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This new wave of Tuareg musicians sound very different to the desert distortion that accompanies groups like Mdou Moctar or Group Inerane. Instead, it finds a calm and passionate soul, provides sumptuous slow burners, and a complexity of composition that hasn't been demonstrated by previous music exported from the Saharan people's musical repertoire. Even if the band has a direct DNA link to trail blazers Tinariwen - (Eyadou Ag Leche of Tinawiren is a cousin of frontman Sadam, and guided their evolution and produced and co-wrote several songs on this album), their poetry and flow has a more integrally urban base than the ancestral tamashek poetry and traditional rhythms of their elders, Tinawiren.\u003c\/p\u003e\u003cp\u003eInstead they offer something much more fresh and intricate; there is a lot of sensitivity and space in these jams, a lot of room for your mind to ponder and drift. This intimacy of Imarhan's sound is no coincidence. 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Back then, Calexico entered the studio with a long list of previous collaborations (first in Giant Sand, then backing the likes of Victoria Williams and Richard Buckner) and the knowledge that they loved Sam’s voice and his songs, but wondered if his material was so complete and self-contained that it lacked a way in, so hushed and delicate that it might be overwhelmed. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eYears to Burn\u003c\/i\u003e was recorded in Nashville with noted producer Matt Ross-Spang over the course of five days at Sound Emporium, a fabled studio founded in the sixties by Cowboy Jack Clement and the site of countless landmark sessions in country and rock over the ensuing decades. It features contributions from veteran Calexico trumpet player Jacob Valenzuela and Paul Niehaus on pedal steel, along with frequent Beam cohorts Rob Burger (Tin Hat Trio) on piano and Sebastian Steinberg (Soul Coughing, Fiona Apple) on bass. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eYears to Burn\u003c\/i\u003e features ten new original compositions. While Beam wrote all the songs for \u003ci\u003eIn the Reins\u003c\/i\u003e, this recording features contributions from both Beam and Burns as well as from Convertino and those featured on the record. 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And, above all, fun as hell.\u003cbr\u003e\u003c\/p\u003e","brand":"City Slang","offers":[{"title":"Red | LP","offer_id":50428053029195,"sku":"1164323","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/6cec66db-9a10-4621-8f88-e493dd5769cb_thumbnail_4096.jpg?v=1726829612"},{"product_id":"brighter-wounds","title":"Brighter Wounds","description":"\u003cp\u003eSon Lux reemerge with their fifth full-length LP, \u003ci\u003eBrighter Wounds\u003c\/i\u003e, finding the trio in command of a daring, multidirectional sound, expressing naturally the proclivity for surprise and contrast that characterize the project's output. The new release explores the violence of love, the beauty of sacrifice, and the specter of impermanence. Anchored by its cinematic heart, \u003ci\u003eAll Directions\u003c\/i\u003e, the album ranges from the thunderous charge of \u003ci\u003eDream State\u003c\/i\u003e to the sputtering, soulful lilt of \u003ci\u003eSlowly\u003c\/i\u003e. Ryan Lott’s devastating vocal on \u003ci\u003eAquatic\u003c\/i\u003e, guitarist Rafiq Bhatia’s blooming flower melismas on \u003ci\u003eLabor\u003c\/i\u003e, and drummer Ian Chang’s nearly inhuman rhythmic calculus on \u003ci\u003eThe Fool You Need\u003c\/i\u003e illuminate a curious and delicate balance of precision and pain. Since 2015’s \u003ci\u003eBones\u003c\/i\u003e, the band's profile has grown in the worlds of music, dance, and film. Each member now charts their respective solo paths, and their individual adventures find a home within the purview of Son Lux. On \u003ci\u003eBrighter Wounds\u003c\/i\u003e, collaborators range from longtime cohorts Rob Moose (Y Music, Bon Iver, The National) and DM Stith (Sufjan Stevens), to new friends trumpeter Dave Douglas and reedist \/ instrument builder Arrington de Dionyso. Son Lux has made invention its hallmark through continued exploration and experimentation. With \u003ci\u003eBrighter Wounds\u003c\/i\u003e, the triad NPR proclaimed “the world’s most lethal band\" now grips exhilaration and heartache in full embrace. In the words of the album's closing refrain, \"is this what the resurrection feels like?\".\u003c\/p\u003e","brand":"City Slang","offers":[{"title":"Gold | LP","offer_id":50432593133899,"sku":"2002936","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/dd1c3459-0faf-47c4-8430-d326295bddf7_thumbnail_4096.jpg?v=1726870797"},{"product_id":"suddenly","title":"Suddenly","description":"\u003cp\u003eNow Caribou returns with his seventh studio album \u003ci\u003eSuddenly,\u003c\/i\u003e an album about family and the changes we go though as those relationships evolve. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eSuddenly\u003c\/i\u003e is the most surprising and unpredictable Caribou album to date. Though it retains the trademark Caribou warmth and technicolour, this album is littered with swerves and left turns, and amazes with it’s yet unheard nuances, samples and hooks. \u003c\/p\u003e\u003cp\u003eAs Snaith puts it, “these albums are like photo albums for me – when I look back at the old ones, they’re a snapshot of my life at that time, full of people who are close to you”. This is the drive to continue to make Caribou albums. Full bodies of work where Snaith is able to evaluate things, look at those around him and celebrate them. 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A sprawling collective of Nashville musicians —eleven were credited on the sleeve of\u003ci\u003e I Hope You’re Sitting Down \/ Jack’s Tulips\u003c\/i\u003e, one of them apparently responsible for “open-end wrenches” —they’d named themselves after a sock puppet, inexplicably given their album two titles, and stuck a painting on the cover of a small, barefooted child holding a dog whose cock and balls are on proud display. Perhaps to counteract this bold depiction of canine masculinity, the inner sleeve offered a black-and-white shot of what the more refined sometimes call a “lady garden.” The back cover offered a painting detail of a wedding dress. So far, so weird. \u003c\/p\u003e\u003cp\u003eWhere Lambchop brought us was somewhere so singular and bewilderingly gripping that — to perhaps no one’s greater surprise than the band themselves, whose homeland remained baffled for quite some years to come — the album ended up in British music paper NME’s Top 50 Albums of the Year. In case anyone were to consider this an anomaly, France’s similarly influential Les Inrockuptibles placed it at number 25 on their own list. Not bad for a band who had gathered since the mid-1980s, once a week, purely for pleasure, in that smoky, dimly lit basement. Not bad, either, for a record whose sessions were initially only expected to produce enough material for a handful of 7 -inch singles. Disheveled yet tender, anarchic yet intricate, I Hope You’re Sitting Down \/ Jack’s Tulips instead provided the springboard for a career — still ongoing, despite repeated reinventions, and still compelled by stubbornly freakish, outlandish intentions — during which Lambchop’s ever-changing line-up has continued to confound expectations. Wagner, meanwhile, remains one of our most cryptic but crucial voices, an authentic poet of the magical banal. Sure, it was weird here, but it was wonderful, too. 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This is an ambitious album of real depth that deserves you're attention.\u003c\/p\u003e","brand":"City Slang","offers":[{"title":"LP | x2","offer_id":50442672603467,"sku":"380727","price":19.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50442672996683,"sku":"332646","price":7.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Swim_19dcd7de_thumbnail_4096.jpg?v=1727002497"},{"product_id":"peacemaker-2","title":"Peacemaker","description":"\u003cp\u003eCanadian \/ American poet, vocalist and multi-instrumentalist Vera Sola makes timeless, mind-bending sound, evoking comparisons to Nick Cave, Nancy Sinatra, Leonard Cohen and PJ Harvey. 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