{"title":"EM Records","description":null,"products":[{"product_id":"the-piper-at-the-gates-of-dawn-1","title":"The Piper At The Gates Of Dawn","description":"\u003cp\u003ePink Floyd's debut album featuring the original line-up of Syd Barrett, Roger Waters, Richard Wright and Nick Mason. The album includes the classic songs \u003ci\u003eAstronomy Domine, Lucifer Sam and Interstellar Overdrive\u003c\/i\u003e. 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Expo 70, held in Osaka, was a pivotal event for the Japanese people and their relationship with the rest of the world, demonstrating both the nation's ongoing economic recovery from World War Two and the creative spirit of Japanese society and its artists. The event gained international acclaim for its adventurous architectural design, visual art and electronic music. Some of Japan's most renowned composers were involved, but also present were the now-legendary rockers, the Flower Travellin' Band. A series of performances, billed as \"Night Events\" were held at the Expo; the most radical of these was \"Beam Penetration and Mad Computer, plus the Minimal Sound of Motorcycles\", but its anti-establishment feel and general madness took the Expo organizers by surprise and it was cancelled after only one night, despite being scheduled for a longer run. An air of myth developed around the event, but a recording of the event has been discovered and this release is the result. And what an event it was: a night-time sound-bomb with a fabled band, electronic sound and 50 motorcycles with horns blaring,spotlights, electronic billboards and a robot ― all flashing, roaring andhowling at the night sky. This release comprises a CD, a 10-inch record with fold-out sleeve and large obi, plus fascinating notes in Japanese and English by Kenichi Yasuda, an expert on Japanese rock music, and Koji Kawasaki, a renowned researcher of Japanese electronic music, as well as rare photos.\u003c\/p\u003e","brand":"EM Records","offers":[{"title":"10\" + CD","offer_id":52188297298251,"sku":"R7639-4398","price":44.99,"currency_code":"GBP","in_stock":false},{"title":"10\"","offer_id":52188578644299,"sku":"R7639-0781","price":36.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cover.ki-3_4075c347-5d68-4951-b939-d94fa7047b01.jpg?v=1749901688"},{"product_id":"blade-n","title":"Blade N","description":"\u003cp\u003e\u003cem\u003eBlade N\u003c\/em\u003e is the long-awaited new album from Japanese rapper Karavi Roushi, who appeared on the Japanese hip-hop scene with his debut soloalbum清 澄 黒 河 (Kiyosumi Kurokawa).\u003c\/p\u003e\n\u003cp\u003eThis, his second solo album, is a collaborative release with Aquadab, the Japanese track maker\/sound designer who co-produced Kiyosumi Kurokawa. The album showcases the preternatural mind-meld between rapper and track maker. Karavi Roushi came before the public as a member of Nagoya hip-hop collective Hydro Brain Gang on Nero Imai's album \u003cem\u003eReturn Of Acid King\u003c\/em\u003e (2017). He then launched the label Super Lights with Aquadab and released his first solo album \u003cem\u003eKiyosumi Kurokawain\u003c\/em\u003e 2019 with graphic design by Takara Ohashi. Although an unknown newcomer, the album reached #15 on the iTunes Hip Hop Japan album chart and received plaudits not only for its music but also for the artwork by Ohashi. After the album, Karavi Roushi dropped his first collaboration tune with Aquadab on S.D.S =Zero=(2020), a compilation of Generation Z Japanese underground artists produced during the Covid pandemic. That tune,\"Tokyoite\", became a favourite of the participating artists.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBlade N\u003c\/em\u003e was created by the three-person team of Karavi Roushi,Aquadab and Ohashi. Consciously developing their musical methodology, they intentionally use instrumental tracks to interrupt the rappers' voices and flows, something which has traditionally been avoided, and explore the possibility of creating a style that puts the rapper and track maker on equal footing in complex, woven tracks. On the album, Karavi Roushi's paranormal voice, which sometimes sounds like a mutant synthesizer, adds incisiveness, and in the artwork Ohashi visually extracts the story world hidden in Blade N, giving the cover art the same impact as that of\"Kiyosumi Kurokawa\"\u003c\/p\u003e","brand":"EM Records","offers":[{"title":"LP - Black","offer_id":52241336107339,"sku":"R4682-1591","price":23.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":52241336140107,"sku":"R4682-4122","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cover.ki_01b281ba-e390-4faa-9c77-a507db1f2952.jpg?v=1749992865"},{"product_id":"7fo","title":"7FO","description":"\u003cp\u003e\u003cspan\u003e7FO: pronounced \"nana f o\" in English, \"nana\" being seven. Ryuno Nukegara: \"dragon's husk\". These are the only difficulties you'll encounter here. This is warm, friendly, very relaxed music, very\"understandable\" and yet intriguing, sure to appeal to fans ofelectronic ambient, dub and chill-out music, as well as artists like Haruomi Hosono, Captain Ganja, La Monte Young, Equiknoxx andTapes. The Osaka-based \u003cem\u003e7FO\u003c\/em\u003e combines groovily sparse electronic percussion with similarly sparse dub-feel synth bass, as well as pentatonic synth and steel pan melodies, the latter with an intriguing Okinawa \/ Sunda \/ Malay feel. 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Japan has a long tradition of annual pre-harvest summer dance festivals, known as Bon-Odori festivals, which continues to this day. One of the longest-running of these festivals is the Sakai Ishinage Odori festival, taking place in Sakai town, Saitama, north of Tokyo. Unlike some festivals which function as tourist attractions for domestic and international visitors, this festival is resolutely local, with no professional performers, the music being passed down from generation to generation, played by local men and woman ranging in age from elementary school students to senior citizens. 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One of their signature instruments consisted of carefully tuned PVC pipes, played with foam rubber mallets; arrays of these feature prominently, along with drums and tuned percussion, in \u003c\/span\u003e\u003ci\u003eGung Ho 1,2,3D\u003c\/i\u003e\u003cspan\u003e, an extended composition which sumptuously investigates polyrhythmic relationships indicated by the number sequences which title each section of the piece. Featured here is the original 1982 recording of the \"8, 9, 10\" and \"9, 10, 11\" sections of the piece, previously issued in 1988 by Flying Nun. Rounding out this 2LP and CD release are three 2016 translations of the piece, based on the original score. Japanese group \u003c\/span\u003e\u003cstrong\u003egoat\u003c\/strong\u003e\u003cspan\u003e provides a driving rhythmic and mathematical analogue, which From Scratch's Phil Dadson, who provides liner notes, describes as \"a fast moving shadow, familiar in outline but from another world\". 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An award-winning composer who has studied with Nadia Boulanger and Luciano Berio, he began composing electronic music in 1971, using the power of circuitry, tape and then digital technology to create a \"hyperreal\" musical world in which recordings of human performers, both vocalists and instrumentalists, are juxtaposed and recombined in compositions which span eras, cultures and genres. His use of expanded musical palettes arises from an aesthetic of inclusion, guided by an open spirit and an expansive musical sense. The combination of the emotional power of human performances with the precision of computers create real-beyond-real super-performances of surprising control and virtuosity, resulting in a hypothetical and yet very real music, full of drama, humor, and tenderness. This album, Creshevsky's second release on EM, following the 2004 \u003cem\u003eTape Music\u003c\/em\u003e compilation, gives ample evidence of both his mastery of digital technology and his profound, empathetic musical instincts. 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The project is inspired by the long history of automated musical instruments, beginning with the ancient Greek Archimedes and further developed by the Banū Mūsā brothers in 9th century Baghdad, who \"first perfected the concept of a programmable, automated musician: a mechanically controlled flute which used hydraulic water pressure and a system of arrangeable punchcards using a visionary proto-MIDI structure\", as Doran explains in the liner notes. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis mechanical music-making was extended a millennium later with the use of aleatoric principles by the European Dietrich Nikolaus Winkel, inventor of the self-composing Componium mechanical music system. Doran continues this lineage further, using the possibilities of digital technology and its ability to automate a huge range of virtual instruments and introduce aleatoric elements, moving beyond human impulses and limitations, allowing \"new shapes to emerge\". Dedicated also to Noah Creshevsky, pioneer of what can be considered cyber-human music, Componium Ensemble features a wide and intriguing range of instruments including prepared piano, bowed harpsichord, celesta, bass clarinet, flute, cello, Balinese tingklik, and more, often in multiple groupings. Despite this variety of instrumentation and the seemingly formidable theoretical underpinnings, the music is very accessible and attractive, spacious and fresh, with a light touch and a sophisticated melodic sense which will appeal to pop fans as well as classical\/contemporary music listeners. The album is mixed by longtime collaborator Joe Williams (Motion Graphics, Lifted) and available in 10-inch vinyl and CD, with EN\/JP liner notes by Doran and a hyper-realistic cover by Japanese visual artist\/graphic designer Kai Yoshizawa, using 3DCG software. The CD format also feature a Carl Stone remix bonus track.\u003c\/span\u003e\u003c\/p\u003e","brand":"EM Records","offers":[{"title":"10\" - Black","offer_id":53235110019403,"sku":"R3345-2484","price":22.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53235110052171,"sku":"R3345-0835","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cover-1.ki_b60a5991-be51-4bdf-8f55-37840106c282.jpg?v=1755947961"},{"product_id":"the-end-of-the-brim","title":"The End of the Brim","description":"\u003cp\u003e\u003cspan\u003eAt long last, Takao is back with his long-awaited second album, seven years in the making. His 2018 \u003cem\u003eStealth\u003c\/em\u003e was (and still is) a much-loved set, mixing elements of ambient and environmental music; with this new release Takao breaks free of the gravitational pull of these earlier influences and strides confidently forward. \u003cem\u003eThe End of the Brim\u003c\/em\u003e jettisons some of the more abstract elements of his previous work, embracing a \"universal listenability\" and a more concrete intensity, with a focus on supple rhythms and strengthened senses of melodic development and harmonic sophistication. This musical growth can be linked with Takao's admiration of composers Ken Muramatsu and Toshifumi Hinata, who are generally associated with commercial \"production music\" and easy listening. Another contributing factor is his private study with veteran keyboardist Ichiko Hashimoto of Colored Music. The ten tracks here include three vocal tracks, with three different singers (Yumea Horiike, Cristel Bere, Atsuo Fujimoto of Colored Music) and seven keyboard-led pieces. The vocal pieces are integral parts of the album's flow, rather than typical \"songs\" driven by the name and personality of the singer. All of these factors, plus the veteran presence of engineer Hiroshi Haraguchi, known for his work with Haruomi Hosono, who mixed half of the album's tracks, along with the use of excellent old-school synths, aligned with Takao's forward-looking vision, have combined to give us an album with a unique sense of timelessness. A spotlight illuminating future paths for pop music, available on CD and vinyl with English\/Japanese lyrics, and liner notes by Yuji Shibasaki.\u003c\/span\u003e\u003c\/p\u003e","brand":"EM Records","offers":[{"title":"LP - Black","offer_id":53235669270859,"sku":"R4151-3193","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53235669303627,"sku":"R4151-2542","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cover-1.ki_06900dcc-aa5b-4989-b996-71327c7a791f.jpg?v=1755952104"},{"product_id":"go-back-to-the-countryside-the-countryside-is-great","title":"Go Back to the Countryside \/ The Countryside is Great","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eThis 12-inch vinyl-only release is the fourth in the series in support of the Kuzoku film \u003c\/span\u003e\u003ci\u003eBangkok Nites\u003c\/i\u003e\u003cspan\u003e. 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The CD also features Wada, Bob Drombowski and Wayne Hankin on bagpipes, plus Michael Pugliese, who ever worked with David Tudor for Merce Cunningham's dance company, on percussion. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDramatically structured, shifting and intense, \u003cem\u003eThe Appointed Cloud\u003c\/em\u003e features massive low frequencies and regal percussion vying with the ululations of bagpipes, all resounding in the huge reverberant space of the Great Hall with its 24-meter ceiling.\u003c\/span\u003e\u003c\/p\u003e","brand":"EM Records","offers":[{"title":"CD","offer_id":55915774476619,"sku":"R1113-9495","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cover.ki_a0cc3e01-bca3-4080-975b-420b361428c9.jpg?v=1763280634"},{"product_id":"emilys-illness","title":"Emily's Illness","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eNora is back! This is a brand-new 2025 EM Records re-pressing of Nora Guthrie's ultra-rare \"Emily's Illness\", a lost gem of songcraft originally released in 1967, in the same 7-inch vinyl format (b\/w \"Home Before Dark\") as the original. Featuring the radiant vocals of the then-17-year-old daughter of Woody Guthrie, \"Emily's Illness\" was written by Eric Eisner (The Strangers) and impeccably arranged by Artie Schroeck. A romantic amalgam of psychedelia, pop, and acid-folk, informed by the harmonic and rhythmic subtleties of João Gilberto and jazz. Both songs here are wistfully melodic gems, framed by lovely orchestration.\u003c\/span\u003e\u003c\/p\u003e","brand":"EM Records","offers":[{"title":"7\" - Black","offer_id":55915833000267,"sku":"R2652-5124","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cover-1.ki_247bee18-8b35-4b47-9b3d-83d19afc9154.jpg?v=1763283065"},{"product_id":"bird-cage-birdfriend-archives","title":"Bird Cage: Birdfriend Archives","description":"\u003cp\u003e\u003cspan\u003eEnter a world unknown! Birdfriend is a cassette label run by Japanese musician \/ composer Koshiro Hino, aka YPY, who is also a founding member of the Osaka band goat. This compilation, available on CD and double vinyl, features 18 tracks by Japanese artists, from 2013-2017, previously available only on hard-to-find cassettes on the Birdfriend label, now available to you, the curious and courageous listener, worldwide on EM Records. Rejoice and enjoy the fractured rhythms and future-now timbres, questing intelligences and D.I.Y. energy, conveyed to you through hand-made synths, custom electronics, synths and samplers. Compiled by Hino, who also provides liner notes and cover art, these Japanese artists share a love of texture, semi-skewed rhythm, simple-yet-evolving structure, and a sense of humour; yet despite these similarities, there is a great variety across this release, making for an exciting and cohesive musical experience.\u003c\/span\u003e\u003c\/p\u003e","brand":"EM Records","offers":[{"title":"2LP - Black","offer_id":55915854233931,"sku":"R9731-0840","price":26.99,"currency_code":"GBP","in_stock":false},{"title":"2CD","offer_id":55915854266699,"sku":"R9731-7713","price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cover.ki_7e0930b0-ebec-48b5-977d-9c056b2e9cb2.jpg?v=1763283341"},{"product_id":"home-before-dark","title":"Home Before Dark","description":"\u003cp\u003e\u003cspan\u003en conjunction with the 2025 re-pressing of the Nora Guthrie \"Emily's Illness\/Home Before Dark\" 7-inch single, we have here, in the same format, a lovely cover of the latter tune, performed by Eddie Marcon, a band based in Himeji, Japan. The band's vocalist Eddie Corman and musician\/producer Shintaro Sakamoto wrote the Japanese lyrics for this gorgeous version, recorded in 2024 and originally unintended for public release; however, this slice of sweetness, delivered by the full band comprising guitar, keyboards, bass, percussion and wistful winds is now available to the lucky listener. The flipside, recorded in 2025, is an intriguingly ghostly recomposed version for cello and flute by Torso, a Tokyo instrumental duo, who used the basic tracks from the Eddie Marcon version of \"Home Before Dark\" as a 'guide' before finally deleting the basic tracks.\u003c\/span\u003e\u003c\/p\u003e","brand":"EM Records","offers":[{"title":"7\" - Black","offer_id":55915860787531,"sku":"R5664-7198","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cover.ki_8c5abfc1-0bc5-4855-ab3d-22a8c8c5e671.jpg?v=1763283618"},{"product_id":"lam-phloen-world-class-the-essential-banyen-rakkaen-compiled-by-soi48","title":"Lam Phloen World-class: The Essential Banyen Rakkaen (Compiled by Soi48)","description":"\u003cp\u003eAn exciting collection from pioneering Thai molam idol Banyen Rakkaen, featuring her most thrilling performances from the early to mid-70s, with innovative genre-bending arrangements and production from Thepphabut Satirodchomphu. These tracks, all originally released on 7-inch vinyl, showcase her powerful yet alluring voice, revolutionary yet rooted in tradition. Her exciting performance style was revolutionary and shocked traditionalists, but none could dispute the fact that she was a truly gifted singer, and Theppabut's visionary production skills added to the feeling of freshness and vitality. The early 1970s saw a growing demand in Thailand for exciting and danceable music, and the recordings compiled in this release filled that demand perfectly. Banyen was one of the great singers of that era who propelled Isan music to nationwide popularity. A true star who in 2013 was designated a living national treasure, Banyen stole hearts with these hard-driving hits, while inspiring a new generation of aspiring singers. Banyen will now steal your heart.\u003c\/p\u003e","brand":"EM Records","offers":[{"title":"CD","offer_id":55953345216843,"sku":"R8490-3391","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cover.ki_27.jpg?v=1763747062"},{"product_id":"appearance-music-for-solo-performer-compositions-by-toshi-ichiyanagi-and-alvin-lucier-featuring-john-cage-and-david-tudor","title":"Appearance\/Music for Solo Performer: Compositions by Toshi Ichiyanagi and Alvin Lucier, featuring John Cage and David Tudor","description":"\u003cp\u003eBeyond Rare! These historical recordings of a 1967 concert at Hope College in Michigan involving John Cage, Toshi Ichiyanagi and David Tudor, performing compositions by Ichiyanagi and Alvin Lucier, were recently discovered in an archive in Japan. The Lucier piece, \"Music for Solo Performer\", was the first musical composition to utilize human brainwaves; this 1967 performance, released here for the first time, is an early realization of the piece, featuring Tudor, Ichiyanagi and Lowell Cross, using alpha waves to activate a wide range of percussion instruments.\u003c\/p\u003e\n\u003cp\u003eThis proto-industrial version is heavily influenced by the amplified performance techniques pioneered by Cage and Tudor in the 1960s; quite different from the 1982 Lucier\/Pauline Oliveros realization on Lovely Music. Ichiyanagi's 1967 composition \"Appearance\" combines live electronics with acoustic instruments and adds Cage to the list of performers. This is the same piece which was released in 2006 by Omega Point, but the source tape used here is believed to be the master tape, resulting in a significant improvement in audio quality. The release includes liner notes by Ibe Osamu of Omega Point, who explains how the tape was discovered, as well as liner notes by sound artist Minoru Sato, a researcher of Lucier's work who was in contact with the composer during his lifetime. Ichiyanagi contributes a note about \"Appearance\".\u003c\/p\u003e","brand":"EM Records","offers":[{"title":"LP - Black","offer_id":56000978846027,"sku":"R6423-3742","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cover.ki-1_e31a8ef2-1770-47ec-82b4-e5f7108da0b7.jpg?v=1764355867"},{"product_id":"eau","title":"Eau","description":"\u003cp\u003e\u003cem\u003eEau\u003c\/em\u003e is the lovely new album from aus, the solo project of Tokyo-born composer and producer Yasuhiko Fukuzono, who has gained attention, in Japan and overseas, for his thoughtfully paced and sensitively skillful music as well as his intriguing sound design for exhibitions and experimental cinema. Having worked primarily with keyboards and electronic sound up to this point, \u003cem\u003eEau\u003c\/em\u003e is a slight yet fascinating shift for aus; the album, while still primarily an electronic work, revolves around the sonic world of a stringed acoustic sound source, the koto, that most characteristically Japanese of musical instruments. The very accomplished Eden Okuno provides the delicate-yet-rich koto sounds on offer here; Fukuzono, in the liner notes, acknowledges the importance of Okuno's artistry to the project.\u003c\/p\u003e\n\u003cp\u003eThe compositions on the album are designed to balance the sound of the koto, with its subtly variable attack and flickering resonance, with the timbre of other instruments. The delicate decay and metrical flexibility of the koto is enveloped by sustained synthesizer sounds and contrapuntally constructed piano melodies, creating a flowing ambience with absorbing undercurrents, a languid and liquid quality that reveals the suitability of the title.\u003c\/p\u003e\n\u003cp\u003eAvid fans of contemporary Japanese music might hear the influence of pioneering works such as the the 1979 Hiroshi Yoshimura composition \"Clouds for Alma\", realized by koto player Tadao Sawai, and the 1993 album \"Koto Vortex I: Works by Hiroshi Yoshimura\" which featured performances of Yoshimura's works by the Japanese koto quartet Koto Vortex. These works attempted to remove the koto from its traditional context and place it within the context of ambient and techno.\u003c\/p\u003e","brand":"EM Records","offers":[{"title":"LP - Black","offer_id":56276044513611,"sku":"R2500-6224","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":56276044546379,"sku":"R2500-2047","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/2000x2000bb_f0816893-6498-4474-8a85-54b97ec72f63.jpg?v=1768053850"},{"product_id":"istikhbars-and-improvisations","title":"Istikhbars and Improvisations","description":"\u003cp\u003eMustapha Skandrani. Besides having an excellent name, this man, a luminary of Algerian music, possessed a unique musical sense, able to transcend the borders of musical cultures to create a distinctive fusion of Arabo-Andalusian and European styles. \"Istikhbars and Improvisations\", recorded in 1965 in Paris, is a solo piano album presenting a trans-Mediterranean crossover based on traditional Algerian vocal pieces known as Istikhbars. Playing these istikhbars (which have roots in the Islamic Arabo-Andalusian culture which flourished in Spain) on the piano, that quintessentially European instrument, Skandran was greeted with derision by some purists. Skandrani's powerful musical vision, however, perceives the European element involved in Arabo-Andalusian musical culture, a world of exchange and co-existence, and his decision to play this music on the piano reminds us of this European influence.\u003c\/p\u003e\n\u003cp\u003eSkandrani's modus operandi on this release is to present each istikhbar, modal in nature, then to play an improvisation based on the istikhbar and its attendant mode. This A\/B alternation continues throughout. The pellucid clarity of Skandrani's playing on this album may remind the listener of a modal Goldberg Variations, Bach and Glenn Gould transplanted to Andalucia. Other ears will hear the Arabic\/Maghreb elements more strongly. Skandrani's precise touch and clear, symmetrical rhythmic sense links both worlds, assuring us that the Mediterranean is not a barrier, but a unifier, and that the differences between the cultures are not vast. This is an admirable acheivement, resulting in beautiful music of a rare charm. Mustapha Skandrani was born in Algiers in 1920, and died there in 2005. He mastered a number of instruments at an early age, and his musical prowess led him to work with the great singers and ensembles of his day, in live performances, recordings, and radio broadcasts. 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Bruner has a kinship with the composers Harold Budd and Daniel Lentz, the latter being a mentor to Bruner, and one can hear a relationship with the music of other minimal\/post-minimal composers such as John Adams and Terry Riley. 1979's \"Magic Mbira\", a key piece in this collection, particularly highlights a Riley-esque element, and with its skillful use of tape delays reminiscent of Lenz's cascading echo system. Bruner and his mbira piece also have musical affinities with Roland P. Young and his classic Isophonic Boogie Woogie, in their shared melodic and structural concerns, as well as a desire to perform their compositions in a wider range of performance spaces, away from traditional recital halls. Another side of Bruner is revealed in the funhouse-mirror \"Reggae Foes\", a deconstructionist post-punk calypso-reggae tune and skewed Black Ark filtered through Cunningham\/Toop's General Strike. The remaining two pieces are melancholy beauties of solo instrumentation: \"Cold Rain and Snow\" is a fretless gut-string banjo re-imagining of an American folk song; \"Remembrance in a Pale Room\" is a lovely piano piece dedicated to Lentz. Bruner has built upon a tradition, altering and adding to it with his individual vision, giving us this collection of intriguing and beautiful music.\u003c\/span\u003e\u003c\/p\u003e","brand":"EM Records","offers":[{"title":"LP - Black","offer_id":56877051117899,"sku":"R8416-8817","price":26.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":56877051150667,"sku":"R8416-2253","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cover.ki_3bfd3445-9966-49ef-8bb8-ad3784214953.jpg?v=1774397707"},{"product_id":"music-in-dna","title":"Music in DNA","description":"\u003cp\u003e\u003cem\u003eMusic in DNA\u003c\/em\u003e is an album recorded in the early 1980s in New York City by Yasuhito Ohno, a young Japanese man breaking free from the constraints of his homeland. The album is a naive burst of outsider DIY enthusiasm, inspired by the multiple avant-garde movements of the era, in music, painting and performance, as well as the native energy of 80s NYC. Ohno channeled his youthful \"edge\" and zeal into open-minded lo-fi musical explorations using a mere two machines: the then-new technological glories of a four-track cassette recorder and that polyphonic synthesizer masterpiece, the Roland Juno-60; on several pieces he vocalizes. These seven tracks have a zestful, innocent, anything-goes charm, free from preciousness and self-consciousness: a raw and youthful human spirit at play in a new world. Ohno was also inspired by the humanistic promise of the general technological developments of the day, including DNA research, personal computing, and early computer graphics, an example of which can be found on the cover. Ohno later returned to Japan, becoming a renowned composer\/producer. In an era of jaded cynicism, \u003cem\u003eMusic in DNA\u003c\/em\u003e is a welcome taste of big-hearted innocence, a revival of a raw self\u003c\/p\u003e","brand":"EM Records","offers":[{"title":"LP - Black","offer_id":56977329520971,"sku":"R8242-7541","price":23.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":56977329553739,"sku":"R8242-5088","price":18.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cover-3.ki_f6c04b60-8a6a-45b0-8080-3e20b0eaa4f1.jpg?v=1775629612"},{"product_id":"aftershock-dubs","title":"Aftershock Dubs","description":"\u003cp\u003eEM Records is proud to present the first repress of the dancehall dub classic \u003cem\u003eAftershock Dubs\u003c\/em\u003e (2014) in 12 years from Australia's Sheriff Lindo, dubmaster of the Southern Hemisphere. His \u003cem\u003eTen Dubs That Shook The World\u003c\/em\u003e [EM1219CD\/LP], released in 1988, has been growing in stature and became a classic since its release, supported by its re-issue on EM Records, and in the meantime the Sheriff has been working steadily, deep-local style, honing his skills with the Australian sound systems Firehouse Sound and Earthlink Sound. The tracks on Aftershock Dubs, recorded between 1990 and 2005, while never officially released, have been played as dub plates at sound system parties, proved movers, tested in the heat of action. 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