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Hit singles, cult collectables and obscure album tracks. Featuring The Archies, The Monkees, Ohio Express, 1910 Fruitgum Co., The Lemon Pipers and Crazy Elephant.\u003c\/p\u003e\u003cp\u003eIn the late summer of 1966, manufactured pop quartet The Monkees – a Beatles-inspired concept inevitably nicknamed the Prefab Four – made their TV and vinyl debut.\u003c\/p\u003e\u003cp\u003eOverseen by industry veteran Don Kirshner, whose Brill Building-honed team supplied most of the songs, The Monkees were aimed at the pre-teen market effectively disenfranchised by the increasingly sophisticated nature of mid-60s pop.\u003c\/p\u003e\u003cp\u003eThe venture's runaway success encouraged numerous other backroom songwriting\/ production teams to step forward, with the New York-based Kasenetz-Katz partnership coining the term “bubblegum” as shorthand for the manufactured pop process.\u003c\/p\u003e\u003cp\u003eKasenetz-Katz hit big with such names as Ohio Express, 1910 Fruitgum Co. and Crazy Elephant, while Don Kirshner and his favoured producer Jeff Barry – both sidelined when The Monkees rose up against their puppet masters – returned with cartoon pop group The Archies and the biggest-selling single of 1969, 'Sugar, Sugar'.\u003c\/p\u003e\u003cp\u003e‘Pour A Little Sugar On It’ examines the bubblegum phenomenon in forensic detail, with all of the aforementioned acts joined by hits from The Lemon Pipers, Tommy Roe, Tommy James \u0026amp; The Shondells, The Cuff Links, The Box Tops, Lou Christie, Andy Kim and others as well as numerous cult 45s (The Rasberry Pirates, Cartoon Candy Carnival, The Four Fuller Brothers etc).\u003c\/p\u003e\u003cp\u003eAlso featuring some unlikely names who occasionally left their fingerprints in the sticky stuff (The Electric Prunes, The Beach Boys, Sparks, Velvet Underground), ‘Pour A Little Sugar On It’ is housed in a 3CD clamshell box that includes a 48-page booklet with rare photos and the stories behind all 91 tracks. It's gonna make your life so sweet!\u003c\/p\u003e\u003cp\u003eTRACK LISTING\u003c\/p\u003e\u003cp\u003eDISC ONE\u003c\/p\u003e\u003cp\u003e1  SIMON SAYS - 1910 Fruitgum Co.\u003c\/p\u003e\u003cp\u003e2  YUMMY YUMMY YUMMY – Ohio Express\u003c\/p\u003e\u003cp\u003e3 A LITTLE BIT ME, A LITTLE BIT YOU – The Monkees\u003c\/p\u003e\u003cp\u003e4  BANG-SHANG-A-LANG – The Archies\u003c\/p\u003e\u003cp\u003e5  MR. SUN, MR. MOON (album\u003c\/p\u003e\u003cp\u003eversion) – Paul Revere \u0026amp; The Raiders\u003c\/p\u003e\u003cp\u003e6  GIMME GIMME GOOD LOVIN' – Crazy Elephant\u003c\/p\u003e\u003cp\u003e7  CHERRY, CHERRY – Neil Diamond\u003c\/p\u003e\u003cp\u003e8  BABY I LOVE YOU – Andy Kim\u003c\/p\u003e\u003cp\u003e9  LOVE IS A WORD – Everyday Hudson\u003c\/p\u003e\u003cp\u003e10  GROUPIE – The Four Fuller Brothers\u003c\/p\u003e\u003cp\u003e11  I'M GONNA MAKE YOU MINE – Lou Christie\u003c\/p\u003e\u003cp\u003e12  IF YOU'RE THINKIN' WHAT I'M THINKIN' – Dino Desi \u0026amp; Billy\u003c\/p\u003e\u003cp\u003e13  THE JOKER WENT WILD – Brian Hyland\u003c\/p\u003e\u003cp\u003e14  BOPPA DO DOWN DOWN – The Third Rail\u003c\/p\u003e\u003cp\u003e15  TRACY – The Cuff Links\u003c\/p\u003e\u003cp\u003e16 ALICE LONG (YOU'RE STILL MY FAVORITE GIRLFRIEND) – Tommy Boyce \u0026amp; Bobby Hart\u003c\/p\u003e\u003cp\u003e17  EVERYBODY KNOWS YOU'RE NOT IN LOVE – The Electric Prunes\u003c\/p\u003e\u003cp\u003e18 FAIRY TALES CAN COME TRUE (HAVE YOU HEARD ABOUT LUCY) – San Francisco Earthquake\u003c\/p\u003e\u003cp\u003e19  LET ME BRING YOU UP – Ron Dante\u003c\/p\u003e\u003cp\u003e20  LATIN SHAKE - Lt. Garcia's Magic Music Box\u003c\/p\u003e\u003cp\u003e21  MARATHON MARY – The Globetrotters\u003c\/p\u003e\u003cp\u003e22  LOOP DE LOOP – Salt Water Taffy\u003c\/p\u003e\u003cp\u003e23  FLY ME TO HAVANA – The Grass Roots\u003c\/p\u003e\u003cp\u003e24  ME AND YOU AND A DOG NAMED BOO - Lobo\u003c\/p\u003e\u003cp\u003e25  I'D LIKE TO TALK TO YOU – Mark Eric\u003c\/p\u003e\u003cp\u003e26  JENNIFER TOMKINS – Street People\u003c\/p\u003e\u003cp\u003e27  LOOKY LOOKY, MY COOKIE'S GONE – The Rasberry Pirates\u003c\/p\u003e\u003cp\u003e28 BILLY'S GOT A GOAT – Patty Flabbies' Coughed Engine\u003c\/p\u003e\u003cp\u003e29 FEELIN' SO GOOD (S.K.O.O.B.Y- D.O.O.) - The Archies\u003c\/p\u003e\u003cp\u003eDISC TWO\u003c\/p\u003e\u003cp\u003e1  I THINK WE'RE ALONE NOW – Tommy James \u0026amp; The Shondells\u003c\/p\u003e\u003cp\u003e2  GREEN TAMBOURINE – The Lemon Pipers\u003c\/p\u003e\u003cp\u003e3  THE GROOVIEST GIRL IN THE WORLD – The Fun \u0026amp; Games\u003c\/p\u003e\u003cp\u003e4  WHO LOVES THE SUN – Velvet Underground\u003c\/p\u003e\u003cp\u003e5  JINGLE JANGLE – The Archies\u003c\/p\u003e\u003cp\u003e6  DOUBLE GOOD FEELIN' – Gary Lewis \u0026amp; The Playboys\u003c\/p\u003e\u003cp\u003e7  PEPPERMAN - Arnim-Hamilton\u003c\/p\u003e\u003cp\u003e8  FA LA FA LEE – Halfnelson (Sparks)\u003c\/p\u003e\u003cp\u003e9  WHAT'S YOUR NAME – The Music Explosion\u003c\/p\u003e\u003cp\u003e10  INDIAN LAKE – The Cowsills\u003c\/p\u003e\u003cp\u003e11  HOW SHE BOOGALOOED IT – The Beach Boys\u003c\/p\u003e\u003cp\u003e12  SHE'S THE KIND OF GIRL – The Peppermint Trolley Company\u003c\/p\u003e\u003cp\u003e13  CHEWY CHEWY – Ohio Express\u003c\/p\u003e\u003cp\u003e14  CRY LIKE A BABY – The Box Tops\u003c\/p\u003e\u003cp\u003e15  BOUNCING ALL OVER THE WORLD – The Globetrotters\u003c\/p\u003e\u003cp\u003e16 SHE SOLD ME MAGIC – Lou Christie\u003c\/p\u003e\u003cp\u003e17  GIRL ON THE SUBWAY – The Cherry People\u003c\/p\u003e\u003cp\u003e18  MOVE IN A LITTLE CLOSER, BABY – Mama Cass\u003c\/p\u003e\u003cp\u003e19  MONTEGO BAY (album version) – Bobby Bloom\u003c\/p\u003e\u003cp\u003e20  CANDY APPLE COTTON CANDY – Ruthann Friedman (Art Podell \u0026amp; Nick Woods)\u003c\/p\u003e\u003cp\u003e21  THE MARCH OF THE JINGLE JANGLE PEOPLE – San Francisco Earthquake\u003c\/p\u003e\u003cp\u003e22  VALLERI – The Pineapple Heard\u003c\/p\u003e\u003cp\u003e23  WOULD YOU BELIEVE - Mortimer\u003c\/p\u003e\u003cp\u003e24  SUNSHINE GIRL – The Parade\u003c\/p\u003e\u003cp\u003e25  BANANA MAN – The Knack\u003c\/p\u003e\u003cp\u003e26  GO LIGHTLY – The Goggles\u003c\/p\u003e\u003cp\u003e27  HOW DO YOU KNOW – Ron Dante\u003c\/p\u003e\u003cp\u003e28  GINGERSNAP - Jamie\u003c\/p\u003e\u003cp\u003e29  MR. PEACOCK – Orange Colored Sky\u003c\/p\u003e\u003cp\u003e30 ARCHIE'S PARTY – The Archies\u003c\/p\u003e\u003cp\u003e31  JAM UP JELLY TIGHT – Tommy Roe\u003c\/p\u003e\u003cp\u003eDISC THREE\u003c\/p\u003e\u003cp\u003e1  SHAKE – Shadows Of Knight\u003c\/p\u003e\u003cp\u003e2  QUICK JOEY SMALL (RUN JOEY RUN) – Kasenetz-Katz Singing Orchestral Circus\u003c\/p\u003e\u003cp\u003e3  JELLY JUNGLE (OF ORANGE MARMALADE) – The Lemon Pipers\u003c\/p\u003e\u003cp\u003e4  GOODY GOODY GUMDROPS - 1910 Fruitgum Co.\u003c\/p\u003e\u003cp\u003e5 THINGS (GOIN' ROUND IN MY MIND) – Merrell Fankhauser \u0026amp; H.M.S. 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BUS DRIVER – Neal Dover\u003c\/p\u003e\u003cp\u003e22  WIWWIAN WEVY – Pastrami Malted\u003c\/p\u003e\u003cp\u003e23  NINNY BOP BOP – Bonnie \u0026amp; The Clydes\u003c\/p\u003e\u003cp\u003e24  LOVING YOU MAKES EVERYTHING ALRIGHT – The Marshmellow Highway\u003c\/p\u003e\u003cp\u003e25 DON'T LET LOVE PASS YOU BY – Ron Dante\u003c\/p\u003e\u003cp\u003e26  CHEER ME UP – The Globetrotters\u003c\/p\u003e\u003cp\u003e27 THANK YOU GIRL – Street People\u003c\/p\u003e\u003cp\u003e28  CAN YOU TELL ME HOW TO GET TO SESAME STREET? - The Free Design\u003c\/p\u003e\u003cp\u003e29 THE RAPPER – The Jaggerz\u003c\/p\u003e\u003cp\u003e30  JENNIFER RAIN – The Goggles\u003c\/p\u003e\u003cp\u003e31  SUGAR, SUGAR – The Archies\u003c\/p\u003e","brand":"Grapefruit","offers":[{"title":"CD","offer_id":50434668069195,"sku":"2208133","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Screenshot_2024-06-28_at_15.11.42_6102a0df_thumbnail_4096.png?v=1726892854"},{"product_id":"i-see-you-live-on-love-street-music-from-laurel-canyon-1967-1975","title":"I See You Live On Love Street – Music From Laurel Canyon 1967-1975","description":"\u003cp\u003eFour-hour, 72-track anthology of the Laurel Canyon music community that became a dominant worldwide force in the late 60s\/early 70s.\u003c\/p\u003e\u003cp\u003eTracing the scene’s development from The Byrds, Buffalo Springfield, Love and The Doors through to early country-rock and the singer\/songwriter boom that defined the early 70s.\u003c\/p\u003e\u003cp\u003eBy the end of the 60s, the international music world’s nexus had shifted from such previous hotspots as Liverpool, London and San Francisco to Laurel Canyon, a rural oasis in the midst of the bustle of Los Angeles.\u003c\/p\u003e\u003cp\u003eJust minutes from Hollywood, the Sunset Strip and the LA record companies\/studios, Laurel Canyon became home to a folk, country, rock and pop hybrid that encompassed everyone from early players The Byrds and Buffalo Springfield to The Doors, Frank Zappa, Glen Campbell and manufactured pop kingpins The Monkees.\u003c\/p\u003e\u003cp\u003eThe canyon’s rustic charms and the proximity of leading folk den The Troubadour attracted a phalanx of singer\/songwriters while also giving birth to the country-rock movement, kickstarted by various Byrds\/Springfield spin-offs (Dillard \u0026amp; Clark, The Flying Burrito Brothers, Poco) and former teen idol Ricky Nelson.\u003c\/p\u003e\u003cp\u003eHighly incestuous, the Laurel Canyon family featured some unlikely bedfellows: The Monkees worked with Frank Zappa, The Turtles sponsored Judee Sill and hung out with The Doors, Kim Fowley collaborated with both Steppenwolf and Warren Zevon, and the individual members of CSNY appeared on each other’s solo records as well as everyone else’s.\u003c\/p\u003e\u003cp\u003eA follow-up to Grapefruit’s acclaimed 2022 compilation \u003ci\u003eHeroes and Villains: The Sound of Los Angeles 1965-1968\u003c\/i\u003e, the painstakingly-assembled\u003ci\u003e I See You Live On Love Street: Music From Laurel Canyon 1967-1975\u003c\/i\u003e charts the scene’s birth and gradual development until a revitalised, relocated Fleetwood Mac spearheaded a new, sleeker Laurel Canyon sound to go stratospheric in the mid-70s.\u003c\/p\u003e\u003cp\u003eHoused in a clamshell box that includes a heavily annotated and illustrated 48-page booklet,\u003ci\u003e I See You Live On Love Street\u003c\/i\u003e features many of the biggest names in the canyon community alongside acts who failed to find success at the time but went on to achieve cult status.\u003c\/p\u003e\u003cp\u003eDISC ONE \u003c\/p\u003e\u003cp\u003eYoung Girls Are Coming To The Canyon (1967-1968)\u003c\/p\u003e\u003cp\u003e1 COME ON IN – The Association\u003c\/p\u003e\u003cp\u003e2 TIGHTER – Paul Revere \u0026amp; The Raiders\u003c\/p\u003e\u003cp\u003e3 THE GOOD HUMOR MAN, HE SEES EVERYTHING LIKE THIS – Love\u003c\/p\u003e\u003cp\u003e4 AS WE GO ALONG – The Monkees\u003c\/p\u003e\u003cp\u003e5 HOLDING – The Nitty Gritty Dirt Band\u003c\/p\u003e\u003cp\u003e6 SMILE, LET YOUR LIFE BEGIN – The Factory\u003c\/p\u003e\u003cp\u003e7 OUR NATIONAL ANTHEM – The Gentle Soul\u003c\/p\u003e\u003cp\u003e8 I’VE GOT TO KNOW -The Stone Poneys\u003c\/p\u003e\u003cp\u003e9 LOVE STREET – The Doors\u003c\/p\u003e\u003cp\u003e10 HOW MANY NIGHTS HAVE PASSED – Clear Light\u003c\/p\u003e\u003cp\u003e11 FLOATING DREAM – The Peanut Butter Conspiracy\u003c\/p\u003e\u003cp\u003e12 MONTAGE MIRROR – Smokey Roberds with Roger Nichols Trio\u003c\/p\u003e\u003cp\u003e13 HALFWAY THERE – Ruthann Friedman\u003c\/p\u003e\u003cp\u003e14 WILDFLOWERS – The Holy Mackerel\u003c\/p\u003e\u003cp\u003e15 SECRET SAUCER MAN – Barry McGuire\u003c\/p\u003e\u003cp\u003e16 MANSIONS – The Mamas \u0026amp; The Papas\u003c\/p\u003e\u003cp\u003e17 I NEED YOU – The Sunshine Company\u003c\/p\u003e\u003cp\u003e18 THELVE THIRTY – Scott McKenzie\u003c\/p\u003e\u003cp\u003e19 A CHILD’S CLAIM TO FAME – Buffalo Springfield\u003c\/p\u003e\u003cp\u003e20 TRAIN LEAVES HERE THIS MORNIN’ – Dillard \u0026amp; Clark\u003c\/p\u003e\u003cp\u003e21 BLIGHT – The Millennium\u003c\/p\u003e\u003cp\u003e22 CALL ON ME – Captain Beefheart \u0026amp; His Magic Band\u003c\/p\u003e\u003cp\u003e23 TWILIGHT SANCTUARY – The Leaves\u003c\/p\u003e\u003cp\u003e24 YOU DON’T MISS YOUR WATER – The Byrds\u003c\/p\u003e\u003cp\u003e25 I HAD A DREAM LAST NIGHT – The M.F.Q. (Modern Folk Quartet)\u003c\/p\u003e\u003cp\u003e26 SHADOW DREAM SONG – Steve Noonan\u003c\/p\u003e\u003cp\u003e27 HELLO, HOORAY – Judy Collins\u003c\/p\u003e\u003cp\u003eDISC TWO\u003c\/p\u003e\u003cp\u003eGoing Home To California (1969-1971)\u003c\/p\u003e\u003cp\u003e1 LOVE THE ONE YOU’RE WITH – Stephen Stills\u003c\/p\u003e\u003cp\u003e2 PICKIN’ UP THE PIECES – Poco\u003c\/p\u003e\u003cp\u003e3 BUZZIN’ FLY – Tim Buckley\u003c\/p\u003e\u003cp\u003e4 KINGSWOOD HILLS – Hoyt Axton\u003c\/p\u003e\u003cp\u003e5 CHRISTINE’S TUNE – The Flying Burrito Brothers\u003c\/p\u003e\u003cp\u003e6 MAMA TOLD ME (NOT TO COME) – Three Dog Night\u003c\/p\u003e\u003cp\u003e7 LADY-O – The Turtles\u003c\/p\u003e\u003cp\u003e8 CALIFORNIA – Rick Nelson \u0026amp; The Stone Canyon Band\u003c\/p\u003e\u003cp\u003e9 P. F. 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It focuses on the twin central strands of Glam Rock: the cerebral and the visceral, with the artier, experimental element of the scene joined by the Ladbroke Grove street rockers and the Steve Marriott-channelling chirpy Cockney geezer street urchins, many of whom had been to drama school and knew how to strike a pose.\u003c\/p\u003e\n\n\u003cp\u003eIt examines the trash-aesthetic fault line that joined the seedy, no-longer-swinging London of the early Seventies with New York’s sleazy demi-monde and the incorrigible hucksters of Hollywood. 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The 71 tracks from ’71 include major hits for the likes of \u003cstrong\u003eCurved Air\u003c\/strong\u003e, \u003cstrong\u003eAtomic Rooster\u003c\/strong\u003e, and \u003cstrong\u003eJohn Kongos\u003c\/strong\u003e as well as a selection of key album cuts from \u003cstrong\u003eProcol Harum\u003c\/strong\u003e, \u003cstrong\u003eELP\u003c\/strong\u003e, \u003cstrong\u003eMagna Carta\u003c\/strong\u003e, \u003cstrong\u003eBarclay James Harvest\u003c\/strong\u003e, \u003cstrong\u003eCressida\u003c\/strong\u003e, \u003cstrong\u003eHelp Yourself\u003c\/strong\u003e, \u003cstrong\u003eLegend\u003c\/strong\u003e, and many others.\u003c\/p\u003e\n\n\u003cp\u003eThere's bona fide classic 45s from \u003cstrong\u003eKevin Ayers\u003c\/strong\u003e, \u003cstrong\u003eMedicine Head\u003c\/strong\u003e, \u003cstrong\u003eWishful Thinking\u003c\/strong\u003e, and \u003cstrong\u003eThe Move\u003c\/strong\u003e along with the song that Bowie wrote for his old friend \u003cstrong\u003eDana Gillespie\u003c\/strong\u003e, a clutch of righteously obscure but fascinating singles, a handful of essential singer\/songwriter cuts, and a raft of unissued-at-the-time nuggets from bands who existed outside of the major label pop bubble.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing a 40-page booklet crammed with rare illustrations and the stories behind the songs, \u003cem\u003ePeephole In My Brain\u003c\/em\u003e is an essential addition to Grapefruit’s acclaimed year-by-year series of late Sixties \/ early Seventies British rock and pop.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc One\u003c\/strong\u003e\u003cbr\u003e\n\"\u003cem\u003eAndy Warhol\u003c\/em\u003e (Original 1971 Demo Album Version) – \u003cstrong\u003eDana Gillespie\u003c\/strong\u003e\"\u003cbr\u003e\n\"\u003cem\u003eStranger In Blue Suede Shoes\u003c\/em\u003e – \u003cstrong\u003eKevin Ayers\u003c\/strong\u003e\"\u003cbr\u003e\n\"\u003cem\u003eHey Willy\u003c\/em\u003e – \u003cstrong\u003eThe Hollies\u003c\/strong\u003e\" ... 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