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It also helps us to place accurate orders so that we can please as many of you as possible on the day.\u003cbr\u003e\n                            \u003c\/p\u003e\u003cp\u003eDeluxe Edition of Richmond Fontaine's 2002 album \u003ci\u003eWinnemucca\u003c\/i\u003e with a bonus track recorded for the album but never on the original CD release.\nRed Gold colour vinyl in deluxe gatefold sleeve with hype sticker.\n\nCombining elements of country and folk music, the members of Richmond Fontaine provide a compelling backdrop for the heart wrenching tales of lead singer Willy Vlautin. His Carver-esque lyrics bring a vision of the West which is both vital and compelling. Bleak characters occupy the songs, ready to break out of the prison everyday life has brought them. 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Slusarenko's relationship with Buck goes back to 1983 when REM fanboy Chris wrote Peter a gushing letter that Buck answered, leading to a meeting in '84, displaying how full circle things have come for the songwriter and guitarist. \u003c\/p\u003e\u003cp\u003eThe magic of being fated to find one of your heroes producing your record a half a century later isn't lost on Slusarenko. \"Peter has always been amazing for us. Having your hero become a friend and collaborator is such a dream and does so much for the band,\" the guitarist says. \"Even though we've been working together for years now, sometimes you look up in the studio and think 'Holy shit, we've got Peter Buck working on our record.'\" As they typically write the music first and add lyrics later, Beckett's compositions allowed Eyelids to wholly focus on the music and the result is stunning. 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I brought in the best of the batch I was working on: Cool Your Jets, Gold Dreaming, Sirens at Night, and I’m Just a Ghost. We recorded them fast. We cut Gold Dreaming in two takes and I remember Amy singing I’m a Ghost in one and it just floored us all. Quickly our single turned into an EP. Then Amy brought in an acoustic demo of her tune, I Wasn’t Looking, and we recorded that. I’ve always been a big fan of Sparklehorse so we tried Sunshine and then Cory brought in two instrumentals, Saloon Six and The Piano Player Always Drinks For Free. Suddenly we had a record. The band always thinks of this one as The Delines at summer camp. We recorded it during a minor heat wave, it’s loose and a bit rawer than most of our other records, and there’s a no pressure easy going feel to the session that really comes across. 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