{"title":"Do You Have Peace?","description":null,"products":[{"product_id":"sweet-company","title":"Sweet Company","description":"\u003cp\u003e\u003ci\u003eSweet Company\u003c\/i\u003e is the second album by Jabu. Where their first LP \u003ci\u003eSleep Heavy\u003c\/i\u003e was an unflinching exploration of grief, dark and disembodied, \u003ci\u003eSweet Company\u003c\/i\u003e’s deep, sedative soul feels like more of a lovers’ outing: optimistic, becalmed, looking outwards as well as inwards, and longing for the kind of human connections where ego and self-consciousness might dissolve. It is perhaps also an exhortation to love and accept yourself, to recover a lost innocence and peace – that paradise which has always been lost. Released via their own do you have peace? label, \u003ci\u003eSweet Company\u003c\/i\u003e is on the one hand a very intimate and private-sounding work - the sound of life played out in a room, a bubble, a home, a head. The rhythms of everyday domesticity: listening to the plants, cars in the street, voices through the wall…. going to work, not going to work, sleeping heavy or not sleeping at all.\u003c\/p\u003e","brand":"Do You Have Peace?","offers":[{"title":"CD","offer_id":50499125117259,"sku":"1108717","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/fb70be12-a4a5-4df7-8d6d-9c394c0dd33d_thumbnail_4096.jpg?v=1727768529"},{"product_id":"lekky-hiblrr","title":"Lekky \/ Hiblrr","description":"\u003cp\u003e\"I couldn't see the sun, but the fog glowed red in its direction. After half an hour I came out into a large, open space. It was almost round, a few hundred meters across. At that point, I noticed a change in the Ocean. The waves disappeared. The surface became almost transparent, with clouded patches. Yellow sludge gathered beneath it. It rose up in thin strips and sparkled like glass. Then it began to seethe, boil and harden. It looked like molasses. This sludge or slime gathered into large lumps and slowly formed different shapes. I was being drawn into the fog, so I had to struggle against this for some time. When I looked down again, I saw a sort of garden.\"\u003c\/p\u003e","brand":"Do You Have Peace?","offers":[{"title":"7\"","offer_id":50501411897675,"sku":"1136433","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/b342b151-1dcb-4400-aebe-a07a4fa4fc92_thumbnail_4096.jpg?v=1735676253"},{"product_id":"us-alone-time-cow-remix-slow-down-ft-daniela-dyson-ossia-remix","title":"Us Alone (Time Cow Remix) \/ Slow Down ft. Daniela Dyson (Ossia Remix)","description":"\u003cp\u003eTime Cow and Ossia take two tracks from Jabu’s 2020 album \u003ci\u003eSweet Company\u003c\/i\u003e into unfamiliar (and dance floor friendly) territory. Side A sees \u003ci\u003eUs Alone\u003c\/i\u003e gets transformed by Time Cow from slo-mo tearjerker into syrupy disco wrecker, managing to somehow touch on reference points everywhere from east LA lowrider anthems through 00s garage and all propelled fwd by an eyeball shaking low end pressure. \u003cbr\u003e\u003c\/p\u003e\u003cp\u003eOn the flip Ossia takes snatches of the original \u003ci\u003eSlow Down\u003c\/i\u003e and flashes them in around a 4\/4 and a synth melody, fragments of Daniela’s vocal floating like a half remembered conversation. Later Rakhi’s strings come in but in a more unsettling way than the original, eventually dissolving to a kind of Majora’s Mask (in dub) conclusion. All terrain \/ all weathers - club \/ bbq \/ afterparty \/ late night introspection sessions. \u003c\/p\u003e","brand":"Do You Have Peace?","offers":[{"title":"Black | 12\"","offer_id":50503300514123,"sku":"1152800","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/874aa1b3-8092-4f0f-a12a-827f543371ee_thumbnail_4096.png?v=1727794735"},{"product_id":"summer-feel-bad-smile","title":"Summer \/ Feel Bad Smile","description":"\u003cp\u003eRoger Robinson (King Midas Sound, Black Space Quartet) delivers 2 standalone sides of haunted soul over instrumentals from Jabu’s Amos Childs. Described by Roger as an imaginary soundtrack to a long escalator ride downwards to a Hiroshi Sugimoto exhibition - ‘the music that might be playing as you tried your best to avoid everyone else’s eyes’. A bruised take on Muzak, ‘a sadder kind of normal’. Roger’s innate understanding of form and melody manages to somehow pull real ear worm pop hooks out of the lilting backing of ground hum and hiss from the mixing desk, his falsetto bringing to mind everything from early Sade demos through to lovers rock. On the A side Summer sees Roger yearning for warmer days, over an other-worldly drums machine workout before collapsing in on itself in a disco mix \/ funeral coda outro. On the flip side the instrumental is pared back even further to a crawling slo motion piano and the sound of faders crackling turned to 11, Roger dials the emotions up another notch, channelling ghosts of low rider soul and entering into ice cold slow jam \/ ballad territory. Essential late winter \/ early spring listening for lonely late nite laundrette trips and dawn cigarettes in the graveyard\u003c\/p\u003e","brand":"Do You Have Peace?","offers":[{"title":"Black LP","offer_id":50510505640267,"sku":"2018818","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Roger_Robinson_-_Summer_Bad_Time_Smile_10f99fc0_thumbnail_4096.jpg?v=1727875528"},{"product_id":"sweet-company-1","title":"Sweet Company","description":"\u003cp\u003e\u003ci\u003eSweet Company\u003c\/i\u003e is the second album by Jabu. Where their first LP, Sleep Heavy, was an unflinching exploration of grief, dark and disembodied, \u003ci\u003eSweet Company’s\u003c\/i\u003e deep, sedative soul feels like more of a lovers’ outing: optimistic, becalmed, looking outwards as well as inwards, and longing for the kind of human connections where ego and self-consciousness might dissolve. It is perhaps also an exhortation to love and accept yourself, to recover a lost innocence and peace – that paradise which has always been lost.\u003cbr\u003e \u003cbr\u003eReleased via their own Do you Have Peace? label,\u003ci\u003e Sweet Company\u003c\/i\u003e is on the one hand a very intimate and private-sounding work - the sound of life played out in a room, a bubble, a home, a head. The rhythms of everyday domesticity: listening to the plants, cars in the street, voices through the wall…. going to work, not going to work, sleeping heavy or not sleeping at all. Wavering on the brink of a revelation, of something just beyond the material world, while you wait for the kettle to boil.\u003cbr\u003e\u003cbr\u003eThe core Jabu trio of producer Amos Childs and vocalists Jasmine Butt and Alex Rendall is present and correct. \u003ci\u003eSweet Company\u003c\/i\u003e has the exhilarating sweep and confidence of a collaboration between people who trust and understand each other implicitly, and, secure in that knowledge, are able to give the absolute best of themselves to us. As before, Jasmine’s voice is a textural, painterly instrument, layered and blurred into abstraction, resisting the limits of language; the songs she sings on are portals into vast internal landscapes where the normal rules of gravity are suspended, every sound is smothered in a cathedral-like resonance, and you're both fearful and hopeful that you might never find your way back out again. Alex takes a more narrative, confessional and no less engaging pop tack: as on the gauzy, decelerated 2-step of\u003ci\u003e Lately\u003c\/i\u003e, with his masochistic, self-mocking entreaties to “be cruel to me […] I like it when you make a fool of me”.\u003cbr\u003e \u003cbr\u003eChilds has a true hip-hop fiend's ear for a striking sample, and how to loop it to most hypnotic and rapturous effect, but here takes things to ever more powerfully uncanny and auteurish places, drawing inspiration from the voidal bliss-outs of shoegaze (AR Kane’s amniotic dream-pop epic 69 is one influence cited) and the space-time disturbances of dub, commanding both a raindrops-on-cobwebs delicacy and an immense, oceanic pressure. His productions seem to resist linear progression - instead they move by a kind of unstoppable diffusion, like weeds reclaiming an unkempt garden, or alien flora patterning the sea-floor and coral-caves of the subaquatic level of a computer game which may exist only in your, or his, imagination.\u003cbr\u003e \u003cbr\u003ePerhaps it's Daniela Dyson, the British-Afro-Colombian artist who contributes her vivid, energising poetic mysticism to two tracks, who best sums up Sweet Company's ambition and effect: “Me quiero perder en los momentos tan puros en su esencia que Las Horas mismas se detienen para ser testigo de nuestro amor” (I want to lose myself in the moments so pure in their essence \/ that The Hours themselves stop to bear witness to our love…). For a precious half an hour, we're invited to celebrate the smallness of our lives - and the limitless grandeur which that smallness contains. When it ends, we step back from the brink but things aren’t quite the same anymore: we’re haunted by what we briefly almost knew.\u003c\/p\u003e","brand":"Do You Have Peace?","offers":[{"title":"Black LP","offer_id":50512826925387,"sku":"1103779","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/6a5df96f-6d02-45fe-87ff-9e71984ac7f2_thumbnail_4096.png?v=1727907892"},{"product_id":"a-soft-and-gatherable-star","title":"A Soft and Gatherable Star","description":"\u003cp\u003eJabu return with ‘A Soft and Gatherable Star’, an LP that sees the Bristol-based trio evolve from a uniquely spectral take on hip hop to proffer a singular vision between cloudy, downered dream-pop, off-kilter ambient, and the warm, low-end throb of sound system culture. This development is aligned with contemporaries like HTRK, Dean Blunt, Tarquin Manek, YL Hooi and Rat Heart Ensemble, whilst also harkening back to the likes of AR Kane (with whom they are set to play shows and release a collaborative single), the languorous drift of 'Victorialand' era Cocteau Twins or The Cure circa ‘Disintegration’. Comprising Jasmine Butt (vocals, guitar), Alex Rendall (vocals, keys) and Amos Childs (production, bass guitar), the trio’s method may have shifted but the feel remains consistent - slow, spatial, sensuous and gently melancholic. With a career arc unlike almost any other current guitar outfit, Jabu sit within a strong lineage of off-centre Bristolian music, and a very British strain of home-spun DIY bands. Self-recorded between Jas and Amos’ home in South Bristol and Amos’ mum’s house in rural North Somerset, the album came together via a process of trial and error - learning to play on borrowed instruments, using the equipment “wrong”, staying up late recording and slipping into strange, semi-conscious sleep deprived\/inebriated headspaces. Having captured over 50 tracks, they honed in on those they liked most, shaping them further, whilst carving out space to allow input from people they love and admire - Daniela Dyson’s voice and Will Memotone's clarinet on ‘Ashes Over Shute Shelve’, Birthmark's synth on ‘Gently Fade’ and ‘Sea Mills’, Rakhi Singh (Manchester Collective) and Sebastian Gainsborough (Vessel)’s strings and arrangements on ‘All Night’, Josh Horsley’s cello on ‘If I Asked You, You'd Tell Me’, and Lorenzo Prati’s sax, again on ‘Sea Mills’. The album was mastered by Amir Shoat (HTRK, ML Buch, Dean Blunt, Carla Dal Forno). Influencewise, the guitar-based material recalls the bands Amos listened to when younger, and Jas’ more folk-leaning inspirations. Deep-lying dub, hip hop and soul influences are also evident in both the way the LP was mixed, and the space ingrained in their subconscious. Tinged with melancholy, the songs cohere as a set of soliloquies and ruminations on love and tenderness. The album’s title comes from a poem by Amos’ late father which hangs on his wall and seeped into the record. ‘Ashes Over Shute Shelve’ is formed of lines from another poem of his. Recited by longtime collaborator Daniela Dyson and with Will Yates (Memotone) playing his mother’s clarinet, the track was imagined as a conversation between his parents. Geography and location also play a big part in the record, with several significant places name-checked in songs. Shute Shelve itself is a hill near Amos’ mum’s house, who explains “There’s a tree at the top with a 360° view of the Mendips, where my dad’s ashes were scattered. We used to go up there when we could first buy booze from the petrol station down the road, get drunk, light a fire, listen to music from my little battery powered CD player and sleep out without tents.” Titled after a Bristol suburb near where Amos’ grandparents lived and where Jas would spend time as a teenager, ‘Sea Mills’ references her being abandoned by friends on the Downs while high on mushrooms, stranded and missing the bus back. ‘Kosiše Flower’ references the city in Slovakia where Amos and Jas holidayed shortly after getting together and a flower he gave her, which she pressed in a book after an argument. ‘Oceanside Spider House’ is a location in Nintendo 64 game The Legend of Zelda: Majora’s Mask, where someone seeks shelter from the falling moon.\u003c\/p\u003e","brand":"Do You Have Peace?","offers":[{"title":"Black LP","offer_id":50532258644299,"sku":"2221022","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Jabu__A_Soft_and_Gatherable_Star_ec1e3d3a_thumbnail_4096.jpg?v=1728117931"}],"url":"https:\/\/shop.roughtrade.com\/collections\/do-you-have-peace.oembed","provider":"Rough Trade","version":"1.0","type":"link"}