{"title":"Heilo","description":null,"products":[{"product_id":"nice-time-on-earth-today","title":"Nice Time on Earth Today","description":"\u003cp\u003e\u003ci\u003eNice Time on Earth Today\u003c\/i\u003e, the third full-length release from the Oslo- based Norwegian American Sadgrass wonder-group Buster Sledge, runs the gamut of both American folk and popular music styles.\u003c\/p\u003e\u003cp\u003e Though in this way the musical backdrop is continuously shifting, the text is always up- front and delivered via a hummable melody. Moments of reckless abandon and maximalism explode through unexpected chord changes, grandiose arrangements and wild solos while the backdrop remains tightly knitted and controlled-but not too much of anything of course! Balancing aesthetics is core to the artistic agenda of this band. The title of the album captures with a tongue in the cheek the modus operandi of their lyrical style, a sort of bluegrass\/ folk- inspired dark humor and levity (e.g. sad lyrics in a happy-sounding song) where the narrator seems to be suffering but also to view themselves suffering with an ironic distance, let's call it stoic melancholicana, and ideally with leave you with a couple verbal and sonic things to reflect on. \u003c\/p\u003e\u003cp\u003eBuster Sledge is an acoustic chamber-quartet of four voices, fiddle, banjo, guitar and contrabass fronted by a Californian living in Norway and backed by three Norwegians of diverse musical backgrounds, all with a shared love for traditional American music. The band creates a contemporary twist on music steeped in tradition through an original repertoire of music that brings the structure and pop- esque melodic focus of American old- time fiddle music as well as the lyrical meter and storytelling focus of old mountain-ballads and country songs together with modern harmonic and lyrical elements from rap, pop and jazz. These are some of the ways the group engages with the age- old tradition of recycling paraphrased archetypes into a new generation of expressions.\u003c\/p\u003e","brand":"Heilo","offers":[{"title":"CD","offer_id":50393599410507,"sku":"2049476","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/7033662074068_00a518ff_thumbnail_4096.jpg?v=1726421995"},{"product_id":"toyen-sessions","title":"Toyen Sessions","description":"\u003cp\u003eSix years after their previous album, \u003cstrong\u003eGjermund Larsen Trio\u003c\/strong\u003e finally releases their long-awaited sequel, \u003cem\u003eToyen Sessions\u003c\/em\u003e. The album was conceived as early as 2019, but was first recorded in its entirety in Toyenkirka, January 2023. As the church has been the trio's rehearsal space since its inception in 2005, this release is definitely on home ground.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eGjermund Larsen\u003c\/strong\u003e is without a doubt one of Norway's most famous and beloved folk musicians, who with his playful and passionate fiddle playing has captured listeners far beyond the traditional folk music audience. The trio, which consists of \u003cstrong\u003eGjermund Larsen\u003c\/strong\u003e (fiddle), \u003cstrong\u003eAndreas Utnem\u003c\/strong\u003e (piano) and \u003cstrong\u003eSondre Meisfjord\u003c\/strong\u003e (double bass), has since its first release in 2008 achieved praise, rave reviews and several awards, including both Spellemannprisen in 2008 (The Norwegian Grammy Awards), German phonographic critics award (2015) and TONO's composer award (2016).\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eToyen Sessions\u003c\/em\u003e takes you on a journey through both the day and the year with its beginning \"Morgenslatt\/ Morning Song,\" via \"April,\" \"Sankthansvals\/ Midsummer Waltz,\" to \"Kveldsvals\/ Evening Waltz.\" The pieces are beautifully and exquisitely played by the trio who once again show their unique ability for interaction, dynamics and playfulness.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eGjermund Larsen\u003c\/strong\u003e's warm and moving compositions give insight to the time he has been through in recent years, such as the elated \"April\" that was written when the lockdown in 2020 was over and his four children could finally return to school and kindergarten. On the album you will also find \"Vintermarsj\/ Winter March,\" a commissioned piece for the WinterFestival in Bergstaden, which is intended to be played every year during the festival.\u003c\/p\u003e","brand":"Heilo","offers":[{"title":"CD","offer_id":50394330726731,"sku":"2053810","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/7033662073535_a5302297_thumbnail_4096.webp?v=1726436698"},{"product_id":"den-lyse-dag","title":"Den Lyse Dag","description":"\u003cp\u003e\"The bright day\" captures a day in the life of the Osterdalen summer farm\u003c\/p\u003e","brand":"Heilo","offers":[{"title":"CD","offer_id":50395596226891,"sku":"2145049","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_8dddd3e2_thumbnail_4096.jpg?v=1726468591"},{"product_id":"ingen-mere-grater","title":"Ingen Mere Grater","description":"\u003cp\u003eThe Swedish-Norwegian trio Aevestaden release their debut album \u003ci\u003eIngen Mere Grater.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eThe first single \"Stanna Inte\" is a song about navigating through the bottomless depths of the soul-both atmospheric, playful and groovy. The listener is driven into an innovative music world where older folk musical instruments and modern electronics meet. \"The song is a balance between the pitfalls of life's maturation. With the course towards the sun as a symbol of wholeness and the union of the conscious and the subconscious, a steady pulse of urgent lyre and pizzicato fiddle is supported in line with the content of the text-and then it reaches a spiritual redemption in an ecstatic chorus.\"-Ævestaden\u003c\/p\u003e\u003cp\u003eThe upcoming debut album consists of both newly composed and traditional music, with old and modern instruments. Lyre, fiddle, mouth harp, kantele, vocals and electronics resonate in a new soundscape. The album is about the conscious and the subconscious-the worldly and the sacred-about life and death. The music is Nordic folk, but in a newer form and with a larger sound space to frolic in.\u003c\/p\u003e\u003cp\u003eThe trio consists of Eir Vatn Strom, Levina Storakern and Kenneth Lien-three musicians who are all multi-instrumentalists. 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Oyonn brings the story to life through a varied vocal expression, care- fully orchestrated with traditional folk instruments, melodic percussion, and rhythm instruments.In Haugtussa, we follow the teenage girl Veslemoy, who is clairvoyant and can see both 'Huldra', trolls, witches, and the dead. We meet her at home on the farm and as a shepherdess in the mountains where she falls in love with Jon. When Jon betrays her, sorrow and destructive forces take over. On the opposite side stands Veslemoy's dead sister as a wise and warm guide. We follow Veslemoy's struggle in the battle between light and darkness, and in the end, the \"wise prophetess\" reveals. \u003c\/p\u003e\u003cp\u003eThe changing of the seasons plays an important role in the story, and this album is divided into three seasonal parts: Vol. 1: Winter, Vol. 2: Spring and Summer, and Vol. 3: Autumn and Winter. 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In her interplay with renowned jazz musicians Nils-Olav Johansen and Erik Nylander, she explores the music through improvisational conversation. In her lyrics and melodies, Susanne Lundeng portrays the drama of life itself and its impact on both people and the landscape. \u003c\/p\u003e\u003cp\u003eLundberg's music has been described as profoundly melancholic, subdued, tender, and stormy. Her musical language lies faithfully in the depths of the Northern Norwegian prime rhythm, a pulsating three-four beat with power and intensity and the poetic and musical lines of folk tunes. Here, elongated, painterly musical images with the fiddle as narrator and small sensual observations in the lyrics are permanently close at hand. \u003c\/p\u003e\u003cp\u003eIn old Norse belief, each person's companion is their guardian spirit, a companion in life from the cradle to the grave, and acts as a precursor and protector. \"We bring all the people we have met throughout our lives, and I am part of a playing and storytelling culture and bring the music, players, and memories with me. I experience that as my companion,\" says Susanne.\u003c\/p\u003e","brand":"Heilo","offers":[{"title":"CD","offer_id":50443461722443,"sku":"2047593","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/7033662073948_d84611d8_thumbnail_4096.webp?v=1727014914"},{"product_id":"solvstrok","title":"Solvstrok","description":"\u003cp\u003eSarah-Jane Summers \u0026amp; Juhani Silvola have created their own chamber orchestra Sølvstrøk (Silverstroke), consisting of a dream team of Norwegian folk \u0026amp; classical musicians, with a punchy \u0026amp; nuanced sound.\u003c\/p\u003e\u003cp\u003eEach track takes a tune as its starting point (5 self- composed \u0026amp; 5 traditional), which Summers\/ Silvola recomposed \u0026amp; expanded into refined string arrangements, focusing on the rhythmic drive \u0026amp; distinctive melodies of Scottish \u0026amp; Norwegian folk music, classical harmonies, and contemporary music colour. \u003c\/p\u003e\u003cp\u003eThe album opens with Tune For Alistair, illustrating the day of an energetic toddler.Number 81 is a 400 year old 6-barrel that we call Baroque-Techno, while Christmas Day I Da Mornin' is a Shetland Christmas meditation. Owerset II, a Scottish- Norwegian pols by Summers, has an extended contemporary music section. Morning Prayer is a prayer that was finally answered. Donald Morison \u0026amp; Miss Mary MacDonald are driving dances, the latter reusing the opening of Mozart's 25th Symphony. Call \u0026amp; Response is inspired by the unique psalm tradition from The Isle of Lewis, which was visited by the Vikings and has many Norwegian place names. 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Is it because the traditional music is too obscured in Norwegian culture or because the scenes are too different? The last years something new has happened; folk music has taken new previously unknown forms. Maybe the road is short from traditional dance to a night out clubbing? But how can this be done without ending up as a parody of both genres?  On this album Lien and Center tries to answer this question by digging deep into the material. The title means \"turn each stone\", and the duo does just that in the search for something common between the two genres. That was not as difficult as expected! The hypnotic pulse, mysterious vibes and a tempo you can dance to is common, also both often drones along without any changes of key. The duo also quickly found that their combination set fire to dancefloors, with people going crazy at their live gigs.  For this album Kenneth played and producer J?rgen harvested the samples of the over and under strings of the traditional hardanger-fiddle, they sampled mouth harps, and they made drum machines play \"springar\" (a Norwegian traditional asynchronous rhythm and dance). It would be easy to water out traditions using electronic instruments since the technology tends to decide. Lien and Center refuse todo this, instead they go for amplifying the traditions to hopefully lay the ground for something new. Following this logic, the synths are tuned to natural scales, leaving the drum machines tumbling away to follow the steps of old folk dances.  Kenneth Lien is a multi-instrumentalist with his roots in black metal and improvised rock. He plays a variety of traditional instruments such as fiddle, Hardanger fiddle, willows flute and last but not least mouth harp. 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