{"title":"Goner","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eGoner is an independent punk garage rock record label and record store based in Memphis, Tennessee, USA. Co-owned by Eric Friedl and Zac Ives, Goner has established itself as a prominent force in the underground music scene.\u003c\/p\u003e\n\u003cp\u003eWith a focus on raw and energetic music, Goner has become known for its roster of talented artists who push boundaries and challenge conventions. From *The Oblivians* to *Jay Reatard*, Goner has consistently released groundbreaking albums that have garnered critical acclaim.\u003c\/p\u003e\n\u003cp\u003eIn addition to being a record label, Goner also operates a physical store where music enthusiasts can discover and purchase vinyl records from both local and international artists. The store serves as a hub for the vibrant Memphis music community, hosting live performances and events that celebrate the spirit of independent music.\u003c\/p\u003e","products":[{"product_id":"clastic-rock","title":"Clastic Rock","description":"\u003cp\u003eWhether it was fear of the trademark bogeyman emerging from small-hours infomercial hell or it was just time for a change, but the artist(s) formally known as Thigh Master is now Dippers. As they put singles and an album or two behind them, most guitar pop groups tend to shed any rough edges, exuberance, energy, propulsion and other associated special elements in the name of “maturity,” “increased focus on songwriting,” and other concerns that basically translate to a prolonged yawn. Thigh Master was always a strident, more rambunctious proposition, and this is carried over 150% to Dippers. For the first album under said moniker, (Thigh Master) founder and leader Matthew Ford (vocals, guitar, drums, bass, synth, percussion) is again joined by Innez Tulloch (vocals, guitar, keys, synth, bass, melodica), who is now Ford’s principle songwriting partner. Longtime Thigh Master collaborator Dusty Anastassiou (Dag, Permits) provides some guitar action on a handful of tracks. Dippers’ 2023 full-length, Clastic Rock for Goner Records, doubles down on Ford and crew’s supernatural skill at something possessed by only a tiny handful of very special entities that exist under the voluminous banner of indie-jangle \/ pop: immediacy. The album is filled with stop-start dynamics that work to create hooks within hooks (a trick at which this band excels). Like a lot of new favorite albums, this one was recorded and conceived of (at least partially so) during the pandemic lockdowns. Though, if one sifts through the Thigh Master discography, one might notice that sporadic home recording sessions are not a new concept to the group. The intervals of ragged, jangly guitar riffs interspersed with waves of sonic mischief pulls from the sounds of stylistic historical royalty such as Television Personalities, pre-bizarro Wedding Present and the scrappier of C86 \/ Rough Trade \/ Postcard Records quantities, classic Flying Nun (namely The Verlaines, The Bats, The Chills, 3Ds, Look Blue Go Purple) and the ’80s \/ ’90s groundwork laid by fellow Aussies The Go-Betweens, The Moles, The Cannanes, and the early years of Half-A-Cow Records (Smudge, Sneeze, The Plunderers, etc).\u003c\/p\u003e","brand":"Goner","offers":[{"title":"Black LP","offer_id":50393341559115,"sku":"2047152","price":32.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Clastic_Rock_7a37e602_thumbnail_4096.jpg?v=1726415515"},{"product_id":"harahan-fats","title":"Harahan Fats","description":"\u003cp\u003eGoner Records is honored to release \u003ci\u003eHarahan Fats\u003c\/i\u003e, an extraordinary posthumous album by King Louie Bankston (December 18, 1972 - February 12, 2022). The collection showcases an American artist at the pinnacle of his musical and personal identity. An aural roadmap to South Louisiana that’s imbued with personal mythologies and blurry, beer-soaked and drug-skewed memories, \u003ci\u003eHarahan Fats\u003c\/i\u003e was recorded over a four-year period that culminated in mid-October 2021. \u003c\/p\u003e\u003cp\u003eAs co-founder and drummer of the Royal Pendletons, Bankston recorded with power-pop legend Alex Chilton. He picked up a Gibson Flying V for his work in Bad Times, a garage rock supergroup that Bankston helmed alongside Eric Oblivian and Jay Reatard. In the 1990s, Bankston channelled his energy into bands like the Persuaders, Intelligenitals, the Clickems, Harahan Crack Combo, and Gerry And The Bastard Makers. \u003c\/p\u003e\u003cp\u003eAt the dawn of the new century, he founded the legendary King Louie One Man Band. In 2000, Louie pulled up stakes in New Orleans and moved to Portland, Oregon, where he joined the power-pop punk band The Exploding Hearts. Bankston wrote many of the songs and played keyboards on their only album, the highly acclaimed Guitar Romantic, released mere weeks before three members of the band were killed in a van wreck, and recently reissued by Third Man Records. Bankston then landed in Memphis, where he formed the Loose Diamonds, a ramshackle bar band, with Jack Oblivian, Harlan T. Bobo, and Gary Wrong. With guitarist Julian Fried, he formed Missing Monuments and Black Rose Band, founded a New Orleans biker-rock band called Kondor with Mr. Quintron, and reconnected with Exploding Hearts guitarist Terry Six for Terry And Louie.\u003c\/p\u003e","brand":"Goner","offers":[{"title":"Black LP","offer_id":50394904985931,"sku":"2056839","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Harahan_Fats_5cade2cf_thumbnail_4096.jpg?v=1726450034"},{"product_id":"psyche-o-billy","title":"Psyche-O-Billy","description":"\u003cp\u003eFrom his first self-released album in 2001, through sixteen more, over thirty singles, and collaborations with the likes of King Khan, Mark Sultan, Jon Spencer, Deke Dickerson, and the 5.6.7.8’s, Bloodshot Bill has parlayed his unique blend of rockabilly, R\u0026amp;B, and garage rock into feverishly prolific productions that tap into the very roots of mutant rock’n’roll. As his reputation has grown, Bloodshot Bill has been deemed a rockabilly wildman, a primitive, a seminal punk, a throwback to the wild ’50s, and the deranged spirit of psychobilly madness. His latest album, Psyche-o-Billy, on Goner Records, exudes raw energy and authenticity via a frenzied, stripped down soundscape that defies all rules and descriptions. Written during the COVID-19 pandemic and recorded at Bloodshot Bill’s home studio in Montréal, Québec, Psyche-o-Billy is equal parts joyous, moody, plaintive, searching, and deeply steeped in that old weird America documented via the otherworldly tunes captured on Harry Smith’s Anthology Of American Folk Music. “My music is for weirdos,” Bloodshot Bill confirms. “I want ‘em to feel good...or bad… Whatever way they wanna feel!” “Like Roy Orbison with a head injury!” —John Waters\u003c\/p\u003e","brand":"Goner","offers":[{"title":"Black LP","offer_id":50429140992331,"sku":"2162693","price":32.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Psyche-o-Billy_af1b493c_thumbnail_4096.jpg?v=1726837851"},{"product_id":"go-the-hack","title":"Go The Hack","description":"\u003cp\u003eThe band debuted on wax almost 30 years ago and since then have become an Aussie punk \/ pub rock institution, touring the globe and influencing a generation of Seattle musicians (Mudhoney, the Melvins and Pearl Jam among them) in the process. 1989's \u003ci\u003eGo The Hack\u003c\/i\u003e was Dirty's last foray with the band and featured the killer single, 'Lost Cause'. \u003cbr\u003e\u003c\/p\u003e","brand":"Goner","offers":[{"title":"Black LP","offer_id":50429767024971,"sku":"2199441","price":29.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50429769285963,"sku":"367257","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/1d4dfb9c-a04e-4e3b-b62f-9423928407a2_thumbnail_4096.jpg?v=1726841390"},{"product_id":"song-machine-2","title":"Song Machine","description":"\u003cp\u003eIn a just world, \u003ci\u003eSong Machine\u003c\/i\u003e, the fifth full-length album from The Exbats, which arrives via Goner Records, would become one of the most-loved and most-listened to albums of the 2020s. With the thirteen-track album, the Bisbee, Arizona-based band further their analog back-to-the-future combination of the Shangri-Las and pre Velvet Underground doo-wop wannabe Lou Reed, churning out catchy tunes laden with buoyant choruses that rank alongside the best A-sides recorded in the shadow of the Brill Building or with the Wrecking Crew in tow. \u003c\/p\u003e","brand":"Goner","offers":[{"title":"LP","offer_id":50434730754379,"sku":"2120764","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Song_Machine_258e4455_thumbnail_4096.jpg?v=1726893979"},{"product_id":"goodnight-neanderthal","title":"Goodnight Neanderthal","description":"\u003cp\u003eBased in Sydney, Australia and lead by the iconic Kel Mason, this band of maniacal rock ’n’ roll miscreants has been blowing drooly-punk minds for the past few years with a rash of out-of-print records and ridiculous videos that have bounced around the proper channels of the internet underbelly. A white hot set on the web-only Gonerfest 17 was greeted with cheers of joy, and ultimately re-issued as a cassette and LP. They made it over in full three-dimensional form for a completely unhinged US tour in 2022 culminating in a headlining spot at Gonerfest 19. Now Goner is proud to unleash their new album  - \u003ci\u003eGoodnight Neanderthal - \u003c\/i\u003eten blasts of spazzy lo-fi attack, full of buzzy guitars, cheap synths and earworm hooks that demand to be sung in the shower. Or in the car. Or on a bike. Gee Tee rules. Get on board or get out of the way.\u003c\/p\u003e","brand":"Goner","offers":[{"title":"LP","offer_id":50441259123019,"sku":"2010354","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/getImage.php_9e5e9e64_thumbnail_4096.jpg?v=1726975881"},{"product_id":"ty-rex","title":"Ty Rex","description":"\u003cp\u003eThe Ty Rex corner of Ty Segall's oeuvre represents the nom-de-rock behind which the artist puts his spin on favored Tyrannosaurus Rex and T. Rex compositions. With previous releases now dwelling in out-of-print nether-regions, the album compiles the six-song Ty Rex EP (a.k.a. Ty Rex I, originally released by Goner as a limited edition 12-inch for Record Store Day 2011) and the two-song Ty Rex II 7-inch (RSD 2013). As if this wasn't enough of a corrective gesture, Ty Rex is expanded to include a previously - unreleased cover as a bonus - but first. For those who missed out on this nook of Segall's rapidly-growing footprint across the rock landscape, here is a cursory rundown: The compilation showcases a nice balance between T. Rex's '67-70 psych-folk incarnation under the name Tyrannosaurus Rex and the better-known pioneering and perfecting of glam-rock that defined the initial '71-73 era under the shortened T. Rex moniker. Kicking things off is the thick, woozily rocking interpretation of 'Fist Heart Mighty Dawn Dart,' one of two covers pulled fromTyrannosaurus Rex's fourth and best album, 1970's A Beard of Stars. Segall then double-dips into the consummate T. Rex (and for that matter, the entire glam-rock movement) achievement, The Slider, with a rendition of 'Buick MacKane' followed by an excellent dirtying-up of the title track. Clearly executed with the ear and understanding of a super-fan, next up is Segall's awesome tackling of 'Woodland Rock' an Electric Warrior outtake that also surfaced on the B-side to 1971's non-album 'Hot Love' single. Returning to Tyrannosaurus Rex fare for the two tracks that originally concluded the Ty Rex I EP, 'Salamanda Palaganda' originates from 1968's 'Prophets, Seers and Sages: The Angels of the Ages' and 'Elemental Child' from A Beard of Stars. 'Cat Black' (from Tyrannosaurus Rex's 1969 album, Unicorn) and Electric Warrior's closing song 'The Motivator' follow, before wrapping up this compilation of Ty-Rex material is the aforementioned previously unreleased bonus track, Segall's cover of '20th Century Boy' (a non-album T. Rex single from 1973).LP - With Download.LP+ - Limited Green Vinyl Version with Download.\u003c\/p\u003e","brand":"Goner","offers":[{"title":"LP","offer_id":50451415236939,"sku":"396933","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/09a5bee5-f8a3-4045-9912-4f02076ff845_thumbnail_4096.jpg?v=1727125368"},{"product_id":"2022-ep","title":"2022 EP","description":"\u003cp\u003eFollowing the highly acclaimed album \u003ci\u003eDream Violence\u003c\/i\u003e (2021) and the recent LP re-issue of his modern underground classic \u003ci\u003eGravity\/ Repulsion\u003c\/i\u003e, Michael Beach releases a new self-titled 12-inch EP, via Goner and Poison City Records. Recorded during the winter of 2021, the new record is made up of both 8-track tape and full studio recordings, interspersed with experimental, moody interludes, and features Beach’s Australian bandmates Bonnie Mercer (guitar), Peter Warden (drums) and Carla Oliver (bass) throughout. The EP’s stunning closer “Only A Memory” is a collaboration with Lloyd Swanton of renowned Australian minimalist trio The Necks, recorded in NSW’s Blue Mountains. “Out In A Burning Alley,” the EP’s lead single, combines Beach’s soulful abstracted lyrics over two minutes and fifty eight seconds of blazing garage-rock, where the sounds of the Melbourne and Oakland \/ Bay Area underground collide. \u003c\/p\u003e","brand":"Goner","offers":[{"title":"Black | LP","offer_id":50456243437899,"sku":"1163313","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/269a3997-e3b5-4f3f-b70f-09ac8a4aace8_thumbnail_4096.jpg?v=1727197210"},{"product_id":"all-channels-clear","title":"All Channels Clear","description":"\u003cp\u003eFormed by members of essential bands from the modern era of Memphis rock and roll, Ibex Clone reconfigures the paranoiac punk of Ex-Cult, Nots and Hash Redactor into something altogether different, a vision of music from a timeline that split with ours a long time ago. Utopian pastoral pop for fans of XTC, the Meat Puppets, and Guided By Voices\u003c\/p\u003e","brand":"Goner","offers":[{"title":"Black LP","offer_id":50460573827403,"sku":"2008079","price":32.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/All_Channels_Clear_de2266c0_thumbnail_4096.jpg?v=1727234660"},{"product_id":"optic-sink","title":"Optic Sink","description":"\u003cp\u003eFor fans of Throbbing Gristle, The Normal and Robert Rental. With Optic Sink, Natalie Hoffmann (Nots) creates a musical paradox: an endeavor that doesn’t really seem to belong to any particular time or place, constructed with soundsthat are synthesized and stripped down, yet bristling with urgency and brutalist emotion. The project took shape in 2018, when Nots were on a break to write and woodshed music for 3, and Hoffmann began experimenting on her four-track recorder. Optic Sink surfaced as a performance soon after, appearing at bars, venues and festivals, including Memphis Concrète and SXSW.\u003c\/p\u003e\u003cp\u003eHoffmann drives Optic Sink in live performances and on the self-titled debut album, with percussionist Ben Bauermeister (Magic Kids, Toxie, A55 Conducta) collaborating from the co-pilot’s seat. Setting up camp on the post-punk side of the minimal electronic scene, Optic Sink eschew computers for a warmer, decidedly human soundscape. Hoffmann’s power, and the tension she generates between human and machine, evokes Maria, the rebellious teacher-turned-Maschinenmensch in Fritz Lang’s Metropolis, and Ripley, the swaggering, sacrificing heroine of Ridley Scott’s Alien franchise. Dadaism and the Bauhaus movement could both be cited as influences; so might the existentialist philosophy of Simone de Beauvoir and the jump-cuts of Maya Deren.\u003c\/p\u003e\u003cp\u003eWritten over a two-year period, the eight songs that comprise Optic Sink sound like they should’ve been recorded in a bathysphere or on a space station—instead, they were captured via analog tape at Andrew McCalla’s Bunker Audio studio in summer 2019. Bauermeister’s inventive aux percussion and drum machine work provides the backdrop, while Hoffmann stokes a proverbial furnace in the foreground, dryly revisiting and repeating words and phrases until they’re imbued with portent. Hoffmann’s synthesizers add texture with growls and shrieks, often mutating danceable rhythms into shimmering walls of sound. Songs like \u003ci\u003eSoft Quiet Life\u003c\/i\u003e and \u003ci\u003eVanishing Point\u003c\/i\u003e bristle with nervous energy and tense, detached vocals;\u003ci\u003e Personified\u003c\/i\u003e features a Trumptopian critique delivered over instrumentation that sounds like a new wave chase theme; \u003ci\u003eSet Roulette\u003c\/i\u003e, which closes the album, mesmerizingly flutters and glides over a sparse lyrical sketch. These are fully defined, atmospheric collages crafted with plenty of room for Hoffmann to play and test an artillery of sounds.\u003c\/p\u003e\u003cp\u003eWhile electronic dystopia will likely remain a microscene in the American South, listeners already familiar with Nots may recognize the aural thread that began with Greg Mason’s ultra-rare mid-1980s low-fi psychedelic soul 45 \u003ci\u003eWhat Does It Take To Know (A Woman Like You),\u003c\/i\u003e a spastic, synth-driven number recorded in the Electronic Lab at the University of Memphis campus, and continued through ‘90s post punk bands such as the Clears, Lost Sounds, and American Death Ray.\u003c\/p\u003e\u003cp\u003eLike these forerunners, Optic Sink defy categories, shape-shifting from cold wave to psychedelia to distorted noise rock. In the process—which frequently occurs in a single song—Optic Sink claim unchartered territory as they cathartically fragment and reassemble sounds, concepts, and verbal constructs. The conflict they define is life in America in 2020, finding beauty in the journey despite what the final resolution might be.\u003c\/p\u003e","brand":"Goner","offers":[{"title":"Black | LP","offer_id":50473140814155,"sku":"1099897","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a7739f17-f420-408f-b796-fb380fa52531_thumbnail_4096.jpg?v=1727427001"},{"product_id":"trouble","title":"Trouble","description":"\u003cp\u003e\u003ci\u003eTrouble\u003c\/i\u003e, the aptly named new album on Goner Records, is a confident and joy-filled statement delivering the good-news gospel message unapologetically through music influenced by Ray Charles, Junior Kimbrough, Bill Withers and of course, his father.\u003c\/p\u003e\u003cp\u003eRecorded at legendary Royal Studios in Memphis by Lawrence “Boo” Mitchell (Al Green, Solomon Burke, John Mayer, Buddy Guy, Mark Ronson and Bruno Mars, North Mississippi Allstars),\u003ci\u003e Trouble \u003c\/i\u003eis the culmination of everything in Rev. Wilkins’s remarkable life, his regional history, his family music history. And in a world once again riven with discord and division, like the Memphis of Wilkins’ youth in the 1960’s,\u003ci\u003e Trouble\u003c\/i\u003e delivers passionate and confident musical performances with a message of hope that meets our present moment equal to the best music from that earlier era.\u003c\/p\u003e\u003cp\u003eTo call the Reverend John Wilkins a national treasure would not be an overstatement. He is the son of pre- war blues\/folk-revival legend Reverend Robert Wilkins and he leads one of the most exciting and uplifting musical acts on the blues and gospel circuit today. His multiracial, multi-generational band blends soul, southern gospel and hill country rhythm, into a sound that has the infectious drive of hill country blues with the emotional heights of a summer tent revival.\u003c\/p\u003e\u003cp\u003eFollowing in the footsteps of his famous father Rev. Robert Wilkins, a blues-singer turned preacher who went from the juke joint to the pulpit, the life of Rev. John Wilkins took a similar path, echoing the story of the elder Wilkins’ most famous song, “Prodigal Son.”\u003c\/p\u003e\u003cp\u003eBut in 2020 John Wilkins’ life has been closer to a different iconic bible character, Lazarus, as he has miraculously risen after surviving a month-long stay in intensive care battling Covid19 in a Memphis hospital. As Rev. Wilkins sings on the closing track of his album, “I’ve come through the storm and rain, I’ve come through the storm and rain, and I made it!”. And there is much to celebrate with this resurrection.\u003c\/p\u003e","brand":"Goner","offers":[{"title":"Black | LP","offer_id":50473771565387,"sku":"1098686","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e6bdd1d1-454f-4179-8bea-ae2105b5938e_thumbnail_4096.jpg?v=1727430804"},{"product_id":"dream-violence","title":"Dream Violence","description":"\u003cp\u003e\u003cem\u003eDream Violence\u003c\/em\u003e, \u003cstrong\u003eMichael Beach\u003c\/strong\u003e's fourth full-length album, is an epic exploration of the duality of the human condition. Beach, known for his work with the Australian guitar pop band Thigh Master and the late Israeli guitarist Charlie Megira, creates a sound that is both well-built and ramshackle, straightforward and complex, out of the norm yet familiar.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eDream Violence\u003c\/em\u003e unfolds like a revelation, with sonic references to artists like Neil Young, Bruce Springsteen, the Velvet Underground, and the Go Betweens. Influences from Megira to Glenn Branca to the Oblivians are combined to create a new, exhilarating sound, continuing Beach's musical evolution since 2008's \u003cem\u003eBlood Courses\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eA veteran of indie rock roundups, Beach distills the best of his early albums and adds sharpened intent in \u003cem\u003eDream Violence\u003c\/em\u003e. Recorded on two continents during Beach's move from Oakland, California to Melbourne, Australia, the album captures his journey navigating a new music scene, bureaucratic red tape, and ultimately, citizenship.\u003c\/p\u003e\n\n\u003cp\u003eParts of the album were recorded and mixed at Tiny Telephone Recording in Oakland, with Kelley Stoltz producing. Other tracks were recorded in Melbourne, where Beach felt \"relaxed and sloppy in all the right ways,\" and partially remixed at Phaedra Studios.\u003c\/p\u003e","brand":"Goner","offers":[{"title":"Black | LP","offer_id":50473892675915,"sku":"1112591","price":22.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50473895133515,"sku":"1112590","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/6735b265-6a0f-4a27-b79f-e247757ff95e_thumbnail_4096.jpg?v=1727431907"},{"product_id":"live-at-goner-records","title":"Live At Goner Records","description":"\u003cp\u003eIt all happened on a rainy afternoon in June, 2005, at the Goner Shop. Following a sweaty Saturday night gig at Memphis' favorite dive bar, The Buccaneer, Reigning Sound sets up in front of a roomful of hungover heathens and blazes through fifteen-and-a-half pounders, including covers of The Sham's 'Black Sheep,' The Swingin' Yo-Yo's' 'Do Something,' and of course, Carl Perkins ' 'Tennessee.' Scream with shock and delight as Greg Cartwright gets electrocuted during a Compulsive Gamblers song! Originally released as a limited-edition CDR to raise funds for Katrina victims in late '05, and nationally on vinyl the next year, the LP has been out of print for over half a decade. This new pressing includes a complimentary digital download. It's a document of an amazing band and an amazing show, in glorious full fidelity.\u003c\/p\u003e","brand":"Goner","offers":[{"title":"LP","offer_id":50479441543499,"sku":"374322","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/44dc99e9-44ca-4ae9-af32-d705fc3892c5_thumbnail_4096.jpg?v=1727509325"},{"product_id":"total-hell","title":"Total Hell","description":"\u003cp\u003eBy way of some cosmic miracle, only one Total Hell pops up when the band moniker is searched on Discogs. And that would be the band responsible for the five-song blast of heavy metal sounds at hand. Now active for about two years plus change and exported from the very metal and punk fertile New Orleans, Total Hell is DD Deth (aka Drew Owen—Sick Thoughts wheelman, Trampoline Team etc) on drums \/ vocals, Henry Hell (John Henry of Static Static, Heavy Lids) on bass \/ vocals,\u003cbr\u003e and guitarists Jason “Panzer” Craft (Persuaders, Tirefire) and Michael Maniac (Michael He-man of Trampoline Team).\u003c\/p\u003e\u003cp\u003e If self-deprecation is beyond the listener’s processing skills, then please know that as self-described purveyors of the “New Wave of Shitty Heavy Metal”, Total Hell’s big-boy debut is not “shitty” in any manner whatsoever. These four recordings (“Desecrate”, “Clones From Hell”, “Violator”, and “Disfigured”) are melodic monstrosities that hit with a wall-to-wall, floorto-ceiling hugeness, while doing so in an economical manner. There will be no mistaking this for Broken Bones screeching out of an iPhone inside the vegan squat. On the flip, this is no Bob Rock joint. DD Deth elaborates: “Recorded on a Tascam 8-track cassette live at home (aka “The Parkway”) by Michael He-Man and the process was a nightmare. Original tape crapped out on us back in early 2020 so we had to redo the whole thing. Intros and interludes were done last minute by me with the cheapest midi keyboard on the net.” Well, color Goner Records impressed. One might get momentarily lost in the cavernous drums that introduce opener “Desecrate”, but soon the buzzsaw-riff-wall will crush one into a smudge on the bathroom floor. Without rocking some safety goggles and diving headfirst down terminology rabbithole, this is punk jumping into the sack\u003cbr\u003e with metal and leaving black boots on the bedroom floor rather than white hightops. Xmas came early for fans of Anti-Cimex, Celtic Frost, pre-shit Discharge, Motörhead, Blitz, Midnight, Venom, Broken Bones and...one gets the picture.\u003c\/p\u003e","brand":"Goner","offers":[{"title":"12\"","offer_id":50483504677195,"sku":"1136028","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cc01a6cd-4854-46b1-ae6f-46cb67bfd8af_thumbnail_4096.jpg?v=1727568839"},{"product_id":"lemons-1","title":"Lemons","description":"\u003cp\u003eBurying 60s sing-alongs and dance crazes beneath waves of reverb and giddy thud, Ty Segall has carved out his own shelf in the San Francisco neo-psych garage alongside local compatriots and collaborators Sic Alps and Thee Oh Sees. After shattering the bay area underground as a frantic one-man band that was devoured by the local press, Segall has now given up the solo act for a three-piece group that destroys sonic and melodic boundaries with manic glee. this new liveset up is a better reflection of his studio work. 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From the dadaist titles and surrealist cover artwork to the absurdly peculiar lyrics and dementedly brilliant musical bent that careened from country to jazz to Morricone-inspired Western soundtracks, \u003ci\u003eFrom The One That Cut You\u003c\/i\u003e and\u003ci\u003e Car Radio Jerome\u003c\/i\u003e bewitched listeners with Lane’s eccentric take on music and, by extension, life in general. Early internet chat rooms and message boards were devoted to solving the mystery. For decades, rumors swirled about them. “We would just stare at the album covers and kinda make up our own stories,” Eric Friedl of Goner Records says of the misleading recording notations, fictitious back catalogs, and vague artistic allusions that dropped mostly fake clues for Lane’s most astute fans to decipher.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eThen, in 2013, Lane himself surfaced at the University of Alabama for an exposition. Seven years later, Icepick To The Moon, a documentary about Lane by filmmaker Skizz Cyzyk, premiered. The film, which took more than twenty years to piece together, filled in most of the blanks that had stumped generations of fans. Learning the details of Lane’s albums doesn’t change their inscrutability. The alternate Alabama universe that Lane and his compatriots conjured up—in, of all places, the southern college football town of Tuscaloosa—is a metaphysical place as vast and imbued with meaning as Faulkner’s Yoknapatawpha. As Friedl raves, “They’re still different from any other record out there.”\u003c\/p\u003e","brand":"Goner","offers":[{"title":"Black | LP","offer_id":50510506525003,"sku":"1148503","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/fd24a704-acda-468a-b595-1cc0586665b9_thumbnail_4096.jpg?v=1727875549"},{"product_id":"sacred-times","title":"Sacred Times","description":"\u003cp\u003eThis Montreal supergroup is called PYPY (π π) and their music is a concoction of sinister wah-wah freakouts, littered with distortion and the necromantic screams of co-vocalist Annie-Claude Deschênes. 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This isn’t a collection of love songs—it’s a series of warning shots, a swaggering set of tunes from someone who’s been through the wringer and comes out swinging on the other side.\u003c\/p\u003e\n\u003cp\u003eA one-man rock ’n’ roll wrecking crew that is equal parts wild-eyed ’50s punk, greasy garage rock, and untamed hillbilly howl, Bloodshot Bill hails from Montreal, where he’s known for his raw, lo-fi sound, frantic live shows, and immutable outlaw energy. As his reputation has grown, Bloodshot Bill has been deemed a musical wildman, a primitive, a seminal punk, a throwback to the wild ’50s, and the deranged spirit of psychobilly madness.\u003c\/p\u003e\n\u003cp\u003eSince his first self-released album in 2001, Bloodshot Bill has churned out seventeen more LPs and over thirty singles—including collaborations with King Khan, Mark Sultan, Deke Dickerson, Shannon Shaw (Shannon \u0026amp; the Clams), and the 5.6.7.8’s. From a suitcase full of self-recorded tapes, he’s built a feverishly prolific body of work that digs deep into the raw roots of mutant rock ’n’ roll. With So Fed Up, his nineteenth studio album, Bloodshot Bill keeps the fire burning.\u003c\/p\u003e\n\u003cp\u003eWritten in the aftermath of a breakup and a barrage of unsolicited advice (“Cut your hair?”—come on), the record crackles with the defiance of someone who’s had enough and isn’t shy about saying so. Relationships—rocky, romantic, and everything in between—have always fuelled his craft, but here, there’s a new sharpness to the storytelling. These songs don’t just smoulder—they cut. Think homemade shiv, or a shard of broken glass: raw, improvised, and dangerously effective. So Fed Up is Bloodshot Bill’s fourth album for Memphis-based Goner Records, hot on the heels of the critically acclaimed full-lengths \u003cem\u003eCome Get Your Love Right Now\u003c\/em\u003e, \u003cem\u003eGet Loose Or Get Lost\u003c\/em\u003e, and \u003cem\u003ePsyche-o-Billy\u003c\/em\u003e. He recorded the whole thing solo, the minute each song was written. No waiting. No overthinking. No compromises. Just raw sound and gut-level emotion. “I want people to feel good,” Bloodshot Bill says. “And I want them to wanna listen again and again.” No comparisons needed. Just Bloodshot Bill, telling it like it is.\u003c\/p\u003e","brand":"Goner","offers":[{"title":"LP - Black","offer_id":51776953942347,"sku":"R5157-3265","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/getImage_3.jpg?v=1746533288"},{"product_id":"in-the-red","title":"In The Red","description":"\u003cp\u003eMelbourne’s fave three-guitar rock’n’roll power poppers The Prize have at long last released their debut album \u003cem\u003eIn The Red\u003c\/em\u003e via Anti Fade Records in Australia and Goner Records in the USA.\u003c\/p\u003e\n\u003cp\u003eThe Prize made their debut for Anti Fade in 2022 with the EP Wrong Side Of Town which prompted global interest in the band. They began recording the album in 2023 but the international tours caused delays, as did the departure of original bass player Jack Kong in early 2024. New bass player Ethan Stahl (formerly of UK band Chubby and the Gang) came on board a year ago after Kong helped the band finish the tracking process. Initial album sessions took place with Paul Maybury of Rocket Science at his A Secret Location studio, with subsequent tracks recorded with Matt Blach of the Murlocs at Gizz Studios (following The Prize’s European run with King Gizzard late in 2023) and, in January of this year, with Robin Mukerjee of TV Colours.\u003c\/p\u003e\n\u003cp\u003eThe band, which features drummer Nadine Muller sharing lead vocals with guitarist Carey Paterson together with guitarists Joseph Imfeld and Austin Haire as well as new bass player Stahl, is known for its powerful three-guitar frontline and melodic twin lead guitar. It combines punk and classic hard rock with power pop and new wave and cites its influences as Thin Lizzy, Cheap Trick, Pretenders, Blondie, Rolling Stones, Faces, Flamin’ Groovies, Tom Petty, Dwight Twilley, Phil Seymour, The Toms, The Nerves and The Motors.\u003c\/p\u003e","brand":"Goner","offers":[{"title":"LP - Eco Magenta","offer_id":53131670323531,"sku":"R1418-2563","price":28.99,"currency_code":"GBP","in_stock":true},{"title":"LP - Black","offer_id":53131670356299,"sku":"R1418-6695","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"LP - Black (Drunken Sailor Pressing)","offer_id":57074256085323,"sku":"R1418-9378","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/2000x2000bb_51bdfa12-6f52-4df3-b60d-effb8ebdb98e.jpg?v=1754569795"},{"product_id":"more-jet","title":"More Jet","description":"\u003cp\u003eGuitar Wolf returns to Goner Records!\u003c\/p\u003e\n\u003cp\u003eGoner's first release was Guitar Wolf's world-shattering noise rockabilly epic Wolf Rock way back in 1993, the beginning of the Goner label and the legendary Guitar Wolf!\u003c\/p\u003e\n\u003cp\u003eMany tours, many records, and many eardrums later, Guitar Wolf has returned for the latest, and greatest Guitar Wolf record yet - \u003cem\u003eMore Jet\u003c\/em\u003e! More raw, crunching guitar noise, frantic rhythms, and unpredictable screaming! More head-scratchingly-great song topics! The perfect blend of Link Wray \/ Ramones \/ Joan Jett \/ Cramps sound and attitude mixed with industrial-strength noise.\u003c\/p\u003e\n\u003cp\u003eGuitar Wolf never went away, yet they are back and better than ever on their original—and forever—home—Goner Records!\u003c\/p\u003e","brand":"Goner","offers":[{"title":"LP - Red","offer_id":56842670047563,"sku":"R2635-2260","price":32.99,"currency_code":"GBP","in_stock":false},{"title":"LP - Black","offer_id":56842670080331,"sku":"R2635-3634","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/unnamed-2026-03-19T172213.915.jpg?v=1773940940"},{"product_id":"national-anthem","title":"National Anthem","description":"\u003cp\u003eA Dublin-born, stylistically-restless but fundamentally punk troubadour, Stefan Murphy emerged in the early 00s under the moniker The Mighty Stef, which became a full-band concern around 2007, wrapped up in 2016, and was followed by a short stint as Count Vaseline. Then, in 2019, Murphy met a gentleman by the name of James Mechan, who happened to be Stiff Little Fingers’ guitar tech. That last part is relevant, as any current convert to the band we’re discussing here can testify. And so is the first part, as Mechan wanted to record Murphy at his Nashville studio. Those plans were derailed by the pandemic but not forgotten when Murphy moved to Nashville in 2022. Work commenced, the pair were joined by Ryan Sweeney (of Cheap Time) on drums and Eli Steele (Sweet Knives) on lead guitar. The result was The Sleeveens, named after an Irish slang for “trixter”…not the earthly type responsible for a plastic Aztec death whistle on your exhaust pipe but rather the otherworldly one that temporarily vanishes the keys to the vehicle. The Sleeveens’ debuted on 7-inch with 2023’s “Give My Regards To The Dancing Girls” on Sweeney’s Sweet Time label and “UFO’s” b\/w The Four Tops’ “Bernadette” on Interstate 94 Recordings in 2024, followed by their fantastic self-titled LP on Dirtnap Records the same year, which gained traction on independent radio thanks to bangers like “Metallica Font” and “Aretha Franklin”. An official Gonerfest 22 inclusion, the band has also shared stages with G.G. King, Schizophonics, Total Hell, TV Crime, The Chats, The Lemonheads and many others. Last year’s “Downtown”\/”Drowning” (the latter a Greg Cartwright\/R. Sound cover) 7-inch landed via Goner Records, who have now graced us with the real reason we are here, which would be album #2, National Anthem. This latest should and could comfortably sit on the proverbial shelf of rock history next to all-timers with titles like Even Serpents Shine, Eternally Yours, All Rise, Setting Suns, Radios Appear, Nobody’s Heroes, Sorry Ma, I Forgot To Take Out The Trash, and Rocket To Russia. \u003c\/p\u003e","brand":"Goner","offers":[{"title":"LP - Black","offer_id":56875961188683,"sku":"R4907-5771","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/getImage_19.jpg?v=1774375316"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/collections\/test_2174267c_thumbnail_4096_aea72f94-250f-47f8-b3fe-c61de765b1fa.jpg?v=1726033026","url":"https:\/\/shop.roughtrade.com\/collections\/goner.oembed","provider":"Rough Trade","version":"1.0","type":"link"}