{"title":"Cardinal Fuzz","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eCardinal Fuzz is a British label based in Yorkshire, specializing in releasing psychedelic, space, kraut, garage rock and more. With a diverse range of genres, Cardinal Fuzz offers an eclectic selection of music for all tastes. As the sister label of Optical Sounds Fanzine, they have established themselves as a trusted authority in the music industry.\u003c\/p\u003e\n\u003cp\u003eWith their finger on the pulse of underground music scenes, Cardinal Fuzz brings you cutting-edge sounds from both established and emerging artists. Their commitment to quality and passion for unique sounds sets them apart from other labels.\u003c\/p\u003e\n\u003cp\u003eWhether you're a seasoned fan or new to these genres, Cardinal Fuzz provides an immersive musical experience that will transport you to another dimension. Explore their catalog and discover your new favorite band today!\u003c\/p\u003e","products":[{"product_id":"aura-6","title":"Aura","description":"\u003cp\u003eWelcome to the debut album by Mirror Revelations –\u003ci\u003e Aura\u003c\/i\u003e. Hailing from Toluca in Mexico and made up of multi instrumentalists Gabriela Alcalá and Alam Castillo, \u003ci\u003eAura\u003c\/i\u003e is an album of hypnotically charged uber kraut beat dream pop music. Maybe it’s the mushrooms \/ peyote but the music that Mirror Revelations have created for their debut LP is of a stunning ambiance for inner journeys to hallucinogenic highs. The journey starts with ‘The Wave’ – as a transportative wash of synths float in\/out of the ether until emerging is that motorik rhythm that slowly creeps in as the synths and guitars begin the inner rush as you head into ‘Amoenus’ – it is a wonderfully spellbinding and entrancing opening for your new favourite psychedelic band. Their gift for melody is apparent throughout and Gabriela and Alams breathy vocals riding atop irresistible synth drones and at times scuzzy and squalling guitars that Throb, and then there's that propulsive Uber metronomic beat – it is incredible viscerally and exciting, a heady cocktail of everything our ears love the most is served to your soul on \u003ci\u003eAura\u003c\/i\u003e. There’s a hypnosis around their music, a buzzy resonance that makes you long for physical immersion into the sounds created – Mirror Revelations are masters of cerebral transportation. \u003ci\u003eAura\u003c\/i\u003e is a stunning debut LP - Sit back and watch them burn. \u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Green LP","offer_id":50383409414475,"sku":"2047129","price":32.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Aura_971daecb_thumbnail_4096.jpg?v=1726269440"},{"product_id":"khedmat-be-khalq","title":"Khedmat Be Khalq","description":"\u003cp\u003eIconoclastic Afghan-American street music project Naujawanan Baidar makes its long anticipated return with\u003ci\u003e Khedmat Be Khalq\u003c\/i\u003e, its third album and first new release in three years. \u003c\/p\u003e\u003cp\u003eOriginally planned as a \"studio debut\" in the classic sense, a veritable avalanche of setbacks tangled and delayed the recording process over a span of several years as compounded tragedies - both international and personal - disrupted the project's intended transition from simply being a ramshackle demo\/home-recording outlet for founder N.R. Safi (The Myrrors, et al) into a properly working band. \u003c\/p\u003e\u003cp\u003eAt the end of the day the process of assembling what would eventually become \u003ci\u003eKhedmat Be Khalq\u003c\/i\u003e became a lot like that of the previous two releases: gnarled and sun-baked tracks cut up and collated into a blown out collage of sound. If there is any obvious difference this time around it is perhaps to be found in the increased focus of the material. Whereas the group's previous two projects ran the gamut from sparse acoustic improvisations to tape-loop-inspired noise, \u003ci\u003eKhedmat Be Khalq\u003c\/i\u003e presents a more unified hybrid of Afghan folks styles and electric energy, further exploring Safi's \"maximalist minimalism\" approach.\u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Clear LP","offer_id":50388371734859,"sku":"2019449","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50388371472715,"sku":"2019443","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a0078692364_10_1424d330_thumbnail_4096.jpg?v=1726341581"},{"product_id":"the-only-way-out-is-through-bleeding-jam-vol-1","title":"The Only Way Out Is Through (Bleeding Jam Vol: 1)","description":"\u003cp\u003eJoseph of Kirezi were formed in Ikebukuro (Tokyo) in 2012 wherever since they have been roaming the outermost corners of the black clad psychedelic underground. So please get ready to treat your ears to \u003ci\u003eThe Only Way Out Is Through\u003c\/i\u003e – a pounding tour de force of amp destroying killer Fuzz Wah Sike Rock. If there was ever music to be played in that killer sixties exploitation movie – in that biker club scene where every one has been spiked with the brown acid and the bad trip is coming on strong – then this is the music that would be playing – a pounding and ferocious white noise psychedelic nightmare. We are not dealing with any subtle intricacies here, just the joy in the classic combination of excess volume and repetition – crushing levels of heaviness all enveloped in a white noise fury. Taking cues from kindred spirits such as High Rise, The Stooges, Black Sabbath, Hawkwind, Amon Düül II, Spacemen 3, The Heads – music for freaks in the know – Prepare to vibrate as you Turn On, Tune In and Freak Out!\u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Black LP.","offer_id":50393337364811,"sku":"2047158","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a2936970826_16_1f44bb71_thumbnail_4096.jpg?v=1726415446"},{"product_id":"kin","title":"Kin","description":"\u003cp\u003eSharron Kraus' newest collection of songs was written during and partly in response to the pandemic and the relative isolation it plunged us into. She dives into deep explorations of themes of kinship with other humans as well as the natural world, and of what happens when those kinship bonds are severed or abused. Sonically the album is on a continuum with her previous solo album, \u003ci\u003eJoy's Reflection is Sorrow\u003c\/i\u003e, with its layered synths, guitars and recorders.\u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Black LP.","offer_id":50397391585611,"sku":"2023482","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/1890e527-a320-4641-b10b-45e64cab07f1_thumbnail_4096.jpg?v=1726489818"},{"product_id":"shanti-shanti-shanti","title":"Shanti Shanti Shanti","description":"\u003cp\u003eAjay Saggar is Bhajan Bhoy. Since his debut album was released in June 2020 (“Bless Bless”) he has been receiving critical acclaim for his recorded output and his live shows. His second album “Shanti Shanti Shanti” was initially released on a limited edition cassette in November 2022 on his own Wormer Bros. Records. However, when respected label honchos at Cardinal Fuzz (UK) and Feeding Tube Records (USA) heard it, they insisted that this mighty album deserved a vinyl release. \u003c\/p\u003e\u003cp\u003eThis album is part of a triptych. The other two albums in this series (“To Love Is To Love Vols.1+2”) were released in March 2023 to universal acclaim, with publications such as Mojo and Uncut and the Wire heaping praise on the two albums. \"Another fine release by Dutch musician Ajay Saggar. His basic thrust is modern psychedelia, minted from radio snippets, dubby reverb flapping, elegant guitar washing, electronic drones interwoven with flashes of mock jaw harp or sploshy drums, and a generally stoned atmosphere. And the concept is spectrally sound!\" (Byron Coley \/ the Wire magazine...January 2023) The songs on this album are varied stylistically. Combining psych, drones, minimalism, free jazz, electronic music and dub in this work, this is another album's worth of musical joy and wonder for all to enjoy. \u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Black LP.","offer_id":50398714134859,"sku":"2171039","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/getImage_49_df74000a_thumbnail_4096.jpg?v=1726498016"},{"product_id":"decreation-facts","title":"Decreation Facts","description":"\u003cp\u003eCardinal Fuzz and Little Cloud Records bring to you the new LP from Firefriend. From São Paulo in Brazil and now close to two decades of creating and honing what has become their trademark, a heavy reverb, minimalistic slow-burn menace which sends chills down your bones. \u003ci\u003eDecreation Facts\u003c\/i\u003e simply injects you with a liquid paranoia for their dark conjuring’s that is hugely dark and foreboding – Julia and Yury’s uber cool stoned and detached delivery creates a seriously dark menace with Julia’s delivery having echoes of Nico – all the while that claustrophobic reverb and tremolo encloses and swirls around the inside of your head and vibrates your inner core. This is Heavy shit.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eDecreation Facts\u003c\/i\u003e is an unsettling sonic fuck you to those that seek to destroy this planet for their love of money and power.\u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Clear LP.","offer_id":50400152060235,"sku":"2178882","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Decreation_Facts_b74d7115_thumbnail_4096.jpg?v=1726510759"},{"product_id":"rcknrll","title":"Rcknrll","description":"\u003cp\u003e'São Paulo is one of the largest, filthiest, and most violent cities of the world. And this is the music we make here’.\u003c\/p\u003e\u003cp\u003eCaptured live at the No. 74 in São Paulo – brace yourself for a one way trip to the heart of darkness. \u003ci\u003eRcknrll\u003c\/i\u003e is a transcendental psychedelic sonic assault, a lightning storm of guitar haze and drugged-out wailing. Mainlining an elegantly wasted take on two-chord avant garage rock that makes direct reference to Plastic Inevitable era Velvet Underground, Where Yury Hermuche's devotional fuzz layerd on top of Julie and Caca's primal throbbing rythm - you will feel the effect as time and space start creasing and folding in at the edges. The overall music created at this venue on this night is so intense and claustrophobic that, at times it will pin you back into your seat – such is the physicality of Firefriends music. This is not just another live album - this is a mission statement.With a taste for hallucinogens and the drone \u003ci\u003eRcknrll\u003c\/i\u003e is completely unyielding, it offers no concessions to listeners, demanding they embrace the distortion - . Do yourself a favour. Turn the music on, the lights off, and let yourself go.\u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Green LP.","offer_id":50400156025163,"sku":"2178881","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a3920248167_10_202e6256_thumbnail_4096.jpg?v=1726510781"},{"product_id":"exploded-view-2","title":"Exploded View","description":"\u003cp\u003eCardinal Fuzz and Centripetal Force Records are pleased to present to you – The Myrrors – At Exploded View (Tucson, Arizona). This spellbinding recording captures The Myrrors, advocates \/ defenders of DIY\/counter culture at their finest and most transcendental. Exploded Sound is a chemical reaction between two basic elements: rock'n'roll and the Avant Garde. Inspired by Terry Riley’s repetitive, long-form minimalism, the group’s extended, open-ended playing carries the spirit of Riley’s “all-night flights”, here The Myrrors sound just as expansive, indeterminant, and mind-blowing - confident enough not to force epiphanies and trusting that euphoria will grow. The communal nature of the playing also recalls Father Yod’s primitive psych-rock pioneers YaHoWha 13. The latter’s delirious 3am trips share an aura with The Myrrors in the playing of raw, ritualistic and seemingly-possessed musicians caught in the flow of the moment they are creating. One crucial difference between Myrrors and YaHoWha 13, is their leaderless nature. With no particular member in charge, their music has a refreshing lack of ego; it feels like the only thing steering the ship is the momentum created by playing together, as all the sounds created coalesce into a single moment where linear time dissolves into the electrified bliss of the band’s excursions into psychedelic minimalism. With Exploded Sound you get to hear The Myrrors stripped down minimalism and repetition unite and fuse into the most deadly musical combination of guitars, bass drums\/percussion and viola. \"With this incantatory live recording, Myrrors create a sound that feels drawn out of the soil. Drone calls, avant-squall, swells of devotional psychedelia—whatever you want to call this music, it's entrancing and spiritually voluminous, rising and falling in majestic arcs, soundtracking an imaginary Herzog documentary playing exclusively in your mind's eye.\" —Jason P. Woodbury\u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Black LP","offer_id":50402616672587,"sku":"2188905","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/getImage_71_b68e0862_thumbnail_4096.jpg?v=1726552658"},{"product_id":"other-worlds-10","title":"Other Worlds","description":"\u003cp\u003eCardinal Fuzz \/ Feeding Tube Records in collaboration with Deep Water Acres and in tribute to Sunrise Ocean Bender Records bring to you: Elkhorn – ‘Other Worlds.’ Drew Gardner and Jesse Sheppard, the two-guitar duo of Elkhorn, share a musical brotherhood that spans several decades. From their nascent high school socialist-realist post-punk band Mayfirst, to teenage scavenger trips to the Princeton Record Exchange and City Gardens, the two came of age goofing along to the Dead Kennedys, the Butthole Surfers, and Sonic Youth in the dank Jersey\/Philly-scene music holes. Elkhorn has long traversed the valleys between fried cosmic psychedelia and American Primitive, particularly the latter style’s reverence for a wide range of folk and blues idioms ranging from County Records compilations to the Mississippi Sheiks. While the pair is best known for their acoustic guitar explorations, ‘Other Worlds’ continues their recent experiments with other instrumental possibilities. For instance, on the previous Elkhorn release ‘On the Whole Universe in All Directions,’ Drew switched to vibraphone and drums, with Jesse playing 12-string guitar. ‘Other Worlds,’ on the other hand, finds them in a recognizable ‘rock trio’ format (in improvisational mode)—Drew is on electric guitar, with Jesse playing bass, and they are again joined by Ian McColm on drums, with the free-flowing groove he brings. On the opening track ‘Watching the Skies’ you can feel the forward propulsion this—dare I say—power trio sets up, a cosmic widescreen which Elkhorn proceed to rock and groove across the whole of ‘Other Worlds.’ Three flawless musicians in their own right, together they form a telepathic psychic link that taps into the otherworldly flow that is ‘Other Worlds,’ as the synergy created by Jesse and Ian leaves Drew plenty of space to take off on exhilarating and soaring flights of fuzzy haze fire that results in a musical journey toward transcendence. Elkhorn demonstrate again and again that there is no height they won't scale, no direction they won't travel. Have Elkhorn ever sounded as heavy or as on fire as the recordings laid down here? You be the judge. The trio is multitudes. The trio is one. Mastering - Chris Hardman Artwork - Brett Savage\u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Black LP.","offer_id":50418939691339,"sku":"2204811","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/getImage_98_365ef683_thumbnail_4096.jpg?v=1726744596"},{"product_id":"sun-reflector","title":"Sun Reflector","description":"\u003cp\u003eSun Reflector is the debut LP collaboration by Heffernan (Ivan The tolerable, All Structures Align, King Champion Sounds, University Challenged) and Pärk (Black Tempel Pyramid, Teeth Of Glass, Kosmonaut). Sun Reflector is steeped in a haze of primitive drum machines, fanned phase and sustained scuzz-rippled guitar chimes, an ambient electronic creation with emphasis on repetitive trance-inducing rhythmic pulsations of electronic sound and subtle counterpoints that slowly unfold as the rhythmic drive marches forth utilizing the Motorik 4\/4 beat with the lysergic kosmische sonic textures of Cluster. With Heffernan (bass, guitars and drones) based in the Northeast of England and Pärk (synths, drones and loops) based in Colorado USA on the border with New Mexico - the portal they opened up between these environments creates a travelogue that unites physical and inner space, a series of trance induced states rendered in vivid colour, a delirious portal into the ether. ‘Harmonic Coast’ opens and is a heady downtempo affair, an earthly vibration that slips effortlessly between peyote peaking trekking trips \u0026amp; Balearic sunset vibes. The somnambulistic drift of 'The Sun' sets the stage with a series of shimmering, circular synth pulses where hidden details slowly emerge over multiple listens. Album closer ‘Fever Mirage’ creates a clear-eyed appreciation of the pastoral beauty that surrounds us, it’s a journey that summons up an occult-like dream of glacial arpeggios and whispering synths that pull your attention in to this hypnotizing listening experience. Sun Reflector is a collective sound in which a lot is allowed, and a lot is done. That combined with the compositional ingenuity where the heterogeneous timbres create a time travelled cosmic mysticism that summons up the spirits and visions of Harmonia, Cluster, Eno and Phillip Glass. Shimmering and transcendent we present to you for your listening experience ‘Sun Reflector’\u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Black LP","offer_id":50430233477451,"sku":"2204806","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/getImage_96_ca9bd065_thumbnail_4096.jpg?v=1726846108"},{"product_id":"gospel-jaming-vol-1","title":"Gospel Jaming Vol 1","description":"\u003cp\u003eI won’t revamp the credentials of guitarist Drew St Ivany (Laddio Bolocko \/ Psychic Paramount) here but you do need to know that he is 1\/3 of The Exorzist III. If you are familiar with either of those mentioned bands (and if you are not please quickly give yourself a history lesson\/catch up), the maxed energy attack they have created on \u003ci\u003eGospel Jamming vol. 1\u003c\/i\u003e will be aural bliss to you as it rips and explodes from the opening track ‘Jabber’. Throughout a musclebound throbbing bassline takes the lead role and anchors these hypnotic heady jams, as a vortex of pulsating guitars and driving grooves propelled by drummer Nick Ferrante that are tight and locked in (and The Exorzist III Groove), it's disorientating and punishing but at the same time blissful. The music created is single-minded, it exists at higher elevations of decibel, intensity, motion and spills freely over the walls of genre, lost in the joy of the classic combination of excess volume and repetition with crushing levels of heaviness all enveloped in a white noise fury. Like Glenn Branca’s wall of guitars, the shamanic cacophony of The Boredoms, psych-melters Comets On Fire and so much in between - It is punk in its fury, noise in its rash extremity, and psychedelic in form. For anyone that likes to get lost in sound be forewarned: this is one of those 'peak experience' brain-melters, just light a match and see it combust spectacularly.\u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Black LP","offer_id":50445828096331,"sku":"2178885","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a3844693413_10_c137f0cb_thumbnail_4096.jpg?v=1727046992"},{"product_id":"the-door-between","title":"The Door Between","description":"\u003cp\u003eCardinal Fuzz and Feeding Tube Records are delighted to present to you the new Ambassador Hazy LP \u003ci\u003eThe Door Between.\u003c\/i\u003e Following last year's much loved and long sold out\u003ci\u003e The Traveler \u003c\/i\u003eAmbassador Hazy is back with \u003ci\u003eThe Door Between\u003c\/i\u003e (the title taken from an old detective novel) which is a perfect metaphor for album's explorations into consciousness and perception, seeing the connectedness between all things while also embracing one's solitude and separation from others. Themes that were amplified as the record was recorded alone in a basement during a pandemic. With some new mics and toys featuring on this recording, Sterling experiments a bit more with recording techniques and different sounds which bring about a more overtly psychedelic sound than on ‘The Traveler’ and with a few songs being more explicitly drug related (and or induced). The Door Between is about being an outsider, or at least that feeling of being outside of things and the ways one might find connection be that through drugs, music, love. So while Orange Halos starts the proceedings the overtly upbeat and infectious melodies we have come to know and love from Ambassador Hazy – by the time you reach ‘Going Down’ you are dropped into Martin Rev\/Suicide synth\/drum machine head trip. So join Ambassador Hazy – maybe crack open a beer, smoke a joint, take a tab or just sit in your favourite chair – Drop the needle on \u003ci\u003eThe Door Between\u003c\/i\u003e and let it transport you to that other place.\u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"LP","offer_id":50453744255307,"sku":"2010290","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/getImage.php_f0e5611c_thumbnail_4096.jpg?v=1727176313"},{"product_id":"pantheon-of-fuckery","title":"Pantheon of Fuckery","description":"\u003cp\u003eA long time in the making but good things always come to astral travellers as transatlantic soul mates Dead Sea Apes and The Band Whose Name Is A Symbol are joined together on black vinyl for the first time. Two artists that for over the last ten years (and longer) have spent their lives creating music that defies easy categorizations – psych rock \/ kraut rock \/minimal \/ maximal \/avant \/free are phrases that only give you fleeting glimpses of what each artist represents. What we do know is that via a sprawling range of sound that is always uncompromising these two artists have pushed each other into a stunning realm of alchemy. The Dead Sea Apes create a hypnotic pulsing sound that weaves an ecstatic line starting from a raw minimal buzz and hum that takes in eastern modes and entrancing minimalism. The music is at once dissonant and hypnotic, rich with unfurling drones that dynamically ebb and flow as a searching interplay between instruments slowly emerges from a sparse open field and builds with the tension of a looming thunder storm. The Band Whose Name Is A Symbol recording is a live recording from the farmland in Richmond this year when Mr Cardinal Fuzz journeyed across the Atlantic Ocean to have his brain well and truly fried by these Ottawa Acid Punks. For this show TBWNIS was expanded to a 9 piece with the addition of Saskatoons Christopher Laramee (Shooting Guns, Wasted Cathedral, The Switching Yard..) and Mrs.Carol Lane (Resin Scraper \/ Beld). TBWNIS emerged to play as the Sun set over the never-ending Horizon and the Mozzies came out to play – And proceeded to lay down a barrage of high energy, free flowing ecstatic blues – like an endorphin spike into your cortex that felt like your head was sandwiched between the amplifiers as wave after wave of unrelenting free flowing orgasmic energy exploded within. Take note I was on some home made cookies that had me well and truly blasted as I merged with the universe and the vibrations emitting from the stage – it was a good place. 500 pressing – Black Vinyl with a Brett Savage Sleeve design based on the famous and much loved Bootleg label - TAKRL Love and thanks to Mike Coulis for all the efforts in putting on the live show and recordings.\u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Black | LP","offer_id":50453830304075,"sku":"2003476","price":32.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/getImage.php_7dd68e0b_thumbnail_4096.jpg?v=1727177648"},{"product_id":"to-love-is-to-love-vol-2","title":"To Love is to Love Vol 2","description":"\u003cp\u003eAjay Saggar is Bhajan Boy. Since his debut album was released in June 2020 (\u003ci\u003eBless Bless\u003c\/i\u003e) he has been receiving critical acclaim for his recorded output and his live shows. Now he releases two separate albums on the same day. These are Bhajan Bhoy’s third and fourth albums, and a joint release on highly respected independent labels Cardinal Fuzz (UK) and Feeding Tube Records (USA). Drawing from the deep triple bad acid well of psychedelia, Bhajan Bhoy further shifts the parameters surrounding the perceptions aligned to this genre with a beautiful and meditative set of tracks. A kaleidoscopic sonic universe within which you will find raga-esque musical excursions, meditative Dream House drone, beautiful folk inflected jams on a Laurel Canyon tip, electronic dreamscapes and heavy guitar riffola where sometimes two chords are enough. Listening to the two albums and you could imagine Pandit Pran Nath, Spacemen 3, Pauline Oliveros, and Don Cherry drinking the same Psilocybin tea beforehand, and then embarking to the studio to lay down the jams. \u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"LP","offer_id":50453840527691,"sku":"2010356","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/getImage.php_66cd21e2_thumbnail_4096.jpg?v=1727177873"},{"product_id":"bennies-booze-and-r-r-1981","title":"Bennies, Booze and R\u0026R 1981","description":"\u003cp\u003eTake the freaked-out punked up soul of The Stooges and MC5 mix that with 60s garage trash, blend in Sabbath, AC\/DC and heavy rock n roll and then hot wire that sound to a handful of freaks located in Fredericton, New Brunswick. Here it is that The Angered Wrecks were located - in an old Victorian style house in downtown Fredericton. It was here they set up a permanent rehearsal space on the main floor taking up the dining room and living room area with a full P.A. system and the long parties would begin as the Angered Wrecks cranked out an unholy primal serving of mind-numbing, eyeball-popping guttural pure rock and roll.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eLucky for us the Angered Wrecks had a primitive DIY recording set up as they recorded live off the floor with one cardioid mic taped to the ceiling to capture the entire room sound and straight into a cheap Alpine cassette deck. The results of these previously unheard recordings capture the essence of trashy rock’n roll at it’s finest, delivered with pure dereliction, and always a side of extra sleaze.\u003cbr\u003eKeeping warm in the winter at another old salt box style house they would later rehearse and play gigs in, a large circle was cut in the floor so that the rising heat from the pottery kiln downstairs would (along with the right mixture of beer and ‘Purple Jesus’, weed and often speed and hot dogs) keep these boys fuelled long enough in sub zero temperatures to keep pumping out the rock’n roll savagery.\u003cbr\u003eThe last show they played was in the fall of ’81 at the Bug Shack after the household was served an eviction noticed with the house to be entirely demolished (just like Stooge Manor aka The Fun House). They got a gig together the weekend before demolition, packed the bottom floor and played a blazing set. At the very end, walls were kicked apart, old cans of paint strewn about, general wanton destruction to furniture, doors, windows etc…insane. The bug shack had come to an end and shortly thereafter, The Angered Wrecks. \u003cbr\u003eThat these tapes have survived to this day is all thanks to John Westhaver’s archival hoarding (even though the loss of a 90 minute session of the Angered Wrecks still haunts John to this day).\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eSo crank these tracks as loud as you can – these audio tapes are not for the faint of heart\u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Black | LP","offer_id":50455923229003,"sku":"1141982","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/afb085e9-fc58-4f99-8750-e6a7b26ab5c7_thumbnail_4096.jpg?v=1727195156"},{"product_id":"astral-lore","title":"Astral Lore","description":"\u003cp\u003eHailing from Brisbane Australia, Zong are a three-piece instrumental group focused on improvised cosmic jams with emphasized themes of psychedelic states, tribal rituals, gothic horror, alien encounters and medieval fantasy. Tying this all together is the groups explosive, intense and emotional delivery sounding out in the rich, golden, down-tuned and cranked amplifier glory akin to Black Sabbath and Sleep, combined with lounge able neo-psych and stoner melodies and the far out hurtling through space sounds of 70’s Kraut legends Hawkwind and Amon Duul II. Their true uniqueness, however, lies in their ability to blend genres and sonically improvise together making them a most-satisfying heavy tripped-out listen, and a spectacle to behold as a live performance.\u003c\/p\u003e\u003cp\u003eZong’s second LP \u003ci\u003eAstral Lore\u003c\/i\u003e is an exploration of the subconscious experience on the astral plane, overlaid upon the consciousness of space. 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When you know this fact, you can begin to appreciate the smoke as a compositional component.\u003c\/p\u003e\u003cp\u003eAbronia's line-up has not changed since 2019's \u003ci\u003eThe Whole of Each Eye\u003c\/i\u003e, but their sound keeps evolving in terms of both depth and connection. The percussion achieves a true otherness here. Both Shaver's Big Drum, and the additions of pedal steel player Rick Pedrosa, create a central pulse that's impossible to resist. The bass and guitars, slither through the haze, raising up for massive strikes at times, just laying back and waiting at others. Different instrumental slices of this album might remind you of anyone from the Gun Club to Savage Republic to Amon Duul II. But Keelin Mayer's vocals are more of a presence this time as well.\u003cbr\u003e\u003cbr\u003eOccasionally, there's a way her voice combines with the coiling Eastern-tinged string parts and lazy propulsion that reminds of Grace Slick's pre-Airplane band, the Great Society. 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This time we dive into The Heads archives for the Reverberations Series to bring you The Heads recorded live at the Thekla (6th December 2001) as part of the \u003ci\u003eThe Gnostic Bash: A Tribute to Kenneth Anger.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThis was part of a tribute programme (which included a performance of John Zorn and others playing to Anger’s ‘Magick Lantern Cycle at the Anthology Film Archives in New York) to help raise money for Anger’s long- cherished ambition to make a film of Aleister Crowley's Gnostic Mass, and documentary film-maker Jon Ausbrooks' then work in progress documentary about Anger,\u003ci\u003e Inside the Eye of Scorpio Rising\u003c\/i\u003e. Sean Cook was tasked with putting a bill of artists together in which bands played to a partial recreation of Anger’s \u003ci\u003eEquinox of the Gods\u003c\/i\u003e a live film of The Magick Powerhouse Of Oz band who featured Bobby Beausoleil (later imprisoned for life for the Manson Family-related murder of Gary Hinman).\u003cbr\u003e\u003cbr\u003eThe energy captured within these grooves here is extraordinary; for over 40 minutes (with no breaks to catch your breath and get your head together) you are treated to primo Heads in full flight. This two track performance starts with an utterly mind destroying version of k.r.t that lasts for near on 30 minutes. Playing to a back drop of Anger screenings and a barrage of strobes and smoke The Heads create an effect akin to your head been sucked through time and space and turned inside out – and that is before we even get to the grande finale of ‘Spliff Riff’ – a relentless onslaught that has you picking your head off the floor only for it to be sucked straight back down again. Take a deep breath, dive in and grin. 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On Richard’s debut LP we are treated to a record full of lush harmonies, acoustic guitars and strings as well as Richards most personal and reflective writing, Songs that are full of a hazy warmth and yearning that superbly capture the feel and sound that lies somewhere between The Byrds (think Easy Rider) and The Clientele. The plaintive gorgeousness of opening track ‘I Can’t Help Myself’ reflects the heart-rending, deep feeling that flows throughout the whole of Richard Olsen and The Familiars debut LP. Richard has a great, expressive voice, capable of switching from harmonious and melodic to world-weary within a single song. Air is especially affecting and effective - gorgeously near-ambient kaleidoscope vibe of whispered vocals with pedal steel and slide guitar. ‘I’m A Butterfly’ blends a sumptuous bouncy riff with harmonica and tambourines into hazy dream of pop perfection. Inside Sunshine is the perfect song to close the LP, lilting into the sunset as Richard creates an wonderous retro hued filter - a filmic paean to love with Luke Barlow’s flute playing adding to the trance created.\u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Black LP","offer_id":50460560916811,"sku":"2015049","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/getImage-2.php_c232fe84_thumbnail_4096.jpg?v=1727234455"},{"product_id":"the-golden-pond","title":"The Golden Pond","description":"\u003cp\u003eUpupayāma is the musical persona of Alessio Ferrari, an Italian multi-instrumentalist and songwriter who lives in a small mountain village above the city of Parma. Upupayāma’s music is rooted strongly in Eastern and Western folk traditions, an approach that Ferrari blends with his own modern sensibilities and style. In addition to playing guitar, bass, keyboards, and drums, Ferrari himself also incorporates a number of other instruments into his sound, including sitar, erhu, flute, and a variety of percussion instruments. For fans of  Kikagaku Moyo, Fairport Convention, Popol Vuh, Italian library music, Grateful Dead.\u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"White LP","offer_id":50460563603787,"sku":"2000531","price":31.99,"currency_code":"GBP","in_stock":false},{"title":"Green LP","offer_id":50460564291915,"sku":"2015044","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/image005_c9be93e4_thumbnail_4096.png?v=1727234512"},{"product_id":"blood-sun","title":"Blood Sun","description":"\u003cp\u003eCardinal Fuzz are pleased to announce the new LP from Mienakunaru – \u003ci\u003eBlood Sun\u003c\/i\u003e. 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BHAC are a collective with a varying line and each time they record all the music is improvised as they let their collective and innate abilities guide them, but what does bind them are the touchstones of Drone and Minimalism that runs through the music they create or just plain Heavy. 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White Manna's longevity as one of the leaders of the modern psychedelic movement is attributed to their willingness to introduce new elements to their sonic repertoire. Initially, these moves were subtle, but as the band has moved on through the years, these moves have become much more pronounced, always leaving listeners wondering what is in store for them as new releases are announced. So, here we are with \u003ci\u003eFirst Welcome\u003c\/i\u003e, an album that features warbled country leanings, airy blooms of ambience, and occasional hints of a German yesteryear, all implemented into the band's signature hazy and spacey mosaic of sound. None of these developments are unexpected, as they do build off of their previous album ARC, but here we see the band expand these elements and really make them their own. It should be noted that \u003ci\u003eFirst Welcome\u003c\/i\u003e is a product of the COVID era, with much of the recording happening in quarantine or while socially distanced. The band's process relied on communicating via email and sending music files back and forth. For White Manna this made the world of COVID both more fun and challenging, and they used the opportunity to get friends in different places to overdub tracks. Backing vocals and slide guitar were recorded while camping in the Mojave Desert. The saxophone was recorded in Liverpool. England. The trumpet sounds and some of the passages on the Rhodes were laid down in Northern California, and much of the vocals, piano, and synthesizer tracks were recorded in Costa Rica. As a result, the sound of \u003ci\u003eFirst Welcome\u003c\/i\u003e is reflective of the circumstances of these contemplative times. 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At times the feel of this recording is like a collision between a 70s album on the German Sky transported to a San Franciscan Ballroom is ’68 as the audience are peaking on ‘Orange Sunshine’ as Ensemble finishes up like a beautiful trip, well taken.\u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Black | LP","offer_id":50466081177931,"sku":"1141985","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/fcd313dd-32bd-493b-8f29-b8c95ec78e05_thumbnail_4096.jpg?v=1727304402"},{"product_id":"pan-1","title":"Pan","description":"\u003cp\u003eAfter a series of staggering albums, White Manna return to Earth with a new album of white hot solar rock on Cardinal Fuzz \/ Captcha. Named after the mischievous nature god from Greek mythology, Pan finds White Manna peaking, whipped into shape by touring a ferocious live set, as witnessed at Liverpool Psych Fest by many fans who joined the band in a head popping frenzy as they soaked in the intensity of White Manna. Pan is the next logical step for White Manna, as tracks flow from guitar blasting amplifier destroying worship to super-cosmische space rock epics and then comes back for more ferocious Stooges pounding fuzzed up Hawkwind inspired freak flag waving wildness. Inspired by the Northern Californian landscape, the natural mystic of 'Pan' is informed by, as guitarist David Johnson states, \"...the trees, beaches, and open spaces where we live are all integral parts of our approach to music.\" The album recording was dialled in at the Compound Manila and laid to tape at Lucky Cat Recording by the legendary Phil Manley. The psychedelic mazes on the cover art are brought to you by the amazing, AP Shrewsbury. 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They are led by guitarist Dan Druff, formerly of Holy Cobras, and are rounded out by Chris DiLauro on drums and Jesse Winchester (Masss) on bass and synthesizer. The band draws influence from the darker edges of the musical spectrum and places a majority of their energy on filling empty voids with as much sound as possible. Slow Dawn is a cacophony of reverberating distortion, swirls of echoing vocals, droning horns, and a steady din of plodding drums. Whether it’s Ottawa’s grim and cold winters or simply a sign of the times, the band’s sound is quite dystopian and is marked by a sense of solemn minimalism. It would be safe to say that with Slow Dawn, the glass is rarely half full.\u003cbr\u003e\u003cbr\u003eWith six songs clocking in at about 22 minutes,\u003ci\u003e Into the Machine Haus\u003c\/i\u003e moves quickly and efficiently through a range of territories that include post-punk, psych, krautrock, noise, and even a little bit of goth. 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Ambassador Hazy is a solo recording project by Sterling DeWeese who was previously in a slew of obscure bands including Heavy Hands, Dirty Rainbow, Terrapin Gun, Madison Electric and Black Fantastic.\u003ci\u003e Glacial Erratics\u003c\/i\u003e is really a comeback record as Sterling had totally stopped playing for 7 or 8 years after he got married and started a family and the business of life took over – but the calling was always there and as his youngest began to grow – the time became available for Sterling to answer the call. First though he needed to get his ½”reel to reel 8 track back in working order and set up a studio space and fit it out with gear. It required the small matter of converting part of the basement into a studio, building the walls, and adding enough soundproofing to hopefully keep the neighbors and his wife happy – but such a thing was not going to stop Sterling. Soon he was playing again with some local musicians and recording some of those performances live to tape but the hassle of getting everyone together at the same time was hard so in the downtime Sterling began focusing on recording on his own. Thus the name Glacial Erratics was born, as it was all a bit of a hodge podge (i.e. erratic) and ended up being done over several years (i.e. glacial). Once there was enough material finished, between band tracks and solo tracks Sterling compiled them. The resulting album is a kaleidoscope of contagious hooks and artfully crafted songs, laid to tape and brought to life in brilliant colour. \"Black Smoke Rising\" is a blur of fuzz guitar and stuttering snare hits as Sterling tells us ‘I believe in the future – don’t take it away’ and over 14 tracks you are treated to artfully crafted acid pop gems that are riddled with potholes and weird left turns, with hooks that seem to bubble out of nowhere before receding into themselves. The lo-fi aesthetic works perfectly, with the songs benefiting from the warm fuzz tones of the instruments and vocals recorded onto that now fully functioning ½” tape machine. 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The new PCWS album, entitled \u003ci\u003eSpace Alley,\u003c\/i\u003e boldly travels into the relatively unexplored malevolent terrain of free doom, space \/ noise punk, and darkly dubbed-out library \/ soundtrack grooves (call it 70's crooked-cop show\/freak-funk, if you must). This is all capped off with a sidelong, (beat of the) earth-harvesting modal exploration of synthed-out kraut-throb. With new bassist Rob Rodak (Dead Feathers) aboard, and guests like sax-skronk legend Taralie Peterson (Spires That in the Sunset Rise), flautist Sara Gossett (Spiral Galaxy), and synthlord Will MacLean (Protovulcan), new influences have seeped into PCWS's dystopian vision. The Syndicate have opened for revered deities like Nik Turner, Loop, Simply Saucer, Chrome, and Josefus; but now a more diverse and groovy array of past underground sounds like Skin Alley, Sound of Imker, Here and Now, Mann\/Sharrock, Black Sun Ensemble, Parson Sound, and Schizo have influenced PCWS's journey. 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In a day and age when too much that is tagged as psychedelia feels more like AOR - here is some true wild abadon for your ears and mind.\u003cbr\u003e\u003cbr\u003e44 minutes of nonstop sacred sounds painting an ancient world from the future using synthesizers, percussion, and fuzzed out wah guitars can be heard in Joe Freedman (of Banshee)‘s new psychedelic solo sonic voyage he has gathered from the furthest heights of his mind to the lowest depths of mankind and beyond. This tape echoes the kosmiche music of Cluster \u0026amp; Ash Ra Tempel, the beautiful synthesized landscapes of Plantasia, and the fuzzed out guitars of the 70s hippie cult underground, all while creating a new yet to be heard sound.\u003cbr\u003e\u003cbr\u003eHe made these recordings on a Tascam 4-track while living in 29 palms, CA in 2020 and was informed in part by a near death experience in the grand canyon, traveling through the lesser seen parts of the desert by minibike, and building and skating a miniramp in his backyard during the recording process. 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The two long jams were the opening and the closing track of a completely improvised concert and are a spontaneous snapshot of Acid Roosters approach to free floating consciousness expanding psychedelic music. So 2 tracks and 46 minutes of Acid Rooster digging deep into the well of far-out psychedelic rock that is one mind-expanding journey to the innermost limits of your mind.\u003cbr\u003e\u003cbr\u003eZu den Sternen was the intro and is a slow-burn trip where you ride wave upon wave of ecstatic highs until you eventually hit the peak in freak out territory as Acid Rooster merge with the cosmos and then ride the golden afterglow home into an eternal locked groove.\u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Black | LP","offer_id":50490123583819,"sku":"1157714","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/34531d02-a413-4fb2-afda-be4b2927c41d_thumbnail_4096.png?v=1727652544"},{"product_id":"i-m-gonna-love-you-til-the-end-of-time","title":"I'm Gonna Love You 'Til The End Of Time","description":"\u003cp\u003eWasted Cathedral is the solo project of Saskatoon-based musician Christopher Laramee (Shooting Guns, The Switching Yard, and The Radiation Flowers). This new album is the latest in an impressive line of releases that have explored a variety of sounds, from ambient drone and electronic disco to experimental chaos and downtempo electronica. \u003ci\u003e I'm Gonna Love You 'Til The End Of Time\u003c\/i\u003e is made up of seven songs and is undoubtedly influenced by the starkness of the Canadian Prairie and long Saskatchewanian nights. It serves well as a soundtrack to the setting of any number of listening experiences, particularly when experienced with headphones. No matter the direction Laramee has chosen to guide Wasted Cathedral, the result has always been intriguing and captivating. \u003ci\u003eI'm Gonna Love You 'Til The End Of Time\u003c\/i\u003e is certainly no exception.\u003cbr\u003e \u003cbr\u003e Laramee describes Wasted Cathedral as incidental music, improvised soundscapes created in passing moments, like musical snapshots. This makes perfect sense, considering the likes of Sarah Davachi, Peter Kember, Terry Riley, and Augustus Pablo inform Laramee's approach to composition, as well as tone-setting and mood. According to Laramee, this collection of songs is a continuation of his previous work, albeit in a more stripped down fashion.\u003cbr\u003e \u003cbr\u003e Wasted Cathedral is recommended for listeners of Flying Saucer Attack, DJ Shadow, Spectrum \/ Sonic Boom, Spiritualized, and Portishead.\u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Black | LP","offer_id":50490131054923,"sku":"1136034","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/4fb0a187-6aa0-4121-bd6e-1a2dcfd2f886_thumbnail_4096.jpg?v=1727652720"},{"product_id":"witches-broom","title":"Witches Broom","description":"\u003cp\u003eRecorded by the band direct to 8-track tape in a basement behind a cemetery, these nine timeless teenage anthems and jukebox rippers tackle love (“Got Me High”), lust (“Tell Your Boyfriend”), and drugs (“Here He Come”) with a counterculture sneer and trickster’s wink. Fueled by Savage Sam's fiery guitar and Farfisa leads, vocal snarl, and arsenal of self-built custom analog effects pedals, the trio offers fresh and lucid hallucinations of various Seeds-y, Fugs’ed up strains of American underground rock and freakbeat rave-ups at the farthest edge of the British Invasion. Crucially, the group laces each composition with more than enough personality to ensure that this joyful noise couldn't be coming from anybody else's garage. An upbeat singles band to the core, they save their lone improvised psychedelic jam for the end of midtempo closer \"Watching\" - a glimpse at the wild abandon of the trio's facemelting live shows. \u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Black | LP","offer_id":50513342628171,"sku":"1141981","price":24.99,"currency_code":"GBP","in_stock":false}]},{"product_id":"to-love-is-to-love-vol-1","title":"To Love is to Love Vol 1","description":"\u003cp\u003eAjay Saggar is Bhajan Boy. Since his debut album was released in June 2020 (\u003ci\u003eBless Bless\u003c\/i\u003e) he has been receiving critical acclaim for his recorded output and his live shows. Now he releases two separate albums on the same day. These are Bhajan Bhoy’s third and fourth albums, and a joint release on highly respected independent labels Cardinal Fuzz (UK) and Feeding Tube Records (USA). Drawing from the deep triple bad acid well of psychedelia, Bhajan Bhoy further shifts the parameters surrounding the perceptions aligned to this genre with a beautiful and meditative set of tracks. A kaleidoscopic sonic universe within which you will find raga-esque musical excursions, meditative Dream House drone, beautiful folk inflected jams on a Laurel Canyon tip, electronic dreamscapes and heavy guitar riffola where sometimes two chords are enough. Listening to the two albums and you could imagine Pandit Pran Nath, Spacemen 3, Pauline Oliveros, and Don Cherry drinking the same Psilocybin tea beforehand, and then embarking to the studio to lay down the jams. \u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Black LP","offer_id":50525041000779,"sku":"2010355","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/getImage-1.php_0097eaeb_thumbnail_4096.jpg?v=1728029954"},{"product_id":"sweet-sister-2","title":"Sweet Sister","description":"\u003cp\u003eCardinal Fuzz and Feeding Tube Records at last bring this mighty masterpiece of dark and wild psychedelia from the Japanese three-piece legends! Fuzz and reverb drenched jamming sounds from the basements of Hamamatsu evoking the always welcomed ghosts of Amon Düül and Les Rallizes Denudes. \"Tokyo psych monsters Up-Tight come out of the classically wasted\/drug-damaged school of excessive fuzz and reverb, giving the nod to the endless jam style of Les Rallizes Denudes while spiking their sound with dark downer ballads that owe as much to The Jacks as they do to The Velvet Underground. If you can picture Spacemen 3 circa \u003ci\u003eThe Perfect Prescription\u003c\/i\u003e produced by Ghost circa “Temple Stone” then you’re close to the outrageous levels of psychedelic excess captured here. Tomoyuki’s guitar tone has to be heard to be believed, with tactile garage punk crunch put to the service of endlessly euphoric orbits of three droning chords. Up-Tight have been responsible for a buncha the most memorable releases to come out of the post-PSF underground but this has to be their recorded pinnacle, the perfect balance of two chord Velvet downers and strung-out post-Rallizes string violence. \u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Black LP","offer_id":50530648883531,"sku":"2015045","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/getImage.php_e03ff71e_thumbnail_4096.jpg?v=1728082407"},{"product_id":"peace-frequencies-healing-frequencies","title":"Peace Frequencies \/ Healing Frequencies","description":"\u003cp\u003eEver wondered what music would sound like if it was ripped from the space directly preceding sleep? The tracks within this album are your gateway to discovery. These recordings, which were laid down especially for the USA radio stations WFMU and WGXC, will melt your speakers and your mind. Released on the ever excellent Feeding Tube Records (USA) \u0026amp; Cardinal Fuzz (UK). BHAJAN BHOY (aka Ajay Saggar) symbolises boundless creative freedom in all the music he has produced to date. This LP is no exception to that rule….in fact, this album showcases an even wider spectrum of sounds and ideas than could ever be imagined. From heavy lysergic guitar excursions, to dub inflected guitar pedal pop, to nu-age minimalism, to electronic experimentalism….all the terms and descriptions in the world don’t do justice to the originality that lies within. When USA radio station WFMU asked Ajay to contribute tracks to a session for the show “Feelings” (co-hosted by Michele and Creamo Coyl), he turned in 5 tracks that received tremendous feedback from around the world on the station’s live chatline when broadcast. In addition, a session for WGXC further showcased the songwriting talent of Ajay. The ensuing 3 week tour of the USA cemented BHAJAN BHOY’s status as one of the most innovative musicians around. This LP marks another giant leap forward in BHAJAN BHOY’s musical development. He’s brimming with ideas and the imagination runs wild. This music is for the listeners who want to follow a path of discovery and be mesmerised and blown away by what they hear. Be sure to be one of the listening party. Presented in a high gloss outer sleeve with 2 sided insert.\u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Black LP","offer_id":50531515171147,"sku":"2213189","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_39858322_thumbnail_4096.jpg?v=1728109354"},{"product_id":"shitsurin-shi-lian","title":"Shitsurin 失恋","description":"\u003cp\u003eCardinal Fuzz and Feeding Tube Records are proud to present to you the 2nd LP from TOMOYUKI TRIO (Tomoyuki Aoki, Mike Vest \u0026amp; Dave Sneddon) following their debut LP ‘Mars’ on the esteemed Riot Season Record Label. Tomoyuki Aoki is the founding member and lead guitarist of the legendary Tokyo Psych Monsters UP-TIGHT. Of all the Japanese psych-rock groups that emerged in the late nineties and early noughties, Up-Tight are the most reverent, the most directly plugged into the source, from their name (Velvet Underground) with knowing referential song titles like “Sweet Sister” to their extended heavy, dark black clad acid fried one chord psych melters -- we're talking bands like Fushitsusha, White Heaven, Kousokuya, Shizuka, and the grandaddies of 'em all, the deservedly-legendary, Les Rallizes Denudes. Shitsuren If anything has got an even heavier, dronier edge than what we heard on the last one. Super fuzzed guitars, sad ballads, grinding distorto epics and numbed, narcotic rhythms. This is one to play at maximum volume so that you can soak up its molten magik as over 2 sides of Shitsuren’s grueling guitar hypnotics you uncover the darker side of the ensembles personality to find them digging deep to drag the audience with them into the shadows of stoner psyche. If you can picture Okhami No Jikan, Asahito Nanjo. Musica Transonic \u0026amp; Toho Sara then you’re close to the outrageous levels of psychedelic excess captured here, a riotous concoction of ferociously brooding, locked down heavy bearing intensity of fierce\/brutal speaker battering in the red levels.\u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Black LP","offer_id":50532280566091,"sku":"2213193","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_85e8c8e3_thumbnail_4096.jpg?v=1728118531"},{"product_id":"repeater-4","title":"Repeater","description":"\u003cp\u003eThere is something really special about music based on drones. Whether it's the vocals of Pandit Pran Nath, the ARP 2500 of Eliane Radigue, or the nearly-blown amps of Sunn O))), by changing the listeners's focus on details to one that favors flow, drones are uniquely capable of transporting our brains far far away. The debut LP, 'Repeater', by this loudly droning Austin septet is a goddamn splendid example of how the process works. Using the motto, “Maximal Repetition Minimal Deviation,” Water Damage create glowing fields of post-rock lava that pretty much suck you right in and boil you alive. Water Damage, while technically a septet, actually operate in various configurations, with the proviso there should always be two drummers and two bass players on hand. They prefer if each of their sonic ideas takes up a whole reel of tape, and once they start they don't look back. Everything proceeds towards an imaginary end point that is only achieved when the tape starts flapping. What a way to run a railroad! But the folks in the band are all vets of various projects – Spray Paint, USA\/Mexico, Marriage, Black Eyes, Thor \u0026amp; Friends, among others -- so let's assume they know what they're doing. And why not? They sound fucking great. Their approach to the form is less front-loaded than most of their peers, and the surface of their sound is sometimes ruffled by aural events of an un-drone-like nature. But the main gush is usually a blend of harmonic tones and textures pointing towards a goal that is just out of ear-shot, just over the next bluff, and perhaps forever just beyond our reach. So remember to drink plenty liquid while you spin this fine album. 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Aided by the Chicago Cosmonaut Couriers Crew, ala famed renaissance man Mac Blackout (synths\/horns\/electronics), Przemyslaw Krys Drazek (trumpet) of longtime zone-jammers Drazek Fuscaldo\/Mako Sica, Will MacLean on Moog keytar (!-- of local Silver vocoder-ed Apples lovin' treasures Protovulcan), plus the oldest-school synthlord Bil Vermette, who's been modulating since the 70s. We'll call\u003ci\u003e Tales From the Golden Skull\u003c\/i\u003e a near-concept lp (aren't they always?) that looks back at fallen friends and collaborators, and then into the unwritten golden future (as PCW himself hit the golden 50). The sonic journey dips into dark textural valleys, and chugging riffs rising to thee fiery heavens, as the thundering-but-subtle rhythm section of Jose \"Beast but Best\" Bernal and Rob \"Dead Feathers\" Rodak know when to crash and when to burn (one). Sir PCW lays down his trademark big muff-blastage and echo-cries, to channel the despair and feral bark of the mighty Vega\/Hammill\/Iggy\/Dickie P\/Haino\/Mojo-Risin\/Mizutani, but also knows when to shut up for some layered instrumental Embryo\/Harvester\/Fausty trance rock and dabbed\/dubbed out \"not-quite-shoegazin\" calmness in the eye of the Ur-storm. This might be the most expansive, detailed yet furious PCWS LP yet, recorded at Rec Room studios with Eric Block, who has done all from a band with Sonic Youth's Steve Shelley to recorded Rhys Chatham 100+-peeps guitar orchestras. So strap the headphones on and absorb the tales of this spaced ritual-rock opus. 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Two drummers, two bassists, and tons of vibrating strings are once again a recipe for massive rocking-drone fires. “Two Songs” has two songs, and they’re kind of the yin\/yang of Water Damage: one toned very low, growling and roaring, groaning over a beat, while the other hums high, troubling the treble clef and ringing like a bunch of church bells that don’t want to be in church. They’re more alike than different though, divining momentum from repetition, flying forward by staying in place, climbing a mountain that they’re building as they go. Enough ink has already been spilled about the previous-band pedigrees of the players in this hurtling collective, and by this point, the past seems way less relevant than the present when it comes to Water Damage’s present-pounding sound. These people know what they’re doing, sure. You don’t need a resume in front of you to figure that out. It’s there in every second of this gigantic, eternal music - in all the strings being bowed, the skins being slammed, the rumbles being rumbled. You might notice that this time around, Water Damage haven’t just given their tracks reel numbers. They're also called \"Fuck This\" and \"Fuck That.\" I take that as instructional. Whatever you’re doing, whatever you’re fretting about, whatever someone’s trying to use to occupy your attention so you’ll buy something or vote for something or ignore something: Fuck This. Fuck That. Listen to Water Damage. - Marc Masters MAXIMAL REPETITION MINIMAL DEVIATION\u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Black LP","offer_id":50785339343179,"sku":"2230120","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/2_Songs_6e3e7df6_thumbnail_4096.jpg?v=1731090643"},{"product_id":"bhoy-on-the-wire","title":"Bhoy On The Wire","description":"\u003cp\u003eAjay Saggar is Bhajan Bhoy . \"With Bhajan Bhoy, Saggar synthesizes all of the stylistic approaches he’s explored over the years, swirling them into an intoxicating musical blend, with an earthy spirituality. Even the project’s name reflects the dual aspects of Saggar’s upbringing coming together in harmony. In Hindi, a “bhajan” is a devotional song, sung in the mandir, or temple, while “bhoy” is a Scottish and Irish derivation for a young man. There’s a searching quality to Bhajan Bhoy, as if Saggar is still hunting for transcendence with each track, whether through an expansive drone, an orchestral facility on the piano, or an electronics-augmented raga that threatens to dip into noise” (Erick Bradshaw \/ writer and WFMU DJ). This album presents a rich and varied set of compositions that showcase Saggar’s skills as an incredibly talented and accomplished composer and musician. With each and every Bhajan Bhoy LP, you are are carried to a higher place. With ‘Bhoy On The Wire’, the 35 minutes laid out unfolds like a cosmic tapestry, an extraordinary exploration that shimmers and reverberates with newfound vibrancy. The songs were broadcast as part of a session on Steve Barker’s “On The Wire” radio show in April 2024. They were a gift to Steve and his team for 40 years of broadcasting. “On The Wire” is simply the greatest radio show in the world. \u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Black LP","offer_id":51183359459659,"sku":"2242348","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/getImage_-_2025-01-30T181012.632_93c8494e_thumbnail_4096.jpg?v=1738264703"},{"product_id":"tremor","title":"Tremor","description":"\u003cp\u003eThe Human Hand live combo comprises Joe Hollick (Wolf People - Jagjaguwar Records, solo), Karl Eden (John Peel favourites tRANSELEMENt) and Jonathan Dickin (MUMS, Honey Spider, Bleak) Joe and Karl met at an Acid Mothers Temple show in 2012 before realising they both lived minutes away from each other in neighbouring sleepy Lancashire Pennine villages. They performed a number of shows together as a wig-out loose improv duo channelling heavy motorik grooves, Anatolian suffused lead lines, a general layer of Northern skuzz tied together with Joe’s signature guitar work. Early HH recordings were juxtaposed by being captured at extremely low volume due to necessity as the only available opportunity was to work on material late at night to avoid waking their young children. Human Hand were augmented and given a live makeover by the addition of Jonny (Mums, Honey Spider, Bleak) on drums, a former student of Karl’s and all round music and literary geek. The trio recorded their debut LP \u003ci\u003eTremor \u003c\/i\u003ein a hasty 8 hour session, with a vinyl release on Cardinal Fuzz recordings in the UK, and Feeding Tube in the US. About \u003ci\u003eTremor: Tremor \u003c\/i\u003eis the debut album from Human Hand: a core-trio and broader collective based in the shadow of Pendle Hill, Lancashire, UK. Recorded during two days of post-lockdown cathartic noise. Tremor was created using instant composition, 4 track tape manipulation and immediate overdubs.\u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Black | LP","offer_id":51246043267403,"sku":"2003491","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/getImage.php_2879ddcd_thumbnail_4096.jpg?v=1739231250"},{"product_id":"root-7","title":"Root 7","description":"\u003cp\u003ePioneer of the New York No Wave with the bands Mars and Don King, Mark Cunningham has been part of the Barcelona music underground for almost 30 years, performing solo, with his own groups Raeo, Convolution, Aleatory Grammar and Bèstia Ferida, as a member of Pascal Comelade´s Bel Canto Orchestra and Superelvis, and in countless local and international collaborations. Blood Quartet was formed in early 2015 in Barcelona from a fortuitous collaboration between Cunningham and Catalan underground rock trio Murnau B An outstanding musical treat that starts from the instrumental base of the modern jazz quartet and takes it to the territory of experimentation and electronics. Blood Quartet sound more luminous and rhythmic than ever, diving into uncharted terrain. This results in an exceptional range of genres that play with the form between the classic and the contemporary, and that extend the creative spectrum of the band towards new styles, such as krautrock and North African music. The result of this process has given rise to nine themes, each one baptized with the title of a literary work by some reference writers of the members of the quartet, in order to add more roots of meaning, more shadows of influence.\u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Black | LP","offer_id":51246044348747,"sku":"2003468","price":32.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Root_7_955c7175_thumbnail_4096.jpg?v=1739231268"},{"product_id":"supreme-aaphalt-doser","title":"Supreme Aaphalt Doser","description":"\u003cp\u003eHave no fear, you amphetamine lovers, speed freaks and sonic maniacs, have no fear not to find among these 7 uncompromising tunes the illuminated fever of what constitutes the band’s DNA in its wildest incarnation, the alchemy of a unique style beyond the genres, the irreverent dreams calcined by a sound blowtorch, by the electro shocks overheated in the traumatized adrenalin ; have no fear, you counter-cultural worshippers and hygiene opponents, you zealots of the subtle oversaturation, of the plastic from beyond the grave monstrously remodeled in deformed oddness… Have no fear, you proto-punks, Gunslingers knows no homeland, Gunslingers is everywhere for no one and nowhere for everyone. _ Opaque Dynamo ” Once again Gregory Raimo drops a hydrogen bomb of an album on us leaving alla you pampered pooches in such shock that you can’t even run home to the comfort of your mother’s boobies. Hard overdrive rocknroll is once again in store, and it’s played to such a fever pitch that those usually daft comparisons to the velvet Underground and Stooges that I have made these past fortysome years sound even more banal than they usually have.. So out-there powerful that alla those eighties hopes of ours (Halo of Flies, the Australian bands) sound pattycakes in comparison. Maybe High Rise with a tad of LSD March added?\u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"Black | LP","offer_id":51246045462859,"sku":"2003486","price":32.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/getImage.php_82f21d1e_thumbnail_4096.jpg?v=1739231285"},{"product_id":"instruments","title":"Instruments","description":"\u003cp\u003eWater Damage is ten people from one town and one sound from twelve people. For \u003cem\u003eInstruments\u003c\/em\u003e, the plus two are guitarist David Grubbs and saxophonist Patrick Shiroishi, neither of whom blunt the angle or confound the aim. The tempo? Slow and low. Four tracks, averaging twenty minutes each, the pace never above a comfortable walk. The damage creeps, a forest becomes a mountain, and the faithful move forward. The album is named after Fugazi, in a manner, and \"Reel 25\" takes after the Shocklee Brothers, in a cry. Stop asking the lord how many drummers this band has and and ask him how much of your mind, babe. Some people say drone and same people say trance and some people say invocation through patterned unity. Some people just say rock and we let them set their clocks back. Lie down and let these holy treads flatten you. Just because Water Damage know what they are doing doesn't mean you have to. Fix your hearts or die!\u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"LP - Black","offer_id":51398047924555,"sku":"R3348-7144","price":32.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/977e79d5-6526-8c7d-05a9-e52daa4af0e2.jpg?v=1741273990"},{"product_id":"norr-e-vojood","title":"Norr - E Vojood","description":"\u003cp\u003eMohammad Mostafa Heydarian is a young Kurdish tanbur player from Kermanshah, a city in the mountainous western Iranian region of Horaman. Mohammad Mostafa Heydarian was born on the first of January, 2002 in Kermanshah, a city in western Iran. Kermanshah is the home of the tanbur, a pear shaped lute whose origins can be traced in the region for more than 5000 years.\u003c\/p\u003e\n\u003cp\u003eThe Yarsans, a millennium sect of Kurdish people, have long made this region of the country their home. Their mystic rituals (jâm) are performed with tanbur, and the sacred music they play is a heritage that is steeped in one thousand years of tradition. Mostafa's father, Morteza, was a percussion player whose main musical instrument was the dâf, a frame drum. At the age of twenty, Morteza started learning tanbur crafting, and it is in these overlapping worlds of tradition, family, faith, and culture that Mostafa is born. There are pictures of Mostafa holding a tanbur before he can even walk. At around seven years old Mostafa began to learn Yarsan's maqams (modes\/scales). Also around this time the family moved to Karaj, a city located one hour west of Tehran, a move that provided more opportunities to meet musicians that regularly drop by Morteza's tanbur studio. It is here that Mostafa takes lessons from a number of master teachers (Ostads) and absorbs the sounds of the tanbur on the many cassettes in his father’s cupboard. Everyday after school he rushes to his father's workshop and allows himself to drop the tanbur only for dinner. His mind is obsessed with playing and listening. In his dreams he sees the late tanbur master Seyyed Amrollâh giving him advice. His path is clearly on the tanbur side.\u003c\/p\u003e\n\u003cp\u003eWhen Mostafa was a teenager he met Valentin Portron, a traveling French musician, who, upon watching videos of the famed tanbur master Seyyed Khâlil Alinejad, had travelled to Karaj to acquire and learn tanbur. Alinejad just happens to be one of Mostafa's favorite tanbur players, and thanks to their mutual knowledge of English and common love for sacred music, a new brothership is born. In early 2020, Valentin asked Mostafa to record some tanbur for his rock band, Portron Portron Lopez. Mostafa rushes to a small studio in Karaj and improvises three tracks. A new idea comes to his mind, and with the help of Behzâd Varâshte, a dâf player living in front of Morteza's studio, they record three more tracks. The result being Mostafa’s first album, Songs of Horaman. Mostafa was excited, but he also shared his concerns about releasing an album at the young age of 18. “I'm not a master!” he argued. After some reassurance, the album was shared on Bandcamp in 2021. Almost immediately, Mostafa and Valentin were contacted by NR Safi from Radio Khiyaban, and soon thereafter the album was made available via a partnership between Radio Khiyaban,Cardinal Fuzz (UK) Centripetal Force (USA), and Ramble Records (AUS).\u003c\/p\u003e\n\u003cp\u003eSongs of Horaman was released on cassette and vinyl in 2022 and received wide acclaim from the likes of Gonzo Magazine, the BBC, Mojo, WFMU, and the French television program On connait la musique. The origins of this new album from Mostafa date back to 2021, when Valentin and Mostafa booked the famous Bell Studio in Tehran, Iran’s oldest recording studio and one of the most respected studios in all of Asia. It was here that Mostafa started developing new ideas and a new dream. His main goal was to be more precise and intentional with his playing. He wanted to tighten his compositions while still including some unexpected moves. Every year Mostafa’s father gifts his son a newly crafted tanbur, each new instrument even more spectacular than the previous.\u003c\/p\u003e\n\u003cp\u003eAs Mostafa rehearsed for a second recording session on his newly born tanbur, appropriately named Mostafa, a beautiful suite of songs started to take form. In March of 2023, the month of the Persian new year, Mostafa and Valentin returned to Bell Studio, this time with dohool (cylinder drum) player Morteza Rezâei. In only two days, Mostafa recorded the rest of his dream in one take, communicating what was in his heart through his instrument. The name of the album, Noor-e Vojood, the light of existence, holds deep meaning for Mostafa. His love for life, music, and creativity has led to his songs being heard around the world. He considers his music a light for others and an offering from himself. He knows that in these times of trouble and turmoil, his musical contributions can help ease tensions and anxiety. The tanbur delivers love and understanding to the people who hear him, an experience as intimate as a face-to-face encounter. Nothing seems impossible to Mostafa, knowing his music touches people's hearts and spreads unconditional love.\u003c\/p\u003e\n\u003cp\u003eNoor-e Vojood is simply the next chapter in what is shaping up to be quite an extensive body of work. Mostafa currently attends Tehran University and studies Persian classical music. His focus is on studying râdif, melodies that have been handed down by the masters to the students through the generations, for both setâr and târ (both are stringed lute instruments) with the best teachers in the country.\u003c\/p\u003e","brand":"Cardinal Fuzz","offers":[{"title":"LP - Black","offer_id":51448947212619,"sku":"R9588-6539","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/getImage-2025-03-14T174344.407.jpg?v=1741974231"},{"product_id":"nitro-cosmetic","title":"Nitro Cosmetic","description":"\u003cp\u003eCardinal Fuzz (UK) and Feeding Tube Records (USA) are proud to announce the release of Nitro Cosmetic’s Self Titled LP. Nitro Cosmetic are Milo Smee and Demian Castellanos - Milo is an electronic music producer for nearly 20 years, he is the main drive behind several electronic dance music projects, and has released music as Kruton and Binary Chaffinch on Dissident, D.C Recordings and I'm a Cliche. He is also one of the founders\/brains behind the unique doom disco ensemble Chrome Hoof. Demian Castellanos is best known as the man behind The Oscillation as well as Autotelia and BOOZE (among many others) but it was in BOOZE that both Demian and Milo first wrote and played together. Across ten tracks Nitro Cosmetic concoct a heady mix of pulverising Beefheart\/Devo esk jagged ferocity coupled with the driving heavy electronics that is alternately mammoth and meditative. The Music rushes forth - a punk noir dissonance that conjures up a collision of Siouxsie and the Banshees at their most uncompromising and then cross pollinated with the Acid House scene of the late eighties. The rampaging opening track ‘Negative Inversion’ has a Teutonic, mechanized, nihilistic charge that leads you into a sonic black hole, it is a brutal mix that is uncompromisingly harsh and metallic (think Chrome). Each track feels like a sonic rush layered with a wall of sound approach, combining kinetic and jagged grooves, flashing and chaotic as the psychedelic soundscapes of chaos that has been created lead you sinking into the furthest and darkest reaches of the human psyche. By the time ‘Pulsed Detonation’ lands with its fusion of pulsating, repetitive oppressive beats landing like a jack hammer to the skull your third eye will be ready to pop out. Nitro Cosmetic is avant-garde and experimental - not a single note, sample or headache-inducing drum hit is out of place, the amount of layers that unfold with each listen is incredible - So please tune in and turn onto Nitro Cosmetic. 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