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Featuring the beautiful disco-funk-classic \"\u003cem\u003eSpace Talk\u003c\/em\u003e,\" Asha's ethereal soaring vocals take us on a journey that almost mirrors Asha's eclectic career.\u003c\/p\u003e\n\n\u003cp\u003eThe track was championed by a wide-range of musical scenes and movements, and over space and time it has been commandeered as their own. 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A record that deserves its space on the shelf of every collector, DJ and dance music connoisseur, and with original copies now regularly fetching triple figures, it’s time to share this masterpiece with the world once more. In addition, here Kalita accompany the release with a never-before-seen press photo and interview-based liner notes.\u003c\/p\u003e\u003cp\u003eOriginally privately released in 1980 on Vanton Records, this is the first time that both the record and the label’s story has been told. The product of two members of Crown Heights Affair (Richard Vance Turner and Eleton Johns), the label was established as a way to protect both their musical freedom and copyright that they would have lost had they signed to a major label. With Vanton, they sought to create a sound that combined Eleton’s love for Philadelphia with Richard’s love for New York-based productions.\u003c\/p\u003e\u003cp\u003eVance and Suzzanne consisted of Richard and his childhood friend and fellow band member Suzzanne Slaughter, who was a background singer for many bands in New York including Sister Sledge. The result of a late night writing session between Richard and Eleton and recorded to tape the following day, the record was finished in just twenty-four hours. Yet it’s legacy lives on as one of the most sought-after disco singles in existence.\u003c\/p\u003e\u003cp\u003eTwo thousand copies of \u003ci\u003eI Can’t Get Along Without You\u003c\/i\u003e were originally pressed to test the market, with the initial plan being to re-record it again at a later date with additional strings. 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From 60s psych, Classical Indian music, Free Jazz, Pop, Soul, Disco, to Rock, the list goes on.\u003c\/p\u003e\n\n\u003cp\u003eA best-of or an essential collection is always going to be a subjective thing, but for what is unbelievably the first official compilation covering the full breadth of Asha's illustrious career, we aimed to provide a snapshot into her ever-evolving musical journey and a tribute to the vast richness of her catalogue.\u003c\/p\u003e\n\n\u003cp\u003eSome singers want to be famous, others are pop star icons, and some are artists; Asha is the latter. Asha is a true force of nature, regardless of the genre she explores, she fully commits, moves on, and reinvents herself, always progressing.\u003c\/p\u003e\n\n\u003cp\u003eLooking back on Asha's career, it is evident what a trail-blazer she was, opening doors for her contemporaries and those who came later to step through. 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As a record producer and remixer, DJ and curator, he’s now clocked up well over 30 years and, if such things existed, would be nailed on for a carriage clock for long service to add to the numerous hits and landmarks he’s enjoyed over a storied career. His latest album, Produced With Love II, continues the work he started with 2017’s superb collection. Incorporating aspects of house, soul and disco and crafted with the attention to detail you’d expect from someone of Lee’s heritage and calibre, \u003ci\u003eProduced With Love II\u003c\/i\u003e comprises 12 brand new songs and will arrive in June 2022. The writing process has always remained the same and Dave has always preferred to work face-to-face with artists whenever possible – albeit with a few enforced remote sessions due to the pandemic.\u003c\/p\u003e\u003cp\u003eReleased as the lead single from the album in April, Starlight sees Lee team up with Omar: a former principal percussionist of the Kent Youth Orchestra and later a graduate of the Guildhall School Of Music who was awarded an MBE in 2012 for services to music. \u003c\/p\u003e\u003cp\u003eStarlight is a gorgeous, mid-tempo dance record, with Omar’s silky vocals backed up with rich production: soaring live strings, groove-laden clav and synth over a chugging bassline creating a heady, inviting atmosphere. It’s an almost viscerally life-affirming record: a theme that continues throughout the entire album. Take a track like ‘If You Ever Need Somebody feat. Tiffany T’zelle', or ‘Taste My Love' with vocals from the aforementioned Billy Valentine. 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In spite of the shadow of AIDs and reactionary political and media forces both at home and in the USA, the period 1980 – 1990 bore witness to a dazzling explosion of dance music that artfully drew a line from the peak of late-70s disco to the emergence of house and its 90s glory days. The art of the 12” single, the thrill of the remix, the rise of the superclub, the electronic spark of chart pop, the challenging of gender barriers... all had their origin in the gay clubs. It’s not unreasonable to make the claim that by the end of the 80s, virtually ALL chart pop music sounded like it had its origins on the dancefloors of Heaven nightclub! Over 4LPs and 24 tracks, ‘Box Of Sin’ strives to tell the story of that decade, and to tease apart the strands of 80s gay clubbing to show a period of unrivalled creativity and disco diversity. Via the box’s themed discs it shows how high- energy became house, how gender-bending synth bands took over the pop charts, how pop stars the whole world over found a route to fame via the gay clubs, and how the era’s biggest producers aimed their masterworks purely at the dancefloor. High energy, deep house, Eurobeat, synthpop, divas, acid house... all combine to paint a picture of a rich and vibrant lifestyle. \u003c\/p\u003e\u003cp\u003eAlong the way, \u003ci\u003eBox Of Sin\u003c\/i\u003e unearths some overlooked gems rarely compiled today: meanwhile some of the decade’s biggest names in club music gather to get into the picture – from Whitney Houston to Dead Or Alive, Bananarama to Bronski Beat, Aretha Franklin to Inner City. Based on the actual club charts at the time and with a stunning design package inspired by the small ads section of 80s gay press, \u003ci\u003eBox Of Sin\u003c\/i\u003e comes fully annotated and with an introduction by renowned gay author Paul Burston. Throughout, it’s illustrated with photography documenting 80s gay clubbers in action, provided for Demon by The Bishopsgate Institute, the UK’s LGBTQ+ archive. The project also resurrects the much-loved brand ‘Disco Discharge’, a recognisable hallmark of quality among collectors and aficionados of club music heritage.\u003c\/p\u003e\u003cp\u003eLP1: 'HIGH ENERGY’ Deluxe Drama From The Decade’s Divas A1. High Energy (Extended Version)-Evelyn Thomas-1984-7.51 A2. In The Evening (Original 12\" Version)-Sheryl Lee Ralph-1984-6.16 A2. Another Night (Dance Mix)-Aretha Franklin-1985-6.40 B1. Body Rock (Dance Mix)-Maria Vidal-1984-6.30 B2. Tell It To My Heart (Club Mix)-Taylor Dayne-1987-6.46 B3. Love Will Save The Day (Extended Remix)-Whitney Houston-1988-7.59 \u003c\/p\u003e\u003cp\u003eLP2: ‘PASSION’ Boys Town’s Bona Bonus Beats A1. Passion (Full Length Album Version)-The Flirts-1982-5.04 A2. So Many Men So Little Time (Extended Version)-Miquel Brown-1983-8.14 A3. 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