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A few months later, we booked time at the studio and tracked the album. It was the first time we didn’t have anyone to really guide us or push us towards good or bad takes. Ultimately we were very happy with the takes but overall that record just never came together the way we wanted it to sound- wise. We loved all the songs and how they all came out musically, but we couldn’t get past the sound quality of the record.\nFast forward 20 years, and I was talking with Dan Sandshaw at EVR and we talked about converting the old tapes to updated digital files. After a long process of tracking down the tapes, we finally got them transferred and got them into the hands of Brian McTernan in 2023. After a grueling process of editing the drums by Will Beasley and Brian McTernan we got the foundation for the tracks done. In December 2023 we got the first rough mix and we were blown away by how good it sounded. 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The fifth full-length from Armor For Sleep - and the New Jersey outfit’s second record after a 15 year wait for its predecessor, 2022’s \u003cem\u003eThe Rain Museum\u003c\/em\u003e - its songs force the listener to question the very nature of their existence, of what makes us the people we are. It does that because that’s precisely what Ben Jorgensen was doing while writing it. While The Rain Museum was a record written in the throes of the dissolution of the Armor For Sleep frontman’s eight year marriage and his subsequent divorce, its setting was more fictional and metaphorical.  \u003c\/span\u003e\u003cspan\u003eBy comparison, \u003cem\u003eThere Is No Memory\u003c\/em\u003e is much more literal, much more grounded in the real world, and much closer to the bone. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e“When you're going through a traumatic experience,” he says, “and are actually underwater in an event like that, it’s very difficult to have any kind of perspective on anything other than that one thing that's consuming all aspects of your life. The Rain Museum was written right after I went through this crazy life event. For this one, in contrast, I'm higher off that waterline, and I have a broader perspective now. I’ve been taking stock of my life as a whole, and so I found myself thinking and writing about the strange experience of memories and the power they have over all facets of who I am.”\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIf that statement doesn’t give it away, one listen to this record will. There Is No Memory is actually punctuated by it—it’s an album steeped in life (and lives) lived, in recollections of the past, in the absence of what once was, in the lacuna brought on by the memories of what had been. Jorgensen is well aware of the irony of the title, but it’s an intentional part of the record’s narrative. He knew he wanted to write an album about memories, and while he was demoing the tracks at home, something happened that felt, if not quite like fate, then at least like it was connected to what he was writing about. 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What started as a band practicing in the corner of a crowded machine shop quickly evolved into one of Orange County hardcore’s most distinctive voices, carrying the band coast to coast through relentless touring and a sound uniquely their own.\u003c\/p\u003e\n\u003cp\u003eAfter putting out a well-received demo cassette earlier the same year, Outspoken released their debut 7” EP, Survival, in 1990, establishing themselves within the burgeoning Orange County hardcore scene alongside influential acts such as Uniform Choice and Instead. By the end of that same year, the band had already played countless hometown shows and completed their first West Coast tour. Soon after returning home, Outspoken began writing and rehearsing what would become their 1992 debut full-length album, A Light In The Dark. The release marked a clear progression in both songwriting and identity, showcasing a more refined and dynamic version of the band’s already unmistakable style.\u003c\/p\u003e\n\u003cp\u003eAs their reputation continued to grow, Outspoken became a regular presence on the East Coast, expanding their audience through constant touring and word of mouth. 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