-on “Turn Me Out”.\n\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"12\"","offer_id":50388356923723,"sku":"2046605","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/BEWITH007TWELVE_19e92ec5_thumbnail_4096.jpg?v=1726341446"},{"product_id":"play-me-sweet-and-nice","title":"Play Me Sweet and Nice","description":"\u003cp\u003eFirst issued in Jamaica in 1974, \u003cem\u003ePlay Me Sweet and Nice\u003c\/em\u003e became an instant best seller and reinforced Marcia Griffiths' standing as the island's leading lady of song.\u003c\/p\u003e\n\u003cp\u003eThe album was subsequently picked up for release by Trojan, although its original title was deemed too risque for UK audiences and so re-titled \u003cem\u003eSweet Bitter Love\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eNow, over 30 years since its original release, the LP is finally available again and has been bolstered with a host of bonus tracks from the era, many of which have been unavailable since their original date of issue.\u003c\/p\u003e\n\u003cp\u003eAmongst the extra tracks you’ll find the exquisite late-60s singles \"\u003cem\u003eMelody Life\u003c\/em\u003e\" and \"\u003cem\u003eMark My Word\u003c\/em\u003e\" which, along with the sumptuous reading of \"\u003cem\u003eBand Of Gold\u003c\/em\u003e\", are now £100 records, if you can find them! Just sayin’.\u003c\/p\u003e\n\u003cp\u003eThere‘s also a fantastic version of \"\u003cem\u003eThe First Cut Is the Deepest\u003c\/em\u003e\" and an alternate take of \"\u003cem\u003ePlay Me\u003c\/em\u003e\" with producer Lloyd Charmers adding his own vocals.\u003c\/p\u003e\n\u003cp\u003eEverything’s been remastered of course, including the original LP, so \u003cem\u003eSweet And Nice\u003c\/em\u003e now sounds even sweeter, and even nicer.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"2LP - Black","offer_id":50388439236939,"sku":"1069489","price":34.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50388438909259,"sku":"277983","price":6.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e882c3a5-f185-42b0-b656-e5364e53fe9d_thumbnail_4096.jpg?v=1726342167"},{"product_id":"playa-larga-1900-ocean-ave","title":"Playa Larga \/ 1900 Ocean Ave","description":"\u003cp\u003eLong Beach legend Scotty Coats links the West Coast eclecticism of Stones Throw to the NYC cool of DFA and Rong to the Balearic gods of DJ Harvey et al. He personally introduced Be With to Ned Doheny 10 years ago and he was immortalised on Smith and Mudd's last LP. And he's the main man behind the mysteriously titled duo Todd Russell and The Dangerous Coats, alongside Erick \"Todd\" Coomes (Lettuce founder\/bassist).\u003c\/p\u003e\u003cp\u003eIn very real danger of being lost forever, we unearthed two of their private recordings and present them as a double A-Side 12\", adorned with S-T-U-N- N-I-N-G artwork, courtesy of Arizona artist Frank Gonzales.\u003c\/p\u003e\u003cp\u003e\"Playa Larga\" is a melodic, mellow masterpiece and is quintessentially Balearic. It's stretched out, low slung, guitar-soaked drum-machine soul music. It's multi-layered and contains multitudes: it builds and builds and builds and mesmerises as it does so. On the flip, \"1900 Ocean Avenue\" is a super slo-mo, sunbaked drug-chug which is already blowing minds thanks to early leaks of this cosmic, psychedelic detonation.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"12\"","offer_id":50389221900619,"sku":"2028111","price":18.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/BEWITH021TWELVE_2d36bfac_thumbnail_4096.jpg?v=1726355758"},{"product_id":"slow-momon-and-movement","title":"Slow (MoMon And Movement)","description":"\u003cp\u003eWelcome to library breaks *chopped 'n screwed*! Slow (Mo]on And Movement),\noriginally released on Sonoton in 1980, is super-sought-after and full of crazy dubby,\nsuper SLLLLLOOOOWWWWW and super HEAVVVVVY library breaks. It's also home to\nblinding new age\/synthy tracks that are equally great. It's really varied throughout,\nbut all absolutely fantastic.\n\u003c\/p\u003e\u003cp\u003eSlow features KPM\/Bruton\/Sonoton-legend John Fiddy, the mighty Sonoton founder\nand composer, arranger and conductor Gerhard Narholz in 2 of his best-loved guises -\nSammy Burdson and Norman Candler (get it?) - as well as a couple of fine offerings\nfrom Antonio Campo.\n\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Black LP","offer_id":50389986541899,"sku":"2051975","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/BEWITH135LP_fa0056fb_thumbnail_4096.jpg?v=1726378043"},{"product_id":"colors-of-silence","title":"Colors of Silence","description":"\u003cp\u003eSynth pioneer and musical polymath, Wally Badarou is a genius. But you know that already. A vinyl version of his majestic \u003ci\u003eColors Of Silence\u003c\/i\u003e has been craved by the Balearic cognoscenti ever since its low-key 2001 release. Indeed, when they first started work on Be With, they asked some pals with exquisite taste what their dream release would be. They asked Balearic legend Moonboots and, without hesitation, he said \u003ci\u003eColors Of Silence\u003c\/i\u003e by Wally Badarou. They didn't know Wally had made this album. And most still don't. But that's about to change.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eColors Of Silence\u003c\/i\u003e is ostensibly a new age album. As ever though, Wally's sophisticated synth textures and expressive keyboard runs are so full of character, so full of life, that this work of art transcends any easy genre categorisation. It's simply stunning, throughout. It sounds like A.r.t. Wilson or Suzanne Kraft, with traces of CFCF and Jonny Nash. But it was made a good decade earlier than the work of these modern giants. Sometimes, it doesn't seem far from some Larry Heard albums.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"LP","offer_id":50394557743435,"sku":"2055774","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/WallyBadarou_12inch_Front_BackOnly_1_Hi-Res_1024x1024_110e8dbf_thumbnail_40.webp?v=1726442664"},{"product_id":"under-the-sun","title":"Under The Sun","description":"\u003cp\u003e\u003ci\u003eUnder The Sun\u003c\/i\u003e is the follow-up to the astonishing \u003ci\u003eRoots\u003c\/i\u003e and contains yet more absolutely essential Nucleus material. Originally released on Vertigo in 1974, \u003ci\u003eUnder The Sun\u003c\/i\u003e was never re-pressed and of course those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press. Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Black | LP.","offer_id":50395545993547,"sku":"1149314","price":27.99,"currency_code":"GBP","in_stock":false},{"title":"CD.","offer_id":50395546157387,"sku":"2146381","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/82ecd4c4-26bc-4d5d-8cd4-306cc1c8f060_thumbnail_4096.jpg?v=1726467313"},{"product_id":"dedicated-to-you-but-you-werent-listening","title":"Dedicated To You; But You Weren't Listening","description":"\u003cp\u003eThe Keith Tippett Group's \u003cem\u003eDedicated to You, But You Weren't Listening\u003c\/em\u003e is a landmark in cutting edge fusion\/avant-jazz. A vital and profoundly adventurous Jazz-Rock record that still swings very hard, it was first released on Vertigo in 1971.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOriginal copies are now very tricky to score and, as most of you really should know, it’s aged ridiculously well.\u003c\/p\u003e\n\u003cp\u003eAlive and bursting with a joyful energy that has to be heard to be believed,\u003cem\u003e Dedicated to You, But You Weren't Listening\u003c\/em\u003e flirts with perfection. It's truly magical and forever essential.\u003c\/p\u003e\n\u003cp\u003eLP - Newly remastered from the original Vertigo master tapes, demonstrating just why this deserves to be back in press. The stunning gatefold jacket fully restores Roger and Martyn Dean's original, arresting album artwork to complete this must-have reissue.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"CD","offer_id":50402567815499,"sku":"2184934","price":14.99,"currency_code":"GBP","in_stock":false},{"title":"LP - Black","offer_id":53182833361227,"sku":"R1665-9689","price":33.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/BEWITH132LP.jpg?v=1755251691"},{"product_id":"afro-rock-2","title":"Afro-Rock","description":"\u003cp\u003eVecchio's\u003ci\u003e Afro-Rock\u003c\/i\u003e is one big horn-heavy, bass-blasting, Latin groove funk-rock party. Only now, you're all invited because this, ladies and gentleman, is officially...a grail no more. With copies currently starting at 400 Euros for an original, this beautifully presented reissue, part of Be With's fresh campaign with Music De Wolfe, is well overdue. A magnificent and somewhat obscure library set that's just a total, cohesive joy from start to finish, this here is the soundtrack to all your smokin' summer BBQs and communal cookouts.  \u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"LP","offer_id":50402778448203,"sku":"2057462","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/BEWITH151LP_34314129_thumbnail_4096.jpg?v=1726555131"},{"product_id":"moonshade","title":"Moonshade","description":"\u003cp\u003e The Roger Webb Sound's Moonshade is one of the coolest records ever. Originally appearing via the legendary De Wolfe library in 1971, it's a sumptuous jazz-soul-funk instrumental set. Full of melodic, melancholic yet sun-drenched songs, rich with colour and contrast, it was composed by self-taught jazz pianist Roger Webb and features vocal performances by Barbara Moore. That's right; the powerhouse library music duo! It makes \u003ci\u003eMoonshade\u003c\/i\u003e the perfect precursor and accompaniment to Barbara Moore's eternal classic Vocal Shades And Tones. It will come as no surprise that original copies, if you can ever find them, will set you back north of 200 notes. \u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Black LP","offer_id":50403606987083,"sku":"2057463","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/BEWITH152LP_eb5dc785_thumbnail_4096.jpg?v=1726562210"},{"product_id":"synthesis-the-kpm-reissues","title":"Synthesis (The KPM Reissues)","description":"\u003cp\u003eThe “vivid contemporary sounds for a fresh visual image” make up the now canonised \u003ci\u003eSynthesis\u003c\/i\u003e from Alan Hawkshaw and Brian Bennett. These two greats go deeper than usual on this collection, and the end result is a synth concept record of sorts. Released in 1974, it’s an essential companion piece to their Synthesizer and Percussion LP, released on Themes International Music in the same year.\u003c\/p\u003e\u003cp\u003eLike most of the favourite library records, \u003ci\u003eSynthesis\u003c\/i\u003e has that gloriously funky, “weird electronic music” vibe without ever being inaccessible. With the awesome ARP Odyssey at the fore, Hawkshaw and Bennett have created a blissed-out soundscape that, whilst laid back in all the right places, somehow remains heavy on the funk. It’s a sort of throbbing, proto-G Funk sound and you can find it on many of these low-lit basement workouts.\u003c\/p\u003e\u003cp\u003eTake the ice-cool \u003ci\u003eAlto Glide\u003c\/i\u003e. It’s a sunset-funk highlight with an electro-flute refrain that conjures those dreamier Dre \/ DJ Quick instrumentals from ’91 to ’92. Stereolab, Koushik (again) and all those Ghost Box artists were clearly listening very closely in the years since. The equally relaxed \u003ci\u003eMermaid \u003c\/i\u003eglides effortlessly with soft, shimmering piano, understated percussion and kaleidoscopic synths. It’s a really beautiful piece. With these two soft-focus closing tracks allowing the LP to float away over the horizon, the preceding ten tracks have a more insistent, neck-snapping rhythm section to back the synth overload. Highlights include the head-nod funk of \u003ci\u003eGetting It Together \u003c\/i\u003eand the synth break in \u003ci\u003eThe Executive\u003c\/i\u003e, which informed classic video game soundtracks.\u003c\/p\u003e\u003cp\u003eAs with all ten re-issues, the audio for \u003ci\u003eSynthesis\u003c\/i\u003e comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. The same care has been taken with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity\u003c\/p\u003e\u003cp\u003eLP - Remastered 180 Gram Vinyl.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"LP.","offer_id":50406197199179,"sku":"1049857","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/4760b8e3-1772-416c-bdb7-b9b942f4181b_thumbnail_4096.jpg?v=1726584394"},{"product_id":"let-me-sing-my-song-to-you","title":"Let Me Sing My Song To You","description":"\u003cp\u003eLarry Jon Wilson came to the party late. When he arrived in Nashville, country soul pioneer Tony Joe White had already made six albums. Townes Van Zandt had made seven, Mickey Newbury eight. Kristofferson, the accepted High Priest of the New Nashville, had made five. Larry Jon, by the time he arrived, had spent ten years in corporate America. He did not start playing guitar until the age of 30, but five years later he released his debut, \u003ci\u003eNew Beginnings\u003c\/i\u003e (1975) and followed it just a year later with \u003ci\u003eLet Me Sing My Song To You\u003c\/i\u003e, both on Monument Records. A revelation among the hipsters and critics of Nashville, the LPs ensured Larry Jon was immediately embraced as part of the mid-70s “outlaw country movement” that eschewed slick production in favour of a raw, gritty approach. When a film crew came to document this burgeoning sound, they made straight for Larry Jon's door. The legendary \u003ci\u003eHeartworn Highways\u003c\/i\u003e (1981) featured his mesmerising performance of \u003ci\u003eOhoopee River Bottomland.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eHe was a singer and writer of intensely private, painfully moving tales of southern life. With his deep, papa-bear voice, funky southern groove, and richly evocative narratives of rural Georgia, Larry Jon was a unique stylist but his gutsy, greasy sound did not translate into sales. Too funky for the country crowd, too heartfelt for pop radio, he fell between the cracks. We hope the long-overdue reissue of his first two albums will go some way to rectifying this. Indeed, both \u003ci\u003eNew Beginnings\u003c\/i\u003e and \u003ci\u003eLet Me Sing My Song to You\u003c\/i\u003e - so similar they play like two halves of a double album – showcase his unique mix of country, folk, soul and swampy blues.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eNew Beginnings\u003c\/i\u003e failed to propel Larry Jon to even the relatively modest cult acclaim enjoyed by his likeminded contemporaries. And some of the frustration this conjured can be heard on 1976′s \u003ci\u003eLet Me Sing My Song To You\u003c\/i\u003e. Both the title track and the self-deprecating \u003ci\u003eDrowning in the Mainstream\u003c\/i\u003e speak of Wilson’s hope to inch at least a few steps towards the big time without making too many compromises. Any album containing the likes of the heartfelt, deeply beautiful tribute of \u003ci\u003eBallad of Handy Mackey\u003c\/i\u003e and the superlative country-gothic funk opus \u003ci\u003eSheldon Churchyard\u003c\/i\u003e – the lead track from the lauded Country Got Soul compilation - must rank as essential listening.\u003c\/p\u003e\u003cp\u003eThe audio for \u003ci\u003eLet Me Sing My Song To You\u003c\/i\u003e comes from the original analogue tape transfers and has been remastered for vinyl by Be With regular Simon Francis. They've taken the same care with the striking cover art and were honoured when Larry’s close friend Jeb Loy Nichols kindly agreed to contribute wonderfully unique liner notes, presented beautifully on the printed inner sleeve opposite a gorgeous black and white shot of Larry, mid-performance.\u003c\/p\u003e\u003cp\u003eLP - Remastered. Limited to 500 Copies on 180 Gram Vinyl.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"LP.","offer_id":50409259172171,"sku":"1051756","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a53401f1-127a-4abf-98f9-ebb037ec205d_thumbnail_4096.jpg?v=1726612103"},{"product_id":"another-thought","title":"Another Thought","description":"\u003cp\u003e\u003ci\u003eAnother Thought \u003c\/i\u003ewas the first collection of Arthur Russell’s music to be released after his death in 1992. Released in 1993 on Point Music it marked the beginning of nearly 30 years of work to let the world hear the enormous archive of unreleased recordings Arthur left behind. Be With revisits this first compilation for a new gatefold double vinyl version and a triple-fold digipak CD reissue.\u003c\/p\u003e\u003cp\u003eTogether with \u003ci\u003eCalling Out Of Context, Soul Jazz’s World of Arthur Russell,\u003c\/i\u003e and much of the ongoing work of Audika, \u003ci\u003eAnother Thought \u003c\/i\u003eis absolutely essential for even the most casual Arthur Russell collection. In fact we’d argue it’s essential for any fan of non-obvious pop music. This is the only place where you can hear some of Arthur’s most recognisable tunes and it’s an album that absolutely deserves to be kept in press.\u003c\/p\u003e\u003cp\u003eStarting with the sparse voice-and-cello of the title track, \u003ci\u003eA Little Lost\u003c\/i\u003e adds some guitar along with the sneaking suspicion that we’re listening to something nowhere near as simple as it first sounds. By the time we get to \u003ci\u003eThis Is How We Walk On The Moon\u003c\/i\u003e - it could be the moment you notice the congas, or the percussion that’s been building behind them, or maybe it’s that blast of trumpet and trombone - we realise we’ve gone from splashing around to being completely submerged in the musical world of Arthur Russell.\u003c\/p\u003e\u003cp\u003eFrom here the album heads off on its journey around the sounds of the left-field contemporary classical music of the time, re-directed towards pop ears, with minor detours through the swirling woozy disco of the half-remembered night before on \u003ci\u003eIn The Light Of The Miracle\u003c\/i\u003e and \u003ci\u003eMy Tiger, My Timing\u003c\/i\u003e. Whether it’s just Arthur, his cello and some bleeps on \u003ci\u003eJust A Blip\u003c\/i\u003e, or whether he has some vocal help as he does on the bounding\u003ci\u003e Keeping Up\u003c\/i\u003e, this is difficult music made so, so easy. And through it all is Arthur’s voice and cello. Sometimes drowned in distortion and sometimes clear as a bell, but always there somewhere.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eA Sudden Chill \u003c\/i\u003efinally returns us to the calmer waters we started in and this last track closes the album with a melancholy that’s not surprising given how soon after Arthur’s death the album was put together.\u003c\/p\u003e\u003cp\u003eWhilst \u003ci\u003eAnother Thought \u003c\/i\u003eholds together with the consistency of a proper album, there’s still no getting away from the fact that this was put together from audio recorded in different ways, in different places, with different people at different times. Those with keen ears will hear traces of tape hiss, the occasional blown-out note and some digital fuzz, all fingerprints of those original recordings as well as of the 1990s digital equipment that was used to piece \u003ci\u003eAnother Thought\u003c\/i\u003e together.\u003c\/p\u003e\u003cp\u003eAdd to this Arthur’s obvious pleasure in making music from the sort of sounds that can make microphones, speakers and ears uncomfortable, it’s no surprise that Another Thought isn’t glossy and pristine. Don Christensen’s productions have been careful to not scrub up those original recordings so much that they lose their original vibe, understandable given that Arthur wasn’t around as a guide. We’ve applied a similarly light touch with the mastering for these Be With versions, just working to make sure they sound like they should on both the vinyl and the CD.\u003c\/p\u003e\u003cp\u003eBoth versions of Be With’s 2021 reissue of \u003ci\u003eAnother Thought\u003c\/i\u003e have been mastered by Simon Francis and the vinyl cut by Pete Norman. The original artwork has been restored and tweaked at Be With HQ for the gatefold sleeve and the triple-fold digipak, with the essential help of Janette Beckman. Each version comes with an insert reproducing the liner notes and lyrics from the original CD release.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"2LP - Black","offer_id":50417170055499,"sku":"1122073","price":64.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/613412fd-9dd7-49a1-a8ca-06b7da2d70f9_thumbnail_4096.jpg?v=1726719838"},{"product_id":"drama-suite-part-ii","title":"Drama Suite Part II","description":"\u003cp\u003e It's the pair you've all been waiting for! Finally!  Alan Tew's \u003ci\u003eDrama Suite Part II\u003c\/i\u003e. What can we really say? Honestly? We guess the first thing that strikes you is how clean the drums are. Almost impossibly slick but dripping so, so heavy with the neck-snapping funk you'd expect from perhaps the most sought-after library funk set of them all! The cheapest on Discogs is, currently, £1300+. Now's your chance to remedy that. If you know, you know. And we think you know...\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Black LP","offer_id":50417202495819,"sku":"2167398","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/BEWITH162LP_6c7e0389_thumbnail_4096.jpg?v=1726720992"},{"product_id":"drama-suite-part-i","title":"Drama Suite Part I","description":"\u003cp\u003eIt's the pair you've all been waiting for! Finally!  Alan Tew's driving jazz-rock, sleuth-funk masterpiece, \u003ci\u003eDrama Suite Part I \u003c\/i\u003eis finally reissued to sate your appetites for arguably the very best library two-parter in existence. If you don’t know, get to know. Originally released in 1976 but wonderfully timeless,\u003ci\u003e Drama Suite Part I\u003c\/i\u003e is at the top of every library funk collectors' list. It's easy to see why...\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Black LP","offer_id":50417204068683,"sku":"2167396","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/BEWITH161LP_053a5e71_thumbnail_4096.jpg?v=1726721069"},{"product_id":"cat-in-the-hat","title":"Cat In The Hat","description":"\u003cp\u003eBobby Caldwell's second album, \u003ci\u003eCat In The Hat\u003c\/i\u003e, from 1980, is one of his\ngreatest moments and another masterwork of soulful sophistication. Featuring\nthe eternal \"Open Your Eyes\", brilliantly sampled by J Dilla for Common's \"The\nLight\", it's about as essential as records get. Like its eponymous predecessor,\nit's been out of print for far too long. To finally release the hugely-anticipated\nreissue is one of our sincerely proudest moments.\n\u003c\/p\u003e\u003cp\u003eWhilst Ned Doheny is known in Japan as \"Mr California\", native New Yorker\nBobby Caldwell has always been \"Mr AOR\" to his Far-Eastern friends. His\ndistinct charm is an irresistible blend of soul, jazz, and pop influences. He\npossessed phenomenal songwriting prowess, smooth vocal performances,\nwas both a great soul guitarist and dextrous keyboard player and known for\ngenius chord progressions. It all added up to a multi-layered brilliance entering\nthe studio, and the singular sound he landed on was laced with soulful,\nsweeping strings and funky horns, touching lightly on disco, while allowing his\nsupple voice to carry the stunning tracks he'd crafted.\n\u003c\/p\u003e\u003cp\u003eRight from the off, it's easy to tell that \u003ci\u003eCat In The Hat\u003c\/i\u003e is a deeply special\nrecord. It's fantastically produced and incredibly well-rounded, carving its own\nlane with deep soul, warm jazz and a stunning vocal delivery that really helped\nBobby reach out to some big new audiences at the time. Goosebumps at the\nready for the rolling power-piano funk of \"Coming Down From Love\", opening\nup the album with a track as good as anything Steely Dan or The Doobies\never crafted, with a vocal performance from the heavens. Pumping AOR\nwonder \"Wrong Or Right\" is up there with the slick, classy rhythms of prime\nNed Doheny whilst the cool, skipping soul of guitar-drenched \"To Know What\nYou've Got\" is a funky ballad par excellence, with elemental traces of \"What A\nFool Believes\". No bad thing. Closing out Side A, the folk-funk of \"You\nPromised Me\" is a bright, soulful strut with a wonderful vocal coda that just\nbuilds. Sensational.\n\u003c\/p\u003e\u003cp\u003eThe delicate bounce and falsetto self-harmonising of \"It's Over\" offers a truly\ndelightful introduction to Side B, and serves as a great precursor to what\nfollows. Bobby's dynamite \"Open Your Eyes\" is likely the reason you're all\nhere. As if he needed it, the eternal J Dilla further immortalised Caldwell in the\nhip-hop canon with his production of Common’s epochal “The Light,” which\nheavily samples the magical “Open Your Eyes.” On a post paying tribute to\nBobby in March 2023, Questlove claimed that he \"got word Brother Bobby\nloved it\". Bobby's original has seen new life even more recently from the likes\nof Dwele and Kendrick Lamar and deservingly so, as its insistent drums and\nstaccato piano created a modern-soul classic. You'd think that would be hard\nto follow, wouldn't you? Not so, when you're Bobby Caldwell. Indeed, the\nhorn-drenched stepper \"Mother Of Creation\" is absolutely ace, and, whisper it,\npossibly the album's finest track, all funky piano and guitars with horn lines to\ndie for. Exquisite ballad \"I Don't Want To Lose Your Love\" rounds out the\nalbum beautifully.\n\u003c\/p\u003e\u003cp\u003eBobby sadly passed away on 23rd March 2023, after a long struggle with\nmitochondrial damage and oxidative stress, due to an adverse effect from a\nfluoroquinolone antibiotic. The reissue of \u003ci\u003eCat In\u003c\/i\u003e \u003ci\u003eThe Hat\u003c\/i\u003e is available on\nvinyl across the globe, ensuring that fans of his incomparable talent - and soul\nmusic enthusiasts worldwide - can radiate in the deep beauty of this seminal\nalbum. Meticulously remastered and cut by both Simon Francis and Cicely\nBalston respectively, it has been pressed to the highest possible quality at\nRecord Industry in Holland.\n\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"LP","offer_id":50417267540299,"sku":"2048698","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/BEWITH159LP_c9fe471b_thumbnail_4096.jpg?v=1726724218"},{"product_id":"down-on-the-road-by-the-beach","title":"Down On The Road By the Beach","description":"\u003cp\u003eSteve Hiett’s elusive \u003ci\u003eDown On The Road By The Beach\u003c\/i\u003e is finally made available outside of Japan. Most recognized in the fashion sphere as an English photographer and graphic designer, Hiett's transportive audio portraits amplify his serpentine guitar to the infinite blue, recorded across Paris, Tokyo and New York with no coastline in sight. Now widely celebrated as a desert island disc, very little is actually known of its unfathomable genesis. A career devotee of Brian Wilson’s ground breaking harmonies, Hiett shot The Beach Boys for Rolling Stone - as well as The Doors, Miles Davis and Jimi Hendrix (in one of his final performances at the 1970 Isle Of Wight Festival) - while establishing himself as a fashion photographer. Decamping to Paris in 1972, he began what would become 20-year collaborations with Vogue Paris and Marie Claire, printing his signature warm, saturated and vibrantly hued snapshots.\u003c\/p\u003e\u003cp\u003eIn 1982, representatives from Tokyo's Galerie Watari visited him to propose a solo exhibition. Asking if he could insert a 7” of original music into the back of the exhibition catalogue, Hiett laid down ‘Blue Beach - Welcome To Your Beach’ in a Parisian radio station, playing all of the instruments himself, and two more cuts in New York with Yoko Ono, The Doobie Brothers and Steely Dan hired-gun Elliott Randall. Once dispatched, the phone began ringing off the hook with requests for him to fly to Tokyo. Assuming these long-distance callers were wanting him to check proofs for the book, it wasn’t until he arrived that he discovered CBS\/Sony had facilitated an entire album. Heitt hastily gripped some petty cash, bought a guitar and retreated to his hotel room to start writing. \u003c\/p\u003e\u003cp\u003eEntering the studio the following day, he was further surprised by a waiting room of session players known as Moonriders - one of Japan's most acclaimed rock bands of the 1980s. Intimidated by their indecipherable sheet music, Hiett suggested Randall join them and with money being no object for major labels at the time, his wingman was on the next plane out of New York to finalise the high production indulgence. Near-ambient arrangements that float in a space between The Durutti Column, Steve Cropper and Ashra, \u003ci\u003eDown On The Road By The Beach\u003c\/i\u003e also crowns Hiett the master of recontextualization with his zero-gravity blues visions of Roll Over Beethoven, Santo and Johnny's 'Sleep Walk' and the 1967 Eddie Floyd soul hit 'Never Found A Girl'. \u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Black LP","offer_id":50418691539275,"sku":"2202012","price":31.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a1484565269_16_efde78ca_thumbnail_4096.jpg?v=1726742723"},{"product_id":"butterfly-reissue","title":"Butterfly","description":"\u003cp\u003eFirst ever official reissue of the positively sublime and very rare\u003ci\u003e Butterfly\u003c\/i\u003e LP, recorded in Tokyo in 1979 by Japanese songstress Kimiko Kasai and jazz legend Herbie Hancock. Due to its super-rare status as a Japan-only release, this exquisite collection of covers never got the recognition it deserved at the time, despite incredibly inspired performances from Kimiko, Herbie and the supremely talented musicians assembled for the project. From heavenly drummer Alphonse Mouzon and renowned organist Webster Lewis to bassist Paul Jackson, reedman Bennie Maupin and the master percussionist Bill Summers, the legendary performers crafted amazingly good vocal versions of Herbie \/ Headhunters jazz-funk. Unsurprisingly, it has been heavily in demand for many years.\u003c\/p\u003e\n\u003cp\u003eThe LP opens with Kimiko's highly desirable version of \u003ci\u003eI Thought It Was You\u003c\/i\u003e, an elegant take on Herbie's own anthem. Other superb re-workings include the delicately soulful \u003ci\u003eButterfly\u003c\/i\u003e, jazzy groover \u003ci\u003eSunlight\u003c\/i\u003e, the smooth and sexy \u003ci\u003eTell Me A Bedtime Story\u003c\/i\u003e and the beautiful ballads \u003ci\u003eMaiden Voyage\u003c\/i\u003e and \u003ci\u003eHarvest Time\u003c\/i\u003e. A wonderful example of perfectly understated and masterful jazz-funk soul fusion that shouldn't be missed, the set closes with a jaw-dropping version of Stevie Wonder's\u003ci\u003e As.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eThis lovingly curated reissue enables a long overdue reappraisal of this hitherto unavailable masterpiece. The stunning artwork which adorned the original jacket - complete with OBI strip and sumptuous 4 page folded insert - has been faithfully restored. Simon Francis' sensitive mastering elevates the sound throughout and, as ever, it has been pressed at a reassuringly weighty 180g. Essential. \u003cbr\u003e\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"LP - Black","offer_id":50418730336587,"sku":"1035225","price":33.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/371b31b7-1e0d-4e17-8ff0-e97edd58006b_thumbnail_4096.jpg?v=1726743032"},{"product_id":"feel-my-love","title":"Feel My Love","description":"\u003cp\u003eIf ever an album could transport you to the hazy sunshine and imagined halcyon paradise of Southern California in the mid-1980s, could capture the early evening warmth of hanging at an inclusive boogie jam as it approaches “magic hour” in Santa Ana or Anaheim, then it’s Vaughan Mason and Butch Dayo’s \u003ci\u003eFeel My Love\u003c\/i\u003e. A brilliantly produced deep slung, low rider funk classic originally released on Salsoul in 1983. It’s a masterpiece of “funk love music”. \u003c\/p\u003e\u003cp\u003eYes, this is indeed a perfectly formed five track “mini LP” of unparalleled heat, but there’s one song here that, above the rest, represents Orange County boogie-funk. A straight killer beloved by all that have had the pleasure of moving to it. A track that can fill up a dance floor within seconds of its starting. That song is the eternal title track, “Feel My Love”.\u003c\/p\u003e\u003cp\u003eThis is a work of art that made people fall in love with the funk. It transcends the limitations of genre. “Feel My Love”’s deceptive simplicity makes it perfect to drop during a house set, a classic funk party or at a west coast rap jam. It’s sexy, deeply emotional, melancholic, hopeful, passionate and just radiates so, so much raw energy. This is music.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"LP - Black","offer_id":50418772869451,"sku":"2180111","price":25.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Feel_My_Love_f92127c6_thumbnail_4096.jpg?v=1726743354"},{"product_id":"overpowered","title":"Overpowered","description":"\u003cp\u003eA singular presence in 21st Century pop, Róisín Murphy is a genuine maverick. Her seminal 2007 album \u003ci\u003eOverpowered\u003c\/i\u003e received widespread acclaim from music critics yet, arriving at a time of waning major label interest in vinyl, it was released only as a hyper-limited double LP. Accordingly, in the decade since, it has been obscenely difficult to find. It is a true honour to finally reissue this thoroughly modern dance-pop classic on Be With. Whilst remaining true to the loud pink and orange wax of the original release, this remastered edition enjoys the bonus inclusion of fan-favourite \u003ci\u003eParallel Lives\u003c\/i\u003e, finally making an appearance on vinyl. \u003c\/p\u003e\u003cp\u003eA sumptuous, all-killer electro-disco gem, every song could’ve been a smash. With its heavy disco influence - deep beats, lush synths and subtle horns and strings - \u003ci\u003eOverpowered\u003c\/i\u003e was focused solely on the dancefloor. Inspired by the Eighties proto-house of D Train, Mantronix and Gwen Guthrie, but also recalling the intelligent pop of Yazoo and early Eurythmics, Overpowered presented sensual electronic soul for the heads and the hips. \u003c\/p\u003e\u003cp\u003eHer collaborators, including Timbaland mentor Jimmy Douglass, Bugz In The Attic and Richard X, constructed a gleaming shrine to the spirit of Bobby O and Giorgio Moroder by stitching together crisp synthesised beats with the slicker tics of early house. The lead single and title track lifted the bassline squelch from the dawn of cosmic disco - La Bionda's \u003ci\u003eI Wanna Be Your Lover\u003c\/i\u003e - and the follow-up, \u003ci\u003eLet Me Know\u003c\/i\u003e, effortlessly incorporated the chorus of Tracy Weber's 1981 boogie bomb \u003ci\u003eSure Shot\u003c\/i\u003e. \u003c\/p\u003e\u003cp\u003eThe wonderfully dank, sticky R\u0026amp;B of \u003ci\u003ePrimitive\u003c\/i\u003e is Murphy’s favourite track from the album: “I mean, who gets to put primordial soup in the first line of a song? That idea of not always being in control of the primitive parts of yourself, the bits that fall in love or the bits that dance or lose the plot or drink too much, and putting that across ... that’s pop for me. It’s playing with all the different colours of the rainbow of life.” Murphy’s blistering vocals are versatile enough to elevate the icy textures of \u003ci\u003eDear Miami\u003c\/i\u003e, the sexed up kaleidoscopic funk of \u003ci\u003eFootprints \u003c\/i\u003eand the grace of \u003ci\u003eYou Know Me Better\u003c\/i\u003e. Sharp, witty and heartbreaking, here Murphy laid claim to being the kind of strident disco singer “Dusty Springfield never quite had the abandon to become”, as Pitchfork noted in their original, glowing “8.0” review. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eOverpowered\u003c\/i\u003e was considered an instant classic and, sounding deeply prescient, it has aged gloriously. There has long been an acknowledgement of Murphy’s influence on other artists’ gonzo fashion, and many musicians have spent the last decade crafting dancefloor tracks that embrace piano house and disco, even if they’d pale when held next to \u003ci\u003eLet Me Know\u003c\/i\u003e. 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One a two-step favourite and one a Loft classic, these sought-after versions have never been paired on the same record.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Black 12\"","offer_id":50424689361227,"sku":"2203552","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/BEWITH004TWELVE__outside_front--2400_1024x1024_b45151c7_thumbnail_4096.webp?v=1726781474"},{"product_id":"image-2","title":"Image","description":"\u003cp\u003eImpossible to find in the wild, KPM's \u003ci\u003eImage\u003c\/i\u003e is exactly that; this record paints extraordinary, hyper-vivid scenes with music, in the way only the library greats can. Originally released in 1974,\u003ci\u003e Image\u003c\/i\u003e is an absolutely stunning listen from start to finish, and arguably the most wanted KPM grail that's still not been reissued - until now! It features tracks from Brian Bennett, Neil Richardson, David Gold \/ Gordon Rees etc.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Black LP","offer_id":50426158252363,"sku":"2167395","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/BEWITH160LP_085f3079_thumbnail_4096.jpg?v=1726803128"},{"product_id":"soul-in-the-horn","title":"Soul In The Horn","description":"\u003cp\u003eYes, *that* Al Hirt record. Featuring the godlike \"Harlem Hendoo\", looped unforgettably by De La Soul for the legendary Buhlōōne Mind State cut, \"Ego Trippin' (Part Two)\"!\u003c\/p\u003e\u003cp\u003eAl Hirt's infamous \u003ci\u003eSoul In The Horn\u003c\/i\u003e is inextricably tangled up in crate-digger lore. Originally released in 1967, the album has been in heavy, heavy demand for over 30 years, entirely down to the majestic soul-jazz fire of \"Harlem Hendoo\". And it's a song so good, so vital, so timeless, that it will always tower above everything else in its proximity. This one track alone is worth the price of admission - even if the cost of entry were $100 or even $1000. \u003c\/p\u003e\u003cp\u003eHowever, it would be an error to dismiss this record as merely a one tracker, loaded as it is with dope samples for adventurous beat makers. Certainly the funkiest Al Hirt record, it definitely lives up to the \"soul\" in the title. Thanks to composer Paul Griffin and arranger Teacho Wiltshire, Hirt got uncharacteristically free and groovy throughout. It comes on more like an obscure KPM library funk record than the easy listening Al was notorious for.\u003c\/p\u003e\u003cp\u003eA Louisiana trumpeter and band leader who made Allen Toussaint’s “Java” famous, Al Hirt was also known for TV themes, Dixieland, Swing and being a minority owner of the New Orleans Saints. Unlike every other Al Hirt record - and despite most \"diggers\" claiming otherwise - this here gem is genuinely hard to come across \"in the wild\". Normally, you can't give Al Hirt records away, except this particular one, which raises pulses in the crate digging community to life-threatening levels. For every owner claiming to have found their copy for a dollar, there's scores more claiming to have *never* unearthed one in the field. So, paradoxically, you can consider this the most tricky-to-pull \"thrift store record\", ever. This is why we're finally making it available for everyone, not just those with endless hours to spend scouring the global goodwills! \u003c\/p\u003e\u003cp\u003e\u003ci\u003eSoul In The Horn\u003c\/i\u003e represented an expressive detour into authentic soul-jazz for Al Hirt. Throughout, we're struck by a fierce, fiery energy that's otherwise absent from his typically easy listening work. Without question, the slinky, magical \"Harlem Hendoo\" is the standout, here. It's also the reason why the record is so scarce and commands awe among crate diggers, sounding like something from an obscure and deeply revered spiritual jazz record. As is often the case, the true genius of the song is tricky to do justice to; it's like a minor miracle of songwriting and performance that simply swooned down from the heavens on the back of horns, bells and harpsichord. It's one of the sweetest musical compositions ever recorded inside a studio - it's only failing is that it's just too short. Sampled brilliantly by De La Soul, it has also been used by The Roots for \"Stay Cool\" and Nightmares On Wax for \"Damn\".\u003c\/p\u003e\u003cp\u003eThe rest of the record makes for a mighty fine listen. From the opening cover of Booker T. and The MG's \"Honey Pot\", to the propulsive, ultra-funky \"Mess Around\", it's nothing but a good time. Given its title, the elegant stepper \"Calypsoul\" sounds exactly as you'd hope whilst the melancholic, wistful \"Long Gone\" hurts so good. Truly, this is just dying to be looped up, Al's muted playing capturing a soulful longing only horns can often achieve. The bluesy, slo-mo swing of \"Sweetlips\" oscillates between cool disaffection and swelling pride whilst the graceful, low-key funky \"Girl\" closes out the A-Side in the fine style. Ushering in the B-Side, the brief but brilliant strut of \"Love Ya' Baby\" shines brightly before the skipping funky-jazz of true highlight \"Sunday-Goin' To Meetin' Time\" demands both your attention and your dancing shoes. The mellifluous piano-funk of bass and horn-drenched \"Snap Back\" serves as the sumptuous prelude to \"Harlem Hendoo\"'s main character energy before the irrepressible, upbeat R\u0026amp;B of \"Ludwig\" closes out this quite remarkable album. An album deserving of a place in every serious record collection.\u003c\/p\u003e\u003cp\u003eThe audio for \u003ci\u003eSoul In The Horn\u003c\/i\u003e has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. This is after-hours music. Let it speak for itself. Listen. Listen to the soul in Al Hirt's horn.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Black LP","offer_id":50426422329675,"sku":"2191852","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/BEWITH154LP_0619b454_thumbnail_4096.jpg?v=1726809636"},{"product_id":"darkland","title":"Darkland","description":"\u003cp\u003eMaston’s\u003ci\u003e Darkland\u003c\/i\u003e is a breezy collection of the material from the \u003ci\u003eTulips \u003c\/i\u003esessions that didn’t make it onto the original LP. Originally a digital-only release for those in the know in the autumn of 2018, after re-issuing\u003ci\u003e Tulips\u003c\/i\u003e in 2020 it made too much sense for Be With to give \u003ci\u003eDarkland \u003c\/i\u003ea vinyl release.\u003c\/p\u003e\u003cp\u003eLike \u003ci\u003eTulips, Darkland \u003c\/i\u003ewas recorded mostly in Hoorn, in the Netherlands, between 2015-2017 during downtime from Frank’s touring duties with Jacco Gardner’s band. Bits were also done in Los Angeles on some extended trips back home.\u003c\/p\u003e\u003cp\u003eThe collection plays like an alternate view of Maston’s instant modern classic\u003ci\u003e Tulips\u003c\/i\u003e; a companion piece to the LP proper with similar mixture of shorter themes and more full length tracks. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eDarkland\u003c\/i\u003e opens with its ornate 39 second title-track before striding into “Tulips”, that full-length title-track that never was. It’s a real head-nod, percussive-rich electric piano stunner that would’ve been a comfortable standout on the album proper. But now this “downlifting” gem is given ample room to shine on this record.\u003c\/p\u003e\u003cp\u003eThe funky organ-led bass and drums workout “Immaculate Conception” will keep your neck gently snapping while MPC fiends go reaching for their sampler. And that’s gospel. “Love Theme No 3” cuts a breathtakingly stylish vibra-slapped swathe through the middle of the opening side before we’re startled by the pronounced bass and twinkling percussion of “The Owl In Daylight”. Charming digi-drums underpin the wonky synth (quiet-)banger “Innovative Patterns” which has a lovely melodic switch-up in the final third before the tempo (and hairs on your neck) rise on the faintly creepy yet imminently groovy “Osiris”. The gorgeously soft-focus “Groove Experiment No 3” closes out the first half in slow-mo wonderment.\u003c\/p\u003e\u003cp\u003eThe lushly melancholic “Raincloud” ushers in side B before the emotionally-stirring “Phonic” taps at the door, coming on like the long lost sister to Pet Sounds’ “Let’s Go Away For A While”. Next up, the swooning beauty “Love Theme No 2” keenly sways in front of you, growing ever more insistent and hypnotic. The too-short\u003c\/p\u003e\u003cp\u003e“Italian Summer” conjures the same flirtatious imagery as the title hints at whilst “Endless” is a fascinating “piano-pella” alternative version to “Rain Dance” from Tulips. “Wonder Theme” has a nostalgic, exotic 60s swing and album closer “Willow” is a hushed, campfire folk gem. The gently circular strumming is just magical.\u003c\/p\u003e\u003cp\u003eJust like\u003ci\u003e Tulips\u003c\/i\u003e before it, Simon Francis’s vinyl mastering for \u003ci\u003eDarkland\u003c\/i\u003e has been cut at 45rpm so you can trip out to this as well at a woozy 33 1\/3. The artwork too has been designed by Frank himself as a literal visual continuation of the Tulips cover.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Black | LP","offer_id":50427851997515,"sku":"1117436","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/edf75c39-7185-44db-9dcb-bc83238249fd_thumbnail_4096.jpg?v=1726828007"},{"product_id":"manchester-united-calypso","title":"Manchester United Calypso","description":"\u003cp\u003eRegardless of your tribal affiliation - whether you have one or not - Edric Connor's \"Manchester United Calypso\" is an undisputedly joyous, soulful classic. Like the bunch of bouncing Busby Babes the song sought to raise up, it's remarkable, stylish and profoundly memorable; and its magical legacy has only grown in the 70 years since it first surfaced.  A testament to its enduring brilliance, \"Manchester United Calypso\" is heard to this day on the terraces of Old Trafford and beyond. However, it's impossible to find a copy of the original 78rpm shellac release or, indeed, the 45rpm vinyl. So, Be With are delighted to reissue this unforgettable anthem - with Lord Kitchener's equally dazzling \"Manchester Football Double\" on the B-Side - and make it available on 7\" vinyl to United fans of any vintage; as well as fans of vintage calypso fire!  \u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Black 7\"","offer_id":50427897905483,"sku":"2205146","price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/BEWITH008SEVEN_1bf41b82_thumbnail_4096.jpg?v=1726828341"},{"product_id":"tulips-1","title":"Tulips","description":"\u003cp\u003eFrank Maston’s \u003ci\u003eTulips \u003c\/i\u003eis a sample-ready film score to the best 70s movie never made. Originally a super- limited self-release on his Phonoscope label in late 2017, \u003ci\u003eTulips\u003c\/i\u003e has already become incredibly sought-after. Be With were introduced to Maston by mutual friends Aquarium Drunkard and it didn’t take long before They decided this modern classic deserved a reissue.\u003c\/p\u003e\u003cp\u003eInspired by the deep-grooving soundtracks of Italian cinema - think Morricone, Umiliani and Alessandroni - Maston conceived the entire\u003ci\u003e Tulips\u003c\/i\u003e project as a continuation of these revered works. Frank designed the artwork and made two 16mm films to accompany the music\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Black | LP","offer_id":50430200774987,"sku":"1093105","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/fa967806-5688-4a74-ac32-d005a4084b4a_thumbnail_4096.jpg?v=1726845527"},{"product_id":"oops-here-i-go-again","title":"Oops! Here I Go Again","description":"\u003cp\u003eEdna Wright's idiosyncratic \"Oops!\" is one of the most sublime vocal refrains in soul music history. Anchoring its host album's leadoff cut, it sets the tone for a uniquely satisfying modern soul LP. Indeed, whilst many of its ilk come laden with filler, Wright's one solo record is an exercise in elegant restraint; a concise killer. Originally released in 1977 on RCA, this rare and sought-after album followed the 1973 disbanding of Edna's much-loved Honey Cone. Produced by her husband, legendary producer\/songwriter Greg Perry, the album was somewhat of a risk; a deep soul album released during the period when disco was altering the landscape of popular music. And perhaps inevitably, despite the stellar production and spine-tingling vocals throughout, the album glided gracefully under the radar, spawning only one single and seeing no chart action. That single - the magnificent title-track - soon became a notorious rare groove stepper in its own right. However, in the years since, it has become a crate diggers classic. Its fame was elevated among hip-hop heads when Prince Paul memorably looped the shimmering intro when crafting the melodic hook for De La Soul's late-summer-stunner \"Pass The Plugs\", a wistfully melancholic back-porch nostalgia trip. And, more recently, Leon Vynehall liberally lifted the same intro for his sepia-tinged \"Midnight On Rainbow Road\" to augment the excellent Rush Hour compilation Musik For Autobahns 2. Yet this album is so much more than its most famous song. An assuredly lean masterpiece from start-to-finish, the album features a further six dynamite tracks of warm, smooth soul. As such, it's an impossible task to choose certain tracks to highlight alongside the mighty title track. Throughout, Edna's strikingly mature vocals are wonderful, proudly stepping out with a sophisticated groove reminiscent of Jean Carn or Gloria Scott, whilst Greg Perry's gorgeous string-drenched backdrops add a rich depth. So much so, many of the other tracks have been sampled by producers with impeccable taste, from 9th Wonder to The Alchemist for songs featuring Nas and Talib Kweli. Following her glowing role in the acclaimed documentary 20 Feet From Stardom, we pray this long overdue reissue will allow further light to shine on Edna. Officially licensed and beautifully remastered for vinyl by celebrated engineer Simon Francis, it has been pressed on audiophile 180g vinyl for the first time and features the original iconic artwork. Each copy includes a printed inner sleeve with a sumptuous black \u0026amp; white photo, full lyrics and heartfelt notes from Edna herself.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"LP","offer_id":50436175135051,"sku":"1002623","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e18eb14d-8b93-4803-ac14-87ef5c42acaf_thumbnail_4096.png?v=1726913292"},{"product_id":"games-dames-and-guitars-thangs","title":"Games Dames and Guitars Thangs.","description":"\u003cp\u003eLimited to 500. Among guitar aficionados, they don't come much heavier than acid-drenched enigma Eddie Hazel. A founding father of Funkadelic and responsible for the blazing \"Maggot Brain\" solo, he released just one album. A concentrated dose of guitar-driven psychedelic soul and loping funk-rock, Game, Dames And Guitar Thangs(1977) was co-produced by George Clinton and features the full Mothership crew. Despite impeccable credentials, the album sank and dropped out of print for years, becoming a sought-after collector's item for funkateers ever since. Mercifully addressing the dubious legitimacy and quality of previous reissues, Be With Records present a worthy and welcome 180 gram edition, limited to 500 copies. Possessing a rare ability to be showy whilst maintaining subtlety, Hazel took Jimi Hendrix's style to his own new level. Here, his fuzz-tinged wah-fuelled guitar licks shimmer across seven brain-bending tracks, showcasing highly inventive virtuoso playing and searing riffs. The LP famously opens with the most soaring, soulful version of \"California Dreamin'\" you've ever heard. Eschewing the structure of The Mamas \u0026amp; The Papas' hit, Hazel slows the pace, adding a pronounced longing to create a truly emotive reworking. Virtually unrecognizable, Hazel's exquisite arrangement recalled Hendrix's rendering of Dylan's \"All Along The Watchtower\" and his delicately distorted guitar work propels the track into the stratosphere. The much-sampled \"Frantic Moment\" - sumptuous head-nod G-Funk a full 15 years early - is essentially a Parliament song whilst \"So Goes The Story\" showcases Bootsy Collins' rubber-band basslines. The incredible, grooved out version of The Beatles' masterpiece \"I Want You (She's So Heavy)\" even manages to evoke early Sabbath. Using the original as a template to jam off, he turns the classic sideways into a monster guitar freakout, tossing off lick after lick with enviable nonchalance. The wild \"Physical Love\" follows, allowing Hazel and the sizzling Bernie Worrell to strut their stuff before funky instrumental \"What About It?\" ignites pure dance floor fire. Eddie Hazel was a pioneering guitar genius, but his troubled lifestyle led to a dearth of recorded material that demonstrated his strengths. It's a wonderful thing, then, that this lost classic is available on vinyl again. Possibly the finest slice of P-Funk you've never heard, it's a record that will make your brain dance and one every funk fan needs.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"LP","offer_id":50436178411851,"sku":"399096","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/d4652d93-dcea-4479-bc8e-a6050b3f6316_thumbnail_4096.jpg?v=1726913355"},{"product_id":"one-step-ahead","title":"One Step Ahead","description":"\u003cp\u003eYou may know Aretha Franklin's scintillating \"One Step Ahead\" from its vital role in the Oscar-winning movie Moonlight. You may also know it as providing the beautifully melancholic backdrop for Mos Def's 1999 hit \"Ms Fat Booty\". The inaugural Be With 7\" is a special one indeed, containing the first ever officially licensed reissue of Aretha's all-time deep soul classic. \"One Step Ahead\" was not included on any of her Columbia studio albums, and remains one of her rarest releases. On the flip, \"I Can't Wait Until I See My Baby's Face\" is a thrilling, goosebump-inducing killer and an unfairly slept-on rendition of this eternal track. \u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Black 7\"","offer_id":50436268327243,"sku":"1023283","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/107645_E37E7D79_f5228177_thumbnail_4096.jpg?v=1733838603"},{"product_id":"systems-breaking-down","title":"Systems Breaking Down","description":"\u003cp\u003eOriginally released in 1982, Anna's cosmic coldwave bomb \"Systems Breaking Down\" is one of the most mysterious singles of the period. Remarkably, it was released on a major label - RCA - yet very little is known about the shadowy Anna. Despite being recorded nearly 35 years ago, it still sounds strikingly vital. Both sonically relevant and lyrically prescient, it's hard to imagine a more apposite track to soundtrack the dark days we're currently occupying. A masterful study in dread, describing the gentle collapse of all structures, it is set against a backdrop of eerie, synth-heavy electronics. Produced by 80s disco-pop mavericks Geraint Hughes and Ken Leray, the A-Side contains the epic synth-pop original, all heart-wrenching atmosphere and haunting vocals. The B-Side wins again, however. The more uptempo 'Dance Version' is a dubbed out dark-disco tour-de-force, with cut-up vocals drifting in and out of a bassline that throbs like Carpenter's best (think Assault on Precinct 13) and a palette of head-nod minimal wave. Both sought-after mixes have been remastered for vinyl by Simon Francis and are housed in a replica jacket of the maxi original. Outstanding.\u003c\/p\u003e\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F289556027\u0026amp;show_artwork=true\u0026amp;color=f2667e\u0026amp;buying=false\u0026amp;theme_color=232323\u0026amp;font=Helvetica+Neue\u0026amp;show_user=false\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"12\"","offer_id":50436316135755,"sku":"1002023","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/9d3004e4-a0c3-4392-b249-483249315854_thumbnail_4096.jpg?v=1726915469"},{"product_id":"check-4-u","title":"Check 4 U","description":"\u003cp\u003eThis is it. The number one. El Numero Uno. The Bomb. The tune that gives you street soul bass up in your face and will destroy your speakers if you're not careful. Quite simply the greatest \u0026amp; most sought after street soul holy grail of them all. The sound of Manchester then and now. Adored the world over and currently (ambitiously) selling on Discogs for £1999.00. Bovel - Check 4 U (1996) will finally be available again via Be With in July.Fully remastered, produced in conjunction with Bovel herself and our man Ruf Dug and featuring the huge Metronome remix everyone's been raving about on the flip. Ltd. to 1000. Don't sleep. Enjoy.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"12\"","offer_id":50436561830219,"sku":"1040594","price":15.99,"currency_code":"GBP","in_stock":false}]},{"product_id":"india","title":"India","description":"\u003cp\u003eYou'd think that following \"Melodies Of Love\" would be an impossible task. Not so, if you happen to be genius Brit-Funk pioneers John Rocca and Andy Stennett. On their more understated - yet, pound for pound, stronger - second record, Pink Rhythm stretched out to create a 4 track EP of richly melodic, exquisite beauty. In the process, they trumped their most well-known release. Cruising on a funk-fuelled journey from the swaggering title track, via the blue-eyed soul of \"Trust Me\", to the stabbing staccato synth heat of \"More And More\" and back again (\"India\" dub) this EP has ESSENTIAL seared onto its substantial grooves. \u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"12\"","offer_id":50436702372171,"sku":"1042059","price":14.99,"currency_code":"GBP","in_stock":false}]},{"product_id":"the-vinyl-room","title":"The Vinyl Room","description":"\u003cp\u003eWith powerhouse production trio Organized Noize, Sleepy Brown orchestrated Atlanta's hallmark sound of the 90s; his slow-cooked southern-fried G-Funk providing hits for TLC, Outkast and Goodie Mob. However, by 1998 and post-\u003ci\u003eAquemini\u003c\/i\u003e, his desire was to take centre stage. The dizzying result was Sleepy's Theme and their wonderful throwback LP, \u003ci\u003eThe Vinyl Room\u003c\/i\u003e. Their vintage, 70s soul-steeped magnum opus was promptly passed on by Jimmy Iovine at Interscope, released only on CD on a limited scale, and mostly...um...slept on.\u003c\/p\u003e\u003cp\u003eTo mark the 20th anniversary, Be With Records finally present the album on the format it was so clearly inspired by yet seemingly destined never to appear on. The inaugural vinyl edition of this landmark record boldly arrives as a DJ friendly double LP, fully remastered and pressed loud and heavy at 180g. Elegantly housed in a sleek, sumptuous gatefold jacket, adorned with an appropriately pimped-out purple foil layer, it features printed lyrics across two double-sided inner sleeves.\u003c\/p\u003e\u003cp\u003eBlending organic instrumentation from one of the tightest, greasiest, yet sophisticated bands in the land, \u003ci\u003eThe Vinyl Room\u003c\/i\u003epresented dreamy melodies, warm synth textures, stately horns and wayward beats. Brown conceived his garage funk band as adhering to the sonic touchstones of Blaxploitation and he achieved it. Featuring keyboardist\/singer Eddie Stokes, drummer Victor Rico Cortez, guitarist Bill Odum, vocalist Keisha Jackson and the late Pimp C, the sound was always going to be in the pocket.\u003c\/p\u003e\u003cp\u003eWhile it eschewed contemporary trends, the underground sound was nevertheless fresh and grounded in the hat-tip spirit of hip-hop. With Sleepy bragging that there were no samples, \u003ci\u003eThe Vinyl Room\u003c\/i\u003ecomprised a richly textured, mesmerizing and confident sound where the recurring themes were women, cars and weed. As he explained, the music of the 70s wasn't computerized, it was just realness from the heart and that's what we captured. Indeed, Brown wasn't just inspired by bygone funk; he grew-up in it. As a boy, he travelled to gigs with his music playing father and founder of the legendary Brick: Jimmy Brown.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"LP | x2","offer_id":50436728226123,"sku":"1048404","price":32.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a0a80949-5456-45d1-974e-6f466032ea94_thumbnail_4096.jpg?v=1726921018"},{"product_id":"white-magic","title":"White Magic","description":"\u003cp\u003eA near-perfect record, \u003cem\u003eWhite Magic\u003c\/em\u003e was the lauded CD-only debut album by \u003cstrong\u003eSorcerer\u003c\/strong\u003e (Californian native Dan Judd, one half of Windsurf with Hatchback). Just in time for Spring\/Summer, we present the first ever vinyl issue, released as a deluxe double LP.\u003c\/p\u003e\n\n\u003cp\u003eBack in summer 2007, this majestic set gently nestled itself into the Balearic soundtrack-to-summer slot for many, making him a household name for Cosmic Disco heads alongside the likes of Lindstrom, Metro Area, Todd Terje, Mudd, Studio and Quiet Village.\u003c\/p\u003e\n\n\u003cp\u003eIn the intervening years, exceptional producers have created vibrant variations on the dreamy, dubby, melodic nu-disco theme. Happily, the emergence of such luminaries as Jex Opolis, Harvey Sutherland, Suzanne Kraft, Tornado Wallace et al has only served to make the master – \u003cstrong\u003eSorcerer\u003c\/strong\u003e - sound ever more brilliant and vital.\u003c\/p\u003e\n\n\u003cp\u003eUtilising his array of guitars, drum machines, synths, and trusty MPC, the loved-up \u003cstrong\u003eSorcerer\u003c\/strong\u003e sound inspires halcyon memories of warm days, endless sunsets and pure youthful abandon. Influenced by surf, 80s dance pop, acid-R\u0026amp;B, space jazz, krautrock, disco, dub, and am radio gold, his music maps a tour through a uniquely Californian lifestyle.\u003c\/p\u003e\n\n\u003cp\u003eYet when music so vividly captures a vibe and a feeling, it can make writing about it appear almost redundant. Instead, to glean the full colour of what your turntable will soon gratefully radiate, we prescribe the generous soundclips presented here.\u003c\/p\u003e\n\n\u003cp\u003eAnd, for a unique insight into the process behind the wonderful sounds conjured up, here's \u003cstrong\u003eSorcerer\u003c\/strong\u003e himself: \"\u003cem\u003eWhite Magic\u003c\/em\u003e is a reflection of personal freedom and discovery. Having been in bands for years, this was a chance to develop music that stood alone and for me to be in full control. I was living alone and worked on jams whenever I could. I was highly inspired by a new openness to music as a pure inspiration, not being part of any scene. I tapped into the mixes I was hearing coming out the UK where deejays were playing \"\u003cem\u003ecosmic\u003c\/em\u003e\" sounds that were so strangely familiar. I was picking up all kinds of $1 vinyl and throwing bits of it into my sampler almost randomly to see what would come out. In my mind, I was making music to be played at my friend's Broker\/Dealer Pop nights where they fused golden German techno sounds with the new disco emerging at the time. Also, I took vacations and reconnected with the Pacific Ocean where I spent so much time as a kid: it spilled out into the sounds. Lastly, I forged a partnership with Hatchback (Sam Grawe) who was working on music in the same way. I learned so much about arrangement and the colors of music. We began recording together as Windsurf and released our own stuff. It all seems like a small glorious moment in time, so I am so excited to keep the legacy alive and I continue to work on my music with these spirits inside of me.\"\u003c\/p\u003e\n\n\u003cp\u003eLovingly remastered by the esteemed Simon Francis, cut reassuringly loud onto heavyweight double vinyl and presented in a deluxe gatefold jacket with freshly commissioned artwork throughout from original designer Rich Robinson, this limited edition of 500 copies is sure to fly.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"LP | x2","offer_id":50436766302539,"sku":"1037787","price":24.99,"currency_code":"GBP","in_stock":true}]},{"product_id":"neon-leon","title":"Neon Leon","description":"\u003cp\u003eA continuation of his kaleidoscopic sun-dappled cosmic-disco, \u003cem\u003eNeon Leon\u003c\/em\u003e was the much-loved CD-only sophomore album by \u003cstrong\u003eSorcerer\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eJust in time for Spring\/Summer, we present the first ever vinyl issue, released as a deluxe double LP. A perfectly formed suite of ten tracks featuring soft guitars, subtle synths and lightly grooving percussion, \u003cem\u003eNeon Leon\u003c\/em\u003e magically evokes that elusive summer feeling throughout.\u003c\/p\u003e\n\n\u003cp\u003eThe guitar-driven \"\u003cem\u003eAlgorhythm\u003c\/em\u003e\" serves as the album opener, blasting bold, sun-drenched jazz chords atop bright synths and groove-based drum programming. \"\u003cem\u003eRide The Serpent\u003c\/em\u003e\" and \"\u003cem\u003eDistort Yourself\u003c\/em\u003e\" are guided by a more sultry, slo-mo disco impulse whilst the staggering \"\u003cem\u003eChemise\u003c\/em\u003e\" and strident \"\u003cem\u003eFace It\u003c\/em\u003e\" merge 80s West Coast production sheen with \u003cstrong\u003eSorcerer\u003c\/strong\u003e's trademark laid back, gentle disco.\u003c\/p\u003e\n\n\u003cp\u003e\"\u003cem\u003eRaydio\u003c\/em\u003e's\" undeniable head-nod groove adds a rare vocal to the proceedings, joyously combining with the bubbling cosmic funk. Since its initial release in 2009, exceptional producers have created vibrant variations on the dreamy, dubby, melodic nu-disco theme.\u003c\/p\u003e\n\n\u003cp\u003eHappily, the emergence of such luminaries as Jex Opolis, Harvey Sutherland, Suzanne Kraft, Tornado Wallace et al has only served to make the master – \u003cstrong\u003eSorcerer\u003c\/strong\u003e - sound ever more brilliant and vital. Utilising his array of guitars, drum machines, synths, and trusty MPC, the loved-up \u003cstrong\u003eSorcerer\u003c\/strong\u003e sound inspires halcyon memories of warm days, endless sunsets and pure youthful abandon.\u003c\/p\u003e\n\n\u003cp\u003eInfluenced by surf, 80s dance pop, acid-R\u0026amp;B, space jazz, krautrock, disco, dub, and am radio gold, his music maps a tour through a uniquely Californian lifestyle. Yet when music so vividly captures a vibe and a feeling, it can make writing about it appear almost redundant.\u003c\/p\u003e\n\n\u003cp\u003eInstead, to glean the full colour of what your turntable will soon gratefully radiate, we prescribe the generous soundclips presented here. And, for a unique insight into the process behind the wonderful sounds conjured up, here's \u003cstrong\u003eSorcerer\u003c\/strong\u003e himself:\u003c\/p\u003e\n\n\u003cp\u003e\"\u003cem\u003eNeon Leon\u003c\/em\u003e's is the name of a bar in a Elmore Leonard book I was reading on a vacation to Belize with my future wife. I was soaking up his brand of noir during the making of the songs on this record, along with another favorite Ross Macdonald. We were living in a small apartment in the Mission District of San Francisco where I had my own room to jam. It was painted Orange and Turquoise and was a very inspiring place to create and focus. I could walk out of my house to any number of hole in the wall bars where people were deejaying, hanging-out, and knew about me and my music. After \u003cem\u003eWhite Magic\u003c\/em\u003e I developed more confidence in my style and process so I stuck with it and I believe it shows in the tunes I selected for the record. The sounds are rich and I dug deeper into sampling from obscure dollar records and getting looser musically. I made a handful of collage videos for the tracks at this time as well, which represent where my mind was at visually. In my mind it's Cosmic Funk that rules the day and I am thankful to have the opportunity to share it with the world again.\"\u003c\/p\u003e\n\n\u003cp\u003eLovingly remastered by the esteemed Simon Francis, cut reassuringly loud on to heavyweight double vinyl and presented in a deluxe gatefold jacket with freshly commissioned artwork throughout from original designer Rich Robinson, this limited edition of 500 copies is sure to fly.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"LP | x2","offer_id":50436768760139,"sku":"1037788","price":24.99,"currency_code":"GBP","in_stock":true}]},{"product_id":"think-like-a-lover-mudd-s-extended-versions","title":"Think Like A Lover (Mudd's Extended Versions)","description":"\u003cp\u003ePersonally endorsed and officially licensed remix of Ned Doheny. A first for anyone, we were granted full access to the separate tracks of a Ned Doheny masterpiece. Accordingly, Claremont 56 maestro Paul \"Mudd\" Murphy was selected to preside over the full stems for Ned's classic \"Think Like A Lover\" and asked to deliver one of his famed remixes. His gentle disco rework blew us all away. An extended triumph of strung out balearic bliss, it is presented here on vinyl as a limited edition of 500 copies, complete with the dub on the flip. With mastering handled by the wonderful Simon Francis - engineer for both Claremont 56 and Be With - you know this sounds every bit as good as it feels. Housed in a beautifully produced disco sleeve, designed by Mudd himself, these will not be around for long. Just in time for Spring\/Summer parties and festivals, ensure your set is flavoured with this slow-motion, string-drenched gift.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"12\"","offer_id":50436783571275,"sku":"1036915","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/1f6d055a-194f-452c-b0c5-9b0a0055791a_thumbnail_4096.jpg?v=1726921679"},{"product_id":"labor-of-love-kenny-dickenson-remix","title":"Labor Of Love (Kenny Dickenson Remix)","description":"\u003cp\u003eThis is a Record Store Day 2017 item. It will be available to purchase from our stores from 8am 22nd April. Remaining stock will be available to purchase from this page at 00.01 29th April.\u003c\/p\u003e\u003cp\u003eLondon \/ LA producer Kenny Dickenson crafted his stunning remix of Ned Doheny's \u003ci\u003eLabor Of Love\u003c\/i\u003e to mark the Be With Ned tour in March 2015. The gentle disco re-rub was leaked by influential blogs and has been wreaking elegant havoc on both sides of the Atlantic ever since, setting a new gold standard for AOR remixes. Beloved of everyone who's heard it, we've been inundated with requests for a physical version. As RedKen, Dickenson came to prominence with his cult edit of Steve Perry's \u003ci\u003eShe's Mine\u003c\/i\u003e - an instant hit on the AOR Disco scene - whilst his double A Side Fleetwood Mac 12\" with Psychemagik was number 1 across Juno, Piccadilly and countless others, gaining him further notoriety. Here, taking Ned's stellar version and creating new melodies by twisting original sax solos inside out, Kenny's remix is elevated further with the introduction of his sophisticated keyboard work and additional white-hot production. Completed the day of Ned's penultimate show, Kenny bounded up to Pete Fowler - on DJ duties - and handed him the demo. Ever the showman, Pete played it seconds after Ned finished. Momentarily mortified at the chutzpah involved, we realised we were listening to something sensational. The key element would be Ned's opinion. He aired it the next day, breaking a drained silence as we boarded a flight to Berlin: \"There was a remix of my song played last night.\" Heart in mouth, we were in for a deserved dressing down. \"Pretty good; I liked it.\" And with that, we were determined to commit this wonderful reimagining to vinyl. After two years of major label wrangling and artist nudging, Be With Records are delighted to finally present this as an officially authorised, one-sided 12\". Enhancing the package, the record comes appropriately adorned with striking new artwork from Pete Fowler himself and liner notes from all parties involved. Limited to just 500 copies, these are sure to fly.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"12\"","offer_id":50436857037131,"sku":"1009122","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/dc1cc1c0-bfba-4abf-b055-8c2743614ea7_thumbnail_4096.jpg?v=1726922486"},{"product_id":"the-deirdre-wilson-tabac","title":"The Deirdre Wilson Tabac","description":"\u003cp\u003eRecorded in Philadelphia in 1969, The Deirdre Wilson Tabac's sole album is a beautiful blend of funk, jazz and soulful pop. Possessing the complex grooves, thrilling breaks and ethereal weirdness that The Rotary Connection pedalled so brilliantly, the LP failed to connect with audiences upon its original release. In the decades since, it has deservedly attracted a considerable cult following. However, almost inevitably, it has become increasingly tricky to pick up a copy in good condition for anything less than eye-watering sums. As such, we're delighted to present the first officially licensed vinyl reissue of this undoubted masterpiece of freaky funk-rock, limited to just 500 copies. The Tabac were, in fact, a trio. Discovered, managed and produced by Svengali Sonny Casella (who'd earlier managed garage band The Magic Mushrooms), they comprised Deirdre Wilson, Stu Freeman (formerly of said Mushrooms) and Barbara Payne (formerly with the James Brown Revue). They were backed by session players including jazz guitarist Chuck Anderson, bassist Hugh McDonald and keyboardist Roy Bittan (who went on to be a long-term Bruce Springsteen sideman). Their first single coupled two fine Casella compositions, each featuring powerhouse vocal workouts; the supremely funk-fuelled blues beat of \"The Other Side Of Life\" and the psychedelic-flavoured \"Look In My Face\" - both of which are featured here. This 7\" picked enough up airplay to merit an album, which duly appeared early the following year, but, as is often the way with these lost classics, it received barely any press. Correspondingly, sales where low and the trio didn't last long. And herein lies the real tragedy. The rest of the LP deserves to be heard from start-to-finish - it's that good. A beguiling mix of funky folk and rocky jazz tracks, with some deep, string-drenched harmony soul ballads and a handful of remarkable covers elegantly presented througout. Indeed, they put some sauntered head-nod funk into The Beatles' \"Get Back\" whilst tearing through a version of \"Sittin' On The Dock Of The Bay\" which gives Otis' original a real run for its money. But the real standout cut for most - with its soulful, haunting vocals, swinging hammond organ and stabbing horns, is the incredible 6\/8 time jazz dancer \"I Can't Keep From Cryin' Sometimes.\" Staggering.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"LP","offer_id":50436941480267,"sku":"1036901","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/ec3ea813-59c8-452d-889c-72e78826be5e_thumbnail_4096.jpg?v=1726923656"},{"product_id":"return-of-the-bastard","title":"Return Of The Bastard","description":"\u003cp\u003eYes! Tommy Guerrero’s revered \u003ci\u003eReturn Of The Bastard\u003c\/i\u003e gets its first ever vinyl reissue. Endearingly simple but beautifully beguiling, it's lo-fi dusty break business with the most elegant guitars this side of Vine Reilly and Gabor Szabo. Tommy's breezy drum-machine guitar-soul should be prescribed to soothe an aching world. \u003c\/p\u003e\u003cp\u003eBy rights, he should also be a Balearic god. Here's 14 tracks of drop-dead laconic beauty, all of them combining to create this unheralded masterpiece. Working with Tommy directly, the LP has been fully remastered and sounds as dazzlingly, heartbreakingly beautiful as it did back in 2007. \u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"LP","offer_id":50443962253643,"sku":"2180109","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Return_of_the_Bastard_e2693a77_thumbnail_4096.jpg?v=1727022376"},{"product_id":"roots-1","title":"Roots","description":"\u003cp\u003eWhat an unbelievable record. From the wild cover to the iconic breakbeats, \u003ci\u003eRoots\u003c\/i\u003e from Ian Carr’s Nucleus is one of the dopest albums we know. This is seriously thick, funky-prog jazz-rock heaven. Originally released on Vertigo in 1973, other than a couple of versions at the time for other territories, \u003ci\u003eRoots\u003c\/i\u003e was never re-pressed since so it’s gone on to become another one of those impossible to find records. Maybe it was a little too out there for the time, but it’s aged very, very well indeed and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press. \u003c\/p\u003e\u003cp\u003eGenius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that. Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. Working together with producer Fritz Fryer and engineer Roger Wake, the seven compositions by Carr, Brian Smith and Dave MacRae that make up Roots flirt with perfection, and Nucleus at that time made up of the cream of 1970s UK jazz with Brian Smith on tenor saxophones and flutes, Dave MacRae on piano and electric piano, Jocelyn Pitchen on guitar, Roger Sutton on bass, both Clive Thacker and Aureo De Souza on drums and percussion, Joy Yates delivering the vocals and of course Carr on trumpet. The spellbinding title track immediately renders the album indispensable. \u003c\/p\u003e\u003cp\u003eRiding the illest of loping breakbeats, “Roots” is low-slung, doped-out heist-funk. An absolute monster. If it sounds familiar then that’s likely down to it being sampled by Madlib for Lootpack and Quasimoto’s “Loop Digga”, as well as by a whole host of beat manipulators. “Roots” conjures prime instrumental hip-hop \/ beat music, only 20 years ahead of its time. Truly, these are the roots. Through sinuous bass, twinkling keys and a hypnotic guitar riff, a smoky brass motif weaves its way into a gloriously deep haze around Carr’s solos. “Roots” is over 9 minutes long, but there’s not a single wasted second, not surprising given that this is a condensed version of an originally 40 minute long commissioned composition. The soothing vocal fusion delight of “Images” follows. Meticulously constructed, with gorgeous flute work from Brian Smith, with Joy Yates’ silky vocals and Dave MacRae’s Rhodes never sounding better. The cool, driving “Caliban” closes out the first side. Originally the third movement in a four part commission to celebrate Shakespeare’s birthday it stands up on its own, all robust rhythms and blended brass. Keyboard colour and Carr’s trumpet are splashed across the funk drums and basslines (and there’s even some bamboo flute). This really is fusion: the elements of jazz and rock coming together in beautifully synthesis. \u003c\/p\u003e\u003cp\u003eSide two opens in riotous fashion with the short, thrilling samba of “Wapatiti”. Next up, “Capricorn” forms a smoothed-out, jazzy constellation. Mellow and dreamy, its twinkling percussion and languid horns slowly build the vibe before head-nod drums and a killer bassline enter the fray. With a distinct heaviness that Black Sabbath would’ve envied, “Odokamona” is a venomous slice of riff-soaked jazz metal (yes, you read that right), elevated by Carr’s wah-wah horns. The album closes with MacRae’s exceptionally cosmic “Southern Roots and Celebration”. Very much in conversation with Weather Report, it opens as a languorous, spiritual jazz of chiming keys and serene guitar that turns slowly, gorgeously into a mid-paced, brass-laced banger. It’s another sure-fire party starter and the sound of the band having a righteous blast, building an ecstatic chaos that ends with Yates screaming. And of course we need to talk about Keith Davis’ cover for Roots. Perhaps the coolest record cover of all time? Certainly one of the most bonkers. Just your run-of-the-mill high-gloss, acid-tinged airbrush dystopian\/utopian living-room party scene. Consider this your chemical flashback trigger warning. Front-and-centre the hip-to-death green robot holds court with their giant ball of yellow barbwire wool, hooked up to… something(?) being teased out from under the stairs (probably best not to ask). A thoroughly zoned-out, long-legged Pop Art party-goer lounges half-plugged in to the painting behind her as a pair of legs flail into shot from the the top of the stairs opposite. We won’t even begin to guess what the chap’s up to in the middle, but the view out of the windows is rather nice, and someone’s already got the hoover out ready to tidy up. All of the Nucleus sleeves are something special, but this particular one? Crikey. This Be With edition of \u003ci\u003eRoots\u003c\/i\u003e has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. The crazy cover has been restored at Be With HQ as the finishing touch to this long overdue re-issue.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"LP - Black","offer_id":50445378748747,"sku":"1121403","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/1bfe8052-2eda-43b3-8ef3-7120c8e052b9_thumbnail_4096.jpg?v=1727037329"},{"product_id":"dont-treat-me-so-bad","title":"Don’t Treat Me So Bad","description":"\u003cp\u003eLinda “Babe” Majika’s insanely brilliant \u003ci\u003eDon’t Treat Me So Bad\u003c\/i\u003e is a tight six tracks of blistering electro- flavoured bubblegum and synth-drizzled solar-powered machine-funk. It has become increasingly hard to find, with copies currently moving for over £200. But this is definitely a case of eye-watering price equalling heart-thumping quality.\u003c\/p\u003e\u003cp\u003eOnce of the Hot Soul Singers, \u003ci\u003eDon’t Treat Me So Bad \u003c\/i\u003ewas Linda’s debut LP as a solo artist. It was produced by Ace Mbuyisa of boogie-funk maestros Freeway and was originally released on Umkhonto Records in South Africa in 1988.\u003c\/p\u003e\u003cp\u003eThe enormous \u003ci\u003eLet’s Make A Deal\u003c\/i\u003e is probably the best known track here, and it’s definitely the best one if you ask us. Linda’s vocals drip with attitude over warm, breezy synths and an urgent, edgy electro beat to create a timeless club-ready bomb that sounds as fresh as ever. But the rest of the album is far from filler.\u003c\/p\u003e\u003cp\u003eOpening track \u003ci\u003eKunzima (Tabalaza Mjita)\u003c\/i\u003e instantly brings the sunshine vibes, strutting out the gate with that unmistakable South African steppers groove. It’s a deceptively simple song, with multiple instrumental elements arriving and taking leave with admirable restraint.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eIt’s Our Home\u003c\/i\u003e is a powerful showcase for Linda’s vocals, enhanced by some life-affirming call and response backing vocals throughout. In fact they’re a joyous presence on the whole album. The insistent pipes and swirling, bubbling synths of title track \u003ci\u003eDon’t Treat Me So Bad\u003c\/i\u003e follow. A spacious proto-piano house banger that closes out the first side in phenomenal fashion.\u003c\/p\u003e\u003cp\u003eArriving as track two on the second side, \u003ci\u003eUnga B’Omthemba Umuntu\u003c\/i\u003e has the unenviable task of following the huge \u003ci\u003eLet’s Make A Deal.\u003c\/i\u003e It does the job with class, bringing the tempo down to a mid-paced tropical bounce with lilting harmonies and welcome traces of hi-life guitar. Wonderful stuff. \u003ci\u003ePlayboy\u003c\/i\u003e is is another unbeatable head-nod groover rounds out the set wonderfully. That bassline high in the mix is to die for, and the chorus will make any dancefloor smile.\u003c\/p\u003e\u003cp\u003eAs ever, Simon Francis on mastering duties elevates this release, adding heft and elegance in all the right places with his customary deft touch. The memorable cover art, in which Linda appears straight out of the 1950s with her polka dot skirt and butter-wouldn't-melt pose, has been faithfully restored. But don’t let the innocent styling fool you - \u003ci\u003eDon’t Treat Me So Bad\u003c\/i\u003e is the work of one badass woman who can hold her own, and then some.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Black | LP","offer_id":50447589933387,"sku":"1096327","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/13b39cdf-89fa-4012-a056-879b5040a15f_thumbnail_4096.jpg?v=1727079906"},{"product_id":"kollage-fpvfda","title":"Kollage","description":"\u003cp\u003eBahamadia’s 1996 debut album \u003ci\u003eKollage\u003c\/i\u003e is rightly regarded as one of the greatest rap albums of the 1990s. For the first time ever, Be With present the definitive double LP version of this eternal hip-hop classic, including the legendary \"Path To Rhythm\" which never appeared on the original LP or on vinyl, anywhere.\u003c\/p\u003e\u003cp\u003eThe entire \u003ci\u003eKollage\u003c\/i\u003e project was recorded at D\u0026amp;D Studios and the ties to Gang Starr are keenly felt, with DJ Premier producing five tracks in addition to the killer songs Guru had already produced with her.\u003c\/p\u003e\u003cp\u003eAn indelible VIBE from start-to-finish, \u003ci\u003eKollage\u003c\/i\u003e presents Bahamadia's swirling rhymes delivered with an irresistibly butter flow and razor-sharp assuredness over a steady slew of smoothed-out, jazzed-up, blunted beats. Achingly cool and effortlessly funky throughout, it's an absolute must for true 90s hip-hop fanatics.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"2LP - Black","offer_id":50449320444235,"sku":"2175540","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/product_id._636ea255_thumbnail_4096.jpg?v=1727101485"},{"product_id":"falling-in-love-happy-love-mix","title":"Falling In Love \/ Happy (Love Mix)","description":"\u003cp\u003eFirst-time 12\" reissue pairing of previously hyper-rare tracks, 140g vinyl, mastered by Simon Francis\u003c\/p\u003e\u003cp\u003eTwo seminal 12\" mixes of a pair of enormous tracks from Surface. Housed in the super-rare and - until now - French-only picture sleeve of the eternal \"Falling In Love\", we've backed that classic with Be With's favourite deconstructed mix of the swirling electronic soul \/ synth-driven slow jam \"Happy\". These sought-after versions have never been paired on the same record before. This fresh Be With edition ensures these legendary tracks now sound, looks and feel as sensational as they deserve to. You know what to do...\u003c\/p\u003e\u003cp\u003eAmerican post-disco\/R\u0026amp;B trio Surface were a New Jersey vocal group made up of Bernard Jackson, David Townsend and David Conley. The majesty of boogie ballad \"Falling In Love\" was their first single, released in 1983 on Salsoul Records. The mellow magic of this track is loved the world over; it's a feel-good smooth boogie jam that's forever coveted. The slick, crystal clear beat, the legendary minimoog bassline, the melody, Karen Copeland's superb vocal, the great flute solo (referenced on the cover) all of it is literally perfect and beautifully encapsulates that mid 80s international club vibe. This here is the original Shep Pettibone mix in its entirety - it's the only one you really need.\u003c\/p\u003e\u003cp\u003eFlip for the legendary \"Love Mix\" of 1987 hit single “Happy\". You all know the original. At least, you *should* all know it. But the \"Love Mix\" is a deconstructed, boldly produced mix which is the one the heads have turned to for so long. Yet, in our opinion, its hypnotic groove has flown under the radar for too many years. This killer remix begins with Jackson's spine-tingling isolated vocal, cleverly subverting expectations by actually delivering the first words of the original's second verse \"You must be Heaven sent...Sent into my life...And I compliment you baby...Baby\" before a heavy 808 drum kicks hard with echoey handclaps. It's super sparse and a dubbed out slow-mo boogie banger like no other. The synth bass, atmospheric synth pads and synthesized flute glide in and out with effortless style and the whole thing is a wonder to behold.\u003c\/p\u003e\u003cp\u003eIt's a slow jam, for sure, but crafted in the straight up funk tradition, using the digital tools of the day and this sparser than sparse version almost sounds like a precursor to UK Street Soul. A unique combination of undeniable funk, electro beats and an earnest, youthful tenor; it should be slamming out of every jeep forevermore.  \u003c\/p\u003e\u003cp\u003eSimon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12\" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year. Simply flawless.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Black 12\"","offer_id":50451453739339,"sku":"2215329","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/BEWITH024TWELVE_7780e429_thumbnail_4096.jpg?v=1727126082"},{"product_id":"safe-and-sound","title":"Safe And Sound","description":"\u003cp\u003eDJ Quik is a giant of West Coast hip-hop. With 1995’s \u003ci\u003eSafe and Sound\u003c\/i\u003e, he scaled new levels of musical magnificence with his signature new age P-Funk \/ laconic G-Funk. A quintessential, sun-scorched LA album, this is pretty much essential. Typical for mid-90s albums the original vinyl copies are now rare so here’s the Be With re-issue.\u003c\/p\u003e\u003cp\u003eThis 2022 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Pete Norman and pressed at Record Industry. Unusual for the time, \u003ci\u003eSafe and Sound\u003c\/i\u003e was originally pressed as a double, so all that was missing was the CD’s hidden bonus track “Tanqueray”, so that's fixed. The original vinyl release never had a picture sleeve, so Be With have recreated the original’s promo-style silver-sticker and plain black jacket. A subtle cover for a wonderfully unsubtle record.\u003c\/p\u003e\u003cp\u003eA preternaturally gifted producer\/rapper, DJ Quik has produced scores of LA gangsta rap classics. He’s released platinum and gold records of his own, as well as helped craft them for the likes of Tupac, Snoop Dogg, and Dr Dre. Quik has always been quirkier and more interesting than his gangsta rap peers, both musically and lyrically. An old-school funk producer at heart, he’s also incredibly nice on the mic. His raps often deal in boasts, jokes and good times but also cover his beefs, his trials and his trauma. Partying and pain, all mixed up. DJing and producing hype beat tapes from age 14, Quik’s tracks blended the languid funk and rubbery synths of Zapp and George Clinton with a gangsta aesthetic, creating a more danceable foil to Compton’s more typical nihilistic hedonism. Ultimately, his records sound custom engineered to drift out over sun-soaked barbecues.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"2LP - Black","offer_id":50452403388747,"sku":"1135010","price":31.99,"currency_code":"GBP","in_stock":false},{"title":"2LP - Translucent Red","offer_id":53691434697035,"sku":"R7479-0693","price":42.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/3a1ef1f5-0ec9-469e-9d92-598d3726e1e7_thumbnail_4096.jpg?v=1727151437"},{"product_id":"cutting-the-chord","title":"Cutting The Chord","description":"\u003cp\u003eMother Freedom Band’s \u003ci\u003eCutting The Chord\u003c\/i\u003e is a funky modern soul classic. It’s both a criminally under- appreciated album and a hard-to-find record so Be With Records are delighted to be giving this sweet disco-funk groover the reissue treatment it deserves.\u003c\/p\u003e\u003cp\u003eProduced by the great Al Goodman from The Moments and originally released in 1977, \u003ci\u003eCutting The Chord\u003c\/i\u003e seems to be one of the lesser known releases on the curious, and often great “All Platinum” label. Other than a 7\" of a couple of these tracks, the only thing that the band seem to have released is this album, and what an album it is. Unbeatable soul-funk of the highest quality.\u003c\/p\u003e\u003cp\u003eThe album bursts open with “Love Will Stay In Your Corner”. It’s a soulful dancer that reliably slays any funk set you care to drop it in. It’s followed by the lithe disco funk “Flick Of The Wrist” that’s all bubbling baselines and elegant horns. The groovy, horn-enhanced sweet soul of “Gotta Get It Back” is equal parts heartbreaker\/hip-shaker and the acidic organs on “Mr Brother” are an experiment in synth soul.\u003c\/p\u003e\u003cp\u003ePerhaps the group’s best known track, “Beautiful Summer’s Day” might well be worth the price of an original copy alone. It’s pure piano-driven paradise soul. A tropical birdsong intro sets the scene of a warm, perfect sunshine day and the lead vocal soars over the lush, clean production. The tempo oscillates between contemplative and stomping. Essential.\u003c\/p\u003e\u003cp\u003eThe brilliantly-named “(Assistants Rag) When You’re Hot, You’re Hot” opens side two. Another huge highlight, its title refrain repeated over this laid-back, power-funk workout. It still sounds incredibly modern, like something off the last D’Angelo record, and if Public Enemy and Diamond D both sampled it you know it knocks hard.\u003c\/p\u003e\u003cp\u003eThe horn-heavy, clav-stabbing-stomper “We Like To Boogie” keeps things fast and funky before the airy, heavenly harmony soul of “Come On Home” mellows us all out. Things pick up again with “Touch Me”, and you might recognise its addictive elements sampled in Jay-Z’s Kanye West-produced “A Star Was Born”. The magical, reggae-tinged, gospel-influenced “Sweet Love” closes out this assured, classy set.\u003c\/p\u003e\u003cp\u003eWe dare to say that \u003ci\u003eCutting The Chord\u003c\/i\u003e is a rare example of a funk-soul LP which is killer from start-to-finish. Sure, there are the stand-out bombs, but the whole thing is a complete and varied album of feel-good vibes held together by its fluid horns, tight, tight rhythm section and beautiful vocals.\u003c\/p\u003e\u003cp\u003eMastered for vinyl from the original analogue tapes by Simon Francis, cut by Pete Norman and artwork restored at Be With HQ, this new edition should hopefully stop this album slipping any further into obscurity. It’s just too good to be forgotten.\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Black | LP","offer_id":50453663318347,"sku":"1113282","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/24804f2e-1524-403a-8152-dd9ef1b609be_thumbnail_4096.jpg?v=1727175231"},{"product_id":"loose-grooves-and-bastard-blues","title":"Loose Grooves and Bastard Blues","description":"\u003cp\u003eThirteen tracks of lo-fi (mostly) instrumental freshness fused with Cuban, Latin and blues, it's a must for fans of Money Mark, J Dilla, RJD2, DJ Shadow and Pete Rock. As ever with Tommy's records, the title sums up the music contained within most aptly. And writing about his songs, his vibes, is one of the trickier things to do, it has to be said. It's just all gorgeous! \u003c\/p\u003e\u003cp\u003e\u003ci\u003eLoose Grooves and Bastard Blues\u003c\/i\u003e is Tommy Guerrero's sublime debut. Of this beloved masterpiece, the legendary skater himself says: \"my 1st album. It was never meant to be released. I was just recording for the fun of it.. still my fave. Oh so naive...\" And you know what? It's definitely Be With's fave too. An astonishingly great record. A chill, blissful, deeply moving album, it was rightly garlanded as an instant classic.   \u003c\/p\u003e\u003cp\u003eA laidback, fusionistic ride replete with loopy drum tracks underpinning Tommy's trademark reflective guitar stylings, \u003ci\u003eLoose Grooves and Bastard\u003c\/i\u003e \u003ci\u003eBlues\u003c\/i\u003e remains powerfully evergreen. Originally released in 1997, there's elements of jazz, trip hop, rock and downtempo groove. All shot through with a heavy dose of soul. \u003c\/p\u003e\u003cp\u003eA total vibe throughout, to blast \u003ci\u003eLoose Grooves and Bastard Blues\u003c\/i\u003e is a majestic experience, one that suits a start-to-finish listen and renders the picking out of highlights totally redundant. Featuring nagging, deeply melodic guitar lines - both electric and acoustic - over simple rhythms with such sumptuous elegance, the hypnotic playing against unrushed percussion releases a crystal clear stream of healing frequencies. It's ust divine. This album laid the blueprint from which Tommy Guerrero would subsequently explore further on \u003ci\u003eA Little Bit of Somethin'\u003c\/i\u003e and \u003ci\u003eSoul Food Taquiera\u003c\/i\u003e. \u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"LP - Black","offer_id":50459554087243,"sku":"2180108","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/BEWITH155LP__outside_front--4096_1024x1024.jpg_1233b293_thumbnail_4096.webp?v=1727224364"},{"product_id":"vocal-shades-and-tones","title":"Vocal Shades And Tones","description":"\u003cp\u003e\u003ci\u003eVocal Shades And Tones\u003c\/i\u003e is a miraculous leftfield library classic from the genius mind of celebrated UK composer\/singer\/vocal arranger Barbara Moore. It's a heavenly groove-based blend of jazz, Latin, soft-psych, folk-funk and gospel soul. Recorded for the legendary Music De Wolfe in 1972, it's an audacious start-to-finish listen, as dizzying as it is dazzling. It's a perfect snapshot of a musical era, supported by Moore's glorious vocal arrangements. Widely regarded among collectors, DJs, and lounge\/easy-listening acolytes as an absolute essential it is viewed as the holy grail by many production music heads, rarely appearing for sale and disappearing in a flash when it does. Indeed, originals now go for over £300 and it's easy to see why. Just one of the reasons why this fresh Be With reissue, part of a wider De Wolfe reissue campaign, is so utterly crucial. \u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Black LP","offer_id":50465606861131,"sku":"2057467","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/BEWITH153LP_edccace3_thumbnail_4096.jpg?v=1727293459"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/collections\/test_60efaf6d_thumbnail_4096_69e69784-67fb-4f35-bb74-ac5c9e878fd6.jpg?v=1726032517","url":"https:\/\/shop.roughtrade.com\/collections\/be-with-records.oembed","provider":"Rough Trade","version":"1.0","type":"link"}