{"title":"Bruit Direct Disques","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eBruit Direct Disques is a vinyl-only record label based in Paris, France. Founded by Guy Mercier, the label focuses on releasing music exclusively on vinyl format. With an impressive catalog of artists and performers, Bruit Direct Disques has become known for its dedication to preserving the unique sound and experience of vinyl records.\u003c\/p\u003e\n\n\u003cp\u003eThe label's releases are distributed by The Business in the USA and Cargo worldwide, ensuring that their diverse range of music reaches fans all over the globe. From experimental rock to avant-garde electronic compositions, Bruit Direct Disques offers a carefully curated selection of cutting-edge music that pushes boundaries and challenges conventional genres.\u003c\/p\u003e\n\n\u003cp\u003eWhether you're a dedicated vinyl collector or simply appreciate the warmth and authenticity of analog sound, Bruit Direct Disques provides a platform for both established and emerging artists to showcase their talent. Explore their collection today and discover *hidden gems* from some of the most innovative musicians in contemporary music.\u003c\/p\u003e","products":[{"product_id":"ciutats","title":"Ciutats","description":"\u003cp\u003eLès Modernos present a psycho-geographic trip to Andalusia, a journey recomposed in a green Corolla. Mechanized and pastoral collages. Miniature songs, luminous yet just a little heavy, from the great theater of life. Car radio samples, recorded from the passenger seat of the Father's vehicle. Al-Mutreb Abul-Loul, Big City Orchestra, Eric Copeland, Bertold Brecht, Sachiko Matsubara, Hopeton ‘Scientist’ Brown, Cabaret Voltaire (Red Mecca), a French singer resolutely of the now (or Jonathan Richman). Fears greater than us, heredity, death, love, oblivion. And this fever which always consumes us.\u003c\/p\u003e","brand":"Bruit Direct Disques","offers":[{"title":"Black LP","offer_id":50421639151947,"sku":"2176649","price":25.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Les_modernos_-_Ciutats_199cf55e_thumbnail_4096.jpg?v=1726759177"},{"product_id":"from-inside-the-house","title":"From Inside The House","description":"\u003cp\u003eThe third full-length from Kentuckiana studio chiselers Equipment Pointed Ankh – was recorded on the Windy upper end of I-65 and fortuitously blown back home to their port town hamlet in an effort to take full advantage of Morricone’s Peavey Rage. Seven (eight?) tracks of Great Lake inspired genre transgressions as filtered through the muddy minds of Ohio Riverpeople! I\u003c\/p\u003e\u003cp\u003enstrumentation within this program includes (but is not limited to): drums, pianos, plastic clarinets, 16 string guitars, sliced up youtube clips, sounds of people walking made by expensive microphones, the keyboard from “Superstitious,” a landline telephone and vigorous employment of The Satanizer. \u003c\/p\u003e\u003cp\u003e“Porcelain… ceramic… copper… brass… I’m thinking of something else” ponders EPA newcomer Jenny Rose, pulling back for a wide angle meditation on art, life, and the rental biz. Her ruminations are fleeting, however, as the Ankh train soon departs for further deviations, descending blurrily through a dim forest of reverberant melodica, synths-of-paradise and bowed chimes-of-underworld… until – at last! – our protagonists are swallowed whole, as one, in flame, by a pulsing pink horizon.\u003c\/p\u003e","brand":"Bruit Direct Disques","offers":[{"title":"Black LP","offer_id":50421792604491,"sku":"2029038","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Equipment_Pointed_Ankh_-_From_inside_the_house_3bed78d4_thumbnail_4096.jpg?v=1726760530"},{"product_id":"chronophage","title":"Chronophage","description":"\u003cp\u003eChronophage’s third LP is a scarcely anticipated revelation full of poise and delicacy. Tough,tender, precise and unconstrained, it concentrates the tragic ingredients of the past two yearsinto ten songs. Each one is a decisive, well-cut crystal: sharp, clear, weighted. Can you envision a midpoint between Big Star and the Homosexuals? Imagine NickLowe constructing defiant rejections of the civil structure? \u003c\/p\u003e\u003cp\u003eChronophage’s unconstrained melodies and gleefullyimaginative structures enact such original, liberatory music.Chronophage began five years ago in Austin, Texas. Stout participants in the transgress ive DIYpunk community patchworked throughout the world, the band have released two LPs and a handful of cassettes, always demonstrating a kind of risk-taking that feels both gleeful and dire. \u003ci\u003eChronophage\u003c\/i\u003e blooms, distilling the warmest, most compelling, most vulnerable qualities of their music. It’s a product of their unhurried approach to recording this album, a six-week process of tinkering and clarifying. It’s also a product of the material conditions of their songwriting phase—”the pandemic making it where we just saw each other all the time and were less influenced by scenes,” as explained by guitarist\/si nger Parker Allen. Undoubtedly their most immediate record, but without sacrificing the mortal consequences or thrills of their past. \u003c\/p\u003e","brand":"Bruit Direct Disques","offers":[{"title":"Black | LP","offer_id":50422871228747,"sku":"1153111","price":21.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50422872146251,"sku":"1160268","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/2a3a7e5f-cec5-4355-8a0c-939713d49c4b_thumbnail_4096.jpg?v=1726767612"},{"product_id":"rain-water","title":"Rain \/ Water","description":"\u003cp\u003eRain\/Water is the fourth album by Tokyo’s Kariu Kenji. Following 2021’s Sekai, also on Bruit Direct Disques, rain\/water is a gorgeous haze of song, a modern driftwork that’s creatively rich, and full of fleeting sensation. These twelve lush pop songs point in multiple directions, outwards to bossa nova, modern R\u0026amp;B and soul, ambient bliss-outs, city pop confections, and electronica. But rain\/water also has a sly experimentalism at its core, the kind of experimentation that doesn’t need to call attention to itself, but that exists ‘between the cracks’ of the songs – in small, curious gestures of arrangement, in a sudden twist in melody, or an unexpected detour in a song’s narrative. In this way, they share something of the stylistic free range in other great recent avant-pop moments – think, perhaps, of the music of Maher Shalal Hash Baz; Stereolab’s more late-night, hermetic moments, or High Llamas’ recent Hey Panda.\u003c\/p\u003e","brand":"Bruit Direct Disques","offers":[{"title":"Black LP","offer_id":50446727840075,"sku":"2205836","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Kenj_Kariu_-_RainWater_23afcf43_thumbnail_4096.jpg?v=1727062234"},{"product_id":"over-the-stations","title":"Over The Stations","description":"\u003cp\u003eCenter. The name may define the furtive action of search engines, but it says plenty about the music made by this trio, whose members reside in New Haven, Connecticut. Stefan Christensen, Ian McColm, and Dave Shapiro make music so weighty that it generates its own gravity, and yet transparent enough to see straight through to its center. \u003c\/p\u003e\u003cp\u003eThey have arrived at a sound located within a matrix of possibilities suggested by their many shared and separate ventures. It is the sonic orb around which Christensen's post-Xpressway analog alchemy; Shapiro's expositions of acoustic guitar expressivity under the name Alexander and as an accompanist for Kath Bloom, McColm's generation of pulsing freedom as the drummer for Heart of the Ghost and diverse improvisational ensembles, Shapiro and Christensen's unification of historically sound psychedelic practices from either side of the Pacific Ocean as part of Headroom, and McColm and Shapiro's explorations of electric guitar turbulence in Nagual all turn. If you were to search for Center's generative root, you'd find it in Nagual. \u003c\/p\u003e\u003cp\u003eChristensen first joined the duo in 2016, first as a deputy, and ultimately a full member. Their improvisations acquired a quieter, more spacious character. This transformation necessitated a new name, and they have been working towards completing this LP ever since. While all of the music on \u003ci\u003eOver The Stations\u003c\/i\u003e originated spontaneously, it has been subjected to centrifugal forces of evaluation and collective debate in order to distill the trio's essence. Modulated chimes, squeezebox respirations, strategic drum beats, humid reeds, and pond-dwelling synth voices augment what is essentially a stringed instrument trio. \u003c\/p\u003e\u003cp\u003eListen in, and listen deep.\u003c\/p\u003e","brand":"Bruit Direct Disques","offers":[{"title":"Black LP","offer_id":50507220091211,"sku":"2001561","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/center_bb8d2922_thumbnail_4096.jpg?v=1727842833"},{"product_id":"standing-abs","title":"Standing Abs","description":"\u003cp\u003e- Terrine is an act by Claire Gapenne, from Amiens in the north of France. But Terrine is its own thing, far beyond the birth name of this young woman who chooses to display her music as this act. Terrine on this fabulous recorded document (her third for the label), a la DJ RUPTURE AKA JACE CLAYTON. or the subverting absurdity of early LO RECORDINGS ARTIST RICHARD THOMAS, understands and is compelled, nee duty bound to construct her musics without fear. Shapes as colours as delimiters of movement, Data -flow limiting access through the currency coordinated, vacuum sealed secure hallways of THE MODERN WORLD. Here is Terrine occulting, geography, journey, mapping, infiltration. Her strategy herein an exposure \/introduction\/seduction to the play and mischief in her machinery. Essential to playing THE MACHINE! at its own game! Spend at speed wait quickly listen closely worry instantly repeat unquestioningly… Terrine’s liberation \/ mission here is to tilt and up end rigidity, mix and upset the colours, discombobulate and prank the asserting rhythms, fox security, tease voice and trad sound recognition softwares, shake up identity profiles! As technoid as protestors carrying banners and battered satchels full of books with dried flowers between the pages, cheap stimulants folded into a circuit-bent compass ALLEZ ALLEZ!! SHE DRAGS THE STICKS PAST AND ALONG RAILINGS GATHERING VOLUME signal-to-noise alerting “like minds“ awake dreamers and even dancers! TAKE NOTE HERE IS TECHNO HERS IS TECHNO \/\/TECHNO IS HERS, GALVANISE!!! - Chris Rowley\u003c\/p\u003e","brand":"Bruit Direct Disques","offers":[{"title":"LP","offer_id":50509599736139,"sku":"2029057","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/terrine_-_standing_abs_21fa29ed_thumbnail_4096.jpg?v=1727866648"},{"product_id":"the-last-temptation-of-thrill","title":"The Last Temptation Of Thrill","description":"\u003cp\u003eThis record needs, or is pleading to have a FAC\/tory catalogue number, but for an “actual”? factory state-of -mind ;-documentation for the disenfranchised and exiled snot! ;-the love herein is turned fumescent and gluey NUSIDM (THE Australian Glen Schenau) has “de” and “re”-constructed a cell dwelling paradigm to his desire, or for it? Where whatever’s “ugly”? And squalid is honorable or not at all. The artist, hard to believe, means to communicate through his incarceration, self -imposed but needing people “still” and needling away from people. Society. Community. Ptoooey, so, here is the sore kneed agitation audio. The cranky, sullen, broken telescopic perception, (for your delight). Here’s a record out of it! Here’s a record because of it!! ,, the tap, tap, tapping Throbbing Gristle as his Sam Cooke, coughing up hearts into his pillow, Cabaret Voltaire in times like these of strike anxiety, power outs, schematic curfews, can you hear !? - \u003c\/p\u003e\u003cp\u003eThrough his wall Dead C -on - 45-faking Otis unplugged and dismissive of prescriptive sleep and food regimes, the most elegant ornamentation in the place is Chinese take out containers for drums, leaving food half -eaten and ideals colder still, Factory pharma #16. In isolation (quarantine), the artist is many Itchy, scrapey, picky, fidgety a neurasthenic rhythm orchestra hitting shit to establish his “voice”, corrupted and begging for translation,through crust caked sonic layers ooze and stuck poster foliage, by the time he’s “understood”? He’s enraged beyond “rescue “? Wronged again and flattening bugs not fast enough to scurry for cover with shoe heel percussion, there’s anxiety in the hint taint of incoming mass production, this after all is a small project, uncommodified rodent protest to romance enjoying a bit too much the taste and texture of its own chewed up tail, but wait!! On occasion there’s light!! Accessible toy flutes and whistles, flare and scratch colors across the drain stained sound fields subliminal swathes from out of cut up ventilator shafts, herald interzone!! Rooftop epiphanic -cacophonies of promise! 1!, as if Royal Trux are scoring a requiem for a hasty wedding for quicker money, The only kindness ,..He may be gone already!? He’s crossed out! Abandoned himself to rumor of course he’s left, this before he “clocked out” as a big FACt#0 Gotta love NUSIDM,, - Chris Rowley (Adulkt Life, Huggy Bear)\u003c\/p\u003e","brand":"Bruit Direct Disques","offers":[{"title":"Black LP","offer_id":50509604454731,"sku":"2029050","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/nudism_-_last_temptation_5297a334_thumbnail_4096.jpg?v=1727866694"},{"product_id":"musik-from-a-private-hell","title":"Musik from a Private Hell","description":"\u003cp\u003eVoice is an excess, a surplus of the body; it is at once outside and inside. It can be listened to peacefully, but it can also generate the anguish of a voice attempting to escape from language, setting the logos free in the wilderness, scavenging in the semiotic debris. We glimpse the wound, the fall into this private Hades, in the sounds of profane, everyday technologies, the changes and glissandos of banjos and cellos that tear up the tropes of Heavy Metal and Southern Rock -- forgotten welding, archeologies of industrial symbols beyond our reach. Only towards the end of the album do we experience nausea, on the final tracks, adjacent to psychedelic states fed by sinister efforts to tear out the internal organs and destroy the calm that came before in an effort to stop time. A record of songs dependent on a million bits of exhausted cultural knowledge, orchestrated in the sounds of a punitive intimacy, always surrounded by the ghostly presences that allow it to escape urban anxiety, sketching, in a warmer light, the Desert Always Yet to Come. \u003c\/p\u003e","brand":"Bruit Direct Disques","offers":[{"title":"Black | LP","offer_id":50526040097099,"sku":"1128561","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/d9f8f322-68b5-4cbc-a98f-98f9359a3d62_thumbnail_4096.jpg?v=1728038942"},{"product_id":"comptoir-des-vanites","title":"Comptoir des vanites","description":"\u003cp\u003eSuffocating, the hidden child of Plastikman, Farmer's Manual and Warp. The glitches could just as well be the disgusting sound system of the club crackling under the humidity as a rhythmic pan too well timed to be honest. From durations to sound grain, the gloves are removed. The standards are far behind, the pleasure vibrates from the ears to the lower abdomen. The listener manages to get lost on a straight line, the perfect labyrinth according to Borges, but the exits flash red for those who want to escape. Will Elvis leave the building?\u003c\/p\u003e","brand":"Bruit Direct Disques","offers":[{"title":"Black LP","offer_id":50905853296971,"sku":"2229130","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Oimiakon_-_Comptoir_des_Vanites_fbffb830_thumbnail_4096.jpg?v=1732857085"},{"product_id":"studio-village-hototoguiss-2007-2022","title":"Studio Village Hototoguiss 2007-2022","description":"\u003cp\u003eMatsuyama in Ehime is the birthplace of haiku, and to this day, haiku submission boxes are placed around town. Young people gather in a haiku society-like manner. In other words, they observe and contemplate well, but their approach is generally instant, casual, and somewhat careless. There is a local disposition here, which they call \"yomoda\" in the dialect—a blend of humor and sadness. It’s as if they pretend to agree to demands in a laid-back way, all while delaying the big decision. It’s a matter related to the moment and ethics. Near the famous Dogo Onsen is Studio Village Hototogisu, named after the magazine Hototogisu started by Masaoka Shiki, the father of haiku. The studio was once a large psychiatric hospital, which Mr. Tsuru, the owner, completely remodeled, turning the third floor into his music studio. Tsuru-san is both a psychiatrist and an avid enthusiast of classic rock. He’s a broad-minded adult who also accepts my type of music. About once or twice a month, I randomly select an instrument or device from his vast collection, gathers whoever happens to be around, usually his family, and in about two hours, we record and mix a piece. This album is a compilation of those recordings. The album cover is designed after Matsuyama's specialty confection, \"Ichiroku Tart.\" From around the time of the pandemic, I started layering his dobro guitar or mandolin over my tracks on purpose. The mainstream and the fringe—once opposing camps—merged after this pandemic, a convergence in rock history that’s etched on side D of this album, reflecting the current global situation. Could a society of free-verse haiku poets sharing both love and resentment for Matsuyama be possible? It’s a question that touches on the future course of nationalism. 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The disc he proposes here has been recorded on tapes and is composed of 31 short tracks which flow one after another in a radical way, like musical and poetical cut-ups. The format of these tracks reminds me of the ones of Split or even Urinals and someone wrote about Urinals that their lyrics were like punk haikus. I do not know who wrote this. Well, it is not really the same here, it is more about loops and cuttings. Music seems to be arranged like cinematographic sequences where images appear and disappear on the film very shortly, on the magnetic band here to be precise. It barely gives you the time to catch a glimpse of a fragmented story and then vanishes and that’s fine. The disc is made out of many noises sometimes saturated, drum machines, synths and pedals meet with recorded sounds of a dog barking, sound of toys, and absurd nursery rhymes one can invent everyday and which tend to join other orphan pop songs. It’s tender, and onirical as well as ironical at the same time and creaky\u003cbr\u003elike old computer sounds or circus like themes in a horror movie. City Dragon also crosses in his disc the furrows of the music of Mayo Thompson with Corky’s Debt to his father, Beat Happening, Alex Zhang Hungtai, some might say Daniel Johnston, the Holy Modal Rounders or maybe a wobbly Steve Reich, and many others but it is never exactly that. The dragon roams the city slightly, elusive. As well as the loops he uses which seem to be sabotaged, lopsided and stretched out to something else before being clearly-cut in their dreamy visions. One could imagine that the record would start spinning and oscillating on the turntable, then fly away like a dragon, you’ve got to listen to it before it happens. 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Kawabata Yasunari – The Lake \u003cbr\u003e“Boundary Missing a Reactor” is the studio version of our live concerts which took place in 2022 (Non-Jazz at Le Générateur in Gentilly, Sept. 30 at Blockhaus DY10 in Nantes, etc.). These concerts were conceived as failed\/illusory attempts to reproduce our previous LP in a live setting. The result turned out to be so far from the intended target that it seemed to us it deserved to become a piece in its own right. “Boundary missing a reactor” is a condensed\/crystallized form of the music we were playing at that time. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e“How to drink Gyokuro with a casual mind” is a piece born from the preparatory sessions for the concert given at Présences Électronique in March 2024, recorded at the INA GRM studios shortly before. Its title could evoke the musicians’ state of mind during those sessions, that of the listener, or a tasting tip poorly translated from Japanese.First of all, we just do things, and then whatever we might say about it afterwards is really just what we think about once we’ve done it, but the sequence of it is that we make music first, and then afterwards we think about what we’ve done. \u003cbr\u003eHe felt faint, as if wrapped in the five-coloured clouds on which Amida Buddha rides to receive the spirits of true believers. This exquisite fantasy lasted only an instant. – The Lake \u003cbr\u003e\u003c\/p\u003e","brand":"Bruit Direct Disques","offers":[{"title":"LP - Black","offer_id":57489361764683,"sku":"R4412-5751","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a3563410590_10.jpg?v=1780332575"},{"product_id":"studio-village-hototoguis-2007-2022","title":"Studio Village Hototoguis 2007-2022","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMatsuyama in Ehime is the birthplace of haiku, and to this day, haiku submission boxes are placed around town. Young people gather in a haiku society-like manner. In other words, they observe and contemplate well, but their approach is generally instant, casual, and somewhat careless. There is a local disposition here, which they call “yomoda” in the dialect —a blend of humour and sadness. It’s as if they pretend to agree to demands in a laid-back way, all while delaying the big decision. It’s a matter related to the moment and ethics. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNear the famous Dogo Onsen is Studio Village Hototogisu, named after the magazine Hototogisu started by Masaoka Shiki, the father of haiku. The studio was once a large psychiatric hospital, which Mr. Tsuru, the owner, completely remodelled, turning the third floor into his music studio. Tsuru-san is both a psychiatrist and an avid enthusiast of classic rock. He’s a broad-minded adult who also accepts my type of music. About once or twice a month, I randomly select an instrument or device from his vast collection, gathers whoever happens to be around, usually his family, and in about two hours, we record and mix a piece. This album is a compilation of those recordings. The album label is designed after Matsuyama’s specialty confection, “Ichiroku Tart.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFrom around the time of the pandemic, I started layering his dobro guitar or mandolin over my tracks on purpose. 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