{"title":"Hat and Beard","description":null,"products":[{"product_id":"the-steve-keene-art-book","title":"The Steve Keene Art Book","description":"\u003cp\u003eEfram, a music and media producer and photographer who has developed live projects, documentary films and television for stage and screen, began working with Keene back in the ’90s after seeing his work at NYC legendary downtown performance space, Threadwaxing Space. He curated Steve Keene’s Brooklyn Experience at the Brooklyn Public Library when Keene was artist-in-residence in 2014. \u003c\/p\u003e\u003cp\u003eEfram started photographing Keene’s art for the Subliminal Projects show in 2016, and continued cataloging works for the book, including paintings from dozens of personal collections. The book includes long-form essays and insight into Keene’s life, space and process. The Steve Keene Art Book collects commentary, essays and quotes from rock stars like Chan Marshall (Cat Power), Will Oldham, and members of Superchunk, insight and anecdotes from artists Ryan McGinness and Shephard Fairey, as well as personal stories from journalists, collectors, art-world insiders and devoted fans around the world. Nearly the same size as the LP that Keene worships, it is a love letter to the most prolific American artist of all time from his adoring public. \u003c\/p\u003e\u003cp\u003eSteve Keene's Artwork has appeared on the sleeves of Pavement, The Silver Jews and Bonnie Prince Billy. He has produced over 300,000 paintings in his cheery automated style selling them for every man prices of $5 to $10 dollars each. Though perhaps best-known for his deep ties to the 90s indie rock scene, Keene has chosen to immortalize some of the greatest names in rock\/pop music including David Bowie, The Beach Boys, Johnny Cash, Led Zeppelin, The Beatles, Roxy Music, The Clash, Patti Smith, The Rolling Stones, Bob Dylan and The Beastie Boys. But the heart of his work will always belong to indie rock artists like Pavement, Bonnie Prince Billy, The Arcade Fire, Minor Threat, Husker Du, and Joy Division. The book features essays by musician Hilarie Bratset (The Apples in stereo), writer Sam Brumbaugh, Elle Chang, Efram, Shepard Fairey, journalist Karen Loew, McGinness and Christina Zafiris, along with comments from Starling Keene, curators Jonathan LeVine, Leo Fitzgerald and Talia Logan, alongside a dazzling 277 photographs of Keene’s works. 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Once that tone was set, yo u could go to this beautiful essay on war crimes by Janine di Giovanni, the famous foreign correspondent. You could see it go to a humorous piece by Jerry Stahl or an interview with Kenneth Anger. Wayne Kramer from the MC5 has a foundation called Jail Guitar Doors that brings musical instruments and songwriting to prisoners, and has spent time in prison himself, so I thought he would have an interesting perspective.\"\u003c\/p\u003e","brand":"Hat and Beard","offers":[{"title":"Hardback","offer_id":50426293911883,"sku":"2013592","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/moc_cover_collage_06_c8f7b9b7_thumbnail_4096.jpg?v=1726806749"},{"product_id":"my-week-beats-your-year-encounters-with-lou-reed","title":"My Week Beats Your Year: Encounters with Lou Reed","description":"\u003cp\u003eDuring his first major sit-down with the music press in 1977, between claiming all his songs were about guilt and revenge, Elvis Costello casually remarked, \"I don't really listen to Lou Reed's records, but I never miss an interview with him.\"\u003c\/p\u003e\u003cp\u003eIndeed, for all his publicly expressed loathing of the press in general and music journalists in particular, during his long career as a rock artist, Lou Reed was never less than entertaining in his dealings with the Fourth Estate. In fact, one could go so far as to claim that, for Lou, the press became as much an implement of expression as singing, composing, and playing music. In a style at times very much informed by his mentor Andy Warhol, Reed could play the media like a Marshall-amped Stradivarius.\u003c\/p\u003e\u003cp\u003eTo the majority of his fans, the apotheosis of Reed's relationship with the press, and most prominently regarded to this day, was the series of combative tête-à-têtes between Lou and the late great music journalist Lester Bangs, published in CREEM Magazine during the 1970s.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eMy Week Beats Your Year: Encounters with Lou Reed\u003c\/i\u003e features 30+ interviews spanning his solo career, from the golden era of print rock-journalism, to the first online blogs. The compilation is one fan's humble attempt to move beyond the Bangs canon, and delve deeper into the distance and intimacy, cactus and mercury, that constituted Lou's post-Velvet Underground public media image.\u003c\/p\u003e\u003cp\u003eThis anthology will be an intimate portrait of Reed who, in addition to being notoriously prickly (to put it mildly), was also intelligent, articulate, and deeply passionate about what was important to him, both as a person and as a creative artist.\u003c\/p\u003e","brand":"Hat and Beard","offers":[{"title":"Hardback","offer_id":50448680157515,"sku":"1076956","price":31.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/423d2cd5-046f-4f51-a586-8acce32276b2_thumbnail_4096.jpg?v=1727095065"},{"product_id":"im-with-pulp-are-you","title":"I'm With Pulp, Are You?","description":"\u003cp\u003eWhen \u003cstrong\u003eMark Webber\u003c\/strong\u003e discovered \u003cem\u003ePulp\u003c\/em\u003e as a teenage music fan in 1985, the band was on first-name terms with most of their limited audience. Over the next few years, Mark began to help out with stage sets and light shows, eventually becoming the group’s first tour manager and running the fan club. After being called upon to play guitar and keyboards at live shows, he began to contribute to songwriting and recordings before being asked to join the band in 1995.\u003c\/p\u003e\n\n\u003cp\u003eThis incredible backstory—from being a fan to joining his favorite band—provides the unique perspective of \u003cem\u003eI'm With Pulp, Are You?\u003c\/em\u003e The book gathers material from Mark’s extensive collection of ephemera and objects accumulated over the last five decades of his involvement with the band. The lavishly illustrated pages combine images with Webber’s reminiscences to chronicle a history of the band told from the inside. It includes photographs, flyers, record covers, set lists, stickers, posters, press clippings, merchandise, and masses of promotional material. \u003cem\u003eI'm With Pulp, Are You?\u003c\/em\u003e also features a foreword by \u003cstrong\u003eJarvis Cocker\u003c\/strong\u003e, and newly commissioned essays by music writers Simon Reynolds and Luke Turner.\u003c\/p\u003e\n\n\u003cp\u003eBritish band \u003cem\u003ePulp\u003c\/em\u003e were formed in 1978, while frontman \u003cstrong\u003eJarvis Cocker\u003c\/strong\u003e was still at school. 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Rhys weaves anecdotes from his life in performance through designer and long-term collaborator Mark James’ xeroxed graphics and doctored photos, as well as cue cards, which—for the past 15 years—Rhys has used as a part of his live performances. \u003c\/p\u003e\u003cp\u003eApplause! Louder! Thank You! Etc. These cue cards have gradually become more ambitious and absurd: Wild Abandon! Burger Franchise Opportunity! Generic Festival Reaction! The crowd generally goes wild on cue, prompting Rhys to seek explanations for the unimaginable highs and weirdness of life in music through the lens of crowd psychology. The book will appeal to students of linguistics, propaganda, and graphic design, and anyone interested in music and live performance.\u003c\/p\u003e\u003cp\u003e“Suddenly there was little pressure for me to communicate with the audience, when all I was interested in was writing and singing songs. Which was just as well as I had very little in the way of social skills and couldn’t speak very clearly or look an audience in the eye, and I wasn’t interested in people having a good time.”\u003c\/p\u003e\u003cp\u003eFrom minority-language punk rock through crowd psychology and a critique of the buffoonish leaders of our times, the book is a chance to accompany Rhys’s singular imagination towards an understanding of our communal need for music, searching gently and comically for the meaning of life itself. This is a roadmap and call to arms for anyone seeking to \u003cb\u003e\u003ci\u003eResist Phony Encores!\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eRhys originally performed Resist Phony Encores! as an acclaimed one-man slide show at the Edinburgh Festival in 2018. \u003c\/p\u003e","brand":"Hat and Beard","offers":[{"title":"Hardback","offer_id":50531796779339,"sku":"1107783","price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/d76bb7a1-6079-4be1-ae86-b444a63072ed_thumbnail_4096.jpg?v=1728112326"}],"url":"https:\/\/shop.roughtrade.com\/collections\/hat-and-beard.oembed","provider":"Rough Trade","version":"1.0","type":"link"}