{"title":"Double Six","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eDouble Six is a renowned music label that has been at the forefront of the industry for many years. With their later logo being D6, they have established themselves as a force to be reckoned with in the world of music. Known for their innovative and diverse range of artists, Double Six has consistently delivered high-quality music across various genres.\u003c\/p\u003e\n\n\u003cp\u003eOne of the key strengths of Double Six is their ability to discover and nurture talented musicians. They have a keen eye for spotting emerging artists and providing them with the platform they need to showcase their skills. Through strategic partnerships and collaborations, Double Six has helped launch the careers of numerous *artists* who have gone on to achieve great success in the industry.\u003c\/p\u003e\n\n\u003cp\u003eWith an impressive catalog that spans multiple genres including rock, pop, electronic, and more, Double Six offers something for every music lover. Their commitment to delivering exceptional sound quality ensures that listeners can enjoy an immersive musical experience like no other.\u003c\/p\u003e","products":[{"product_id":"brothers-and-sisters-8","title":"Brothers and Sisters","description":"\u003cp\u003eSteve Mason releases his fifth solo album, \u003ci\u003eBrothers and Sisters,\u003c\/i\u003e on Double Six. His most open, honest and vibrant solo record to date, it marries the personal and the political but does so in an emotive and uplifting manner. Written against a backdrop of fear and uncertainty, and at a time when those in charge lurched from one disaster to the next mismanagement with increasing regularity, \u003ci\u003eBrothers and Sisters\u003c\/i\u003e is in fact an incredibly joyous, even spiritual, listen.\u003c\/p\u003e\u003cp\u003eWith musical contributions from feted Pakistani singer Javed Bashir, British gospel singers Jayando Cole, Keshia Smith, Connie McCall and Adrian Blake and Kaviraj Singh on the santoor  it’s a record about bringing people together through art, music and culture.\u003c\/p\u003e\u003cp\u003e “To me, this record is a massive ‘Fuck you’ to Brexit,” explains Mason. “And a giant ‘Fuck you’ to anyone that is terrified of immigration because there is nothing that immigration has brought to this country that isn’t to be applauded. Can you imagine what this place would be like without that [immigration]? I mean what would it be like? 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Hopkins' talents caught the ears of Brian Eno, who enlisted him to work on his 'Another Day on Earth' album and most recently on Coldplay's 'Viva La Vida'. In fact, Coldplay were so taken with Hopkins' music, the band asked him to rework the track 'Light Through the Veins' (from 'Insides') to bookend their album. 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Picking Stephen Street to produce the album, and with a very clear plan in mind, from the off the goal was to capture the songs live and draw out their soulful elements. Talking about the process, Stephen Street says, “Steve explained that he wanted to make this album with his band playing more ‘live’ than on some of his previous offerings and also to augment the songs with brass and female backing vocalists. I felt this approach of first stripping back the songs to a more ‘live’ feel to create more space for the more ‘soulful’ elements to breathe in was an interesting one and we got down to work!”\u003c\/p\u003e\u003cp\u003eRecorded at studios in London and Brighton, \u003ci\u003eAbout The Light\u003c\/i\u003e, sees a subtle yet noticeable evolution in Steve’s sound. “When I listen to this album it feels and sounds like the first ‘legitimate’ record that I have ever made. It’s hard to explain but it sounds like a ‘real’ album. I think that is partly the production, the playing and the work that I did with the band for all those months in our rehearsal room on the South Coast,” says Steve “It’s a beautiful, confident, positive, angry, loving and gentle album which once again moves what I do forward,” he adds. “David Bowie said that you should always be slightly out of your comfort zone if you want to achieve greatness, and for the first time perhaps ever, I deliberately pushed myself into that place. 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The groundbreaking recordings on \u003ci\u003eThe Three EP's\u003c\/i\u003e, which were compiled 12 years ago from Mason's very first releases, had a massive impact on the UK pop landscape and beyond, quite literally altering the way music was made, bringing a fresh, playful, genre-busting spirit to the deployment of new technology and traditional instruments. Thereafter, the Beta Band, led by Mason, struggled manfully beneath the weight of expectation. After they split up in '04, Steve went to ground in his native fife, firing off wonderfully unconventional records under a series of pseudonyms - most prominently, King Biscuit Time and Black Affair. 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While undeniably beautiful and quite often infectious in parts, this is certainly not pop music by any traditional definition; rather, it appeals to the more intuitive of mind and wild at heart. More than simply becoming a philosophical exercise however, the result is their most ambitious and idiosyncratic body of work to date, one which operates at the very limits of what pop music can be. Their debut, \u003ci\u003eEster,\u003c\/i\u003e released in 2012, manifested the band’s approach to making music as a fine balance between chaos and order, laying out a dense and dreamlike ecosystem of Sufi poetry, Solfeggio scales and, floating above it all, Susanne Aztoria’s otherworldly yet emotionally charged vocals. 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Much like the ambiguous, seemingly random song titles – \u003ci\u003eSingdrome, Money for Moondogs\u003c\/i\u003e nothing in \u003ci\u003eAlthaea's\u003c\/i\u003e world is quite what it seems. Songs like \u003ci\u003eSmoked Silver\u003c\/i\u003e chase each other in an opulent haze of seesawing synths and stuttering beats, stubbornly refusing to resolve themselves, while others, like \u003ci\u003eBetty’s Cavatina\u003c\/i\u003e, seem to heve been built on structures so intricate and fragile they seem in perpetual danger of collapsing in on themselves at any given moment. Even at their most outwardly pop – the pristine \u003ci\u003eEden Machine\u003c\/i\u003e for instance, or the swooning \u003ci\u003eKalesa\u003c\/i\u003e, there is a baroque splendour, and heightened sensuality, stemming from Jimmy Lee’s resolutely off-kilter instrumentation and the fact that quite often Aztoria seems to be singing in an alien language entirely of her own creation. 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