{"title":"Editors","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eEditors is a British indie rock band that was founded in 2002 in Stafford, Staffordshire and is currently based in Birmingham. The band consists of Tom Smith on vocals, guitar, and keyboards; Russell Leetch on bass guitar and keyboards; Ed Lay on drums and backing vocals; Elliott Williams on keyboards, guitar, and backing vocals since 2012; Justin Lockey on guitar since 2012; and Benjamin John Power since 2022. Former member Chris Urbanowicz left the band in April 2012.\u003c\/p\u003e\n\u003cp\u003eWith their unique blend of indie rock sound, Editors have captivated audiences worldwide. Their powerful performances and emotionally charged lyrics have earned them a dedicated fan base. From their early beginnings to their current lineup, Editors continue to push boundaries and create music that resonates with listeners.\u003c\/p\u003e\n\u003cp\u003eExperience the magic of Editors' music by exploring their discography available at our e-commerce website. Discover why this British indie rock band has become a staple in the music industry.\u003c\/p\u003e","products":[{"product_id":"in-dream-lrs-2021","title":"In Dream (LRS 2021)","description":"\u003cp\u003eEditors fifth studio album,\u003ci\u003e In Dream from 2015\u003c\/i\u003e. Recorded in Crear in the Western Highlands by the band, and mixed in London by Alan Moulder, \u003ci\u003eIn Dream\u003c\/i\u003e is the second album to feature the 'new' line-up of the band with Justin Lockey and Elliott Williams firmly in place alongside founding members Tom Smith, Russell Leetch and Ed Lay. After two years of global touring this five piece incarnation used the new album to stretch the Editors sound, swerving away from the rock dynamic of \u003ci\u003eThe Weight Of Your Love \u003c\/i\u003eand marking a return to a writing process influenced by electronic music that draws a line from their debut album through to prominence on the band's third album, the UK Number One \u003ci\u003eIn This Light And On This Evening. In Dream\u003c\/i\u003e is an album created without preconception. The initial visit to Crear, an isolated artist's retreat 8 miles from the nearest town down dirt track roads was envisaged as a writing and demoing exercise but sessions bloomed within the stunning live room (with floor to ceiling windows framing the Atlantic) and it soon became apparent that the recordings were staking a claim as finished works. At the centre of \u003ci\u003eIn Dream\u003c\/i\u003e is a belief in collaboration. Thus the album was produced by all band members in an open studio environment, nowhere within Crear was cut off from the music being performed and recorded in the creative space. Downtime was soundtracked by a varied playlist that stretched from Todd Terje to 80's Robert Palmer, John Grant to the Despacio three hour club mix.\u003ci\u003e In Dream\u003c\/i\u003e is the first Editors album to feature duets, Slowdive's Rachel Goswell sharing vocal duties on 'Ocean Of Night', 'The Law' and 'At All Cost' and is an album focused on allowing artistic interpretations outside of the band to flourish; Alan Moulder was left to mix the tracks without any band involvement whilst visual collaborator Rahi Rezvani has been given carte blanche with the photography and videography that will accompany the album and its attendant singles. It is a bold and expansive statement and is driven by, according to Tom Smith, a belief that music can be 'both pop and experimental'\u003c\/p\u003e","brand":"PIAS","offers":[{"title":"Clear | LP","offer_id":50401831813451,"sku":"1128708","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/2e4ad065-fe64-44cf-aa39-939dea39867e_thumbnail_4096.jpg?v=1726525540"},{"product_id":"the-weight-of-your-love","title":"The Weight Of Your Love","description":"\u003cp\u003eThe new Editors record is entitled 'The Weight of Your Love'. Recorded at Nashville's Blackbird Studio and produced by Jacquire King (Tom Waits, Kings of Leon), 'The Weight of Your Love' is released by Play It Again Sam. Clint Mansell is also credited with production duties on 'Nothing'. 'The Weight of Your Love' is the group's first album featuring new members Justin Lockey and Elliott Williams, and the first to be recorded without Editors co-founder and former lead guitarist Chris Urbanowicz, who left the band last year. Deluxe Double CD version with a 5 Track Bonus CD. Double 180 Gram heavyweight set with CD version of the album.\u003c\/p\u003e","brand":"PIAS","offers":[{"title":"CD | x2","offer_id":50403095544139,"sku":"363208","price":9.99,"currency_code":"GBP","in_stock":true},{"title":"LP | x2","offer_id":50403096527179,"sku":"363546","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/af192474-a902-4519-9f09-0d5fdfc51b14_thumbnail_4096.jpg?v=1726557602"},{"product_id":"in-dream","title":"In Dream","description":"\u003cp\u003eEditors release their fifth studio album, 'In Dream'. Recorded in Crear in the Western Highlands by the band, and mixed in London by Alan Moulder, 'In Dream' is the second album to feature the 'new' line-up of the band with Justin Lockey and Elliott Williams firmly in place alongside founding members Tom Smith, Russell Leetch and Ed Lay. After two years of global touring this five piece incarnation used the new album to stretch the Editors sound, swerving away from the rock dynamic of 'The Weight Of Your Love' and marking a return to a writing process influenced by electronic music that draws a line from their debut album through to prominence on the band's third album, the UK Number One 'In This Light And On This Evening'. 'In Dream' is an album created without preconception. The initial visit to Crear, an isolated artist's retreat 8 miles from the nearest town down dirt track roads was envisaged as a writing and demoing exercise but sessions bloomed within the stunning live room (with floor to ceiling windows framing the Atlantic) and it soon became apparent that the recordings were staking a claim as finished works. At the centre of 'In Dream' is a belief in collaboration. Thus the album was produced by all band members in an open studio environment, nowhere within Crear was cut off from the music being performed and recorded in the creative space. Downtime was soundtracked by a varied playlist that stretched from Todd Terje to 80's Robert Palmer, John Grant to the Despacio three hour club mix. 'In Dream' is the first Editors album to feature duets, Slowdive's Rachel Goswell sharing vocal duties on 'Ocean Of Night', 'The Law' and 'At All Cost' and is an album focused on allowing artistic interpretations outside of the band to flourish; Alan Moulder was left to mix the tracks without any band involvement whilst visual collaborator Rahi Rezvani has been given carte blanche with the photography and videography that will accompany the album and its attendant singles. 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For a long time, the narrative of music and music writing has been written by men, for men. Male dominance and sexism have been hard-coded in the canons - in literature, film and music - and women have had to fight pigeon-holing or being sidelined by carving out their own space. To speak up. To shout louder. To tell their story - like auteurs and ground-breakers Wendy Carlos, Linda Sharrock, Iqbal Bano to Sis Cunningham, the women of Trap and Yoshimi. The instrument makers, the experimentalists, the avant-garde, the genre-breakers, the pop queens - by Anne Enright, Fatima Bhutto, Jenn Pelly, Juliana Huxtable, Kim Gordon, Leslie Jamison, Liz Pelly, Maggie Nelson, Margo Jefferson, Megan Jasper, Ottessa Moshfegh, Simone White, Sinéad Gleeson, Yiyun Li and Zakia Sewell. 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Includes the Top 10 single \u003ci\u003eSmokers Outside The Hospital Doors\u003c\/i\u003e plus the singles \u003ci\u003eThe Racing Rats, Bones, Push Your Head Towards The Air\u003c\/i\u003e and the album’s title track. The album was produced by Garret 'Jacknife' Lee, who helped the band capture their huge live sound in the studio. The title track, \u003ci\u003eAn End Has a Start\u003c\/i\u003e is an instant classic, similar to the highlights of the first album, \u003ci\u003eMunich\u003c\/i\u003e or \u003ci\u003eBlood\u003c\/i\u003e, its melody and rhythm just takes everything by storm. \u003ci\u003eThe Racing Rats\u003c\/i\u003e is a rattling, full-tilt delight, the Bunnymen-esque \u003ci\u003eEscape the Nest \u003c\/i\u003esounds choppy and propulsive, and the spare piano chords and skittering drums of \u003ci\u003eWhen Anger Shows\u003c\/i\u003e make it the alt-rock cousin of Baby D's \u003ci\u003eLet Me Be Your Fantasy\u003c\/i\u003e. People were afraid that Editors would sell out with their second album and that the more expensive production and longer recording time would spoil the spirit of dark and gloomy heores of the dark underground, but on the contrary. the album is a continuation of the first album. They have kept their style and perfected it even more.\u003c\/p\u003e\u003cp\u003eCD - Includes Bonus Track.\u003c\/p\u003e","brand":"PIAS","offers":[{"title":"CD","offer_id":50426054345035,"sku":"1041557","price":8.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50426054574411,"sku":"1041558","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/78e86f85-1d96-4531-a61b-0e1c1a545382_thumbnail_4096.jpg?v=1726799466"},{"product_id":"violence","title":"Violence","description":"\u003cp\u003eThe Editors are back with album number 6. \u003ci\u003eViolence\u003c\/i\u003e was produced by Leo Abrahams, with additional production from Benjamin John Power (Blanck Mass, Fuck Buttons). The album standout tracks are \u003ci\u003eMagazine\u003c\/i\u003e - a powerful post-punk song that would sit in between Nine Inch Nails and Gary Numan's recent releases, Counting Spooks which is symphonic and haunting, \u003cbr\u003ethe beautiful piano ballad \u003ci\u003eNo Sound But The Wind \u003c\/i\u003eand epic closer \u003ci\u003eBelong. 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It’s Editors’ most leftfield material yet – a thrilling, unrelenting thrust of full-bodied electro-industrial rock. Another new dawn: Benjamin John Power – aka Blanck Mass – has co-produced the album and come aboard as an official member. To outside ears, it might seem like an unusual pairing: an anthemic rock band who’ve headlined Wembley Arena and an Ivor Novello-winning composer who is best known for his abrasive noise projects.\u003c\/p\u003e\u003cp\u003eThe album title is an acronym of Editors and Blanck Mass but also a knowing reference to Electronic Body Music, the potent sound that originated in the 1980s and which has hugely influenced Editors’ new material, where the synths of bands like Nitzer Ebb, Front 242 , DAF and Skinny Puppy hammer darkly. Think smoke machines, strobe lights and the smell of leather. The band has taken those influences in a distinctly Editors direction: see the soaring falsetto of standout ‘Kiss’, their disco-infused “crying on the dancefloor” banger, says Tom, which Benjamin adds “could almost be a Donna Summer song” if it wasn’t so heavy. Or the punchy chorus of ‘Karma Climb’, a stomping single that pairs ghostly atmospherics with stadium-level anthemia. On ‘Vibe’, which is the closest thing to what you could call a ‘feelgood’ Editors track, Tom wanted to put a “summertime sheen” on “a song for disconnected youth”. 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When the band regrouped in summer 2025 to work on a follow-up, after three albums written and recorded very much as in-the-studio projects, Editors felt they wanted to go back to a more natural approach, something that harked back to their earliest days, sat in a practice room in Stafford, facing each other as they worked through songs together.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eLike on last year’s solo record \u003cem\u003eThere is Nothing In The Dark That Isn’t There In The Light\u003c\/em\u003e, frontman Tom Smith took a similar stripped back, acoustic-based approach to the new Editors material, bringing a selection of songs to the band for them to play together, trying different things out, and seeing where they went. 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