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When David sent me the files from the sessions one year ago, they were a pool of wonderful material to me, detached from the songs and original album, while very much connected to David at the same time.”\u003c\/p\u003e\u003cp\u003eA startling break from Sylvian’s previous work, \u003ci\u003eBlemish\u003c\/i\u003e is pensive and spare, wrapping a lyrical raw nerve in extended, drone-like song structures. Recorded in a relatively-quick six week burst, \u003ci\u003eBlemish\u003c\/i\u003e was “cathartic” for Sylvian. An earlier remix album, 2005’s \u003ci\u003eThe Good Son vs. The Only Daughter\u003c\/i\u003e, took the material in varied and lusher directions, but \u003ci\u003eWandermüde\u003c\/i\u003e puts it under a microscope. 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