{"title":"El","description":null,"products":[{"product_id":"epic-forest","title":"Epic Forest","description":"\u003cp\u003eThough it made little commercial impact on its release in 1972, \u003cstrong\u003eRare Bird's\u003c\/strong\u003e \u003cem\u003eEpic Forest\u003c\/em\u003e has since been widely acclaimed as a classic of the pre-punk era: a unique album that fuses the emotional reach of classical music with the harmonies of Sixties pop.\u003c\/p\u003e\n\n\u003cp\u003eThis album is somewhere between \u003cstrong\u003eProcol Harum\u003c\/strong\u003e, \u003cstrong\u003eThe Moody Blues\u003c\/strong\u003e, and West Coast Psychedelia, and \"\u003cem\u003eEpic Forest\u003c\/em\u003e\" is one of the masterpieces of progressive rock. (file under Prog and Pop-Sike). Features three bonus tracks that were given away as a 33rpm 7” with the first edition of the original album.\u003c\/p\u003e","brand":"El","offers":[{"title":"CD","offer_id":50447564472651,"sku":"1098239","price":8.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a09bac99-ec68-4ce9-9300-886d200832c8_thumbnail_4096.jpg?v=1727079653"},{"product_id":"the-quintessence","title":"The Quintessence","description":"\u003cp\u003e\u003cstrong\u003eYma Sumac\u003c\/strong\u003e, known as The Nightingale of the Andes, possessed a voice that was truly unique. Her four-octave range and otherworldly vocal gymnastics set her apart as one of the most exceptional recording artists of her time. Her ability to deliver powerful and sensitive performances made her a standout in the music industry.\u003c\/p\u003e\n\n\u003cp\u003eThe \u003cem\u003eQuintessence\u003c\/em\u003e album captures the essence of Yma Sumac's talent during the 1950s. This collection of six albums showcases her versatility and artistry, solidifying her legendary status. From her groundbreaking collaboration with Les Baxter on \u003cem\u003eVoice of the Xtabay\u003c\/em\u003e to her mesmerizing North American productions, Yma Sumac's music continues to captivate listeners.\u003c\/p\u003e\n\n\u003cp\u003eYma Sumac's success extended beyond borders, with a monumental tour of Russia in the 1960s that drew in millions of spectators. Her performances at the Tchaikovsky Opera House and encounters with notable figures like Premier Khrushchev and composers Shostakovich and Khachaturian solidified her place in music history.\u003c\/p\u003e\n\n\u003cp\u003eLegend has it that Yma Sumac was a true descendant of Incan royalty, adding to the mystique surrounding her persona. Despite her fiery and volatile temperament, her talent was undeniable. As \u003cstrong\u003eLes Baxter\u003c\/strong\u003e once said, \"\u003cem\u003eShe was a marvellous talent. I think she was really mad at me but I don't know why.\u003c\/em\u003e\"\u003c\/p\u003e","brand":"El","offers":[{"title":"CD | x3","offer_id":50448678617419,"sku":"1076706","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/45eac5e0-ab4b-4ad7-9fff-48d7d19ef5f8_thumbnail_4096.jpg?v=1727095017"},{"product_id":"i-d-love-to-turn-you-on","title":"I'd Love to Turn You On","description":"\u003cp\u003eThe Beatles played their last advertised public concert on 29 August 1966 at Candlestick Park, San Francisco. With the Beatles' schedule now dramatically less intensive, Paul McCartney revelled in the London arts scene, meeting Peter Blake and Richard Hamilton, grooving to Pink Floyd and Soft Machine at the UFO Club, sitting in on AMM sessions, and further investigating the soundworlds of major figures in the international avant-garde: Karlheinz Stockhausen, Luciano Berio and John Cage. From them, both he and eventually John would borrow authentic musique concrete and electronic music techniques, breaking incredible new ground by applying these advanced procedures to pop. Effectively making them Beatles music. \u003c\/p\u003e\u003cp\u003eThe influence of the avant-garde can be heard in the heavily treated vocals and complexity of tape loops that are Tomorrow Never Knows; the long ascending string bridges and tumultuous sustained single-note ending of \u003ci\u003eA Day In the Life\u003c\/i\u003e; the free-form coda of \u003ci\u003eStrawberry Fields Forever\u003c\/i\u003e; the collage of fairground organs in the middle eight bars of Being for the Benefit of Mr. Kite; the dial- spinning transistor radio in the closing chaos of I am the Walrus; the sequence of classical snatches in the maelstrom of sound amid the final choruses of \u003ci\u003eAll You Need Is Love\u003c\/i\u003e, and the entirety of both McCartney's still unreleased freak-out, \u003ci\u003eCarnival of Light\u003c\/i\u003e, and of \u003ci\u003eRevolution 9\u003c\/i\u003e, Lennon's dizzying exercise in aural free association which borrows from the cut-ups of John Cage and Stockhausen's Hymnen, a vast canvas of national anthems from around the world. Producer George Martin's playful inventiveness and wide musical experience proved invaluable in helping the Beatles realise their vision. \u003c\/p\u003e\u003cp\u003eWith Vinicius de Moraes, Antonio Carlos Jobim and Joao Gilberto were the principle architects of bossa nova. A national institution in Brazil, Jobim's regard for the romantics, Ravel, Debussy, Rachmaninoff, Chopin and his fellow countryman Villa-Lobos, was well known. Comparison between his masterful How Insensitive and Chopin's Prelude in E Minor, Opus 28, No. 4 confirms their affinity. Bossa Nova is for many personified by Joao Gilberto. He combined the vocal intimacy suggested by Lucio Alves with a guitar style that was in essence a minimalist reinvention of samba, the lightness of touch inspired by his mentor, the classical guitarist Garoto, who Joao described as \u003ci\u003eThe Heart of Brazil\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003eDisc One\u003cbr\u003eThe Beatles\u003c\/p\u003e\u003cp\u003e1. Bach – Brandenburg Concerto No. 2, Bwv1047 – Allegro Assai – Maurice Andre \/ Jean-pierre Rampal (Penny Lane)\u003cbr\u003e2. Bach – Bourree In E Minor – Julian Bream (Blackbird)\u003cbr\u003e3. Beethoven – Piano Sonata 14 Op 7 No 2 Moonlight – Adagio Sostenuto – Claudio Arrau (Because)\u003cbr\u003e4. Iannis Xenakis – Metastasis (Excerpt) – Sw German Rso \/ Hans Rosbaud (A Day In The Life)\u003cbr\u003e5. Gesang Der Jünglinge – Karlheinz Stockhausen\u003cbr\u003e(Tomorrow Never Knows)\u003cbr\u003e6. Thema (Omaggio A Joyce) – Luciano Berio (Tomorrow Never Knows)\u003cbr\u003e7. Williams Mix – John Cage (Revolution 9)\u003cbr\u003e8. The Murder From Psycho – Bernard Herrmann\u003cbr\u003e(Eleanor Rigby)\u003cbr\u003e9. King Lear (Act Iv, Scene 6) – Shakespeare (I Am The Walrus)\u003cbr\u003e10. Sibelius – Symphony 7 (Excerpt) – Rpo \/ Sir Thomas Beecham (Revolution 9)\u003cbr\u003e11. Improvisation On The Theme From Pather Panchali –\u003cbr\u003eRavi Shankar\u003c\/p\u003e\u003cp\u003eGeorge Martin\u003cbr\u003e12. Maurice Ravel – Lever Du Jour – Scène (From Daphnis \u0026amp; Chloe) – Lso \/ Pierre Monteux\u003cbr\u003e13. Claude Debussy – Prélude À L’après-midi D’une Faune – Oscc \/ Constantin Silvestri\u003cbr\u003e14. Claude Debussy – La Soiree Dans Grenade From Estampes – Rudolf Firkusny (Day Tripper)\u003cbr\u003e15. Gustav Holst – Neptune From The Planets – Bbc So \/ Sir Malcolm Sargent\u003c\/p\u003e\u003cp\u003eDisc Two\u003cbr\u003eThe Beatles \/ George Martin\u003c\/p\u003e\u003cp\u003e1. Rouget De Lisle – La Marseillaise – Lso \/ Pierre Monteux (All You Need Is Love)\u003cbr\u003e2. Ralph Vaughan Williams – Fantasia On Greensleeves – Lpo \/ Sir Adrian Boult (All You Need Is Love)\u003cbr\u003e3. J S Bach – Two-part Invention No. 8 In F Major – Wanda Landowska (All You Need Is Love)\u003cbr\u003e4. J S Bach – Air On The G String From Suite No. 3 In D Bwv1068 – Jaime Laredo (Yellow Submarine)\u003c\/p\u003e\u003cp\u003eRick Wright Of Pink Floyd\u003cbr\u003e5. The Autumn Leaves – Bill Evans Trio\u003c\/p\u003e\u003cp\u003eSyd Barrett Of Pink Floyd\u003cbr\u003e6. Intersellar Low Ways – Sun Ra\u003cbr\u003e7. G F Handel – Halleluijah Chorus From The Messiah –\u003cbr\u003eRpo \/ Sir Thomas Beecham\u003cbr\u003e8. Angi – Davy Graham\u003cbr\u003e9. Raga Simhendra Madhyamam –\u003cbr\u003eRavi Shankar\u003cbr\u003e10. Tunji – John Coltrane\u003cbr\u003e11. Love Theme From Spartacus – Yusef Lateef\u003cbr\u003e12. Pannonica – Thelonious Monk\u003cbr\u003e13. Yardbird Suite –\u003cbr\u003eCharlie Parker Septet\u003c\/p\u003e\u003cp\u003eSyd Barrett \/ David Bowie\u003cbr\u003eIgor Stravinsky – The Rite Of Spring – Part One – Adoration Of The Earth – Nypo \/ Leonard Bernstein\u003c\/p\u003e\u003cp\u003e14. Introduction\u003cbr\u003e15. The Augurs Of Spring\u003cbr\u003e16. 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Dubbed by the NME as “The Face of ‘61”, he came to prominence via TV shows like Wham!, Boy Meets Girls, Thank Your Lucky Stars and Ready, Steady, Go!\u003c\/p\u003e\u003cp\u003eAs an actor, Jess appeared in over 28 films, including The Boys and Konga, and enjoyed a prolific recording career, notching up British hits between 1960-62 with \u003ci\u003eCherry Pie\u003c\/i\u003e (No.39), \u003ci\u003eMystery Girl \u003c\/i\u003e(No.18) and Pretty Jenny (No. 50).\u003c\/p\u003e\u003cp\u003eThis long overdue double CD collates most of Jess’s recorded output from 1960 to the noughties, including his work with the legendary Joe Meek (\u003ci\u003eHurt Me, It Can Happen To You\u003c\/i\u003e), a rare South African only release (\u003ci\u003eLittle Bit Of Loveliness\u003c\/i\u003e), and later recordings made for both Columbia Records (written and produced by Charles Blackwell, Mitch Murray and Les Reed) and President (with Cy Payne and Ivor Raymonde arranging and producing).\u003c\/p\u003e\u003cp\u003eAlso included is a one-off single as Men (with Dave Dee and Troy Dante) and previously unreleased takes from a private collection, including a favourite recording by Jess of Moon Mullican’s \u003ci\u003eSeven Nights To Rock\u003c\/i\u003e (from 2016).\u003c\/p\u003e\u003cp\u003eThe accompanying booklet is packed with detailed sleeve notes and nostalgic pictures, which complement this unique set and pays tribute to an artist who wove himself into the very fabric of pre- Beatles Pop Britain.\u003c\/p\u003e\u003cp\u003eSome of Jess’s records are now deemed worthy of cult status, such as This Pullover. Such was his success on Kenny Everett’s ‘World’s Worst Records’ (based on his highly rated Capital Radio programme) that three of Jess’s recordings made the resulting compilation album in 1978 (\u003ci\u003eThis Pullover, Why Am I Living\u003c\/i\u003e and \u003ci\u003eCherry Pie\u003c\/i\u003e). And some of Jess’s singles are collector’s items: mostnotably \u003ci\u003ePussy Cat\u003c\/i\u003e, which has caught the ears of Mod \/ Beat collectors and has been seen on sale for upto £150.\u003c\/p\u003e","brand":"El","offers":[{"title":"CD | x2","offer_id":50448977461579,"sku":"1066345","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/ada71257-a516-4dc9-beb0-1a1ab39627c9_thumbnail_4096.jpg?v=1727098014"},{"product_id":"ban-the-bomb-music-of-the-aldermaston-anti-nuclear-marches","title":"Ban the Bomb: Music of the Aldermaston Anti-Nuclear Marches","description":"\u003cp\u003eHistoric 2CD set featuring the music of the Aldermaston Anti-Nuclear Marches. From folk and jazz to protest songs against the bomb.\u003c\/p\u003e\u003cp\u003eBritain in the late 1950s, a country boosted by a global economic boom, finally emerging from post-war austerity. Throughout the decade, however, Cold War tensions between the USA and the Soviet Union had escalated and Britain had entered the fray to become only the third nation to develop nuclear weapons. This led to the formation of the Campaign for Nuclear Disarmament (CND), a group headed by Anglican priest John Collins and the philosopher Bertrand Russell. Attracting support from across a broad spectrum of the public, a march was organised from London to the atomic weapons plant near the village of Aldermaston in Berkshire, a peaceful protest involving people of all ages; united in their horror at finding themselves living in the shadow of the bomb and in their fear for the future of mankind.\u003c\/p\u003e\u003cp\u003eSo, from Trafalgar Square on Good Friday 1958, in dismal weather, they marched to a soundtrack of folk songs and jazz; the protest songs of Ewan MacColl and Peggy Seeger, Fred and Betty Dallas and John Brunner, complemented by the revivalist New Orleans style of Ken Colyer’s Omega Brass Band and standards popularised by such British jazz giants of the era as Chris Barber, Ottilie Patterson, Humphrey Lyttelton, Kenny Ball and Acker Bilk.\u003c\/p\u003e\u003cp\u003eJeff Nuttall, in Bomb Culture: “The Aldermaston March numbers were vast, by far the largest ever for political \/ humanitarian aims. Teenagers among them created a carnival of optimism. It was this wild public festival spirit that spread the CND symbol through the jazz clubs and secondary schools in an incredibly short time. Protest was associated with festivity. 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Looking to strike a balance, George Martin contributed a more formal classical understanding which proved essential in creating such productions as ‘Yesterday’ and ‘Eleanor Rigby’. Literary enthusiasms also played a part – with Lewis Carroll a less than distant echo on ‘Lucy In The Sky With Diamonds’ and ‘I Am The Walrus’ – as did a certain playful irreverence derived from the anarchic humour of The Goons.\u003c\/p\u003e\u003cp\u003eWith psychedelia in its infancy and with everything possible, many other popular artists, brought up on blues or beat felt encouraged to embrace music from further afield. In 1965, live performances of David Bowie’s group, The Lower Third, came to a screaming conclusion with a feedback-laden interpretation of ‘Mars’ from ‘The Planets’. The fantasy quality of Syd Barrett’s songwriting for Pink Floyd’s debut \u003ci\u003ePiper At The Gates Of Dawn\u003c\/i\u003e, drew on the nonsense verse of Hilaire Belloc. Pete Townshend was introduced to the music of the 17th century English composer Henry Purcell by his manager Kit Lambert. The ‘Gordian Knot Untied’ uses a series of suspended chords. The sadness and sophistication of the chord suspensions made a strong impression on Townshend and he began incorporating the idea into his work, with the intro to ‘Pinball Wizard’ being the classic example. In America, Frank Zappa and the Mothers Of Invention’s revolutionary debut, ‘Freak Out!’, connected modernist composition to pop citing Stravinsky, Schoenberg, Boulez and Varèse under the heading “These People Have Contributed Materially in Many Ways to Make Our Music What it is”. The album was both without precedent and of great influence. Not for nothing did Paul McCartney reportedly call ‘Sgt Pepper’ “our ‘Freak Out!’.”\u003c\/p\u003e\u003cp\u003eDISC ONE:\u003c\/p\u003e\u003cp\u003eDAVID BOWIE \/ SYD BARRETT – PINK FLOYD\u003cbr\u003eGUSTAV HOLST\u003cbr\u003e1 Mars, the Bringer of War (Allegro), from The Planets, Op. 32\u003cbr\u003eBBC Symphony Orchestra \/ Conductor: Malcolm Sargent\u003cbr\u003eTHE BEATLES\u003cbr\u003eDYLAN THOMAS\u003cbr\u003e2 To Begin at the Beginning, from Under Milk Wood – A Play for Voices\u003cbr\u003eRead by Richard Burton\u003cbr\u003eTHE JOHN COLTRANE QUARTET\u003cbr\u003e3 Greensleeves\u003cbr\u003eDELIA DERBYSHIRE\u003cbr\u003e4 Time On Our Hands (Titles and City Music)\u003cbr\u003eALBERT AYLER QUARTET\u003cbr\u003e5 Spirits\u003cbr\u003eOSCAR WILDE\u003cbr\u003e6 The Picture of Dorian Gray – Scene One Read by Hurd Hatfield\u003cbr\u003eJOHN CAGE\u003cbr\u003e7 Aria with Fontana Mix Cathy Berberian: voice\u003cbr\u003eORNETTE COLEMAN DOUBLE QUARTET\u003cbr\u003eexcerpts from Free Jazz: A collective improvisation by the Ornette Coleman Double Quartet\u003cbr\u003e8 Ensemble Introduction to Charlie Haden \/ Charlie Haden – Bass Solo\u003cbr\u003e9 Ensemble introduction to Scott LaFaro \/ Scott LaFaro – Bass Solo\u003cbr\u003eSUN RA\u003cbr\u003e10 Advice to Medics\u003cbr\u003eEDGAR ALLAN POE\u003cbr\u003e11 The Raven\u003cbr\u003eRead by Basil Rathbone\u003cbr\u003ePIERRE SCHAEFFER\u003cbr\u003e12 Objets étendus from Étude aux Objets (Study of Objects)\u003cbr\u003eLEWIS CARROLL\u003cbr\u003e13 Tweedledum and Tweedledee from Alice Through The Looking Glass\u003cbr\u003eJane Asher as Alice PIERRE SCHAEFFER\u003cbr\u003e14 Variations Sur Une Flûte Mexicaine (excerpt)\u003cbr\u003eTHE GOONS\u003cbr\u003e15 I’m Walking Backwards for Christmas\u003c\/p\u003e\u003cp\u003eDISC TWO:\u003c\/p\u003e\u003cp\u003eJOHN CIPOLLINA – QUICKSILVER\u003cbr\u003eCARLOS MONTOYA\u003cbr\u003e1 Malaguena\u003cbr\u003eTHE DAVE BRUBECK QUARTET\u003cbr\u003e2 Take Five DAVID BOWIE IGOR STRAVINSKY\u003cbr\u003e3 Ragtime for Eleven Instruments – Columbia Chamber Ensemble\/Conductor: Igor Stravinsky RICHARD STRAUSS Four Last Songs\u003cbr\u003e4 Frühling (Spring)\u003cbr\u003e5 September\u003cbr\u003e6 Beim Schlafengehen (When Falling Asleep)\u003cbr\u003e7 Im Abendrot (At Sunset)\u003cbr\u003eSoprano: Elisabeth Schwarzkopf Horn solo: Dennis Brain\u003cbr\u003eThe Philharmonia Orchestra\/Otto Ackermann\u003cbr\u003eELGAR Selections from the Nursery Suite\u003cbr\u003e8 Aubade\u003cbr\u003e9 The Wagon Passes\u003cbr\u003ePETE TOWNSHEND – THE WHO\u003cbr\u003ePURCELL The Gordian Knot Untied, Z.597\u003cbr\u003e10 Overture\u003cbr\u003e11 Air (Moderato)\u003cbr\u003e12 Rondeau Minuet\u003cbr\u003e13 Air (Allegro)\u003cbr\u003e14 Jig\u003cbr\u003e15 Chaconne\u003cbr\u003e16 Air (Allegro)\u003cbr\u003e17 Minuet\u003cbr\u003eSTEELY DAN – TOMITA\u003cbr\u003eCLAUDE DEBUSSY\u003cbr\u003e18 La Cathédrale engloutie (The Sunken Cathedral) Walter Gieseking: piano\u003cbr\u003eRAY DAVIES – THE KINKS\u003cbr\u003ePERCY GRAINGER\u003cbr\u003e19 My Robin Is to the Greenwood Gone Eastman-Rochester “Pops” Orchestra \/ Conductor: Frederick Fennell\u003cbr\u003eDAVID CROSBY – THE BYRDS\u003cbr\u003eENSEMBLE OF THE BULGARIAN REPUBLIC\u003cbr\u003eselections from The Music of Bulgaria\u003cbr\u003e20 Vetcheryai Rado (Come to Supper Tonight, Rada)\u003cbr\u003e21 Polegnala E Todora (Theodora is Dozing) Conducted and arranged by Philip Koutev RALPH VAUGHAN WILLIAMS\u003cbr\u003e22 Fantasia on a Theme by Thomas Tallis The Boyd Neel String Orchestra\/Conductor: Boyd Neel. Gramophone première recording, made under the supervision of the composer\u003c\/p\u003e\u003cp\u003eDISC THREE:\u003c\/p\u003e\u003cp\u003eFRANK ZAPPA – THE MOTHERS OF INVENTION\u003cbr\u003eIGOR STRAVINSKY L`Histoire du Soldat (The Soldier’s Tale) – Suite de Concert\u003cbr\u003e1 Marche du Soldat – Airs de marche\u003cbr\u003e2 Premier Tableau: Airs by a Stream\u003cbr\u003e3 Deuxième Tableau: Pastorale\u003cbr\u003e4 Marche Royale\u003cbr\u003e5 Petit Concert\u003cbr\u003e6 Trois Danses: Tango, Valse, Ragtime\u003cbr\u003e7 Danse du diable\u003cbr\u003e8 Grand Choral\u003cbr\u003e9 Marche triomphale du diable\u003cbr\u003eColumbia Chamber Ensemble\/Conductor: Igor Stravinsky\u003cbr\u003eARNOLD SCHOENBERG Five Pieces for Orchestra, Op. 16\u003cbr\u003e10 Vorgefühle (Premonitions)\u003cbr\u003e11 Vergangenes (The Past)\u003cbr\u003e12 Sommermorgen an einem See (Summer Morning by a Lake: Chord-Colours)\u003cbr\u003e13 Peripetie (Peripeteia)\u003cbr\u003e14 Das obligate Rezitativ (The Obbligato Recitative)\u003cbr\u003eChicago Symphony Orchestra \/ Conductor: Rafael Kubelik\u003cbr\u003eSelections from MUSIC ON THE DESERT ROAD: A Sound Travelogue by Deben Bhattacharya\u003cbr\u003e15 Turkey: Automobile on mountain road – Central Anatolian Dance\u003cbr\u003e16 Iran: Rhythm of a Train\u003cbr\u003e17 India: Raga Zila from Varanasi\u003cbr\u003e18 India: Temple Bells And Drums of a Bengali Kali Temple\u003cbr\u003eROBERT FRIPP OF KING CRIMSON\u003cbr\u003eBELA BARTOK Selection from String Quartet No.4\u003cbr\u003e19 Allegretto pizzicato Végh Quartet\u003cbr\u003eJIM MORRISON – THE DOORS\u003cbr\u003eJACK KEROUAC\u003cbr\u003e20 San Francisco Scene (The Beat Generation)\u003cbr\u003eROBBY KRIEGER – THE DOORS\u003cbr\u003eSABICAS\u003cbr\u003e21 Bronce Gitano (Solaeres)\u003cbr\u003eGRACE SLICK – JEFFERSON AIRPLANE\u003cbr\u003eMAURICE RAVEL\u003cbr\u003e22 Bolero\u003cbr\u003eRoyal Concertgebouw Orchestra \/ Conductor: Eduard van Beinum\u003c\/p\u003e\u003cp\u003eDISC FOUR:\u003c\/p\u003e\u003cp\u003eROD ARGENT – THE ZOMBIES\u003cbr\u003eJOHANN SEBASTIAN BACH\u003cbr\u003e1 Osanna in excelsis from Sanctus from Mass in B Minor\u003cbr\u003eThe Münchener Bach Orchestra and Choir \/ Conductor: Karl Richter\u003cbr\u003eJON ANDERSON – YES\u003cbr\u003eJEAN SIBELIUS\u003cbr\u003e2 Symphony no.5 in E flat, Op.82\u003cbr\u003eFirst Movement: Tempo molto moderato – Largamente – Allegro moderato – Presto Philharmonia Orchestra \/ Conductor: Herbert von Karajan\u003cbr\u003eCARLOS SANTANA\u003cbr\u003eALI AKBAR KHAN\u003cbr\u003e3 Introduction by Yehudi Menuhin\u003cbr\u003e4 Rag Sindhi Bhairavi\u003cbr\u003eSYD BARRETT – PINK FLOYD\u003cbr\u003eHILAIRE BELLOC\u003cbr\u003e5 Matilda, from Four Cautionary Tales Read by Robert Speaight\u003cbr\u003eANDREW LOOG OLDHAM\u003cbr\u003eOSCAR PETERSON TRIO\u003cbr\u003e6 Jet Song from “West Side Story” PHIL LESH OF THE GRATEFUL DEAD\/ JOHN BARRY\u003cbr\u003eGUSTAV MAHLER\u003cbr\u003e7 Symphony No.9 in D major : First Movement: Andante Comodo\u003cbr\u003eColumbia Symphony Orchestra \/ Conductor: Bruno Walter\u003cbr\u003eMARIANNE FAITHFULL\u003cbr\u003eCOLE PORTER\u003cbr\u003e8 You’re The Top\u003c\/p\u003e","brand":"El","offers":[{"title":"CD | x4","offer_id":50459585085771,"sku":"1129421","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/f1242d43-1b21-4333-83f4-6e5df752e152_thumbnail_4096.jpg?v=1727224855"},{"product_id":"the-mountains-the-sun-and-the-sea-the-art-of-antonio-carlos-jobim","title":"The Mountains, The Sun and the Sea – The Art of Antonio Carlos Jobim","description":"\u003cp\u003e\u003ci\u003eThe Mountains, The Sun and the Sea – The Art of Antonio Carlos Jobim\u003c\/i\u003e comprises the landmark early Brazilian recordings of the composer, spanning the first decade of his career; the historic albums Jobim participated in making and a quantity of his songs – 78s and singles – recorded by popular Brazilian singers of the day. 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The title song of \u003ci\u003eThe Swinger\u003c\/i\u003e was written by Andre and Dory Previn and the score composed by Marty Paich with additional arrangements by Johnny Williams and Quincy Jones. The score of \u003ci\u003eThe Pleasure Seekers\u003c\/i\u003e was created by Lionel Newman and Alexander Courage (the latter destined to compose Star Trek's iconic music) and features four selections written by the Sammy Cahn - Jimmy Van Heusen song-writing team, each performed by Ann- Margret. Ann-Magret's film debut came in 1961 as Bette Davis' daughter in Frank Capra's \u003ci\u003eA Pocketful of Miracles\u003c\/i\u003e. Next, with her song and dance skills to the fore, she shone in George Sidney's delightful sun-filled musical \u003ci\u003eBye Bye Birdie\u003c\/i\u003e opposite Dick Van Dyke and then found herself cast as Elvis Presley's co-star in Viva Las Vegas, her presence as love interest Rusty Martin making the film one of The King's more enduring vehicles. 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