{"title":"Fuzz Club","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eFuzz Club is a London based independent record label that focuses on raw, experimental rock 'n' roll. Influenced by genres such as psychedelia, shoegaze, noise, garage, blues, folk and experimentation. The label started in rural Norway during the 24 hour darkness of the Arctic winter and emerged onto the scene in 2012 with their compilation album \"The Reverb Conspiracy\". This annual release captures the essence of today's underground music scene.\u003c\/p\u003e\n\n\u003cp\u003eWith over 40 releases and around 20 artists under their belt, Fuzz Club has worked with renowned names like Anton Newcombe, Goat, Alan Vega, The Black Angels, Dead Skeletons, A Place to Bury Strangers and The Underground Youth. They believe in putting as much energy and art into the presentation of their records as the bands do into their music. Collaborating with visual artists allows them to create unique and collectible album covers and vinyl.\u003c\/p\u003e\n\n\u003cp\u003eIn addition to their regular releases, Fuzz Club offers super limited edition deluxe versions of select albums. These hand painted, stamped and sealed editions are considered works of art themselves. As a distributor for Fuzz Club records, Cargo Records ensures that these exceptional releases reach fans worldwide.\u003c\/p\u003e","products":[{"product_id":"mount-elephant","title":"Mount Elephant","description":"\u003cp\u003e\u003ci\u003eMount Elephant\u003c\/i\u003e is organic psychedelia at its finest. These are drifting, pastoral meditations rooted in the “joy and rhythms” of Eastern music and one of the most precious luxuries of our time: doing things slowly. Italian multi-instrumentalist Alessio Ferarri’s third Upupuyāma record and first on Fuzz Club finds inspiration in traditional Bhutanese music, Thai disco and Anatolian psych, by way of the lysergic acid-folk, ‘70s kosmische and stoner-rock that has always coursed through the project – dream-like instrumentals always threatening to breakdown into blasts of fuzzed-out riffing.“Mount Elephant was born out of a need to listen, to listen to silence”, Ferrari says: “Listening to the silence while observing flowers, while moving your hands in the wind, listening to your body while you are dancing. If in my first album (Upupayāma) I had travelled the length and breadth of a place, in the second (The Golden Pond) I had reached one and stopped there, in this third album I set out again, crossing a border and entering a long-dreamed place that I could finally ‘see with my own eyes’.”A six-piece band live, where things take a more ever-evolving improvisation-based approach, on the recordings Ferrari writes, plays and records everything himself – guitars, keys, flute, sitar, erhu and an arsenal of percussion all feature. The recordings were laid down over time in Ferrari's home barn studio in a small mountain village overlooking the city of Parma, before being mixed by Chris Smith at Kluster Sounds (Kikagaku Moyo, Wax Machine).\u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"White LP","offer_id":50380098339147,"sku":"2209970","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/5060978394339_85479966_thumbnail_4096.jpg?v=1726207349"},{"product_id":"jenseits","title":"Jenseits","description":"\u003cp\u003eHoned on the sounds of krautrock, post-punk, no wave, and drone, American instrumental trio Verstärker is a sound and a vision united in the quest for motorik space exploration. Following on from their sold-out 2015 debut \u003ci\u003eAktivität\u003c\/i\u003e, which saw the band pick up a fast-growing reputation in the psych underground, Verstärker’s second album \u003ci\u003eJenseits\u003c\/i\u003e is released on Fuzz Club. \u003c\/p\u003e\u003cp\u003eFive tracks spanning 45 minutes, ‘Jenseits’ is the band’s response to the modern dystopian world we now inhabit – taking on a heavier and even darker tone than what came before. “Everywhere, everything feels on the verge of collapse. We find our hope in the music and art. This is the future we are striving for.” On ‘Jenseits’, tightly-wound motorik basslines, hard-hitting percussion and effects-loaded guitars are set against bleak atmospheric drones in the rare moments the record’s fast-driving pace lets up. Talking about the record, guitarist J. Vitatoe explains: “Jenseits as a preposition means ‘beyond’ or ‘on the other side of’, and, as a noun, it means ‘the hereafter” or ‘the next world.’ This dual meaning is the concept that permeates the record. The motorik beat has always been about pushing towards the horizon, the sense of perpetual forward momentum. But eventually, you reach the breaking point and push through to the other side — going beyond the horizon. This is where we were trying to go sonically with this record — beyond.”\u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"White LP","offer_id":50383019114827,"sku":"2193133","price":22.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50383018787147,"sku":"2055867","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Verstarker__Jenseits_b1a84b4d_thumbnail_4096.jpg?v=1726262053"},{"product_id":"interiors-7","title":"Interiors","description":"\u003cp\u003e\u003ci\u003eInteriors\u003c\/i\u003e is the fifth studio album by Brooklyn-based minimalist post-punk \/ synth-pop duo The Vacant Lots. The 8 songs on \u003ci\u003eInteriors\u003c\/i\u003e synthesise all of the band’s past work while pushing forward into the future. It’s Jared Artaud and Brian MacFadyen’s darkest and most visionary work yet. Ethereal metallic synths and blistering electronics are driven by disco-on-downers dance beats lashed with gutter-rock guitar riffs and icy detached vocals with evocatively concise and lacerating lyrics. \u003c\/p\u003e\u003cp\u003eRecorded over many sleepless nights and amphetamine-fueled mornings in the project’s isolated Brooklyn bunker home studios, the album follows the band’s minimal is maximal aesthetic coalescing into dark bedroom anthems for loners and lovers with nods to 70s\/80s punk and nightclub music ala Joy Division, Iggy Pop’s \u003ci\u003eThe Idiot\u003c\/i\u003e, Depeche Mode, and New Order. On the lead single “Amnesia,” Jared Artaud says \"It’s about dealing with duality and integrating the conflicting feelings within a relationship. It’s about feeling dissociative and getting burned by the fire. Then coping with how this inevitably leads to the dissolution of the relationship. This is a mantra for all the songs on the album.\"\u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"Red LP","offer_id":50383137374539,"sku":"2047400","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50383136194891,"sku":"2047397","price":12.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50383136489803,"sku":"2047398","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Vacant_Lots_-_Interiors_4da4a127_thumbnail_4096.jpg?v=1726264235"},{"product_id":"most-perfect-solitude","title":"Most Perfect Solitude","description":"\u003cp\u003e‘Most Perfect Solitude’ is the sixth studio album from The Third Sound, due out May 17th on Fuzz Club. The follow-up to 2022' 'First Light' LP marks a new chapter, in terms of both sound and personnel, for the Berlin psych\/post-punk band led by Icelandic musician and author Hakon Adalsteinsson. “After touring ‘First Light’ heavily and releasing our Fuzz Club Session LP last year – a career-spanning, retrospective document – this album feels like starting with a clean slate”, Haken says. Written and recorded in under two weeks, during a rare gap in his non-stop touring schedule as guitarist in The Brian Jonestown Massacre and new project Golden Hours at that time, ‘Most Perfect Solitude’ introduces a new Third Sound line-up: Hakon and long-time member Robin Hughes (Organ\/Guitar) now joined by Frankie Broek (drums) and Wim Janssens (bass). As well as the line-up changes, Hakon reflects, “There is a certain warmth to some of the songs that has not been there before, but they still flicker between light and shadows, kind of like a slow motion audio version of Brion Gysin‘s Dreamachine.” On the one hand, jangly ‘60s 12-strings and breezy melodies shine on tracks like ‘Another Time, Another Place’ and ‘On Returning’, undoubtedly The Third Sound at their most radiant. Yet the record is not without its darker, heavier moments either – see the scuzzy psych-rock drone ‘Veiled’ or soon-to- be live favourite ‘Wasteland’, which sets a nightmarish vision of a city in ruins to the tune of heavy fuzz-guitar repetition and hypnotic drums. The album’s title is a phrase lifted from Mary Shelley’s Frankenstein and found by way of Werner Herzog’s journal writings in ‘Of Walking In Ice’, documenting the film-makers walk from Munich to Paris, which Hakon was reading whilst on the road himself: “Many of the songs touched on the theme of trips or some sort of travel, so I knew immediately that it was going to be the title. When you are travelling or touring you can find yourself in a weird sort of isolation, whilst also often looking for solitude to get away from everything. And, sometimes, it is best to listen to music in that most perfect solitude.”\u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"Clear LP","offer_id":50385232462155,"sku":"2196823","price":21.99,"currency_code":"GBP","in_stock":false},{"title":"Peach LP","offer_id":50385233576267,"sku":"2196837","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Most_Perfect_Solitude_0192e3d6_thumbnail_4096.jpg?v=1726310045"},{"product_id":"boots-n-cats","title":"Boots N Cats","description":"\u003cp\u003eServing up eleven tracks of rhythmic garage-psych goodness, \u003ci\u003eBoots N Cats\u003c\/i\u003e is the third full-length from Melbourne outfit Beans and the first of two albums set for release in 2024. The long-awaited follow-up to 2018’s \u003ci\u003eBabble \u003c\/i\u003eand 2020’s \u003ci\u003eAll Together Now\u003c\/i\u003e, it’s a record that finds Beans frontman (and The Murlocs drummer) Matt Blach putting percussion at centre-stage. “I’ve always wanted to make a drum-based album, dedicated around the beat first and then everything else follows”, Blach says, explaining his desire to explore “different production approaches, like hip-hop and crunched drums, and show an admiration and appreciation for the likes of The Meters, Wu-Tang and James Brown” as much as the acid-soaked 60s\/70s rock you’d expect.\u003c\/p\u003e\u003cp\u003eWhat emerges from the beat-first approach on \u003ci\u003eBoots N Cats\u003c\/i\u003e charts mutant garage-rock boogies ('Groove', 'Silhouette') and festival tent psychedelia ('Haunted', 'Dreaming Daisy'), by way of blissed-out funk instrumentals ('One To Four', 'Siamese Blundstone'). The line is constantly skirted between a loose, carefree vibe and interesting, meticulous musicianship – never falling into the trap of taking itself too seriously. It’s a sunny kaleidoscope of chugging guitars, driving bass-lines, soaring organs and warm, echo-soaked vocals – driven always by the tightly-wound rhythms and grooves that Blach has been in pursuit of since he was a kid: “The title of the album comes from me learning drums from my dad. He had a background of German heritage and during lessons would jokingly say ‘nein, boot’n’cats’n’ like a simple 1,2,3,4.” \u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"Clear LP | Rough Trade Exclusive","offer_id":50389444067659,"sku":"2168879","price":22.99,"currency_code":"GBP","in_stock":false},{"title":"Red LP","offer_id":50389435875659,"sku":"2168878","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50389432893771,"sku":"2168877","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/BEANS_-_Boots_N_Cats_Packshot_3c51dc2c_thumbnail_4096.jpg?v=1726360650"},{"product_id":"glasgow-eyes","title":"Glasgow Eyes","description":"\u003cp\u003eAlbums of the Year 2024 - Number 65\u003c\/p\u003e\n\n\u003cp\u003eMarking 40 years of \u003cstrong\u003eThe Jesus And Mary Chain\u003c\/strong\u003e, \u003cem\u003eGlasgow Eyes\u003c\/em\u003e was recorded at Mogwai’s Castle of Doom studio in Glasgow. Jim and William continued the creative process that resulted in their previous album, 2017’s \u003cem\u003eDamage and Joy\u003c\/em\u003e, becoming their highest charting album in over twenty years.\u003c\/p\u003e\n\n\u003cp\u003eWhat emerged is a record that finds one of the UK’s most influential groups embracing a productive second chapter. Their maelstrom of melody, feedback, and controlled chaos is now informed more audibly by their love for Suicide and Kraftwerk, as well as a fresh appreciation of the less disciplined attitudes found in jazz. Jim Reid says, “But don’t expect ‘the Mary Chain goes jazz.’ People should expect a Jesus and Mary Chain record, and that’s certainly what \u003cem\u003eGlasgow Eyes\u003c\/em\u003e is. Our creative approach is remarkably the same as it was in 1984, just hit the studio and see what happens. We went in with a bunch of songs and let it take its course. There are no rules, you just do whatever it takes. 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From the incendiary \u003cem\u003ePsychocandy\u003c\/em\u003e debut and its classic ‘Just Like Honey’ onwards, the Reid brothers steadily became the misfits who made good without compromise.\u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"Blue LP | Rough Trade Exclusive","offer_id":50389762867531,"sku":"2169084","price":27.99,"currency_code":"GBP","in_stock":false},{"title":"Clear LPx2","offer_id":50389762507083,"sku":"2169083","price":37.99,"currency_code":"GBP","in_stock":true},{"title":"Blue LP","offer_id":50389763096907,"sku":"2201254","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"Red LP","offer_id":50389762310475,"sku":"2169082","price":27.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50389762146635,"sku":"2169081","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/20000000230548_1272255b_thumbnail_4096.jpg?v=1726371102"},{"product_id":"live-in-manchester-usa-fuzz-club-official-bootleg","title":"Live In Manchester USA (Fuzz Club Official Bootleg)","description":"\u003cp\u003eThis King Gizzard And The Lizard Wizard’s \u003ci\u003eLive In Manchester USA\u003c\/i\u003e bootleg album was recorded when the prolific Australian group descended on the Bonnaroo Music and Arts Festival in Manchester, TN, USA on June 17th 2022. The resulting 11-track triple LP box-set, cut at 45rpm for superior sound quality, sees King Gizz storm through a festival set that draws heavily from their 2022 ‘Omnium Gatherum’ album, alongside fan-favourites from \u003ci\u003eNonagon Infinity,\u003c\/i\u003e \u003ci\u003eI’m In Your Mind Fuzz\u003c\/i\u003e, \u003ci\u003eInfest The Rats’ Nest\u003c\/i\u003e and \u003ci\u003eOddments\u003c\/i\u003e. 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His most collaborative work yet, ‘Recovery Effects’ sees Matt recruiting highly lauded UK guitar-slinger and Little Barrie frontman Barrie Cadogan and bandmates Lewis Wharton (Bass) and Tony Coote (Drums) to provide musical backing on the album. With legendary producer, The Heliocentrics’ co-founder and drummer extraordinaire Malcolm Catto also helming production duties.\u003c\/p\u003e\u003cp\u003e“The album’s a love letter to the band and all the emotions that come with it,” explains Matt when talking about the period of adversity that led to its creation. Finding himself without his former bandmates following the release of their highly-praised 2018 debut ‘Preservation’ and that record’s subsequent live shows, the pandemic-induced lockdown periods throughout ’20 and ’21 initially gave time for reflection before proving to be a time of productivity. Giving Matt the breathing space to fine-tune the new songs alongside Cadogan before hitting the ground running when entering the studio in late 2021 – the band cutting the basic tracks live and Malcolm Catto providing invaluable input when it came to moulding the music you hear contained throughout\u003c\/p\u003e\u003cp\u003eThe results of this creative melting pot of such talented and seasoned musicians see The Black Delta Movement delivering that ring thing: a layered, honest and deeply entertaining rock’n’roll record. There are a myriad of moods and textures, whether on the garage-blues grooves of opener and first single ‘Fourth Pass Over The Graveyard’, follow-up single ‘Zip-Tie’ which explodes from its moody intro into punk-rock motorik, or the psychedelic slow-burn of ‘Hiding In The Tall Grass’ which manages to channel the likes of The Doors and Spacemen 3 over its 9 hypnotic minutes.\u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"Red LP","offer_id":50399049613643,"sku":"2051171","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50399049187659,"sku":"2009194","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Black_Delta_Movement_-_Recovery_Effects_48529d51_thumbnail_4096.jpg?v=1726501087"},{"product_id":"nonagon-infinity-live","title":"Nonagon Infinity Live","description":"\u003cp\u003eThe latest in Fuzz Club's King Gizzard and The Lizard Wizard official bootleg series arrives in the shape of \u003ci\u003eNonagon Infinity Live\u003c\/i\u003e. It's a live version of the cult Australian psych-rock band's breakthrough 2016 album \u003ci\u003eNonagon Infinity\u003c\/i\u003e compiled by Fuzz Club (with the help of the \/KGATLW Reddit community) out of live recordings captured at Bonnaroo Festival (2022), Brussels' Ancienne Belgique (2019), the Red Rocks Amphitheatre (2022) and Chicago's The Salt Shed (2023).All of the tracks have been mixed by King Gizz's own Stu Mackenzie and remastered exclusively for this Fuzz Club bootleg by James Plotkin. Limited to 999 copies, it arrives as a 'gold nugget'-coloured, nonagon-shaped double LP with printed inners and a hand-numbered gatefold jacket with gold foil detailing and an exclusively licensed photo by Jamie Wdziekonski \/ Sub-Lation on the inside that nods to the inside-gatefold photo on the original studio album.\u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"Gold LPx2","offer_id":50399900336459,"sku":"2207148","price":36.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/KGLW_Nonagon_Infinity_Live_Packshot_018bf4cc_thumbnail_4096.jpg?v=1726508829"},{"product_id":"prata-2","title":"Prata","description":"\u003cp\u003eDrawing from minimal krautrock repetition, pounding industrial techno and EBM, Lisbon trio \u003cstrong\u003eMaquina.\u003c\/strong\u003e ('Machine') explore the boundaries of these genres with force on their second album \u003cem\u003ePrata\u003c\/em\u003e ('Silver'), on Fuzz Club.\u003c\/p\u003e\n\n\u003cp\u003eAcross the album’s six tracks, they carve out an adrenaline-fueled sound that's equally suited to dark, sweaty back rooms and the dance floor. Though \u003cstrong\u003eMaquina.\u003c\/strong\u003e's sound might have the club in its sights – \u003cem\u003ePrata\u003c\/em\u003e follows their aptly-titled 2023 EP \u003cem\u003eDirty Tracks For Clubbing\u003c\/em\u003e – this is an organic dance music that’s equally punk and psychedelic, played by a guitar-drums-bass power trio formation firing on all cylinders, without a synthesizer in sight.\u003c\/p\u003e\n\n\u003cp\u003eInstead, the \u003cstrong\u003eMaquina.\u003c\/strong\u003e M.O. is relentless machine-like drums and primal vocal outbursts (Halison), scuzzy floor-shaking bass riffs (Tomás) and piercing guitar noise and FX (João). Having already amassed a notorious reputation in Portugal for the all-out energy of their live shows, it’s no mean feat to replicate that in the studio but on \u003cem\u003ePrata\u003c\/em\u003e they have managed exactly that – owing to a creative approach largely rooted in improvisation, both on stage and in the studio.\u003c\/p\u003e\n\n\u003cp\u003eDescribing \u003cem\u003ePrata\u003c\/em\u003e, recorded and co-produced by Carlos de Jesus (Sunflowers) at Arda Recorders, they write: “This album was composed spontaneously in the studio throughout the year 2023. It's music of color, delving into depths and dimensions that resonate with scale and contrast. Pushing sounds together to make noise and pushing noise together to make sounds. Emphasizing textures that evoke feelings and soundscapes rather than relying solely on textual narratives. The music breathes life into auditory canvases, painting sonic panoramas pushing into a world of tactile sensation and immersive experiences.”\u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"Clear LP","offer_id":50402619654475,"sku":"2188284","price":22.99,"currency_code":"GBP","in_stock":false},{"title":"Green LP","offer_id":50402619752779,"sku":"2188285","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/5060978393271_a6b8eac4_thumbnail_4096.jpg?v=1726552892"},{"product_id":"the-falling","title":"The Falling","description":"\u003cp\u003eThe Underground Youth is a Manchester-born, Berlin-based group led by Craig Dyer that releases their tenth album, \u003ci\u003eThe Falling\u003c\/i\u003e, via Fuzz Club Records. The new full-length sees Craig and band trade their acerbic post-punk melancholy for a more refined and stripped-back sound that, instead, enters the world of romantic, shadowy folk-noir. A marked departure from the primal intensity often heard on the band’s previous work, \u003ci\u003eThe Falling\u003c\/i\u003e showcases a softer, more cinematic musical landscape shaped by acoustic guitars, piano, accordion and a heavy presence of violin and string arrangements. It’s not just the instrumentation and atmospherics that have undergone a transformation on this record, it is also Craig’s most sincere and introspective work to date. \u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"Red LP","offer_id":50403150004555,"sku":"1113117","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50403149283659,"sku":"1113116","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/6fed5418-8d3c-48b3-b0fc-fc97c7fdfaa4_thumbnail_4096.jpg?v=1726558145"},{"product_id":"interzone","title":"Interzone","description":"\u003cp\u003e\u003ci\u003eInterzone\u003c\/i\u003e is the third full-length from Brooklyn, NYC post-punk duo The Vacant Lots. Following its release last summer and quick sell-out, the LP is now getting a second pressing. Picking up high praise from the likes of Iggy Pop, BBC 6Music, Henry Rollins, Loud \u0026amp; Quiet, Uncut, Brooklyn Vegan, Line of Best Fit and countless others, ‘Interzone’ is a genre-blending synthesis of dance and psych that’s made for secluded listeners and all-night partygoers. \u003c\/p\u003e\u003cp\u003eUninhibited by the limitations of two people and continuing their mission of “minimal means maximum effect,” The Vacant Lots’ Jared Artaud and Brian MacFadyen create an industrial amalgam of icy electronics and cold beats with detached vocals and hard-hitting guitars. \u003ci\u003eInterzone\u003c\/i\u003e's trance-like opener \u003ci\u003eEndless Rain\u003c\/i\u003e and the kinetic Krautrock stomper \u003ci\u003eInto The Depths\u003c\/i\u003e are followed by scintillating dark disco anthems \u003ci\u003eRescue\u003c\/i\u003e and \u003ci\u003eExit\u003c\/i\u003e. \u003c\/p\u003e\u003cp\u003eSide 2 kicks off with 80’s synth-pop track \u003ci\u003eFracture\u003c\/i\u003e and haunting after-hours minimal wave \u003ci\u003ePayoff,\u003c\/i\u003e while \u003ci\u003eStation\u003c\/i\u003e and album closer \u003ci\u003eParty's Over\u003c\/i\u003e deal with disillusionment and conquering one’s indifference to make real change. The album creates order from chaos and delves into escapism, isolation, relationship conflicts, and decay. With nods to William S. Burroughs and Joy Division’s song of the same name, “Interzone is like existing between two zones,” Jared says. “\u003ci\u003eInterzone\u003c\/i\u003e doesn't mean one thing. It can mean different things to different people depending on their interpretation. Working on this album was a constant struggle reconciling internal conflicts with all that’s going on externally in the world.\u003ci\u003e Interzone\u003c\/i\u003e, in one word, is duality.”\u003c\/p\u003e\u003cp\u003eThe album was engineered by Ted Young (Rolling Stones, Sonic Youth, Kurt Vile), mixed by Maurizio Baggio (The Soft Moon, Merchandise, Boy Harsher), mastered by Gianni Peri and is housed in striking artwork by long-term collaborator Ivan Leichti. The Vacant Lots have released singles with Mexican Summer and Reverberation Appreciation Society, collaborated on their debut album 'Departure' with Spacemen 3’s Sonic Boom, their second album 'Endless Night' with Alan Vega, and most recently on their two EPs, 'Berlin' and 'Exit', with Brian Jonestown Massacre’s Anton Newcombe at his studio in Berlin. The group has toured with Black Rebel Motorcycle Club, Suicide, Brian Jonestown Massacre, Dean Wareham (Galaxie 500), The Dandy Warhols and Spectrum.\u003c\/p\u003e\u003cp\u003eIncludes bonus7” featuring a remix of \u003ci\u003eInto The Depths\u003c\/i\u003e by darkwave trailblazer Cold Cave. \u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"Clear | LP.","offer_id":50403583426891,"sku":"1112963","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/0767fc57-38e4-4804-a679-88f149effa29_thumbnail_4096.jpg?v=1726562036"},{"product_id":"field-theory","title":"Field Theory","description":"\u003cp\u003e\u003cem\u003eField Theory\u003c\/em\u003e is the second studio album from Dublin four-piece Melts. Recorded live to tape at Black Mountain Studios in Summer 2023 and produced by Gilla Band's Daniel Fox, it's a collection of turbulent electronic psych-rock shaped by bulldozing motorik synth lines, densely layered guitars, primal percussion, and the cavernous vocals of frontman \u003cstrong\u003eEoin Kenny\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eWhile their highly-praised 2022 debut ‘Maelstrom’ dealt with forces on a larger scale affecting a whole city, \u003cem\u003eField Theory\u003c\/em\u003e explores connections on a smaller, interpersonal scale. The title takes the scientific term Field Theory, which describes how forces interact and influence particles around them, and applies it to the interactions between people, to the space between all of us, how people interact and affect others around them.\u003c\/p\u003e\n\n\u003cp\u003eExpanding on the album’s themes, Melts write: “Like gravity we are drawn to and miss people and like light waves we love people and are loved. We live in orbits of each other, drawn by unseen forces. The album explores these forces, how we relate to each other, the people we live with, and the people we live without. At the heart of \u003cem\u003eField Theory\u003c\/em\u003e lies the realization that we inhabit each other's worlds as much as our own, through a field of wide-ranging forces, as important as the ones keeping the planets in place.”\u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"Clear LP","offer_id":50405176705355,"sku":"2176361","price":23.99,"currency_code":"GBP","in_stock":true},{"title":"Green LP","offer_id":50405178048843,"sku":"2176362","price":17.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50405178343755,"sku":"2176363","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/MELTS_-_Field_Theory_-_Packshot_e04c3597_thumbnail_4096.jpg?v=1726574318"},{"product_id":"mademoiselle-2","title":"Mademoiselle","description":"\u003cp\u003eThe Blackpool-born, Berlin-based outfit The Underground Youth was started in 2008 as the creative project of Craig Dyer and over the years they've gone on to release 10 albums, 4 EPs and establish a devoted global following and cult fan base, continuously built upon by their extensive touring schedule through Europe, Asia and North America. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eMademoiselle\u003c\/i\u003e's lo-fi cinematic psychedelia is arguably the record that set them on this path and solidified their reputation as mainstays of the contemporary neo-psych movement.\u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"Grey LP","offer_id":50413783384395,"sku":"2017081","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Underground_Youth__Mademoiselle_c09c5723_thumbnail_4096.jpg?v=1726677247"},{"product_id":"in-acetate-rsd-2024","title":"In Acetate - RSD 2024","description":"\u003cp\u003e\n                            This product is a Record Store Day exclusive title and is not available to pre-order.\u003cbr\u003e\u003cbr\u003e\n                            To buy in-store: 8am, 20\/04\/2024 (Record Store Day).\u003cbr\u003e\n                            To buy online: 8pm, 22\/04\/2024. (Subject to availability).\u003cbr\u003e\n                            Don’t forget: Click 'Notify Me' to be the first to know about its availability online. It also helps us to place accurate orders so that we can please as many of you as possible on the day.\u003cbr\u003e\n                            \u003c\/p\u003e\u003cp\u003eIn April 2023 Kingston-Upon-Hull outfit The Black Delta Movement released their second studio album \u003ci\u003eRecovery Effects\u003c\/i\u003e, serving up a set of groove-heavy psychedelic rock with TBDM front-man and band-leader Matt Burr backed by Little Barrie's Barrie Cadogan, Lewis Wharton and Tony Coote as his band and The Heliocentrics' Malcolm Cotto on production duties. The 'In Acetate' EP is a companion piece to that record, made up of three bonus tracks from the recording sessions and remixes by trip-hop legends UNKLE and Ill Japonia (a side-project of Bo Ningen's Taigen Kawabe). Following a digital-only release late 2023, it’s now being released on wax as part of Record Store Day 2024.\u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"Red 12\"","offer_id":50413961969995,"sku":"2181527","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Black_Delta_Movement_-_In_Acetate_b093e24d_thumbnail_4096.jpg?v=1726680298"},{"product_id":"manhattan-fire-new-york-city-demos-rsd-2024","title":"Manhattan Fire (New York City Demos) - RSD 2024","description":"\u003cp\u003e\n                            This product is a Record Store Day exclusive title and is not available to pre-order.\u003cbr\u003e\u003cbr\u003e\n                            To buy in-store: 8am, 20\/04\/2024 (Record Store Day).\u003cbr\u003e\n                            To buy online: 8pm, 22\/04\/2024. (Subject to availability).\u003cbr\u003e\n                            Don’t forget: Click 'Notify Me' to be the first to know about its availability online. It also helps us to place accurate orders so that we can please as many of you as possible on the day.\u003cbr\u003e\n                            \u003c\/p\u003e\u003cp\u003e\u003ci\u003eManhattan Fire\u003c\/i\u003e is a collection of demos from prolific Brooklyn outfit The Men, revealing early versions of the tracks that would go on to make up their 2023 LP \u003ci\u003eNew York City\u003c\/i\u003e – described by Pitchfork as “an unpretentious garage-punk racket […] summoning the snottiest ghosts of the city’s punk past.” \u003c\/p\u003e\u003cp\u003eRecorded in mono and with a drum machine by founding members Mark Perro and Nick Chiericozzi over lockdown in late 2020 – before being shelved for the full-band, live-to-tape affair of the final LP – \u003ci\u003eManhattan Fire\u003c\/i\u003e shows a new side to those songs that's even more primitive and rough around the edges, as well as previously unheard tracks that never made it onto the album.\u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"Clear LP","offer_id":50414592131403,"sku":"2181433","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/p_d76512f1-5eb0-4ff7-88f2-165a9434f4b8_1200x1200.jpg_3f82741a_thumbnail_409.webp?v=1726684097"},{"product_id":"rajan","title":"Rajan","description":"\u003cp\u003eAs Night Beats, Texas-born, LA-based artist Danny Lee Blackwell creates music like one might assemble a puzzle. The Western psychedelic auteur builds his work from one moment, an initial spark, that must fit a certain criteria: it must give him goosebumps. If that sensation arrives, Blackwell will pursue the idea relentlessly until he has a new song; if not, he moves onto the next moment, constantly looking for the perfect molecule of a song.\u003c\/p\u003e\u003cp\u003eOn his sixth Night Beats album, \u003ci\u003eRajan\u003c\/i\u003e, the songwriter is at his strongest, creating works that shine with captivating melodies and hypnotic rhythms, but are underscored by subtle choices of craftsmanship that can only be achieved after countless hours in the studio. Blackwell creates a work that lands somewhere between Spaghetti Western film score and psych-pop opus, a career-defining album that reveals much about Danny Lee Blackwell’s artistic philosophy while keeping that ever crucial air of mystery intact.\u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"Red LP","offer_id":50416991797579,"sku":"2021247","price":22.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50416991043915,"sku":"2021244","price":9.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50416991437131,"sku":"2021246","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Night_Beats__Rajan_f8d5ec41_thumbnail_4096.jpg?v=1726713723"},{"product_id":"bang-11","title":"Bang!","description":"\u003cp\u003eItalian group The Gluts are today announcing their new full-length‘Bang!, out May 31st on Fuzz Club. Arriving following 2021’s ‘Ungrateful Heart’ LP, ‘Bang!’ is the fifth studio album from the Milan-based band. “Like the sound of a single gunshot, straight to the heart”, the record is balanced between punchy, fast-paced punk songs and noisy experimentalism, perfectly distilling the strength and energy of their notoriously wild, feedback-blasted live shows. Lead single 'Cade Giù', out everywhere now, is a two-minute blast of searing psych-punk noise. The Gluts say of the typically hedonistic new single: “Cade Giù (‘Falls Down’) is the first song we've ever written and recorded in Italian and speaks about the blurry reminiscences of the typical after party night during the tour, evoking one wild night spent with our friend and booking agent Gab.” The Gluts is made up of Marco Campana (guitarist), Nicolò J. Campana (frontman), Claudia Cesana (bassist) and Dario Bruno Bassi (drummer). To this date, they have released four studio albums, one live album and contributed to a handful of compilations. Over the last few years they’ve toured heavily around Europe, performed shows in South Africa and USA and appeared at a number of independent festivals including New Colossus, The Great Escape, Eurosonic and more.\u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"Yellow LP","offer_id":50421736669515,"sku":"2199380","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Bang_4b8d70a7_thumbnail_4096.jpg?v=1726760017"},{"product_id":"nothin-but-time","title":"Nothin' But Time","description":"\u003cp\u003eNYC-based artist Breanna Barbara’s second album\u003ci\u003e Nothin’ But Time \u003c\/i\u003eis a raw and immersive trip through the sounds of psychedelic rock and blues, anchored by her forceful vocals and unforgettable songwriting. Sporting a sound that feels classic and of-the-moment at the same time, \u003ci\u003eNothin’ But Time \u003c\/i\u003esees Barbara plumb new emotional depths as she bursts through every sonic barrier put in her way. Seeking to create mind-expanding music that’s also firmly rooted in the real, \u003ci\u003eNothin’ But Time\u003c\/i\u003e reflects Barbara’s headlong journey into the world of psychedelic pop by way of hard-driving blues-rock, warped theramin tones and celestial synths.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eNothin’ But Time\u003c\/i\u003e arrives following Breanna’s 2016 debut \u003ci\u003eMirage Dreams\u003c\/i\u003e, a trio of critically acclaimed singles (most recently ‘New Moon’) and a number of collaborations with legendary trip-hop vanguard Tricky. As well as joining his US touring band as lead female vocalist, Barbara also did an official rework of his 'When We Die' track and featured on the 2021 Lonely Guest album, ‘False Idols’. Recorded at Nashville’s Bomb Shelter studio with Andrija Tokic (Alabama Shakes, Hurray For The Riff Raff), the album features musical contributions from Jack Lawrence (The Dead Weather), Tall Juan, Derry DeBorja (Jason Isbell), and Champagne Superchillin’s Ben Trimble and Charles Garmendia.\u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"Clear LP | Rough Trade Exclusive","offer_id":50422776070475,"sku":"1163002","price":23.99,"currency_code":"GBP","in_stock":true},{"title":"Black LP","offer_id":50422775677259,"sku":"1162965","price":22.99,"currency_code":"GBP","in_stock":true},{"title":"Blue LP","offer_id":50422777282891,"sku":"1162966","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/d4a4f75c-5ad2-4d64-8bec-22c44a6aec38_thumbnail_4096.jpg?v=1726766674"},{"product_id":"closure","title":"Closure","description":"\u003cp\u003eCreated under isolation, \u003ci\u003eClosure\u003c\/i\u003e is the fourth album from Brooklyn duo The Vacant Lots and is Jared Artaud and Brian MacFadyen’s most fully realised work to date. On Fuzz Club Records, the record packs 8 minimal is maximal salvos into 23 minutes that coalesce into a stun-blast soundtrack for today’s shattered society. New York City’s artistic skyline may have changed immeasurably since the last century, yet the minimalist post-punk\/synth-pop duo vividly gouge into the city’s immortal outsider spirit and underground cultural tropes, set against a pulsating backdrop of modern apocalypse.\u003c\/p\u003e\u003cp\u003eLaced with evocatively concise and lacerating lyrics delivered detached and deadpan, ‘Closure’s spine-chilling onslaught of towering guitar shrapnel, ethereal metallic synth melodies and cold electronic turbulence comes infused with shades of New Order and Jesus And Mary Chain; the kind of modern disco and post-punk grooves that pillaged New York clubs in the 80s. Inevitably, the penetrating spirit of New York electronic trailblazers Suicide haunts the new record with its subterranean gravitational pull, having previously manifested physically when the two-piece befriended the late Alan Vega – leading to collaborations, support spots and Artaud now co-curating the ‘Vega Vault’ of unreleased material and co-producing and mixing the 2021 lost\u003ci\u003e Mutator\u003c\/i\u003e LP. \u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"Clear | LP","offer_id":50424660197707,"sku":"1160224","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"White LP","offer_id":50424663179595,"sku":"1160222","price":22.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50424662622539,"sku":"1160221","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/d65d4ccc-780c-4293-aa9d-e9f99a717680_thumbnail_4096.jpg?v=1726781167"},{"product_id":"new-york-city","title":"New York City","description":"\u003cp\u003e\"When everyone left NYC, the sewer opened and we crawled out.” Prolific Brooklyn institution The Men return with their ninth studio album, \u003ci\u003eNew York City\u003c\/i\u003e. Arriving following 2020’s \u003ci\u003eMercy\u003c\/i\u003e, the new LP on the group’s new label home Fuzz Club Records and marks a return to the more scuzzy and abrasive rock ploughed over their decade and a half spent coursing through the grimy sewers of NYC. Here, nocturnal proto-punk meets a timeless, all-guns-blazing rock’n’roll gusto. \u003c\/p\u003e\u003cp\u003eThat the album leans into a more primitive, back-to-basics sound owes largely to the way in which was forged, an earlier version of the record scrapped in favour of four people playing in a room together. “The New York City album was revised, reorganized and shaped until it became clear that things fall into place like the hammer driving the nail or the scythe's swipe through the tall grass.” The end result is a series of cuts played live and recorded to 2\" tape in Travis Harrison’s (Guided By Voices, Built To Spill) Brooklyn studio.\u003c\/p\u003e\u003cp\u003e‘New York City’ is a record that doesn’t stop moving for a second, packed full of the kind of energy you can only really capture in a live setting. “These songs became the blood of the band as the band could only exist for and of these songs. There was no place else to hang their hats. Without making this record, the group would not exist, so there really wasn't another option. NYC is fluid. It means a lot of different things to all kinds of people. 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In 1990, a young American band, full of a precise kind of noise and darkness, were special guests on the US tour being undertaken by a group who had noise and darkness, poise and catharsis of their own. The young band: Nine Inch Nails. Those headliners: The Jesus and Mary Chain. Almost thirty years later, an invitation was extended. Would the Reid brothers care to reverse the roles and open for Nine Inch Nails on their own North American tour? Trent Reznor had been a fan of the Mary Chain, and influenced by them since hearing 'Psychocandy', so it felt a good fit and the Reid brothers accepted.\u003cbr\u003e\u003cbr\u003eThe resulting tour ended with a run of six shows at LA’s Hollywood Palladium and the seventeen tracks captured on the ‘Sunset 666’ double album were recorded from the desk on two of those nights. Twelve songs are from the final show, December 15, the full set that night in sequence, meaning the show began with the here-we-f*cking-go drums of ‘Just Like Honey’ and ended with the ferocious euphoria of an eight-and-a-half minute ‘Reverence’. The rest are taken from the December 11 show and serves almost as a mini-showcase of the ‘Automatic’ album, featuring versions of ‘Blues From A Gun’, ‘Between Planets’ and ‘Halfway To Crazy’.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"71\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\"\u003e\n\u003ccolgroup\u003e\u003ccol width=\"71\"\u003e\u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr height=\"20\"\u003e\n\u003ctd width=\"71\" height=\"20\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Fuzz Club","offers":[{"title":"Black LP","offer_id":50426257080651,"sku":"2030072","price":32.99,"currency_code":"GBP","in_stock":true},{"title":"Red LPx2","offer_id":50426257408331,"sku":"2030073","price":31.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50426256752971,"sku":"2030069","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Sunset_666_Live_at_Hollywood_Palladium_d3434b49_thumbnail_4096.jpg?v=1726805853"},{"product_id":"good-time-2","title":"Good Time","description":"\u003cp\u003e\u003cem\u003eGood Time\u003c\/em\u003e is the debut album from Austin, TX noise-pop band \u003cstrong\u003eDaiistar\u003c\/strong\u003e via Fuzz Club. Creating a narcotic blend of noise and melody, the band takes their inspiration from the neo-psychedelic era of the 80s and 90s and pull it into the future with modulating synthesisers, heavy guitars, bouncing bass lines, and spiralling hooks.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eGood Time\u003c\/em\u003e was produced by The Black Angels' Alex Maas and engineered by James Petralli of White Denim. Made up of Alex Capistran (guitar\/vocals), Nick Cornetti (drums), Misti Hamrick (bass) and Derek Strahan (keys), \u003cstrong\u003eDaiistar\u003c\/strong\u003e formed in the spring of 2020, just weeks before the pandemic started.\u003c\/p\u003e\n\n\u003cp\u003e\"To us, these songs were a glimmer of light\", Capistran says: \"Starting a band at the peak of the pandemic to some might seem ill-timed, but to us it was a way to escape for a moment. There was something to look forward to and we kept our heads in the future. These songs guided us through some dark times and hopefully they can do the same for you. \u003cem\u003eGood Time\u003c\/em\u003e is here.\"\u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"Orange LP","offer_id":50426573979979,"sku":"2045612","price":22.99,"currency_code":"GBP","in_stock":false},{"title":"Neon Orange \/ Green Swirl LP","offer_id":50426574176587,"sku":"2219024","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50426573521227,"sku":"2045611","price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Good_Time_8efd5f7f_thumbnail_4096.jpg?v=1726813375"},{"product_id":"dust-moves","title":"Dust Moves","description":"\u003cp\u003e\u003ci\u003eDust Moves \u003c\/i\u003eis the new full-length album from Saarbrücken, Germany-based duo Pretty Lightning. Since forming over a decade ago, the band are now on their fifth full-length, have toured around the UK and Europe on numerous occasions and shared stages with the likes of Moon Duo, Clinic, Kikagaku Moyo and Night Beats, among many others. Arriving following their 2020 LP ‘Jangle Bowls’, \u003ci\u003eDust Moves\u003c\/i\u003e is the band’s first fully instrumental record and offers up a cinematic journey through meandering desert blues, strung-out psych-rock and widescreen, hypnotic drones. \u003c\/p\u003e\u003cp\u003e“We´ve been thinking about recording an instrumental album for a while because we particularly like the fluid movement it can create”, the band say, citing contemporary instrumental artists like 75 Dollar Bill and Bobby Lee as influences alongside library music and the experimental synths of Mort Garson or Syrinx. “Even if these can be considerably different in genre or style, they can share a similar mood, it’s somehow about ‘sound’ rather than ‘song’.” “Making this record always felt a bit more like sound explorations, less like writing songs”, they continue: “We focused on using new instruments like the mellotron, a self-made “box of creepy tricks” and making guitars sound like they were actually not guitars. \u003c\/p\u003e\u003cp\u003eWords or lyrics would have just had a restrictive effect here and that wasn´t what we were aiming at. In this manner, the songs on this record resulted from jams and evolved into repetitive and simply flowing instrumental pieces. 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Succumbing to a hard-drive crash nearly a decade ago, the sessions were presumed lost and soon forgotten, until now. Miraculously rescued from the digital ether and finished by founding member Stephen Lawrie in his own studio over the pandemic, the album is now finally set for release via Fuzz Club and reveals another side to where The Telescopes were at in 2013.\u003c\/p\u003e\u003cp\u003eWhere their physical output at the time mostly consisted of experimental noise improvisations, so far removed from any obvious structure, \u003ci\u003eGrowing Eyes Becoming String\u003c\/i\u003e shows how The Telescopes – Lawrie backed by London experimental unit One Unique Signal – were actually creating more song-based music in a parallel existence. Across its seven tracks are all the trademarks of quality that longtime fans associate with The Telescopes’ music. 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Though tapping into the same transcendental minimalism of bands like Neu!, Suicide and Faust, 10 000 Russos have a sound that is solely their own: João Pimenta's machine-like percussion and brooding vocal drawls sound like a cyborg Mark E. Smith drearily narrating the end-of-times atop the abrasive guitar manipulations and experimental loops of Pedro Pestana and driving, motorik basslines that are seemingly summoned from the most depraved corners of André Couto’s psyche. That’s been 10 000 Russos ever-evolving template for many years and on \u003ci\u003eKompromat\u003c\/i\u003e it’s amped up tenfold and delivered with a new-found urgency. Taking its name from the Soviet-era Russian term for ‘compromising material’ gathered on politicians and business owners as leverage to blackmail and coerce, the monolithic drones heard on \u003ci\u003eKompromat\u003c\/i\u003e hint at a two-fold revolution – a subconscious upheaval, as well as a socio-political one. 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Following years of international touring and a lengthy list of critically-acclaimed collaborations with Brian Jonestown Massacre’s Anton Newcombe in recent years (most recently the duo’s self-titled 2018 LP), the new album is Parks’ first full-length solo offering since her much-loved debut album, \u003ci\u003eBlood Hot\u003c\/i\u003e, was released back in 2013 on Alan McGee’s 359 Music label.\u003c\/p\u003e\u003cp\u003e“In my mind, this album is like hopscotch”, Parks says: “These songs were pieced together over time in London, Toronto and Los Angeles with friends and family between August 2019 and March 2021. So many other versions of these songs exist. The recording and final completion of this album took over two years and wow - the lesson I have learned the most is that words are spells. If I didn’t know it before, I know it now for sure. 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The underground hit was the first song released by Dead Skeletons – comprising Jón, Henrik Björnsonn (Singapore Sling), Ryan Carlson and Aislinn Van Kriedt (Asteroid #4) – and laid out the band’s intentions from the off: to use music as a means to inspire people to celebrate and cherish life unshackled from fears and anxieties over their mortality. “I created the DEAD concept in 2003 as an idea to use art as a therapy to overcome the fear of death and to enjoy life to the fullest. 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Dealing in a hypnotic blend of neo-psychedelia, post-punk and new wave, The Third Sound is a Berlin-based band led by the Icelandic musician Hákon Aðalsteinsson, who is the guitarist in Brian Jonestown Massacre and formerly played in the cult rock’n’roll outfit Singapore Sling. A mainstay of the European psych underground in his own right, not just through his collaborations with the likes of Anton Newcombe and Tess Parks, The Third Sound has been Hakon’s primary solo endeavour since the release of his self-titled debut on Newcombe’s A Recordings a decade ago.\u003c\/p\u003e\u003cp\u003eArriving following 2018’s \u003ci\u003eAll Tomorrow’s Shadows\u003c\/i\u003e LP, \u003ci\u003eFirst Light\u003c\/i\u003e marks an evolution into a brighter and at times uplifting sound. 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It arrives following their 2016 LP, \u003ci\u003eShip Of Fools\u003c\/i\u003e, and a number of recent side-projects and collaborations, such as the Acid House Ragas project and new band Mien with members of The Horrors and The Black Angels. The first Elephant Stone record made in frontman and sitarist Rishi Dhir’s own Sacred Sounds studio, \u003ci\u003eHollow\u003c\/i\u003e is an ambitious, dystopian sci-fi concept album which he says is inspired by The Who’s \u003ci\u003eTommy,\u003c\/i\u003e Pretty Things’ \u003ci\u003eS.F, Sorrow\u003c\/i\u003e and the second side of The Beatles’: “There are a lot of unhappy people out there who are trying to find a way out. They are looking for meaning and something to believe in… or nothing to believe in. We all want the same thing but are trying to achieve it in different ways. With this in mind, I set forth writing a song-suite telling of a world of unhappy souls who have lost connection with each other.” \u003c\/p\u003e\u003cp\u003eFrom Side A (‘The Beginning) though to Side B (‘The Ending’), the story told through Elephant Stone’s renowned garage-psych alchemy takes place immediately after mankind’s catastrophic destruction of the Earth and what happens when the same elite responsible for the first world-destroying climate disaster touch down on New Earth, a recently-discover planet sold with the same life of prosperity as the one they’d just destroyed. As soon as the chosen few step off the Harmonia ship built for the journey, it’s clear that all is not what it seems and humanity appears destined to make the same mistakes: “The storyline touches upon the plundering\/poisoning of their home, the elite, demagogues, false idols, the truth as seen by children, and, ultimately, the fight for the survival of their species.”\u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"White | LP","offer_id":50457203343691,"sku":"1082897","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/1673ed08-5ed4-4c07-a6f2-dce0fbdda322_thumbnail_4096.jpg?v=1727203821"},{"product_id":"beautiful-and-damned","title":"Beautiful and Damned","description":"\u003cp\u003eFuzz Club Records are reissuing the \u003ci\u003eBeautiful and Damned\u003c\/i\u003e EP from The Underground Youth, the Blackpool-born and now Berlin-based band led by musician, poet and author Craig Dyer. A homage to the F. Scott Fitzgerald book of the same name, the 4 track EP confirmed Dyer’s obsession for the darker side of literature and poetry of the last two centuries, as well as his early DIY approach. Rigorously recorded in the band’s home studio with the help of producer James Shillito in early 2014, \u003ci\u003eBeautiful and Damned\u003c\/i\u003e acted as a preview to their 2015 \u003ci\u003eHaunted\u003c\/i\u003e LP. It was the first TUY material featuring synth and electronic equipment and also represented a significant shift to a much darker sound and lyrical content, as anticipated by their first single\/video ‘Naked’ – a fan-favourite to this day that exhibits a perfect encounter between the atmospheres of the Cocteau Twins and the early Creation Records sound. \u003c\/p\u003e\u003cp\u003eTracklist: 1) Behind 2) Damned 3) Naked 4) Shadow \u003cbr\u003e \u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"Yellow LP","offer_id":50457470959947,"sku":"1131836","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/69109875-bdc8-448b-9f70-72a53cb4e5db_thumbnail_4096.jpg?v=1727205700"},{"product_id":"heads","title":"Heads","description":"\u003cp\u003eStaples of the Scandinavian psychedelic underground since they formed back in 2008, Helsinki's Black Lizard are returningwith their fourth album Heads, following 2018’s \u003ci\u003eCelebration Of A New Dawn\u003c\/i\u003e, several tours around Europe, collaborations with Anton Newcombe and Sonic Boom, and shared stages with the likes of Brian Jonestown Massacre, DIIV, Allah-Las, The Horrors and many more. \u003c\/p\u003e\u003cp\u003eTalking about the record, their first piece of new music in four years, BlackLizard said: “We have been working on \u003ci\u003eHeads\u003c\/i\u003e for the past few years, taking our time. The main theme on this record is going forward in life and getting better. From the more 60s psych of \u003ci\u003eCelebration Of A New Dawn\u003c\/i\u003e we’ve gone for a more straight-up garage-rock sound on this one.” The resulting LP sees raw, fuzzy guitars combine with infectious echo-soaked vocals and driving rhythm sections to create a record that trades in a timeless rock’n’roll hedonism.\u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"Blue | LP","offer_id":50457561039179,"sku":"1153058","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/b3b51e49-5bb9-4b88-b87d-8aee544a682b_thumbnail_4096.jpg?v=1727206382"},{"product_id":"ease","title":"Ease","description":"\u003cp\u003eArriving seven years on from their 2014 debut album \u003ci\u003eShips Will Come\u003c\/i\u003e, Warm Graves (the moniker of Leipzig-based composer Jonas Wehner) return with their second studio album, \u003ci\u003eEase\u003c\/i\u003e, on Fuzz Club Records. This seven-year gestation between the two albums brings with it a transformation in the creative process of Warm Graves, much like the human body exchanges its cells every seven years – our human bodies being both the same and wholly other. \u003cbr\u003e\u003c\/p\u003e\u003cp\u003eWhere 2014’s \u003ci\u003eShips Will Come\u003c\/i\u003e dealt in ethereal, dream-like atmospherics guided by an operatic choir, \u003ci\u003eEase \u003c\/i\u003eoffers a collection of harsher, more experimental electronic works touching on dark ambient drone, austere coldwave and synthesised kosmische musik. The transitions in this new album are more violent than before, expressing the difficult personal and social upheavals of its composition period. The choir is now absent and Wehner’s own voice assumes a more central, hypnotic stance. 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Since 2007 the British band have been leaving a trail of sonic fever dreams, dark psychedelia and experimentalism that beats with a heavy industrial heart and the latest LP sees them conjuring their heaviest and most adventurous work to date. Channelling recent limitations and turning them to their advantage, Cult of Dom Keller found themselves radically altering their creative approach and morphing their sound into a whole new beast. 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Where Wood’s work in The KVB (Invada Records) trades in minimalist post-punk\/coldwave, the Manchester-based artist’s solo material under the Saccades moniker is an exercise in escapist psychedelic pop. On \u003ci\u003eFlowing Fades\u003c\/i\u003e we find a world of blissed-out synths, languid carefree guitars, dreamy vocals and influences that range from J.G. Ballard and Serge Gainsbourg to 80s dream pop and yacht-rock.\u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"Clear | LP","offer_id":50460831154507,"sku":"1119678","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/3c99f874-b16c-4c9a-a075-79dc5d6ac059_thumbnail_4096.jpg?v=1727238922"},{"product_id":"a-different-place","title":"A Different Place","description":"\u003cp\u003eFrom euphoria to despair, Dead Rabbits' new album \u003ci\u003eA Different Place\u003c\/i\u003e – the Southampton-based first album since 2016's \u003ci\u003eEverything Is A Lie\u003c\/i\u003e – takes you on a journey through the ups and downs of the day-to-day. Over three years of cancellations, disappointment and disillusion, global events made the album's creation more difficult than anyone could've imagined. \u003c\/p\u003e\u003cp\u003eAll hurdles overcome, Dead Rabbits' fourth studio LP sees them return with their own brand of heavy-hitting psychedelic rock. From soft velvet sounds to the raw and explosive, electronic undertones supplement a wall of guitars. \u003c\/p\u003e\u003cp\u003eOn \u003ci\u003eA Different Place\u003c\/i\u003e, vocalist and guitarist Tom Hayes says: \"I wanted to create an album that takes the listener somewhere else. Musically I wanted to create something that captures how we as a band actually sound. But within that, each song tells a different story and the music compliments them. I took a reflective look into my mental health. Highlighting just how fine the line is between successes and failures. Typically, external words and actions encourage a greater positive outcome. That's how it works for me, hopefully listeners can feel where I'm coming from.\"\u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"Red | LP","offer_id":50464927416651,"sku":"1162105","price":20.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/b5274d13-0904-42fb-99d2-fad8f329756c_thumbnail_4096.jpg?v=1727280266"},{"product_id":"live-at-valentine","title":"Live At Valentine","description":"\u003cp\u003eNight Beats is the brain-child of Native Texan Danny Lee Blackwell. The soundtrack of a generation, the band’s R\u0026amp;B inspired Western Psychedelic sound is a reckoning, a shoot-out at dawn, the ear-splitting peel-out that leaves nothing but a cloud of red dust in its wake. Through the years Night Beats has garnered a reputation as one of the finest purveyors of contemporary rock’n’roll around. It seems fitting therefore that they should record a set of material live at Los Angeles Valentine studios in March 2021 especially for RSD 2022. Get ready for some of the finest psychedelic and R\u0026amp;B-infused garage-rock sounds around.\u003cbr\u003e\u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"LP","offer_id":50465340981579,"sku":"1145678","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/40961b3f-c346-4422-ab60-412006a60336_thumbnail_4096.jpg?v=1727286700"},{"product_id":"ithkuil","title":"Ithkuil","description":"\u003cp\u003eFive years on from their 2018 debut album 'Great Vowel Shift', Lviv, Ukraine-based krautrock outfit Sherpa The Tiger are now returning with their second album, 'Ithkuil, via Fuzz Club Records – with 100% of the profits from the release going to the band to help support them during the war. Where their previous work was centred around vintage synths, minimal ambient and neon-lit kraut-disco grooves, ‘Ithkuil’ sees Sherpa The Tiger explore more expansive and layered structures and compositions – incorporating intricate guitars, flute, arpeggiators and jazzy piano references, alongside an array of other elements that originate from a broad spectrum of past and present music genres. \"This album bears the name of ‘Ithkuil’ for a reason\", the band state: \"Like the language we borrowed the title from, the sound of the record has a lot of levels, layers, and orchestral nuances. We consider this album and its pieces a single journey. Every track of the LP works as a mandatory stop for contemplation and reflection that happens on the route of the listener.” \u003c\/p\u003e\u003cp\u003eSherpa The Tiger began working on the new material in 2019 during their EU live shows in support of ‘Great Vowel Shift’ and chalk the more textured and cinematic results down to a more collaborative approach. “We wanted to rethink the Krautrock heritage explored on our last album and made a clear stylistic shift that was determined by a totally different approach to our music-making. The tunes on ‘Great Vowel Shift’ were cooked in a sort of live-looping mode with two musicians jamming. This time, with ‘Ithkuil’, the process of creation was shared among 4 musicians, and that approach had a great impact on the final result.” Several years in the making and now released against a backdrop of war and invasion in their home country, ‘Sherpa The Tiger’ say that ‘Ithkuil’ acts as a snapshot of pre-war times: “Since the war caught us in the middle of planning the release as opposed to creating the music itself, the album can be perceived as a wistful reminder of the pre-war life that doesn’t seem to be coming back. The life we actually experienced but lost any recollection of and which we are desperately trying to bring back through the music created by the other us now dwelling in an absolutely different reality.\"\u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"LP","offer_id":50466189541707,"sku":"2014426","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Sherpa_The_Tiger__Ithkuil_d418c4b4_thumbnail_4096.jpg?v=1727307955"},{"product_id":"taste-30-anniversary-edition","title":"Taste (30 Anniversary Edition)","description":"\u003cp\u003eEvery so often, an album appears from out of nowhere that will create a devastating impact on the future. One of those records was \u003ci\u003eTaste,\u003c\/i\u003e the 1989 debut album from The Telescopes now reissued by London-label Fuzz Club to celebrate its thirtieth anniversary. Hailing from Burton-On-Trent, an industrial UK town in the heart of the Midlands, if you were a regular gig-goer from that part of the world around that time you’ll have already seen this five-piece share stages with the likes of Primal Scream and My Bloody Valentine or, if not, touring around the UK with Spacemen 3 and The Jesus and Mary Chain. The Telescopes’ live shows were often a memorably ferocious affair; the primal scream of vocalist and founder Stephen Lawrie cutting through unsuspecting audiences like butter through a knife, aided and abetted by the two-guitar assault and taut rhythm section of his band. \u003c\/p\u003e\u003cp\u003eFollowing their fast-rising notorious live reputation and the release of three singles (the first of which being a split flexi-disc with Loop), The Telescopes released their debut album,\u003ci\u003e Taste,\u003c\/i\u003e in 1989 on the now defunct What Goes On label. It was an unrefined bolt out of the blue. A sonic feast capable of transforming from visceral to tranquil in a matter of seconds. Even now, listening to blissful opener \u003ci\u003eAnd Let Me Drift Away\u003c\/i\u003e as it melts into the brutal \u003ci\u003eI Fall, She Screams\u003c\/i\u003e sends shivers up the spine. There’s little respite for the rest of side one, \u003ci\u003eOil Seed Rape\u003c\/i\u003e thuds and groans, then \u003ci\u003eViolence\u003c\/i\u003e follows suit. All scratchy guitars that sound as if they were designed primarily to bludgeon senses. \u003ci\u003eThreadbare\u003c\/i\u003e then \u003ci\u003eThe Perfect Needle\u003c\/i\u003e – the only single taken off the album – bringing the first half to an uneasy close.\u003c\/p\u003e\u003cp\u003eThe second side kicks off with \u003ci\u003eThere Is No Floor\u003c\/i\u003e, an ode to Roky Eriksson via My Bloody Valentine’s\u003ci\u003e Feed Me With Your Kiss\u003c\/i\u003e that ultimately merits its mention alongside both. \u003ci\u003eAnticipating Nowhere\u003c\/i\u003e is the sound of punk rock had it not jumped on the nostalgia gravy train instead, while the sinister\u003ci\u003e Please, Before You Go\u003c\/i\u003e finds both Lawrie and Doran at their vocally harmonious finest. \u003ci\u003eSuffocation \u003c\/i\u003ecaptures the ferocious demeanour of their live show while \u003ci\u003eSilent Water \u003c\/i\u003etells its own desolate tale of being buried at sea as a halo of pedal infused noise engulfs Lawrie’s vocals forthwith. Culminating in \u003ci\u003eSuicide\u003c\/i\u003e, the traditional ending to their live set at this juncture, its continuous loop only bringing the song to a conclusion at the listener’s command. Three decades have passed since its release yet \u003ci\u003eTaste \u003c\/i\u003estill sounds like nothing else created before or after. Comes on coloured vinyl with a booklet of photos from the era Andnew liner notes reflecting on the album's legacy.\u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"Purple | LP","offer_id":50466772287819,"sku":"1072157","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/753a2bd5-15d8-49f5-bbac-88be458e2455_thumbnail_4096.jpg?v=1727320826"},{"product_id":"in-limerence","title":"In Limerence","description":"\u003cp\u003e\u003ci\u003eIn Limerence\u003c\/i\u003e is the second album from London-based trio Black Doldrums. Co-produced by Theo Verney (English Teacher, TRAAMS, Egyptian Blue), and released on Fuzz Club. Seeking a cleaner, more direct sound that still captured the whirlwind intensity of their live shows, Black Doldrums' familiar darkwave and shoegaze influences are contrasted here against breezy, shimmering \"goth-pop\" moments. The follow-up to their 2022 debut album \u003ci\u003eDead Awake\u003c\/i\u003e stays true to the band's spirit whilst pushing things forward in a way that feels timeless and more meaningful, and brings with it a newfound clarity and lyrical honesty. Delving into themes of regret, loneliness, confusion and obsession, it's little wonder that the album title is \u003ci\u003eIn Limerence\u003c\/i\u003e – a state of intense, all-consuming romantic longing. The band (comprised of founding members Kevin Goddard [guitar\/vocals] and Sophie Landers [drums] alongside new bassist Daniel Armstrong) say of the new album: \"There is a constant theme of trying to find happiness in a confusing modern world. In a time of protest, this album is itself a protest by expressing how to feel in such a world.\"\u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"Blue LP","offer_id":50466852667723,"sku":"2216577","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/5060978394537_6dabac11_thumbnail_4096.jpg?v=1727325696"},{"product_id":"low-slow-needle","title":"Low Slow Needle","description":"\u003cp\u003eTo celebrate its ten-year anniversary, Fuzz Club Records are reissuing The Underground Youth’s 2011 \u003ci\u003eLow Slow Needle\u003c\/i\u003e EP on 10” vinyl with remastered audio. ‘Low Slow Needle’s hauntingly minimal, neo-psychedelic melancholy provides a more lo-fi snapshot of the now-Berlin-based band’s earlier days – when The Underground Youth was more of a DIY solo endeavour for Blackpool-born musician Craig Dyer, as opposed to the much-adored, full-band, international touring force that it is now. Looking back on \u003ci\u003eLow Slow Needle\u003c\/i\u003e, Dyer said: “The EP was recorded in September 2011, I had just returned to the UK from St. Petersburg where Olya [now drummer in The Underground Youth] and I had just got married. Olya had to stay in Russia to finalise her paperwork before we would move into our first home together in Manchester. It was a difficult time, being apart after just getting married, and so I distracted myself by working on these songs that would become the \u003ci\u003eLow Slow Needle \u003c\/i\u003eEP. It was sort of my love letter to that period, looking back and also looking to the future. I worked closely with mine and Olya's friend in St. Petersburg, Daria Xenofontova, who gave her beautiful voice to my words and featured on three of the most popular songs on the EP, \u003ci\u003eMidnight Lust, Addiction \u003c\/i\u003eand\u003ci\u003e Blue\u003c\/i\u003e. These three songs still remain popular with our fans, who still request we play them live to this day.” \u003c\/p\u003e\u003cp\u003eWhen compared with the cinematic folk-noir heard on the band’s tenth album, the newly-released \u003ci\u003eThe Falling\u003c\/i\u003e (2021), what we find here captures a more stark and stripped-back The Underground Youth as the project was about to come out of its embryonic phase: “All five tracks were recorded in my bedroom and I really wanted to strip back the sound, to give a romantic feel of that period for me. To consider it 10 years on, it feels like the beginning to the next step of the journey, my life in Manchester with Olya, making contact with Casper at Fuzz Club and signing up with the label (this came just after the release of Low Slow Needle) and us putting together the first incarnation of TUY's live band (again this followed the release of the EP). So, in a way, this record marked the end of the first era of The Underground Youth, and in doing so, paved the way for the next.”\u003c\/p\u003e\u003cp\u003eTracklist: 1) Midnight Lust 2) On Your Screen 3) Addiction 4) Blue 5) Witchcraft \u003c\/p\u003e","brand":"Fuzz Club","offers":[{"title":"Green LP","offer_id":50466866594123,"sku":"1131838","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/98e14e00-e110-44a6-927d-d9c354ced764_thumbnail_4096.jpg?v=1727326885"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/collections\/test_7a0e05f8_thumbnail_4096_df1a3308-a0fc-4efa-9993-9aed29e3ed54.jpg?v=1725282612","url":"https:\/\/shop.roughtrade.com\/collections\/fuzz-club-1.oembed","provider":"Rough Trade","version":"1.0","type":"link"}