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Bad Moves’ tag-team vocals, which forgo centering anyone one member, also let the traditionally confessional “I” become the “we” of a community, or generation. Witness the ambitious climate change metaphor of “Eviction Party,” which understands the union of sugary pop and genuine angst embodied by 1960s girl-group songcraft, and uses it to expand a personal story to planetary scale. “It’s my eviction, I’ll cry if I want to” Bad Moves shouts, channeling the dawning millennial midlife crisis. 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Their single-take gonzo mind-melds currently span 19 Bandcamp-only releases, a compilation album, one full-length LP, and numerous mixpates. \u003ci\u003eboth feet en th infinite\u003c\/i\u003e enters a newly meditative territory. The music is Funkadelic-esque in its mutant decadence, but also strangely hypnotic. Here Model Home's core duo ' Nappy Nappa (words) and Pat Cain (home-made Serge modular synthesizer) ' is augmented by producer and Future Times label-founder, Andrew Field-Pickering (Max D), whose obliquely funky rhythm tracks set a solid foundation for the group to spill alien logic. \u003c\/p\u003e\u003cp\u003eThe record's 7 songs were captured in just two days with the goal of creating a Model Home record that could eventually be replicated on stage. All but two songs are full-blown live takes and there's a communal energy present via contributions from a who's who of contemporary DMV heads ' including Dreamcast, Awad Bilal (Too Free), Luke Stewart (Irreversible Entanglements), Bubbie, and Rob Stokes. The album was engineered with Mike Petillo (Geo Rip). Model Home create and release music at an intimidating pace. Amid that flood of noise and thought there are moments that mark a shift in tone and approach. Last year's album SE was one, as was the compilation One Year. both feet en th infinite is another. It's relative stillness and gridded percussion mark a departure from Cain, Nappa, and Field-Pickering's status quo and also a renewal. 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Jason and Mike became increasingly influenced by the Boston hardcore scene. By 1983 they were no more. But their brief life stands as a difficult-to-top example of art-making for its own sake, and a document of youthful collective creation. Jason went on to join glam band Celebrity Skin and is now a member of Redd Kross. \u003cbr\u003e \u003cbr\u003eIncluding the band's studio recordings, as well as archival live recordings from several different performances, Recordings 1981 marks the first time the puzzle piece of Vitamin has properly been placed in the larger scope of the evolution of punk and art-rock. 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