{"title":"Chemikal Underground","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eChemikal Underground is a Scottish music label that was founded in 1995 by the band The Delgados. With a rich history spanning over two decades, this label has established itself as a prominent force in the music industry. Known for their innovative and diverse roster of artists, Chemikal Underground continues to push boundaries and nurture talent.\u003c\/p\u003e\n\u003cp\u003eSince its inception, Chemikal Underground has been dedicated to supporting independent musicians and promoting their work. Their commitment to artistic integrity and creativity is evident in the wide range of genres represented on their roster. From indie rock to electronic music, this label offers something for every musical taste.\u003c\/p\u003e\n\u003cp\u003eWith an impressive catalog of releases under their belt, Chemikal Underground has garnered critical acclaim and numerous accolades throughout the years. Their influence on the Scottish music scene cannot be overstated, as they have played a pivotal role in shaping its identity and fostering local talent.\u003c\/p\u003e","products":[{"product_id":"leave-no-shadow-2","title":"Leave No Shadow","description":"\u003cp\u003eOn debut album \u003ci\u003eLeave No Shadow\u003c\/i\u003e, Chrysanths’ Emily Scott creates a deep technicolour-tinged world, and finds herself flowering in new territory from that of her band Modern Studies. At once elegiac and celebratory, it has a swirling orchestra of Scotland’s finest strings at its core and is sensitively woven together by the thread of Scott’s effortless voice. \u2028\u003c\/p\u003e\u003cp\u003eRecorded in Scotland with Emily Scott firmly in the producer’s chair, \u003ci\u003eLeave No Shadow\u003c\/i\u003e finds the artist flowering in new territory from that associated with her band, Glasgow-based Modern Studies. The most distinctive sonic elements here are the swirling, enveloping string arrangements written by Scott. With Susan Bear’s thoughtful bass guitar and Owen Curtis Williams’s delicate drums, the album takes on a luxurious timbre reminiscent of Jean Claude Vannier’s late 60s studio work or the evocative world-building of Fontana-era Scott Walker.\u003c\/p\u003e\u003cp\u003eChrysanths, or Chrysanthemums, are traditionally considered flowers of death and mourning in the west. While there is an embedded sadness in Emily Scott’s work on Leave No Shadow, the complexity and deft touch employed by the musician also points to renewal. In tarot, Death teaches one to outgrow ways of life, points to personal growth and rebirth. Death also teaches us to celebrate the now, to focus on the present and to celebrate life. Leave No Shadow embodies these sentiments, reflecting on the small treasures we move amongst. Chrysanths' fluid storytelling unlocks wave upon wave of emotion and aural joy: Sometimes fierce, often gentle, always here and always now.\u003c\/p\u003e","brand":"Chemikal Underground","offers":[{"title":"Black LP","offer_id":50380156109131,"sku":"2211040","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50380155945291,"sku":"2211039","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Leave_No_Shadow_c8f86c74_thumbnail_4096.jpg?v=1726209681"},{"product_id":"hate-3","title":"Hate","description":"\u003cp\u003eFollowing their recent reunion, The Delgados reissue their fourth studio album \u003ci\u003eHate\u003c\/i\u003e on transparent curacao coloured vinyl and CD for its 21st anniversary. \u003ci\u003eHate\u003c\/i\u003e was the sound of The Delgados completely fulfilling their potential, a fully realised vision buoyed by the weight of coming through a darkness into light. Ushering in a new era of emotionally vulnerable and cinematic songwriting for celebrated Glasgow group The Delgados, 2002’s \u003ci\u003eHate\u003c\/i\u003e is the group’s most ambitious recorded statement to date. 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Having waited such a perplexingly long period of time for this vinyl to arrive, you'd have never let Chemikal Underghround away with a half-arsed reissue so they've 'gone large'. The original '5:14...' album on heavyweight double vinyl. A further LP featuring the complete 10 tracks of acoustic demo recordings. 15 track CD of bonus material featuring VPRO session tracks, 4-track demos, rarities, a remix. Signed and numbered 12\" x 12\" artwork \/lyric sheet. Data disc including all vinyl audio on 320kbps MP3's and 'Crappo The Clown' short film by Martin Smith.\u003c\/p\u003e","brand":"Chemikal Underground","offers":[{"title":"LP | x3","offer_id":50409887629643,"sku":"362903","price":34.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/d3f23644-955a-4fb3-a3d6-46db12e129ba_thumbnail_4096.jpg?v=1726631265"},{"product_id":"into-the-woods-3","title":"Into The Woods","description":"\u003cp\u003eMalcolm Middleton's sophomore album is already being hailed as a modern classic. a short, slightly cynical yet undeniably vibrant tour-de-force of pop, brought into being with a rare eye for detail and careful arrangement. Notable appearances on the album come from members of Mogwai, the Delgados, the Reindeer Section and fellow Arab Strapper Aidan Moffatt. The themes are love lost, relationships destroyed, self-loathing, and broken down cars thwarting attempted trysts. 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Hence, Kicking A Dead Pig—now a double CD remix album comprising the original release and the Mogwai Fear Satan EP—which takes tracks from Mogwai's first two full-length releases, Ten Rapid and Mogwai Young Team, and hands them to a crack team of international noise terrorists for some extreme reworkings. Alec Empire's vicious junglist assault on \"Like Herod (Face The Future Remix)\" is by some distance the most decibel-laden excursion, but much here takes cunningly alternate routes to rewiring your synapses: Hood's \"Like Herod\" winds out the song's brooding, pre-noise segment into a edge-of-your-seat haunter, all the more chilling because the foundation-rocking explosions of the original never come, while fellow Scots Arab Strap meld a series of Mogwai curiosities into a sleepy dreamscape on \"Gwai On 45\". There's no beating My Bloody Valentine's Kevin Shields explosion of \"Mogwai Fear Satan\", though, which extends Mogwai's masterwork out into a grand, psychedelic 16 minutes of bubbling feedback and juggernaut Krautrock grooves.\u003c\/p\u003e","brand":"Chemikal Underground","offers":[{"title":"CD | x2","offer_id":50411023040843,"sku":"367839","price":5.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/bb3001ce-2bac-443b-bb6e-f54d10854200_thumbnail_4096.jpg?v=1726651681"},{"product_id":"the-week-never-starts-round-here","title":"The Week Never Starts Round Here","description":"\u003cp\u003eThe astonishing debut album from the Strap originally released in 1996 marking the birth of one of the UK's most original talents. 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Written and mostly recorded in 2019, \u003cem\u003eThe Idea Of You\u003c\/em\u003e is a captivating collection of songs – generously melodic, confidently executed and festooned with intricacies.\u003c\/p\u003e\n\n\u003cp\u003eIn true \u003cstrong\u003eAdmiral Fallow\u003c\/strong\u003e fashion, these tales of friendship and carefree adventure take the road less travelled, rarely finding their terminus where it might be most expected. Warmth, empathy and contentment course through the nine songs, a response to its makers having navigated personal and professional challenges to emerge with their identity – both as a group and as individuals - intact.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThe Idea Of You\u003c\/em\u003e traverses Philly soul, sophisticated pop and guitar-driven rock, delivering humbly anthemic choruses by the barrowload. 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This ambitious project is a pioneering experiment in the field of imaginary archaeology: a sonic conjuring of a decades-old fictional island.\u003c\/p\u003e\u003cp\u003eThe underlying concept of the album was to resurrect the mythical island of Y’Hup - a territory which Ivor Cutler dreamt up and described throughout his early recordings. Here, the island has been populated with distinct Scottish voices alongside new arrangements of Cutler's music, featuring a large number of high profile guest artists, including: Stuart Braithwaite (Mogwai), Tracyanne Campbell (Camera Obscura), Kris Drever (Lau), Alex Kapranos (Franz Ferdinand), Stuart Murdoch (Belle and Sebastian), Pictish Trail, Emma Pollock (Delgados), Karine Polwart, Rick Redbeard (Phantom Band) and James Yorkston. Visiting the island as distinguished guests are two English vocalists, Phyllis King (Ivor Cutler’s longtime companion and collaborator) and living legend, Robert Wyatt.\u003c\/p\u003e\u003cp\u003eNoting Cutler’s absence from an exhibit about the history of Scottish pop music at the National Museum of Scotland, Matt Brennan (Citizen Bravo) and saxophonist \/ composer Raymond McDonald (Glasgow Improvisers Orchestra) decided to set the record straight. They wanted to pay homage and re-affirm Cutler’s status as a national treasure, uniting their two very different two musical backgrounds in a freaky and fruitful collaboration. 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For Crowley, the creative process is an organic event rather than a practice he feels compelled to regulate or control. He approaches lyrics much like he does short story writing. “The songs straddle the conscious and subconscious world and some are even psychedelic in my mind, but to me they are all at once true stories and born of another place,” he shares.\u003c\/p\u003e\u003cp\u003eIn making the album, Crowley moved between studio and at home recording, while John Parish (Aldous Harding, PJ Harvey) produced. The pair worked from tracks made initially by Crowley on a charity shop ¾ size nylon string guitar or Mellotron: “In this way, John wanted to keep some of the magic of that first take”, says Crowley. 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Although packaged as the CD and download compilation album EP+6, this is the first time 4 Satin, No Education = No Future (Fuck the Curfew) and E.P. have been available on vinyl since the initial pressings. A beautiful triple vinyl reissue of the 3 EPs originally released in the 1990s, presented in their original artwork inside a 7mm wide spine outer sleeve. 4 Satin: Curacao vinyl. Originally released 1997. No Education = No Future: Clear vinyl. Originally released 1998. EP: Sun Yellow vinyl. Originally released 1999. \u003c\/p\u003e\u003cp\u003e“I’m incredibly proud of these EPs,” says guitarist and singer Stuart Braithwaite. “I think they’re interesting as we were experimenting with so many things back then. 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Among the story's most significant chapters are his triumph in the 2013 Scottish Album of the Year awards, tours with such acts as Mogwai, Godspeed! You Black Emperor and Bill Wells and Aidan Moffat, and the steady cementing of a reputation as a performer of peerless artistry and sporadically (spectacularly) bad language. Hubbert himself admits the reasons for the record's conception are as practical as they are selfish. A portion of the songs ruptured the cohesion of the albums for which they were recorded, rendering them publicly unavailable until now. Moreover, Hubby - paying the price for his approachability to punters - grew sick of fielding questions about hard-to-find pieces. Lastly, the Glasgow-born musician simply sought to hear the record's previously download-only songs through the medium to which he remains loyal: vinyl. Afforded the perspective it richly deserves, 'Ampersand Extras' is no threadless miscellany. Though unplotted compared to the albums around which the songs orbit - the 'Ampersand trilogy' of 'First and Last' (2011), 'Thirteen Lost and Found' (2012) and 'Breaks and Bone' (2013) - 'Ampersand Extras' follows a logic which runs parallel to that of its precedents. Common to all Hubbert's recordings from the current decade are the sounds of wood, calluses on nylon strings, fret buzz, breathing. But listen hard and you hear rain on windows. A shaft of sun across a rooftop. Lovers laughing. Apologies, some too late to matter. Gulls in the harbour. A dream evaporating. The mending of fences. Whereas Hubbert gifted the parent albums a script from which to read, 'Ampersand Extras' is conceptually improvised, and none the worse for it.\u003c\/p\u003e","brand":"Chemikal Underground","offers":[{"title":"LP","offer_id":50492363571531,"sku":"380745","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/b48d59de-5a5a-4c2c-8b67-02592229fe84_thumbnail_4096.jpg?v=1727691862"},{"product_id":"the-great-eastern","title":"The Great Eastern","description":"\u003cp\u003e180 Gram vinyl with Download. '​The Great Eastern' is The Delgados' third album, released on their own Chemikal Underground record label in 2000. Despite having founded the revered Scottish indie label, Chemikal Underground, the Delgados remain its least celebrated act, overshadowed by the likes of Mogwai and Arab Strap. It therefore falls to their album 'The Great Eastern' to change all that. Named after the renowned Glasgow landmark, now a flop-house, it's an appropriate title for a sprawling songwriting effort which elevates their expanding sound and lofty a ambitions to new heights. Taking their infatuation with the heavily orchestrated sound of Mercury Rev and Flaming Lips to its logical conclusion, they have used the Rev's Dave Fridmann to oversee production and mixing in his New York Tarbox Studios. From opener 'The Past That Suits You Best', with its stalking beats, roughed over effects, swelling brass and gliding strings its clear that the Delgados have gone for broke here. What follows only confirms it, from singer Emma Pollock's sad interpretation of an ex-girlfriend having second thoughts in 'Accused Of Stealing' to the sparse country-fied tale of rejection 'Make Your Move' which closes the set.\u003c\/p\u003e","brand":"Chemikal Underground","offers":[{"title":"Black LP","offer_id":50493125886283,"sku":"390084","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/d717d46d-fcfb-4d6e-8c4c-fca0871fcd0b_thumbnail_4096.jpg?v=1727695646"},{"product_id":"fears-trending","title":"Fears Trending","description":"\u003cp\u003eGlasgow six-piece The Phantom Band release a new album, 'Fears Trending', just a few months on from 2014's 'Strange Friend'. On Chemikal Underground, the new full-length acts as a companion piece to this year's full-length. Following four years of near-silence after 2010, turns out the band have hit a prolific streak. Guitarist Duncan Marquiss calls the new LP \"the evil twin of 'Strange Friend' - they're stranger friends, oddball vestiges and hybrids.\" Leading the record is 'Tender Castle', a track that flips any notions that 'Fears Trending' might be a last-minute add on to 'Strange Friend'. Chugging out crystallised guitar parts alongside skittering percussion and odd, convention-dodging structures, it's The Phantom Band all over, invention running the show.  LP - 180 Gram Vinyl with Download.\u003c\/p\u003e","brand":"Chemikal Underground","offers":[{"title":"CD","offer_id":50493306798411,"sku":"383931","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/26c8b0fa-5f30-4160-88ce-07ceb870f3c3_thumbnail_4096.jpg?v=1727696776"},{"product_id":"the-most-important-place-in-the-world","title":"The Most Important Place in the World","description":"\u003cp\u003eMoving on from the preoccupations of Bill and Aidan's debut long-player, 'Everything's Getting Older', 'The Most Important Place In The World' supplants the encroachment of age as a primary theme with the notion of the metropolis as femme fatale, a voluptuous siren promising opportunity and possibility: \"Her doors are open, her legs are spread,\" in the words of the opening song, 'On The Motorway'. The tension between domesticity and devilry, temperance and temptation, is a seam that runs through the record. As with its predecessor, this collection finds Aidan variously speaking, snarling and singing his candid tales along to jazz-inflected melodies so exquisite they barely belong to the gauche reality of the 21st century. While the palette utilised across these 12 extraordinary nocturnes bears a direct connection to that of 'Everything's Getting Older', Wells and Moffat here deploy a broader and deeper panoply of sounds, touching on electro-pop ('The Eleven Year Glitch') as much as the tuxedo seductions of Bacharach and David ('Any Other Mirror') and Caledonian gospel ('Street Pastor Colloquy, 3am'). Further burnishing this sumptuous canvas are the contributions of saxophonist John Burgess, trumpeter Robert Henderson (last seen playing a corpse in the video for The Copper Top from Everything's Getting Older), tuba player Danielle Price, string ensemble the Cairn Quartet, viola player Aby Vulliamy - a member of Wells' National Jazz Trio of Scotland - and the Glad Café Community Choir. Wrapped in the handiwork of Aidan's six-year-old son and named after an IKEA slogan, 'The Most Important Place In The World' was recorded at Chem19 in Blantyre and Castle of Doom in Glasgow with producer Paul Savage (Mogwai, Franz Ferdinand, King Creosote) in September and October 2014.LP - Following the triple vinyl extravagance of 'Everything's Getting Older', Chemikal Underground have gone for a slightly more restrained though still value-packed option for 'The Most Important Place In The World'. Available as a 2LP with added extras, you can always rely on Aidan to deliver a vinyl package at the upper end of the sumptuous-ometer. The original album on heavy (180 Gram) vinyl. Bonus one-sided vinyl features 4 tracks (12 mins) of exclusive material. A 12x12 12-page booklet featuring lyrics and sheet music. Printed hymn sheet for 'Street Pastor Colloqy, 3am'. Download code for 320kbps MP3s.\u003c\/p\u003e","brand":"Chemikal Underground","offers":[{"title":"CD","offer_id":50493325869387,"sku":"385798","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/6e34f8da-a176-4988-9227-f2cb2ce3f193_thumbnail_4096.jpg?v=1727696923"},{"product_id":"in-search-of-harperfield","title":"In Search of Harperfield","description":"\u003cp\u003eA mere five and a half years after the angular splendidness of her Chemikal solo debut 'The Law of Large Numbers', Emma's finally delivered, not only its follow-up, but an album that's up there with the very best in our catalogue. Clocking in at just under 45 minutes, the eleven tracks making up 'In Search of Harperfield' showcase Emma's songwriting at its richly lyrical best. From the string-drenched grandeur of 'Intermission' and 'Dark Skies', through the leftfield pop of 'Parks and Recreation' and 'Vacant Stare' to the complex, dark flamboyance of 'Old Ghosts' and 'Monster In The Pack' (replete with RM Hubbert cameo) 'In Search of Harperfield' effortlessly scales the peaks of her tenure with The Delgados while recalling the eccentric flair of Kate Bush, the intricate melodicism of Sandy Denny and, in 'Old Ghosts', the wistful melancholy of Dusty Springfield.  Yes, it's that good. Five and a half years is a long time in anyone's book; that such a special album has finally materialised out of the gloaming should give us all cause for celebration.LP - 180 Gram vinyl with Download.\u003c\/p\u003e","brand":"Chemikal Underground","offers":[{"title":"CD","offer_id":50493701488971,"sku":"396939","price":9.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/d5bc3e94-1ff6-4541-ae95-958c7a5e588d_thumbnail_4096.jpg?v=1727699898"},{"product_id":"awake-unto","title":"Awake Unto","description":"\u003cp\u003e'Awake Unto' is the second mesmerising collection of songs by Rick Redbeard, aka Rick Anthony of cosmic rock magicians The Phantom Band, and comes three years after his delicately poetic solo debut 'No Selfish Heart'. Quarried from similar stone to that of Michael Hurley, Leonard Cohen and Bill Callahan and wrapped in layers redolent of Angelo Badalamenti, 'Awake Unto' weaves folk, balladry and filmic impulses into a tapestry of song so deftly detailed the rewards multiply with every listen.LP - 500 Copies on 180 Gram Vinyl with Download.\u003c\/p\u003e","brand":"Chemikal Underground","offers":[{"title":"CD","offer_id":50493890134347,"sku":"402644","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/3b98d318-55f1-486d-96b4-1254fcb7d8fa_thumbnail_4096.jpg?v=1727701513"},{"product_id":"telling-the-trees","title":"Telling the Trees","description":"\u003cp\u003eThe extraordinary, tattoo-bedecked, flamenco-inspired guitarist - and dare we say profane raconteur - that is RM Hubbert (Hubby to you and me) returns with a new album, 'Telling the Trees' and it's every bit as bold, unpredictable and affecting as we could have dared expect. A reprisal of the collaborative format that so enriched 2012's SAY Award winning 'Thirteen Lost and Found', this new project finds Hubby co-writing at arm's-length from a dazzling array of musicians, songwriters and lyricists in stark contrast to the previous album's up close and personal approach. Enlisting an amazingly diverse ensemble of talent, Telling the Trees features: Anneliese Mackintosh | Anneke Kampman | Rachel Grimes | Kathryn Williams | Marnie | Kathryn Joseph | Martha Ffion | Sarah J. Stanley | Aby Vulliamy | Karine Polwart | Eleanor Friedberger. The result is a mesmerising collection of styles, songs and instrumentals, linked by their infusion of Hubby's trademark guitar playing and the sparkling production techniques of Paul Savage at Chem19.LP - 180 Gram vinyl with Download.\u003c\/p\u003e","brand":"Chemikal Underground","offers":[{"title":"CD","offer_id":50494026154315,"sku":"400359","price":12.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50494027661643,"sku":"400360","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/79921f62-6ce2-430a-bf0e-cb7e900f4d86_thumbnail_4096.jpg?v=1727702806"},{"product_id":"terra-nova","title":"Terra Nova","description":"\u003cp\u003eFound follow up 2015's futuristic album 'Cloning' with a look back at the past in 'Terra Nova'. Dr William Clark Souter travelled to Antarctica in 1903 on board the Terra Nova ship bound to rescue Captain Scott's RRS Discovery from ice. Souter was a junior doctor based at Aberdeen Royal Infirmary who was also a keen photographer and was allowed to document the expedition. Found were commissioned by Grampian Hospital Arts Trust to create a response to Dr Souter's photographs that are housed within the University of Aberdeen Special Collections. The project culminated in the exhibition 'Terra Nova' at The Suttie Arts Space in ARI, from December 2015 to February 2016 and the production of this record. On 'Terra Nova' the sound of Found is wreathed in a fog of analogue synthesizers where once it buzzed with brittle guitars. The limited edition 300-run gatefold LP is pressed on 180 Gram vinyl and includes a digital download code.\u003c\/p\u003e","brand":"Chemikal Underground","offers":[{"title":"LP","offer_id":50494185275723,"sku":"403131","price":24.99,"currency_code":"GBP","in_stock":false}]},{"product_id":"music-from-battle-mountain","title":"Music From Battle Mountain","description":"\u003cp\u003eElusive former Delgado and Lord Cut Glass puppet- master Alun Woodward emerges from a seven year silence with this spectral soundtrack to documentary about maverick Scottish cyclist Graeme Obree. While the cycling connection with Woodward's old band will resonate with some, it's secondary to the dazzling and poignant backdrop he's created for David Street's portrait of a quixotic sporting legend. Largely instrumental, Woodward weaves electronica, loops and guitars to illuminate the warmth, wit and wilfulness of a remarkable sportsman. The effectiveness of the soundtrack also serves to remind us of Woodward's intuitive musical talent and showcases a songwriter still capable of packing a formidable emotional punch. 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The singer outlines how their modus operandi evolved after he first arrived at Bartlett’s studio on West 37th Street after walking from his cousin’s apartment on the Upper East Side.\u003c\/p\u003e\u003cp\u003eLP - 180 Gram Vinyl in Gatefold Sleeve with Download.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e \u003c\/p\u003e","brand":"Chemikal Underground","offers":[{"title":"CD","offer_id":50496208732491,"sku":"1015903","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/c1265fa5-8313-4e14-b19a-72e1bd11114f_thumbnail_4096.jpg?v=1727718373"},{"product_id":"leapling","title":"Leapling","description":"\u003cp\u003eSound Of Yell release their second album, \u003ci\u003eLeapling\u003c\/i\u003e, on Chemikal Underground. The title refers to a person born on 29 February. \u003ci\u003eLeapling\u003c\/i\u003e is the follow up to the 2014 debut \u003ci\u003eBrocken Spectre\u003c\/i\u003e. An acoustic compendium of fingerstyle guitar, idiosyncratic strings and woodwind and free-spirited percussion, ‘Leapling’ is a humble yet masterful collection of instrumentals and songs written and produced by Stevie Jones.\u003c\/p\u003e\u003cp\u003eJones, whose balance of the deliberate and the spontaneous has become a signature developed through countless collaborations - including Bill Wells and Aidan Moffat, Alasdair Roberts, Emma Pollock and Arab Strap - the groundbreaking quartet El Hombre Trajeado (alongside guitarist RM Hubbert) and stints composing music and sound design for Scotland’s leading theatre companies.\u003c\/p\u003e\u003cp\u003eOn \u003ci\u003eLeapling\u003c\/i\u003e the Glasgow native marshals most of the impressive cast with whom he made the debut, including Alex Neilson of Alex Rex and formerly Trembling Bells on drums, artist Vikki Morton (AMOR, Muscles Of Joy, Rev Magnetic), Alasdair Roberts, Aby Vulliamy and Stevie Jackson of Belle and Sebastian. Jones himself contributes acoustic guitar, double bass, chimes, percussion and piano.\u003c\/p\u003e","brand":"Chemikal Underground","offers":[{"title":"Black | LP","offer_id":50498682290507,"sku":"1086664","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50498682061131,"sku":"1086663","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/90efe4a6-270e-4bd3-8c20-55f0c7cc2a5c_thumbnail_4096.jpg?v=1727753475"},{"product_id":"school-of-velocity","title":"School of Velocity","description":"\u003cp\u003eAlmost three years since the debut long player by Miaoux Miaoux, Chemikal Underground release its exceptional follow-up, 'School Of Velocity'. The album picks up the baton from the high-gloss, hook-laden electronic pop of 'Light Of The North' and, as the title suggests, sprints through time and hyperspace at a pace that is little short of breathtaking. On the album's 10 songs, Glasgow-based multi-instrumentalist, producer and singer Julian Corrie is at the peak of his enviable powers, corralling influences ranging from eighties pop, nineties trance and the subtle, assured melodicism of Caribou to forge a sound with few parallels. This is forward-thinking pop in its purest form: a rush, a hit, a kiss.​LP - 300 Copies. 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Written and recorded at home and within Glasgow's Kinning Park Studio \/ Community Complex, 'Talking Shapes' combines synthetic electronics with organic sounds, drawn from myriad instruments and effects, to create a living, breathing body of work. 'Talking Shapes' progresses the electronic and rhythmic ideas explored by the duo throughout their excellent second album (and Chemikal debut) 'On Floating Bodies' (2013) and its Scottish Album of the Year Award nominated predecessor, 'Kammerspiel' (2011). But it is more open and freer-flowing, revoking traditional verse \/ chorus structures in favour of letting the duo's music and ideas develop, produce and speak for themselves. 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These are songs that look to reassure the listener that better things are possible, despite the managed decline we are constantly offered as the only option, and that small personal actions when performed together can affect real change.\" David MacGregor (Broken Chanter).\u003c\/p\u003e","brand":"Chemikal Underground","offers":[{"title":"Clear LP","offer_id":50544617488715,"sku":"2176383","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50544617390411,"sku":"2176382","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/5063176020284_a5e9b9b9_thumbnail_4096.jpg?v=1728331455"},{"product_id":"begging-the-night-to-take-hold","title":"Begging The Night To Take Hold","description":"\u003cp\u003e\u003cstrong\u003eEmma Pollock\u003c\/strong\u003e returns after 9 years with her fourth studio album \u003cem\u003eBegging The Night To Take Hold\u003c\/em\u003e. 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