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Every copy includes a download code for a previously unreleased piece of music created by Eno, making this collection a must-have for Eno fans and collectors everywhere.\u003c\/p\u003e","brand":"No Label","offers":[{"title":"Paperback - 364657","offer_id":50406886179147,"sku":"364657","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/51WMCCk1HGL._SX398_BO1204203200__573f4156_thumbnail_4096.jpg?v=1726592050"},{"product_id":"discreet-music","title":"Discreet Music","description":"\u003cp\u003eBrian's pioneering Ambient album from 1975. 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The music was originally recorded in 1983 for a landmark feature-length documentary, \u003ci\u003eFor All Mankind\u003c\/i\u003e, directed by American journalist, film director and screenwriter, Al Reinert. The film featured 35mm footage of the Apollo moon landing with real-time commentary as well as the Apollo astronauts sharing their recollections of the momentous events surrounding it.\u003c\/p\u003e\u003cp\u003eA remastered, extended edition of the album is released in celebration of the 50th Anniversary of the Apollo 11 moon landing. This very special anniversary edition – \u003ci\u003eApollo: Soundtracks and Atmospheres Extended Edition\u003c\/i\u003e features the original album remastered by Abbey Road’s Miles Showell as well as an accompanying album comprising of 11 new instrumental compositions reimagining the soundtrack to \u003ci\u003eFor All Mankind.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eThe music from the original album is highly recognisable and tracks from it have been streamed in excess of 300 million times. Since its release many of the songs from \u003ci\u003eApollo\u003c\/i\u003e have found a life of their own, making their way into any number of films, television shows and commercials, most notably \u003ci\u003eTrainspotting, Traffic, 28 Days Later, Drive and Love\u003c\/i\u003e. \u003ci\u003eAn Ending (Ascent)\u003c\/i\u003e was also used in the 2012 London Olympics Opening Ceremony.\u003c\/p\u003e\u003cp\u003eBrian Eno and Daniel Lanois produced the original \u003ci\u003eApollo\u003c\/i\u003e album which was recorded at Daniel and his brother Bob’s studio in Hamilton, Ontario. Lanois also collaborated with Eno on several other projects, most famously producing several albums for U2 including the multi-platinum \u003ci\u003eThe Joshua Tree, Achtung Baby\u003c\/i\u003e and \u003ci\u003eNo Line On The Horizon. Apollo\u003c\/i\u003e was the first recording experience for Roger Eno who also went on to collaborate on a number of other films with and without his brother and was the springboard to a long solo career of his own. The 11 new tracks on Apollo Extended Edition find Brian Eno, Daniel Lanois and Roger Eno working collectively for the first time since the original album in 1983. Lanois contributed 3 compositions - \u003ci\u003eCapsule, Last Step From The Surface\u003c\/i\u003e and Fine-grained while Roger Eno’s are \u003ci\u003eWaking Up, Under The Moon\u003c\/i\u003e and \u003ci\u003eStrange Quiet\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003e2CD - Double CD Version.\u003c\/p\u003e\u003cp\u003e2CD+ - Double Hardcover Book Edition.\u003c\/p\u003e\u003cp\u003e2LP - Double Vinyl Set.\u003cbr\u003e\u003c\/p\u003e","brand":"UMC","offers":[{"title":"CD | x2","offer_id":50443951505739,"sku":"1064347","price":21.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50443949572427,"sku":"1064348","price":39.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50443951997259,"sku":"1064346","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/75fe7efe-af50-4d8a-9b30-e06b221fe469_thumbnail_4096.jpg?v=1727022204"},{"product_id":"luminous","title":"Luminous","description":"\u003cp\u003eFollowing its release in March, the Eno brothers’ debut Deutsche Grammophon album, \u003ci\u003eMixing Colours\u003c\/i\u003e, caught the imagination of critics and listeners alike with its eighteen meditations on the slow, shifting nature of sound and time. \u003ci\u003eMixing Colours Expanded\u003c\/i\u003e adds six new pieces along with \u003ci\u003ePewter,\u003c\/i\u003e previously issued only as a bonus track in Japan. Again the evocative titles are colour-based – \u003ci\u003eMoss, Violet, Manganese, Vermilion, Marble, Pewter\u003c\/i\u003e and \u003ci\u003eMalachite\u003c\/i\u003e. And again, the pared-down beauty and meditative qualities of these new miniatures mean that every hearing is rewarded with fresh discoveries. A 12\" EP – \u003ci\u003eLuminous\u003c\/i\u003e – containing all seven new tracks is released. As with the album, the artist Dom Theobald has supplied the original cover artwork, and to support smaller retailers as they reopen with the easing of lockdown measures, a special version of the EP on sun yellow vinyl and with a different version of the cover artwork will also be available. Following this, a deluxe 2CD edition of the complete \u003ci\u003eMixing Colours Expanded\u003c\/i\u003e will be released internationally on 23 October.\u003c\/p\u003e","brand":"Deutsche Grammophon","offers":[{"title":"Yellow | LP","offer_id":50451501744459,"sku":"1096615","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/8278803d-60e2-4791-af58-e2c5e6d89b49_thumbnail_4096.jpg?v=1727127495"},{"product_id":"the-shutov-assembly-expanded-edition","title":"The Shutov Assembly - Expanded Edition","description":"\u003cp\u003eReissue of Brian Eno's 1992 album dedicated to Russian artist and friend Sergei Shutov, and a continuation of the atmospheric ambient work found on records such as\u003ci\u003e On Land\u003c\/i\u003e and \u003ci\u003eThursday Afternoon\u003c\/i\u003e. Eno had discovered that Shutov often painted to his music but was unable to obtain many of his records in then-communist Russia. He resolved to collate a tape of previously unreleased material (recorded between 1985 and 1990) to give to Shutov and upon listening himself discovered a previously unnoticed thread that ran through the pieces, creating an unintentional full length work. Each piece is named after and derived from one of Eno's audio-visual installations. \u003c\/p\u003e\u003cp\u003eCD - Double CD Casebound with 16 Page Booklet. 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Now released as the second strike in Brian’s Gold Series reissues campaign, \u003ci\u003eAnother World\u003c\/i\u003e pays rich, raucous and fully felt testimony to the legendary Queen guitarist and songwriter’s roots and reach: between its expansive energies and immersive craft, the album’s world-class quality rings out.\u003c\/p\u003e\u003cp\u003eBursting with forceful rock anthems, open-hearted yearning, lush melodies and galvanizing guitar work, \u003ci\u003eAnother World\u003c\/i\u003e sends out a gloriously irresistible invitation to do just that.\u003c\/p\u003e","brand":"EMI","offers":[{"title":"Black | LP","offer_id":50459092779339,"sku":"1147030","price":32.99,"currency_code":"GBP","in_stock":true},{"title":"Blue | LP","offer_id":50459091829067,"sku":"1147033","price":84.99,"currency_code":"GBP","in_stock":true},{"title":"CD | x2","offer_id":50459093401931,"sku":"1147031","price":17.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50459092320587,"sku":"1147028","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/dc465dbb-2435-463a-9530-b2223880ff16_thumbnail_4096.jpg?v=1727217248"},{"product_id":"music-for-films-3","title":"Music For Films","description":"\u003cp\u003eBrian's pioneering Ambient album from 1978. 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It's a loose concept album about espionage, the Chinese Communist revolution, and dream associations, with the more stream-of-consciousness lyrics beginning to resemble the sorts of random connections made in dream states. Eno's richly layered arrangements juxtapose very different treated sounds, yet they blend and flow together perfectly, hinting at the directions his work would soon take with the seamless sound paintings of \u003ci\u003eAnother Green World\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003e2LP - Limited. The original album is split over two 180-gram LPs which play at 45rpm housed within expanded Gatefold sleeve packaging also including Obi, Download Voucher and Abbey Road Half Speed Master certificate.\u003c\/p\u003e\u003cp\u003eLP - Standard Version. 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Unlike most of Brian Eno's conceptually unified ambient projects, \u003ci\u003eAmbient 4: On Land\u003c\/i\u003e is something of a patchwork. Recorded in six studios between 1978 and 1982, the eight pieces - ranging between three to nine minutes in length - are a curious mixture of solo works for treated instruments and full-fledged collaborations. \u003ci\u003eLizard Point\u003c\/i\u003e is the standout, with the synthesizer, bass, and guitar of material's Michael Beinhorn, Bill Laswell, and Axel Gros providing a denser and more varied musical backing than most of Eno's ambient works. \u003ci\u003eShadow\u003c\/i\u003e, a duet with trumpeter Jon Hassell, introduces a world music element similar to their fourth world one: possible musics duet album, and \u003ci\u003eDunwich Beach, Autumn 1960\u003c\/i\u003e introduces guitarist Michael Brook and multi-instrumentalist \/ co-producer Daniel Lanois, who became one of Eno's most valuable collaborators throughout the '80s. The solo pieces refine ideas first explored on earlier ambient works, though with greater subtlety and increased tonal colour.\u003c\/p\u003e\u003cp\u003e2LP - Half Speed Mastered by Miles Showell at Abbey Road Studios and presented in a Gatefold sleeve on Double 180 Gram Heavyweight Black albums which are played at 45rpm for a superior listening experience. Now housed in a Gatefold sleeve with an Obi and Abbey Road Certificate. Contains a Download.\u003c\/p\u003e\u003cp\u003eLP - Standard Version. 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Or did it start with the first original piece of music I ever made, at Ipswich Art School in 1965 - recordings of a metal lampshade slowed down to half and quarter speed, all overlaid?). Anyway, it’s the music that I later called ‘Ambient’. I don’t think I understand what that term stands for anymore - it seems to have swollen to accommodate some quite unexpected bedfellows - but I still use it to distinguish it from pieces of music that have fixed duration and rhythmically connected, locked together elements.The pedigree of this piece includes Thursday Afternoon, Neroli (whose subtitle is Thinking Music IV) and LUX. I’ve made a lot of thinking music, but most of it I’ve kept for myself. Now I notice that people are using some of those earlier records in the way that I use them - as provocative spaces for thinking - so I feel more inclined to make them public. Pieces like this have another name: they’re GENERATIVE. By that I mean they make themselves. My job as a composer is to set in place a group of sounds and phrases, and then some rules which decide what happens to them. I then set the whole system playing and see what it does, adjusting the sounds and the phrases and the rules until I get something I’m happy with. Because those rules are probabilistic ( - often taking the form ‘perform operation x, y percent of the time’) the piece unfolds differently every time it is activated. What you have here is a recording of one of those unfoldings. \u003ci\u003eReflection\u003c\/i\u003e is so called because I find it makes me think back. It makes me think things over. It seems to create a psychological space that encourages internal conversation. And external ones actually - people seem to enjoy it as the background to their conversations. When I make a piece like this most of my time is spent listening to it for long periods - sometimes several whole days - observing what it does to different situations, seeing how it makes me feel. I make my observations and then tweak the rules. Because everything in the pieces is probabilistic and because the probabilities pile up it can take a very long time to get an idea of all the variations that might occur in the piece. One rule might say ‘raise 1 out of every 100 notes by 5 semitones’ and another might say ‘raise one out of every 50 notes by 7 semitones’. If those two instructions are operating on the same data stream, sometimes - very rarely - they will both operate on the same note…so something like 1 in every 5000 notes will be raised by 12 semitones. You won’t know which of those 5000 notes it’s going to be. Since there are a lot of these types of operations going on together, on different but parallel data streams, the end result is a complex and unpredictable web. Perhaps you can divide artists into two categories: farmers and cowboys. The farmers settle a piece of land and cultivate it carefully, finding more and more value in it. 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A live version of “Let Me Out” from the Palace Theatre in LA along with “We Will Rock You” and a reworking of the same song’s adored fast rendition. 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Recorded with collaborators Jon Hopkins and Leo Abrahams and taking as inspiration the concept of soundtrack music, this is an expertly crafted, intelligent and also passionate musical essay from one of the true masters of the art form - a seriously stately record, from the craft, breadth and gravity of the music to the sumptuous packaging, this is a glorious addition to an already immense body of work as well as evidence of an undimmed enthusiasm and restless intellect.\u003c\/p\u003e","brand":"Warp","offers":[{"title":"Black LP","offer_id":50491422015819,"sku":"344505","price":32.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/2e8dd986-9448-4462-a31a-ecbfeedea2b0_thumbnail_4096.jpg?v=1727686390"},{"product_id":"brian-james","title":"Brian James","description":"\u003cp\u003eRemastered for vinyl version of Brian's very first solo album issued in France in 1991. 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