{"title":"Big Break Records","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eBig Break Records is a reissue label that specializes in black dance music from the sixties, seventies, and eighties. Founded by Wayne A. Dickson and Michal L. Bednarek, this label is dedicated to preserving and reintroducing classic tracks from iconic artists of the past.\u003c\/p\u003e\n\n\u003cp\u003eWith a focus on *black dance music*, Big Break Records brings together an impressive collection of timeless hits that have shaped the music industry. From soulful melodies to infectious grooves, their catalog showcases the best of the genre.\u003c\/p\u003e\n\n\u003cp\u003eUnder the guidance of Wayne A. Dickson and Michal L. Bednarek, Big Break Records has become a trusted source for fans looking to rediscover legendary tracks from artists such as *Aretha Franklin*, *Chic*, and *Earth, Wind \u0026amp; Fire*. Their commitment to quality reissues ensures that these influential songs continue to be enjoyed by generations to come.\u003c\/p\u003e","products":[{"product_id":"spinners","title":"Spinners","description":"\u003cp\u003eRemastered and repackaged CD edition of Spinners’ self-titled album, with eight bonus tracks and a brand new interview with Thom Bell. Containing their biggest hits ‘Ghetto Child’, ‘I’ll Be Around’ and ‘Could It Be I’m Falling In Love’. Featuring four songs with the legendary Dionne Warwick\u003c\/p\u003e\u003cp\u003eAfter achieving minor success on Motown and VIP in the 1960s and early ‘70s, Spinners rebooted themselves when transferring to Atlantic in 1972. They would go on to record the first of many records at Sigma Sound Studios, a base from where ‘Philly Soul’ emerged, producer, Thom Bell redefining the band for their debut record for Atlantic.\u003c\/p\u003e\u003cp\u003eThe flipside of the romantic ballad ‘How Could I Let You Get Away’, ‘I’ll Be Around’ (US #3\/SOUL #1) with its heightened rhythm section and soulful harmonies elevated the band’s profile hugely. ‘Could It Be I’m Falling In Love’ (US #4\/SOUL #1\/UK#11) continued this newfound optimism and the band’s staggering commercial success, while the more melancholy ‘One Of A Kind (Love Affair)’ (US #11\/SOUL #1) increased their new profile further, with Philly Sound pioneers MFSB providing instrumentation.\u003c\/p\u003e\u003cp\u003eThe final single from the album, ‘Ghetto Child’ (US #29\/SOUL #4\/UK #7) breaks from the romantic theme of the previous singles, returning to the social consciousness that the band embraced in their tenure at Motown. The concerns of racial inequality in contemporary America are urgent but retro-fitted into the smooth album that made their critical and commercial success soar.\u003c\/p\u003e","brand":"Big Break Records","offers":[{"title":"CD","offer_id":50435975676235,"sku":"1147838","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/5a0e5039-9161-4ea4-b6e8-ffe0a2e38350_thumbnail_4096.jpg?v=1726910534"},{"product_id":"love-all-the-hurt-away-expanded-edition-fftwx4","title":"Love All the Hurt Away - Expanded Edition","description":"\u003cp\u003e\u003cstrong\u003eAretha Franklin's\u003c\/strong\u003e sophomore release for Arista Records in 1981 with three bonus tracks. Featuring her duet with \u003cstrong\u003eGeorge Benson\u003c\/strong\u003e, \u003cem\u003eLove All the Hurt Away\u003c\/em\u003e reached the #6 position and #46 in the Pop charts. It spent 26 weeks in the R\u0026amp;B chart peaking at #4, and also made #36 in the Pop chart with sales of around a quarter of a million.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eHold On I'm Comin'\u003c\/em\u003e, a \u003cstrong\u003eSam And Dave\u003c\/strong\u003e cover, gained \u003cstrong\u003eAretha\u003c\/strong\u003e her 11th Grammy Award for Best R\u0026amp;B Vocal Performance – her first Grammy since 1974. This was the second UK single and received a lot of play in discos. \u003cem\u003eIt's My Turn\u003c\/em\u003e is a cover of \u003cstrong\u003eDiana Ross\u003c\/strong\u003e which gained \u003cstrong\u003eAretha\u003c\/strong\u003e the #29 position in the R\u0026amp;B chart.\u003c\/p\u003e","brand":"Big Break Records","offers":[{"title":"CD","offer_id":50452203077963,"sku":"2002687","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/product_id._1eff47a7_thumbnail_4096.jpg?v=1727144327"},{"product_id":"soul-master-expanded-edition","title":"Soul Master - Expanded Edition","description":"\u003cp\u003eDebut album from the late, great Edwin Starr, expertly remastered and complete with extensive liner notes and several bonus tracks. Essential listening for all R\u0026amp;B, Soul and Funk fans.\u003c\/p\u003e\u003cp\u003eClassic ‘60s Motown sounds with mid to up-tempo songs either swinging, shuffling or stomping their way to a rapid and satisfying conclusion (only one track is over three minutes). Featuring Starr’s rough-hewn vocal chops interpreting lyrics by Motown greats Smokey Robinson and Norman Whitfield among others, adding real weight to the recordings.\u003c\/p\u003e\u003cp\u003eEdwin Starr is best remembered for his rasping Vietnam protest song ‘War’ from 1970. His early recordings for Detroit’s Ric-Tic Records immediately gained chart success before Berry Gordy bought out Starr’s contract in 1967 and took him and his music to Motown.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eSoul Master\u003c\/i\u003e was Starr’s debut album and was released on Motown’s Gordy imprint in 1968. With soul music in the ‘60s, and especially with Motown, the emphasis was on singles, so the album did not chart but does boast a number of R\u0026amp;B hits. These include the aforementioned ‘Agent Double-O-Soul’ and Starr’s other top ten Ric-Tic release, 1966’s ‘Stop Her On Sight (SOS)’ (R\u0026amp;B #9\/Pop #48\/UK #35), as well as ‘Headline News’ (Pop #84).\u003c\/p\u003e","brand":"Big Break Records","offers":[{"title":"CD","offer_id":50459108213067,"sku":"1147837","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/2cb0970d-f9a4-4b34-b9f4-8e6afa0d87c7_thumbnail_4096.jpg?v=1727217395"},{"product_id":"emergency","title":"Emergency,","description":"\u003cp\u003e\u003cstrong\u003eKool \u0026amp; the Gang\u003c\/strong\u003e originally formed as a jazz band in the early 60s (then adopting the Jazziacs moniker). They would reinvent themselves via funk in the 70s and once again in the 80s with relentlessly feel-good pop-soul.\u003c\/p\u003e\n\n\u003cp\u003eContinuing on from a decade-long reign on the charts, \u003cstrong\u003eKool \u0026amp; the Gang\u003c\/strong\u003e released their sixteenth studio LP, \u003cem\u003eEmergency\u003c\/em\u003e (R\u0026amp;B #3\/Pop #13\/UK #47). The album continued their trend of unashamedly feel-good soulful pop music, resulting in a double-platinum album which would turn out to be the biggest international seller of their career.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eEmergency\u003c\/em\u003e gave the band some of their biggest hits with ‘Misled’, ‘Fresh’, the gold certified ballad ‘Cherish’ and ‘Emergency’. On this new 2CD deluxe edition, all of the alternative 7” and 12” dance remixes are included.\u003c\/p\u003e","brand":"Big Break Records","offers":[{"title":"CD | x2","offer_id":50459537539403,"sku":"1131026","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/8be9a443-4e84-4fad-b569-7515c2ed4e63_thumbnail_4096.jpg?v=1727224067"},{"product_id":"on-the-race-track","title":"On The Race Track","description":"\u003cp\u003eJamaican born \u003cstrong\u003ePrecious Wilson\u003c\/strong\u003e spent most of her formative years living in the UK, and then the USA, where as a teen she developed her soulful voice through gospel singing.\u003c\/p\u003e\n\n\u003cp\u003eReturning to the UK Wilson joined the all-male vocal group \u003cem\u003eEruption\u003c\/em\u003e as a backing singer, only to take the reigns as lead vocalist when the spot quickly became available. Relocating to Germany, the group caught the attention of Boney M producer Frank Farian who signed them to his Hansa label.\u003c\/p\u003e\n\n\u003cp\u003eAfter scoring several hits across Europe from the group’s first two albums, Precious Wilson chose to follow a solo career, releasing a funky disco cover of Sam \u0026amp; Dave’s \"\u003cem\u003eHold On, I’m Coming\u003c\/em\u003e\" in 1979 which features as a bonus track on this release.\u003c\/p\u003e\n\n\u003cp\u003eStill on the Hansa label, Frank Farian produced Wilson’s first solo album \u003cem\u003eOn The Race Track\u003c\/em\u003e. Released in 1980, the album maintained the singer’s popularity, especially across mainland Europe.\u003c\/p\u003e\n\n\u003cp\u003eAlso featured as bonus tracks are two extended versions of the main Eruption singles featuring Precious Wilson including ‘I Can’t Stand The Rain’ and ‘One Way Ticket’.\u003c\/p\u003e\n\n\u003cp\u003eFollowing on from BBR’s re-issues of Eruption’s first two releases, Hot Shot Records is proud to present the expanded and re-mastered edition of \u003cem\u003eOn The Race Track\u003c\/em\u003e by Precious Wilson. Complete with extensive liner notes and several extended disco versions of the classic Eruption singles, this is a must-have for all R\u0026amp;B, Disco, Dance, and Pop fans.\u003c\/p\u003e","brand":"Big Break Records","offers":[{"title":"CD","offer_id":50459541864779,"sku":"1131032","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/6d2e44e5-6b3f-4b43-a0ba-7248805d2484_thumbnail_4096.jpg?v=1727224149"},{"product_id":"angels-piss","title":"Angel's Piss","description":"\u003cp\u003eBig Break occur somewhere in the cracks between hardcore, new wave and egg punk. Apparently unable to concentrate on a song for longer than 2 minutes, their music is minimalist, agitated and addictive. Taking inspiration from the likes of Devo, Negative Approach and Food Fight by The Village People, they combine hyper guitar hooks with taut rhythms and break-neck changes of pace. Recorded at Sheffield's Delicious Clam Studio, their debut album, Angel's Piss, features songs about the gaffer (bad), computer phones (bad), bank holidays (good), relationships (mostly bad), and bodily fluids(depends). It's an on\/off, in\/out, bits and pieces document of the band's first LP that captures their raw energy and sense of immediacy. Formed in the basement of the aforementioned Delicious Clam, the band's current and previous musical incarnations include Best Friends, The Hipshakes, Nai Harvest, Avida Dollars, Thee Mightees, Joy Boys, Thumbuster, Champayne, Town Cruise and more. “Words from us, the label, some context...Will Pearce, who spent a healthy couple of years in the Hey Colossus group, moved to Sheffield. He was soon embroiled in the deep music scene, hitting up the Delicious Clam venue and becoming smitten with Big Break-the band help run the place. He knew we, WSR, were all about gnarly snot nosed sounds and fired it our way. This is how it works. Be active. Be involved. This record is a pure adrenalin rush, straight to yer unspeakables. Pressed at 45rpm, a brief 12 songs, barely enough time to climb onto the arm of your sofa and dive into the telly. File next to the good stuff, the stuff that makes you get the hell on with things. It's a total ripper of a record” – WrongSpeed HQ\u003c\/p\u003e","brand":"Wrong Speed Records","offers":[{"title":"Black LP","offer_id":50507250663755,"sku":"2011662","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Big_Break_Angels_Piss_8c99666b_thumbnail_4096.jpg?v=1727844295"},{"product_id":"gravity-expanded-edition","title":"Gravity, Expanded Edition","description":"\u003cp\u003e\u003ci\u003eGravity\u003c\/i\u003e was produced by Dan Hartman in 1986 due to the phenomenal success of Living In America from the soundtrack to Rocky VI. This single gained the #4 spot in the Pop chart, #10 in the R\u0026amp;B and #5 in the UK. ‘Gravity’, the follow up single, reached #26 in the R\u0026amp;B chart as well as #93 in the Pop chart. Also featured on this album is the James Brown classic ‘Turn Me Loose, I’m Dr. Feelgood’ which is a sure- fire dancefloor filler. ‘How Do You Stop’ was the third single release and returned James to the R\u0026amp;B top 10. It is a minor classic in Brown’s catalogue and was later covered by none other than Joni Mitchell on her 1994 album Turbulent Indigo. Released in deluxe Super Jewel cases, with bonus tracks, \u003ci\u003eGravity\u003c\/i\u003e is a must for all Soul, Funk and Dance fans out there!\u003c\/p\u003e\u003cp\u003e1. Gravity 2. Let’s Get Personal 3. How Do You Stop 4. Turn Me Loose, I’m Dr Feelgood 5. Living In America 6. Goliath 7. Repeat The Beat (Faith) 8. Return To Me \u003c\/p\u003e\u003cp\u003eBonus Tracks 9. Living In America (12” Version) 10. Gravity (12” Version) 11. 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From her breakout with 1978’s ‘I’m Every Woman’ to 1980’s \u003ci\u003eNaughty\u003c\/i\u003e LP, Chaka teamed with prominent producer Arif Mardin to create a fully orchestrated funk-disco-jazz sound.\u003c\/p\u003e\u003cp\u003e1981’s Gold certified \u003ci\u003eWhat Cha Gonna Do\u003c\/i\u003e builds upon the jazz leanings of its predecessor. The title track (R\u0026amp;B #1\/Pop #53) launched the album with Chaka’s breeziest vocals to date. Second single ‘We Can Work it Out’ (R\u0026amp;B#34\/DANCE #22) reconstitutes the Beatles as a call to the dance floor whilst “Any Old Sunday” (R\u0026amp;B #68) is the gentlest groove on the album.\u003c\/p\u003e\u003cp\u003eTwo recordings from the album session final make the cut on this BBR edition: ‘Lover’s Touch’ and ‘Only Once’ originally appeared only as single b sides from the album. For the first time, they now sit alongside the rest of the sessions.\u003c\/p\u003e","brand":"Big Break Records","offers":[{"title":"CD","offer_id":50507669569867,"sku":"2002686","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/product_id._1ab5af96_thumbnail_4096.jpg?v=1727853050"},{"product_id":"love-is-the-message-2","title":"Love Is The Message","description":"\u003cp\u003eMFSB (Mother Father Sister Brother) were the house band for Philadelphia International and worked closely with the production team of Gamble and Huff. They backed up groups such as Harold Melvin and The Blue Notes, the O’Jays, the Stylistics, the Spinners, Wilson Picket and Billy Paul.\u003c\/p\u003e\n\u003cp\u003eMFSB’s second album \u003cem\u003eLove Is The Message\u003c\/em\u003e was released in 1974 and reached R\u0026amp;B #1 and Pop #4.\u003c\/p\u003e\n\u003cp\u003e’T.S.O.P. 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