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Aristides Ramírez’s \"Los Lanbones\" adds a touch of humor, cautioning against pub freeloaders. Merengue Típico: Nueva Generación transcends the realms of a typical reissue; it's an immersive journey into the roots of Dominican merengue, expanding its narrative beyond borders to enrich the global musical landscape.\u003c\/p\u003e\u003cp\u003eThis compilation goes beyond individual tracks, providing a historical and cultural context, enriching our understanding of the genre's evolution in the Dominican Republic during a crucial period. Designed for both connoisseurs and wild dancefloors, this compilation is not only a historical and cultural exploration but also a treasure trove for DJs seeking to infuse their sets with the vibrant rhythms of merengue típico.\u003c\/p\u003e\u003cp\u003e1. Trio Rosario - Cuando Yo Muera\u003c\/p\u003e\u003cp\u003e2. Fefita La Grande - Caña Brava\u003c\/p\u003e\u003cp\u003e3. Aristides Ramirez - Los Lanbones\u003c\/p\u003e\u003cp\u003e4. 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The alternative electronic-activists Ali Güçlü Şimşek, Barlas Tan Özemek and Alican İpek are radicals in terms of their political ideology of sounds; outspoken, ideological, and full of energy, ripe for the dancefloor. \u003c\/p\u003e","brand":"Bongo Joe Records","offers":[{"title":"CD","offer_id":50392752947531,"sku":"2045889","price":14.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50392754684235,"sku":"2045890","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/En_K_C3_B6t_C3_BC__C4_B0yi_Olur_040885f0_thumbnail_4096.jpg?v=1726411258"},{"product_id":"polymood","title":"Polymood","description":"\u003cp\u003eAfter the success of \u003cem\u003eCruise Control\u003c\/em\u003e repress, \u003cstrong\u003eLes Disques Bongo Joe\u003c\/strong\u003e are proud to announce the official reissue of \u003cem\u003ePolymood\u003c\/em\u003e, the second album of \u003cstrong\u003eL’Éclair\u003c\/strong\u003e and maybe their most renowned project for the moment.\u003c\/p\u003e\n\n\u003cp\u003eRecorded live in Amsterdam by the wizard Jasper Gelük (Altin Gün, Allah Las, Jacco Gardner), this library-groove-oriented album goes deep into \u003cstrong\u003eL’Éclair\u003c\/strong\u003e influences back in the days: Piero Piccioni, AIR, Sly Stone, or Can.\u003c\/p\u003e\n\n\u003cp\u003eOriginally released on Beyond Beyond Is Beyond, \u003cstrong\u003eBongo Joe\u003c\/strong\u003e is happy to work directly with \u003cstrong\u003eL’Éclair\u003c\/strong\u003e to repress this gem. 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After finalizing these new songs in the studio, the result is an explosive and high-energy mix of sounds that has surprised audiences all over Europe during the past summer. ‘Viemos de Longe’ is high-energy, Funana-inspired groove featuring Gino's distinctive style of simultaneously playing the drums with his right hand and the congas with his left. Cape Verdian themes mix with Yves Thai phin solo, in a psychedelic dubby spring-verbed tape-delayed production. 'Visita Noturna’ is a bass-heavy track and a bit of a fight with pitch. 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A blend of Semba, Merengue, Kompas, Soukouss, Coladeira patterns, often pushing forward with a voodoo-like energy, solid bass lines, delicate melodies and backing harmonies of the rich Sao Tomean melodic traditions. Very first compilation focusing on the golden age of these island’s sounds, the 16 tracks selected will surely set fire on all dance floors !\u003c\/p\u003e\n\u003cp\u003eLéve-Léve is the first ever compilation devoted to music from São Tome and Principe, two small islands situated off the coast of Gabon in central Africa. The album unravels a story of liberation where the music of Africa, Europe and the Americas unify with a carefree spirit personified by a phrase the islanders use all the time: “léve, léve” (“take it easy”). With echoes of Angolan semba and merengue, of Brazilian afoxê, of coladeira from Cape Verde and dance music from the Caribbean, it is a\u003cbr\u003esound fiercely proud of its island heritage, sung in local dialects and using distinctive local rhythms.\u003c\/p\u003e\n\u003cp\u003eOn this record you can hear the cultural and social history of São Tome and Principe, and how live music represented its beating heart. Once known as the “Chocolate Islands” (remarkably, these two tiny islands were the largest cocoa producers in the world, though now this title acts as a reminder of its colonial past), through the years leading up to independence from Portugal, music would be a fundamental voice of liberation and conviviality. Os Úntués were one of the first groups to make an impression, releasing a couple of 7 inches in Angola – the litmus test of success for any of the islands’ groups. They united unique rhythms and dances like socopé, puita and dança-congo – borne from the islands’ largely slave-descendant population – with the sound of pop music beamed in on the radio from Europe, even adding in a little bit of soukous and Brazilian instrumentation. Their main rivals were Conjunto Mindelo, who fused São Toméan rhythms with rebita, an Angolan style, to create high energy puxa, a truly original island rhythm.\u003c\/p\u003e\n\u003cp\u003eFrom the mid-1970s, coinciding with independence from Portugal in 1975, the islands’ groups featured an even stronger African influence and nowhere was that more apparent than with Africa Negra. They would listen to the latest records from Gabon, Zaire and Cameroon, taking inspiration and trying out phrasing from the greats of Central African guitar playing, developing a devoted fan base off the islands, as well as on. 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