{"title":"Hne Recordings Ltd","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eHne Recordings Ltd is a renowned music label that has been at the forefront of the industry for over two decades. With a focus on *quality* and *innovation*, Hne Recordings Ltd has consistently delivered exceptional music across various genres.\u003c\/p\u003e\n\n\u003cp\u003eFounded in [year], Hne Recordings Ltd quickly gained recognition for its commitment to nurturing talented artists and providing them with a platform to showcase their creativity. The label's roster boasts an impressive lineup of *world-class musicians* who have garnered critical acclaim and amassed a loyal fan base.\u003c\/p\u003e\n\n\u003cp\u003eHne Recordings Ltd takes pride in its diverse catalogue, which spans multiple genres including *rock*, *pop*, *jazz*, and more. From iconic classics to cutting-edge releases, the label offers an extensive collection of music that caters to every musical taste.\u003c\/p\u003e","products":[{"product_id":"all-systems-go-the-neat-singles-volume-1","title":"All Systems Go – The Neat Singles Volume 1","description":"\u003cp\u003eFocusing on both the A-Sides and B-Sides of Neat Records’ fledgling HM acts, \u003cem\u003eAll Systems Go\u003c\/em\u003e is one of the most comprehensive collections of the Neat back catalogue to date, documenting their impact and influence on the NWOBHM. From \u003cstrong\u003eTygers Of Pan Tang\u003c\/strong\u003e’s 1979 debut ‘\u003cem\u003eDon’t Touch Me There\u003c\/em\u003e’, until \u003cstrong\u003eVenom\u003c\/strong\u003e’s ‘\u003cem\u003eWarhead\u003c\/em\u003e’, released in 1984, \u003cem\u003eAll Systems Go\u003c\/em\u003e does not let up once.\u003c\/p\u003e\n\n\u003cp\u003eNeat Records originally started as a label working out of Impulse Studios, Wallsend, Tyne and Wear, in the North of England. Impulse’s David Wood had created a number of different labels to showcase various acts and genres, and when Neat was initially formed it didn’t really have a direction, releasing a couple of pop-orientated singles. But then Neat and \u003cstrong\u003eTygers Of Pan Tang\u003c\/strong\u003e crossed paths, and things were never quite the same again. Neat Records adopted the slogan, ‘Allegedly Britain’s No.1 Independent Heavy Metal Label’, and its importance to the growth and the spread of the New Wave Of British Heavy Metal cannot be understated.\u003c\/p\u003e\n\n\u003cp\u003eAcross four CDs, this set includes many influential, collectable, and highly sought after heavy metal acts, including \u003cstrong\u003eFist\u003c\/strong\u003e with ‘\u003cem\u003eName, Rank And Serial Number\u003c\/em\u003e’ b\/w ‘\u003cem\u003eYou’ll Never Get Me Up (In One Of Those)\u003c\/em\u003e’ single and \u003cstrong\u003eWhite Spirit\u003c\/strong\u003e, featuring future Iron Maiden guitar-slinger, Janick Gers, with ‘\u003cem\u003eBack To The Grind\u003c\/em\u003e’ b\/w ‘\u003cem\u003eCheetah\u003c\/em\u003e’. \u003cstrong\u003eRaven\u003c\/strong\u003e, one of the most important acts of the NWOBHM-era, are represented by ‘\u003cem\u003eDon’t Need Your Money\u003c\/em\u003e’ b\/w ‘\u003cem\u003eWiped Out\u003c\/em\u003e’, ‘\u003cem\u003eHard Ride\u003c\/em\u003e’ b\/w ‘\u003cem\u003eCrazy World\u003c\/em\u003e’, ‘\u003cem\u003eBreak The Chain\u003c\/em\u003e’ b\/w ‘\u003cem\u003eThe Ballad Of Marshall Stack\u003c\/em\u003e’, plus their collaboration with Accept’s Udo on their cover of Steppenwolf classic, ‘\u003cem\u003eBorn To Be Wild\u003c\/em\u003e’ b\/w ‘\u003cem\u003eInquisitor\u003c\/em\u003e’.\u003c\/p\u003e\n\n\u003cp\u003eAlthough not as often celebrated, but equally important to the development of the genre, this 4CD collection also features \u003cstrong\u003eValhalla\u003c\/strong\u003e with ‘\u003cem\u003eComing Home\u003c\/em\u003e’ b\/w ‘\u003cem\u003eTrouble With You (Ain’t Looking For Trouble)\u003c\/em\u003e’, \u003cstrong\u003eSabre\u003c\/strong\u003e’s ‘\u003cem\u003eMiracle Man\u003c\/em\u003e’ b\/w ‘\u003cem\u003eOn The Loose\u003c\/em\u003e’ and \u003cstrong\u003ePersian Risk\u003c\/strong\u003e with ‘\u003cem\u003eRidin’ High\u003c\/em\u003e’ b\/w ‘\u003cem\u003eHurt You\u003c\/em\u003e’, among many other HM classics.\u003c\/p\u003e\n\n\u003cp\u003eThis first volume has been compiled and annotated by NWOBHM expert, John Tucker, the author of \u003cem\u003eNeat and Tidy – The Story Of Neat Records\u003c\/em\u003e and \u003cem\u003eSuzie Smiled… The New Wave Of British Heavy Metal\u003c\/em\u003e.\u003c\/p\u003e","brand":"Hne Recordings Ltd","offers":[{"title":"CD","offer_id":50401423589707,"sku":"2169748","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/HNE4BOX213_THE_NEAT_SINGLES_VOLUME_11-scaled_c6b6e7e0_thumbnail_4096.jpg?v=1726522227"},{"product_id":"born-into-this-savage-edition","title":"Born Into This – Savage Edition","description":"\u003cp\u003e\u003cem\u003eBorn Into This\u003c\/em\u003e is the eighth studio album from the reformed \u003cstrong\u003eThe Cult\u003c\/strong\u003e, originally released in 2007. The album has been expanded with a CD of bonus material, making it their sole release for Roadrunner Records. The Cult’s core team of Ian Astbury and Billy Duffy are joined by Chris Wyse (Ace Frehley, Ozzy Osbourne, and The Hollywood Vampires) on bass and backing vocals, as well as John Tempesta (Exodus, Testament, and White Zombie) on drums and percussion.\u003c\/p\u003e\n\n\u003cp\u003eThe album features the singles ‘\u003cem\u003eDirty Little Rockstar\u003c\/em\u003e’ and ‘\u003cem\u003eIlluminated\u003c\/em\u003e’, and was produced by Youth, who also lends his bass guitar on the album. The original release comes as a 2CD ‘Savage Edition’ with a 5-track bonus CD featuring ‘Stand Alone’, ‘War Pony Destroyer’, ‘I Assassin’ (Demo), ‘Sound Of Destruction’ (Demo), and ‘Savages’ (Full Length Version), all included here.\u003c\/p\u003e\n\n\u003cp\u003eOn \u003cem\u003eBorn Into This\u003c\/em\u003e, you can’t really argue that the songwriting partnership of Astbury\/Duffy is simply outstanding once again. The old swaggering pomp and stomp that The Cult made their trademark is ever present, with Billy Duffy’s crunching riffs and Astbury’s trademark vocals to the fore.\u003c\/p\u003e","brand":"Hne Recordings Ltd","offers":[{"title":"CD","offer_id":50404664869195,"sku":"1129961","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cee99063-ec6e-49ba-a95d-f52b9a61d3b2_thumbnail_4096.jpg?v=1726570234"},{"product_id":"spend-the-night-expanded","title":"Spend the Night","description":"\u003cp\u003eFeaturing the singles ‘Take It Off’ and ‘Who Invited You’, this expanded edition of features five bonus tracks; ‘Hyperactive’, ‘Rock 'N' Roll Machine’, ‘Mama's Boy’, ‘Play My Game’ and ‘Backstage’, the latter taken from the soundtrack to the remake of \u003cem\u003eFreaky Friday\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eVocalist Brett Anderson, guitarist Allison Robertson, bassist Maya Ford and drummer Torry Castellano formed The Donnas in May 1993, adopting the respective stage names Donna A, Donna R, Donna F and Donna C, putting out their first, independently released album in 1997.\u003c\/p\u003e\n\u003cp\u003eTaking inspiration from the punky pop rock of the Ramones and The Runaways, mixed with the classic rock of Bachman-Turner Overdrive and KISS, by 2002, they had come to the attention of Atlantic Records, who proclaimed, “The Donnas spit out idiosyncratic pop-punk anthems of rock ‘n’ roll fantasy and teenage kicks with plenty of goofy putdowns and tough-attitude posturing, largely fuelled by their life on the road.\"\u003c\/p\u003e\n\u003cp\u003eAnd if you were in any doubt, they were, \"Inspired by AC\/DC, the Sex Pistols and Madonna, Donna A’s lipstick-snarl vocals pummel Donna C’s and Donna F’s furious chug and Donna R’s early Guns n’ Roses guitar wall.”\u003c\/p\u003e","brand":"Hne Recordings Ltd","offers":[{"title":"CD","offer_id":50413506330955,"sku":"2191515","price":10.99,"currency_code":"GBP","in_stock":true},{"title":"LP - Clear with Canary and Pink Splatter","offer_id":56262806962507,"sku":"R9709-4813","price":39.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Screenshot_2024-03-22_at_15.04.21_da5aa122_thumbnail_4096.png?v=1726674360"},{"product_id":"remembering-anthology-1996-2017","title":"Remembering - Anthology 1996-2017","description":"\u003cp\u003eFive albums spanning 1996 to 2017 by guitarist Eric Bell\u003c\/p\u003e\u003cp\u003eBest known for the classic, early albums and enduring singles he recorded with Thin Lizzy, including ‘The Rocker’ and the definitive version of the traditional Irish tune, ‘Whiskey In The Jar’, his career included a spell with Van Morrison and Them as well as stints with former Jimi Hendrix bassist Noel Redding and former Colosseum saxophonist Dick Heckstall-Smith’s Mainsqueeze, not to mention legendary Irish rock band Skid Row.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eLive Tonite...Plus! \u003c\/i\u003e(CD1) was recorded in Sweden and originally only available there. Featuring ‘The Stumble’, best known as a song featured on John Mayall’s 1966 album featuring Eric Clapton alongside the Van Morrison classic ‘Madam George’, Them’s ‘Gloria’, and inevitably two of the songs that first made Thin Lizzy famous, ‘Whiskey In The Jar’ and ‘The Rocker’.\u003c\/p\u003e\u003cp\u003e12 years elapsed before Eric’s next album, \u003ci\u003eIrish Boy \u003c\/i\u003e(CD2), dedicated to the memory of Rory Gallagher. A significant milestone in Eric’s career, the set saw him emerge as a songwriter in his own right.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eLonely Nights in London\u003c\/i\u003e (CD3) was produced by Gillan guitarist and fellow Irishman Bernie Tormé at his home studio, the record also testifies to Bell’s ability to incorporate various styles within his songwriting, recalling the diversity of the early Thin Lizzy. As well as Eric Bell originals, the set also includes a cover of Willie Dixon’s ‘Hoochie Coochie Man’ and Johnny Winter’s ‘Dallas’.\u003c\/p\u003e\u003cp\u003eProduced by Andy Quinn, \u003ci\u003eExile\u003c\/i\u003e (CD4) was his most assured solo collection to date, with Eric handling the vocals, lead and rhythm guitar, acoustic guitar, bass and percussion, with Joe Oakes on drums. The album includes ‘Song For Gary’, a heartfelt tribute to the late Gary Moore, the guitarist and friend who temporarily replaced Bell on his exit from Thin Lizzy in 1973 and who replaced him in Skid Row.\u003c\/p\u003e\u003cp\u003eReleased in 2017, \u003ci\u003eStanding at a Bus Stop\u003c\/i\u003e (CD5) built on the strong foundation laid by ‘EXILE’, and found Bell continuing to grow in confidence as a song writer. Inspired by one of his musical heroes, ‘In Memory of Django’ is a tribute to the gypsy-jazz guitarist Django Reinhardt.\u003c\/p\u003e\u003cp\u003eThe set features extensive liner notes based on new interviews with Eric.\u003c\/p\u003e","brand":"Hne Recordings Ltd","offers":[{"title":"CD","offer_id":50434669248843,"sku":"2208132","price":36.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Screenshot_2024-06-28_at_17.40.45_eeb82585_thumbnail_4096.png?v=1726892901"},{"product_id":"the-sound-of-thunder","title":"The Sound Of Thunder!","description":"\u003cp\u003eThe world of hard rock and heavy metal attracts many larger-than-life characters, and few are larger than life than John McCoy. Although he has had a long and varied career, from Atomic Rooster to Zzebra, plus Samson and Mammoth, among others, McCoy is probably best known for playing bass with Gillan, the band he formed with Ian Gillan of Deep Purple. For an all too brief few years, John McCoy could be relied upon to entertain millions whilst whilst holding down the bottom end with Gillan on Top Of The Pops, playing sold out world tours, or snapping bass guitars in half on Saturday morning kids TV shows like Tiswas.\u003c\/p\u003e\u003cp\u003eWhen Gillan came to an abrupt and untimely end in 1982 following a packed Wembley Arena show, John McCoy formed the eponymous McCoy with an impressive line-up featuring former Gillan colleague Colin Towns on keyboards, Paul Samson of Samson on lead guitar, original Iron Maiden drummer Ron Rebel Matthews and vocalist Tony T-Bone Rees.\u003c\/p\u003e\u003cp\u003eThis set kicks off with the self-titled ‘McCoy’ EP (CD1), which starts with a rollicking cover of Fleetwood Mac’s ‘Oh Well’. The EP ends with ‘Because You Lied’, a song sadly aimed at the lead singer of his former band. Released in 1985, ‘Think Hard’ (CD1) was McCoy’s first full set, featuring ‘Hell to Play’, ‘Heads Will Roll’ and ‘Ride The Night’.\u003c\/p\u003e\u003cp\u003e‘Brainstorm’ (CD 2} was recorded at Studio 43 in New York. McCoy was joined by ex-Belladonna guitarist\/vocalist Al Romano and drummer Mike Sciotto (From The Fire); Rainbow and Black Sabbath drummer Bobby Rondinelli guests on two tracks.\u003c\/p\u003e\u003cp\u003eThe band Samson were a major influence on the New Wave Of British Heavy Metal at the end of the 1970s, and John McCoy was an important figure for the band, playing bass, producing and co-writing their 1979 debut album. Prior to that, the band McCoy, with Paul Samson and drummer Roger Hunt, were regulars on the London and South East gigging circuit. Captured at the height of new wave, ‘Live 1977’ (CD 3) acts as a raw, rough and ready antidote to the nascent punk scene that gripped the UK at that time. Recorded on July 11th,1977 at The Target in Reading, Berkshire, this is the only surviving record of this power trio making this third CD an indispensable piece of rock history, and arguably one of the touchstones of NWOBHM, as several of the songs would eventually form the aforementioned Samson debut album; ‘Big Brother’, ‘Six Foot Under’, ‘The Shuffle’, ‘Wrong Side of Time’. Despite the challenging sound quality, you can still sense something special emerging.\u003c\/p\u003e","brand":"Hne Recordings Ltd","offers":[{"title":"CD","offer_id":50441437380939,"sku":"2191597","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Screenshot_2024-03-23_at_15.49.05_1cfb00eb_thumbnail_4096.png?v=1726979827"},{"product_id":"dust-expanded-edition","title":"Dust - Expanded Edition","description":"\u003cp\u003eAlthough finding mainstream success with the release of \u003ci\u003eSweet Oblivion\u003c\/i\u003e, and the single \u003ci\u003eNearly Lost You\u003c\/i\u003e from the soundtrack to Cameron Crowes’s film \u003ci\u003eSingles\u003c\/i\u003e, the Screaming Trees’ history goes back to 1985, predating many of their Grunge-era, Seattle peers. Formed in Ellensburg, Washington state, around the nucleus of brothers Garry Lee Conner (guitar) and Van Conner (bass), and fronted by the sonorous tones of Mark Lanegan, they recorded four albums and numerous singles for such grunge movers and shakers as Sub Pop and SST, before signing a major label deal with Sony's Epic Records. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eDust \u003c\/i\u003eemerged in July 1996, featuring guest spots from Benmont Tench, on loan from Tom Petty and The Heartbreakers, and Pearl Jam’s Mike McCready. Mixed by Andy Wallace (Nirvana, Jeff Buckley, White Zombie), the album kicks off with the visceral \u003ci\u003eHalo Of Ashes\u003c\/i\u003e, driven by Garry Lee Conner’s electric sitar, followed by the psychedelic single, \u003ci\u003eAll I Know\u003c\/i\u003e and the plaintive \u003ci\u003eSworn And Broken\u003c\/i\u003e. The album ends with a drone for the formidable \u003ci\u003eGospel Plow\u003c\/i\u003e. \u003c\/p\u003e\u003cp\u003eAmong the bonus tracks that make up CD 2 (but are not on the vinyl), are non-album B-Sides \u003ci\u003eWasted Time\u003c\/i\u003e and \u003ci\u003eSilver Tongue\u003c\/i\u003e, live versions of \u003ci\u003eButterfly\u003c\/i\u003e, \u003ci\u003eSworn And Broken\u003c\/i\u003e and \u003ci\u003eDollar Bill,\u003c\/i\u003e plus a version of \u003ci\u003eDarkness Darkness\u003c\/i\u003e which was originally recorded for the \u003ci\u003eTrue Lies \u003c\/i\u003emotion picture soundtrack. Also included are very rare studio versions of Tim Rose’s \u003ci\u003eMorning Dew\u003c\/i\u003e, plus a cover of \u003ci\u003eFreedom\u003c\/i\u003e, originally recorded by cult Australian hard rockers, Buffalo. \u003c\/p\u003e","brand":"Hne Recordings Ltd","offers":[{"title":"CD","offer_id":50445962608971,"sku":"1010719","price":12.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50445963067723,"sku":"1023881","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/32801500-9820-44d0-acc5-7dad84f890ad_thumbnail_4096.jpg?v=1727050572"},{"product_id":"songs-of-much-gravity-1993-2001","title":"Songs Of Much Gravity 1993-2001","description":"\u003cp\u003eOriginally forming in Germantown, Maryland, USA in 1991, Clutch comprised of Dan Maines (bass), Jean-Paul Gaster (drums), Tim Sult (guitar) and Neil Fallon (vocals) when they signed to Warner imprint East West Records in 1993 for their first full-length album,\u003ci\u003e Transnational Speedway League: Anthems, Anecdotes, and Undeniable Truths\u003c\/i\u003e. Produced by Jon Burnside and Steven Haigler, the album is a good showcase for their earlier, more American punk and hardcore influenced roots. \u003c\/p\u003e\u003cp\u003eAlso released by East West, tracks such as ‘Escape from the Prison Planet’, ‘Spacegrass’ and ‘Big News’ from 1995’s self-titled \u003ci\u003eClutch\u003c\/i\u003e album saw the band move more towards a bluesy, stoner rock vibe in 1995. \u003c\/p\u003e\u003cp\u003eAfter several independently released records, plus a brief spell on Columbia, Clutch signed to Atlantic for their fifth long-player, the self-explanatory \u003ci\u003ePure Rock Fury \u003c\/i\u003ein 2001. Notable for guest appearances from stoner rock legend Scott “Wino” Weinrich (The Obsessed, Saint Vitus and Spirit Caravan), as well as Mountain’s Leslie West, the latter co-wrote the song ‘Immortal’ with Neil Fallon. Released as a single, ‘Immortal’ was adapted from the Leslie West song ‘Baby I’m Down’. “Pure Rock Fury” concludes with a live version of ‘Spacegrass’ from 1995’s “Clutch” album. \u003c\/p\u003e\u003cp\u003eCD4 collects together seven non-album tracks; ‘Tight Like That’ (Edit Remix) originally appeared on the promo E.P. “Songs Of Much Gravity; ‘Apache’ appeared as an extra track on the ‘Big News’ single, as well as the Japanese edition of the \u003ci\u003eClutch \u003c\/i\u003ealbum; ‘Immortal’ (Remix) was an extra track on the ‘Immortal’ single; 7 Jam was recorded live at The Metropol, Pittsburgh, PA.; Careful With That Mic… (Radio Edit), ‘Guild Of Mute Assassins’ and the near 13 minute version of ‘Frankenstein’ (Extended) were all taken from the “Careful With That E.P.” collection.\u003c\/p\u003e","brand":"Hne Recordings Ltd","offers":[{"title":"CDx4","offer_id":50447386411339,"sku":"1117461","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/13530f1c-195b-4650-99c6-a9f8b4263106_thumbnail_4096.jpg?v=1727076975"},{"product_id":"live-in-the-uk","title":"Live In The UK","description":"\u003cp\u003eClassic live performances from Mountain’s UK tours of 2002 and 2005. Featuring Leslie West and Corky Laing, joined by Richie Scarlet on bass, playing their raw and loud brand of classic blues and hard rock.\u003c\/p\u003e\u003cp\u003eMountain formed in Long Island, New York in 1969, just in time to perform one of their earliest shows at the legendary Woodstock Festival in August that year. Mountain were based around highly influential lead guitarist and vocalist Leslie West, and named after West’s debut solo album. The classic line-up of Leslie West, Felix Pappalardi on bass and vocals, Steve Knight on keyboards and Corky Laing on drums would release the albums ‘Climbing!’ In 1970, ‘Nantucket Sleighride’ and ‘Flowers of Evil’ in 1971 and then ‘Twin Peaks’ and ‘Avalanche’ in 1974, before calling it a day that year.\u003c\/p\u003e\u003cp\u003eInspired by the classic power trio Cream, Mountain’s blues-based heavy rock was in turn a huge influence on the development of hard rock and heavy metal. Various versions and line-ups of Mountain would reform to tour and record from the 1980s onwards.\u003c\/p\u003e\u003cp\u003eKicking off at the Manchester Academy, the setlist is built around the Mountain classics ‘Blood Of The Sun’, ‘Mississippi Queen’ and ‘Nantucket Sleighride’, while also paying homage to their Cream heroes with ‘Sunshine Of Your Love’, ‘Politician’ and ‘Crossroads’. Although the set list doesn’t deviate too much across these six previously unreleased live shows, these recordings highlight the interaction between Leslie and Corky, as the guitarist puts a different spin and jams on the songs each night .'Can't Find My Way Home' featuring Stray’s Del Bromham was a real treat for fans in Leicester. Captured live in Manchester, Wolverhampton, Sheffield, Swansea, Leicester and Cardiff, Live In The UK is a unique snapshot of the latter era of this legendary band.\u003c\/p\u003e","brand":"Hne Recordings Ltd","offers":[{"title":"CD","offer_id":50447394963787,"sku":"2212131","price":39.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Screenshot_2024-07-19_at_22.08.04_0a41c21e_thumbnail_4096.png?v=1727077131"},{"product_id":"the-lemmy-sessions","title":"The Lemmy Sessions","description":"\u003cp\u003eA newly curated 3CD set featuring the unreleased Lemmy Kilmister mix of Warfare’s influential 1985 opus, \u003cem\u003eMetal Anarchy\u003c\/em\u003e. The truly anarchic Warfare, widely considered to have been the original “metal punks”, were formed by drummer Evo in early 1984. Evo had learned his trade in legendary droog band Major Accident, he then moved to London to join The Blood, with a spell drumming for the legendary Angelic Upstarts, before forming Warfare.\u003c\/p\u003e\n\n\u003cp\u003eA fresh and much needed shot in the arm for the UK metal scene of the mid-80s, Warfare signed to Neat Records for a series of highly influential and original LPs and EPs. In 1992 Evo called it a day, having played professionally since the age of 18, retiring from the music business completely. After a hiatus of more than a quarter of a century, Evo returned with \u003cem\u003eThe Songbook Of Filth\u003c\/em\u003e, a 3CD collection featuring many special guests, but with an even more brutal and angry sound than before.\u003c\/p\u003e\n\n\u003cp\u003eOne band that was equally revered by the punks and metal-heads alike was Motörhead, being a major influence on Warfare. \u003cem\u003eThe Lemmy Sessions\u003c\/em\u003e is a newly curated 3CD set featuring the unreleased Lemmy Kilmister mix of Warfare’s influential 1985 opus, \u003cem\u003eMetal Anarchy\u003c\/em\u003e. As the only band that Lemmy produced (outside of Motörhead and The Ramones), this recently discovered “rough mix” is presented from the original cassette for Evo to approve before the final mix down (Drop outs and all) on Disc One and in the original album running order.\u003c\/p\u003e\n\n\u003cp\u003eThe second disc is a new fully polished version of 1985’s brutal full on \u003cem\u003eMetal Anarchy\u003c\/em\u003e album. The third disc rounds off this era of Warfare by featuring the ‘Two Tribes EP’, the ‘Total Death EP’, plus bonus track ‘Two Tribes (From Hell Mix)’. All newly remastered, this collection features expanded artwork and includes new liner notes from Evo written with NWOBHM expert, John Tucker.\u003c\/p\u003e","brand":"Hne Recordings Ltd","offers":[{"title":"CD","offer_id":50453522186571,"sku":"2005448","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Warfare_TheLemmySessions_c0416226_thumbnail_4096.jpg?v=1727173196"},{"product_id":"babylon-the-elektra-years-1987-1992","title":"Babylon – The Elektra Years 1987-1992","description":"\u003cp\u003eThree key albums from legendary hair metal glamsters \u003cstrong\u003eFaster Pussycat\u003c\/strong\u003e from the end of the ‘80s and early ‘90s. Including a host of bonus tracks and the EP \u003cem\u003eLive And Rare\u003c\/em\u003e from 1990.\u003c\/p\u003e\n\n\u003cp\u003eForming in Hollywood, California in 1985, and taking their name from Russ Meyer’s 1965 exploitation trash classic, \u003cstrong\u003eFaster! Pussycat! Kill! Kill!\u003c\/strong\u003e, Taime Downe (lead vocals), Greg Steele (guitar), Brent Muscat (guitar), Eric Stacy (bass), and Mark Michals (drums) were in the right place at the right time with their brand of sleaze rock and glam metal.\u003c\/p\u003e\n\n\u003cp\u003eSigning to legendary record label Elektra, they released their self-titled debut on 7th July 1987 (two weeks ahead of Guns N’ Roses’ debut, \u003cem\u003eAppetite For Destruction\u003c\/em\u003e). Becoming MTV favourites with videos for the songs ‘Bathroom Wall’ and ‘Don’t Change That Song’, their fame and infamy was further propelled by appearing in the Penelope Spheeris film \u003cem\u003eThe Decline of Western Civilization part 2 – The Metal Years\u003c\/em\u003e, with the band interviewed as well as performing ‘Cathouse’ and ‘Bathroom Wall’ on stage. In America the band toured with Alice Cooper, David Lee Roth, and Motörhead to promote the album.\u003c\/p\u003e\n\n\u003cp\u003eThey reached a commercial peak in 1989 with second album, \u003cem\u003eWake Me When It’s Over\u003c\/em\u003e, which was swiftly awarded gold sales status. Featuring the singles ‘House Of Pain’ and ‘Poison Ivy’, \u003cem\u003eWake Me When It’s Over\u003c\/em\u003e was marked by a heavier, less glam rock approach. They also recorded a cover of Carly Simon’s ‘You’re So Vain’ for the compilation album ‘Rubáiyát’, an album celebrating Elektra Records’s 40th Anniversary.\u003c\/p\u003e\n\n\u003cp\u003eLed by the single ‘Nonstop to Nowhere’, 1992’s self-explanatory \u003cem\u003eWhipped!\u003c\/em\u003e fared well, but despite sold out tours, the rise of grunge was making many of \u003cstrong\u003eFaster Pussycat\u003c\/strong\u003e’s glam rock contemporaries look a little obsolete. The band called it a day in 1993.\u003c\/p\u003e","brand":"Hne Recordings Ltd","offers":[{"title":"CD","offer_id":50459331166539,"sku":"1136893","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/0e239d6f-5e73-447d-bf33-9fb70a63fd6d_thumbnail_4096.jpg?v=1727220255"},{"product_id":"bad-blood-the-mayan-albums-2002-2005","title":"Bad Blood: The Mayan Albums 2002-2005","description":"\u003cp\u003eMinistry formed in Chicago, Illinois, in 1981, by singer, producer and multi- instrumentalist, Al Jourgensen. releasing their debut \u003ci\u003eWith Sympathy\u003c\/i\u003e in 1983. By the end of the 1980s Ministry had morphed from their original synth-pop sound to become pioneers of industrial metal.\u003c\/p\u003e\u003cp\u003eFour classic albums from Ministry’s time at Sanctuary imprint Mayan – for fans of Nine Inch Nails and White Zombie\u003c\/p\u003e\u003cp\u003e2002’s \u003ci\u003eSphinctour\u003c\/i\u003e captured their live sound across a series of dates on their 1996 tour to support the \u003ci\u003eFilth Pig\u003c\/i\u003e album; recorded straight to DAT tape from the mixing desk, without any further mixing or studio trickery. Al Jourgensen was joined on this tour by long-time Ministry collaborator Paul Barker on bass, Reynolds Washam on drums, Duane Buford on keyboards, Zlatko Hukic on guitar and Louis Svitek on guitar. The 11-track live album includes ‘Psalm 69’ from the Elysée Montmartre in Paris, ‘Just One Fix’ taken from the famed Aragon Ballroom in their hometown of Chicago and ‘NWO’ at the Hollywood Palladium in Los Angeles.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eAnimositisomina \u003c\/i\u003efrom 2003 was their eighth studio record, and first studio set for Sanctuary\/Mayan, and features nine original tracks, plus a cover of Magazine’s ‘The Light Pours Out of Me’, and was the last album to feature Paul Barker.\u003c\/p\u003e\u003cp\u003eTheir ninth album, \u003ci\u003eHouses Of The Molé\u003c\/i\u003e saw the band move away from a purely industrial sound to a more thrash metal style. Anti-George Bush in theme, Ministry mainstay Al Jourgensen saw it “as something of a rebirth”, being the first for some years to not feature Paul Barker.\u003c\/p\u003e\u003cp\u003eThe band’s final release for the label was 2005’s remix compilation, \u003ci\u003eRantology\u003c\/i\u003e which included one new track, ‘The Great Satan’, which is joined by unique updated mixes of Ministry classics ‘NOW’, ‘Stigmata’ and ‘Jesus Built My Hotrod’, featuring the Butthole Surfer’s Gibby Haynes.\u003c\/p\u003e","brand":"Hne Recordings Ltd","offers":[{"title":"CD","offer_id":50459399455051,"sku":"1134536","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e57e9a3a-f8fe-4330-aa76-ddabe5d44da8_thumbnail_4096.jpg?v=1727221516"},{"product_id":"the-songbook-of-filth","title":"The Songbook Of Filth","description":"\u003cp\u003eBrand new Warfare album. Formed by drummer Evo in early 1984, who had learned his trade in legendary droog band Major Accident, cutting two singles and an album with them. Evo then moved to London and joined The Blood (drumming on\u003ci\u003e False Gestures For A Devious Public,\u003c\/i\u003e now regarded as a classic cult album that peaked at No 62 in the Official UK charts in 1983). Before forming Warfare, Evo also had a spell drumming for the legendary Angelic Upstarts, one of the UK’s biggest Oi! bands of the era, playing his first show with them in front of 15,000 punters, second on the bill to The Damned at the mighty Queen’s Hall in Leeds.\u003c\/p\u003e\u003cp\u003eWarfare were a whiff of fresh air for the stagnating English metal scene of the mid-1980s. “The lyrics of Warfare are more than valid, they are essential,” says Evo today. “The lyrics and music are of uncanny proportions. Looking back now, it seems that they were a prediction of what was to come.”\u003c\/p\u003e\u003cp\u003eWarfare immediately signed to NWOBHM pioneering label Neat Records for a series of influential releases, including \u003ci\u003ePure Filth\u003c\/i\u003e produced by Algy Ward of Tank, followed by \u003ci\u003eMetal Anarchy\u003c\/i\u003e, produced by Lemmy. Their third album, the aptly titled \u003ci\u003eMayhem Fuckin’ Mayhem\u003c\/i\u003e sold in bucket loads, followed by their fourth, \u003ci\u003eA Conflict of Hatred\u003c\/i\u003e. Their last album for Neat, 1990’s \u003ci\u003eHammer Horror,\u003c\/i\u003e was a tribute to Evo’s favourite films of the ‘60s and ‘70s.\u003c\/p\u003e\u003cp\u003eIn 1992 Evo called it a day, having played professionally since the age of 18, retiring from the music business completely. After a hiatus of almost 27 years Evo decided to return with Warfare, but now even more brutal and angry than before. Having written a handful of new songs Eno recruited a number of guest musicians, including the late ‘Fast’ Eddie Clarke from Motörhead and Fastway, who laid down some of his finest and final guitar work with Warfare before his untimely death in 2018. Other guests include Pete Way from UFO and Waysted, whose thunderous bass can be heard alongside ‘Fast’ Eddie and Evo on the song ‘Misanthropy’, the very first commercial release by the trio. Other guests featured on\u003ci\u003e The Songbook Of Filth\u003c\/i\u003e include Tom Angleripper from Sodom, Lips from Anvil, both Cronos and Mantas from Venom, Fred Purser from Tygers Of Pan Tang and Würzel from Motörhead.\u003c\/p\u003e","brand":"Hne Recordings Ltd","offers":[{"title":"LP","offer_id":50459533115723,"sku":"1127193","price":20.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50459533672779,"sku":"1127194","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/7a8dff3d-309a-4d95-979b-263cb8df5cb4_thumbnail_4096.jpg?v=1727223999"},{"product_id":"sleeping-martyr-2000-2005","title":"Sleeping Martyr 2000-2005","description":"\u003cp\u003eThree albums from the early 2000s from celebrated stoner \/ sludge and heavy metal outfit Corrosion Of Conformity – COC. Featuring bonus tracks and liner notes by Malcolm Dome including recollections and insights from COC frontman Pepper Keenan and producer John Custer.\u003c\/p\u003e\u003cp\u003eCorrosion of Conformity formed in Raleigh, North Carolina, in 1982. Originally a hardcore punk band recording for indie labels, by the 1990s they had moved towards a more southern tinged heavy metal sound, eventually finding mainstream success on Columbia Records, while being championed by famous fans such as Metallica.\u003c\/p\u003e\u003cp\u003eBy 2000, Corrosion Of Conformity had shortened their name to COC, signing a deal with Sanctuary Records for \u003ci\u003eAmerica’s Volume Dealer\u003c\/i\u003e featuring the line-up of Down’s Pepper Keenan on lead vocals and guitar, founder member Woodroe Weatherman on guitar, Mike Dean on bass and Reed Mullin on drums. With a more polished sound, the album was produced by John Custer, who’d worked with the band since 1991’s \u003ci\u003eBlind\u003c\/i\u003e. Kicking off with the single, ‘Over Me’, this edition features the European bonus tracks ‘Rather See You Dead’ and ‘Steady Roller’ (Demo Version). Warren Haynes from Gov’t Mule and the Allman Brothers Band guests on slide guitar for ‘Stare Too Long’.\u003c\/p\u003e\u003cp\u003eAfter almost 20 years of playing and recording, 2001 was the perfect time for Corrosion Of Conformity to take stock and release their first live album,\u003ci\u003e Live Volume\u003c\/i\u003e. As well as recent tracks such as ‘Zippo’ and ‘Diablo Blvd’, the set includes plenty of COC classics, including ‘Albatross’, ‘Clean My Wounds’ and ‘Vote With A Bullet’. Recorded at Harpos Concert Theatre in Detroit, Michigan on April 20, 2001, Down and Eyehategod’s Jimmy Bower stepped in to play drums.\u003c\/p\u003e\u003cp\u003eFans would have to wait until 2005 for the release of COC’s seventh studio album, \u003ci\u003eIn The Arms Of God\u003c\/i\u003e. The only studio record not to feature founder member Reed Mullin. Stanton Moore played drums, joining Pepper Keenan, Woodroe Weatherman and Mike Dean.\u003c\/p\u003e","brand":"Hne Recordings Ltd","offers":[{"title":"CD","offer_id":50459644657995,"sku":"1132299","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cb077110-2c44-4678-8ce9-f2a50d19e015_thumbnail_4096.jpg?v=1727225398"},{"product_id":"the-warner-albums-1988-1993","title":"The Warner Albums 1988-1993","description":"\u003cp\u003e\u003cstrong\u003eBulletBoys\u003c\/strong\u003e formed in Los Angeles in 1988, just in time to take full advantage of the hair metal and glam rock scene that was the rage of the clubs and bars of the Sunset Strip. Signing to Warner Bros Records, with Marq Torien on lead vocals, Mick Sweda on guitar, Lonnie Vencent on bass, and Jimmy D’Anda on drums, they had a good pedigree, having formed from the ashes of Carmine Appice’s King Kobra. Marq Torien had even featured in an early line-up of \u003cstrong\u003eRatt\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eTed Templeman, famed for his production work for Montrose, Doobie Brothers, but most notably Van Halen, took the band into the studio to oversee their self-titled debut (\u003cem\u003eCD1\u003c\/em\u003e). Featuring the MTV hit \"\u003cem\u003eSmooth Up In Ya\u003c\/em\u003e\" (US Hot 100 #71, US Mainstream Rock #23), the album also featured a cover of the O’Jays \"\u003cem\u003eFor The Love Of Money\u003c\/em\u003e\" (US Hot 100 #78, US Mainstream Rock #38). The BulletBoys debut album was swiftly certified gold after selling half a million copies.\u003c\/p\u003e\n\n\u003cp\u003eIn 1991, the band released \u003cem\u003eFreakShow\u003c\/em\u003e (\u003cem\u003eCD2\u003c\/em\u003e). Once again, produced by Ted Templeman, the album is notable for the singles \"\u003cem\u003eTHC Groove\u003c\/em\u003e\", a cover of Tom Waits \"\u003cem\u003eHang on St. Christopher\u003c\/em\u003e\", plus a cover of J.B. Lenoir’s \"\u003cem\u003eTalk To Your Daughter\u003c\/em\u003e\". Also included as a bonus track is a cover of rock classic \"\u003cem\u003eRock Candy\u003c\/em\u003e\", originally written and recorded by Ted Templeman protégés Montrose for their self-titled debut. BulletBoys’ version of \"\u003cem\u003eRock Candy\u003c\/em\u003e\" was featured on the soundtrack to \"\u003cem\u003eWayne’s World\u003c\/em\u003e\".\u003c\/p\u003e\n\n\u003cp\u003eTheir third and final album for Warners was 1993’s \u003cem\u003eZa-Za\u003c\/em\u003e (\u003cem\u003eCD3\u003c\/em\u003e). The last BulletBoys album to be produced by Ted Templeman, the album was the first to feature only original songs, jointly credited to the band.\u003c\/p\u003e\n\n\u003cp\u003eMusic tastes had changed since the heady heyday of only five years earlier, with grunge sweeping away the hairspray and pop-metal acts so popular at the end of the 80s. This complete collection of their Warner recordings includes new liner notes from Classic Rock’s Malcolm Dome, based on interviews with the band’s guitarist Mick Sweda and drummer Jimmy D’Anda. The band would record a further six albums with various line-ups, releasing their most recent album in 2018.\u003c\/p\u003e","brand":"Hne Recordings Ltd","offers":[{"title":"CD","offer_id":50460869263691,"sku":"1120621","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/231b11d4-3b74-472c-93ce-a6343c00a0cf_thumbnail_4096.jpg?v=1727239430"},{"product_id":"every-mistake-imaginable-the-complete-frilly-pink-years-1987-1988","title":"Every Mistake Imaginable  The Complete Frilly Pink Years 1987-1988","description":"\u003cp\u003eComplete collection of the recordings by spoof metal act \u003cstrong\u003eBad News\u003c\/strong\u003e. Bolstered with a number of bonus tracks.\u003c\/p\u003e\n\n\u003cp\u003eCreated for Channel 4’s The Comic Strip Presents series in 1983, the pathos-filled \u003cem\u003eBad News Tour\u003c\/em\u003e followed a day in the life of spoof heavy metal band, Bad News. Preceding the release of \u003cem\u003eThis Is Spinal Tap\u003c\/em\u003e by more than a year, Bad News were led by singer and guitarist Vim Fuego (played by Ade Edmondson), joined by bassist Colin Grigson (Rik Mayall), drummer Spider Webb (Colin Richardson) and guitarist Den Dennis (Nigel Planer).\u003c\/p\u003e\n\n\u003cp\u003eFilmed as a fly on the wall rockumentary, \u003cem\u003eBad News Tour\u003c\/em\u003e followed the band to a gig in Grantham, while detailing their relative failures on the elusive road to success. The band made their live debut at the 1986 Monsters Of Rock festival, Castle Donington. The show was filmed for Comic Strip sequel, \u003cem\u003eMore Bad News\u003c\/em\u003e on a bill featuring Def Leppard, Scorpions, Motorhead and headlined by Ozzy Osbourne, all of whom made cameos in the eventual programme.\u003c\/p\u003e\n\n\u003cp\u003eBy the time that \u003cem\u003eMore Bad News\u003c\/em\u003e was broadcast in February 1988, Bad News had released their Brian May produced, self-titled debut (\u003cem\u003eCD1\u003c\/em\u003e). In a short, but meteoric career, Bad News released their second album, \u003cem\u003eBootleg\u003c\/em\u003e (\u003cem\u003eCD2\u003c\/em\u003e), in 1988. Appearing on CD for the very first time, \u003cem\u003eBootleg\u003c\/em\u003e is best summed up as, where, The first album features music and some arguing between the band members, this album is almost entirely arguing.\u003c\/p\u003e\n\n\u003cp\u003eIt’s probably best to leave the final word to singer and guitarist, Vim Fuego: \"I could play ‘Stairway To Heaven’ when I was 12. Jimmy Page didn’t actually write it until he was 22. I think that says quite a lot.\"\u003c\/p\u003e","brand":"Hne Recordings Ltd","offers":[{"title":"CD","offer_id":50483864142155,"sku":"2026668","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/BadNews_QHNECD197D-scaled_28eebe1a_thumbnail_4096.jpg?v=1727574837"},{"product_id":"screamin-down-the-house-1985-1988","title":"Screamin' Down The House (1985-1988)","description":"\u003cp\u003eFour albums and an EP from \u003cstrong\u003eRaven\u003c\/strong\u003e who were very much part of the NWOBHM movement of the late 1970s and early 1980s. With John Gallagher on bass and vocals, and Mark Gallagher on lead guitar, they played their first gig in 1976, building up a loyal following across the North East of England.\u003c\/p\u003e\n\n\u003cp\u003eA demo recorded in 1978 brought them to the attention of the newly formed Neat Records, by which time they had formed a power trio with \u003cstrong\u003eRob “Wacko” Hunter\u003c\/strong\u003e on drums. Neat Records released their debut 45 ‘\u003cem\u003eDon’t Need Your Money\u003c\/em\u003e’ in 1980, followed by the albums \u003cem\u003eRock Until You Drop\u003c\/em\u003e, \u003cem\u003eWiped Out\u003c\/em\u003e and \u003cem\u003eAll For One\u003c\/em\u003e, plus the concert collection \u003cem\u003eLive At The Inferno\u003c\/em\u003e, becoming a huge influence on the emerging American thrash and speed metal bands such as Slayer, Megadeth and Metallica.\u003c\/p\u003e\n\n\u003cp\u003eChampioned by Kerrang! and Sounds in the UK, \u003cstrong\u003eRaven\u003c\/strong\u003e could now be found in the pages of Circus and Hit Parader across the pond. Inevitably attracting the attention of major labels in the United States, they were snapped up by Atlantic Records, relocating from Newcastle to New York in 1984. Their Atlantic debut, 1985’s \u003cem\u003eStay Hard\u003c\/em\u003e (CD1), featured the single and MTV favorite ‘\u003cem\u003eOn And On\u003c\/em\u003e’.\u003c\/p\u003e\n\n\u003cp\u003eRecorded in New York, \u003cem\u003eStay Hard\u003c\/em\u003e found \u003cstrong\u003eRaven\u003c\/strong\u003e moving towards a more commercial sound with the singles ‘\u003cem\u003eRestless Child\u003c\/em\u003e’ and ‘\u003cem\u003ePray For The Sun\u003c\/em\u003e’, as well as a reworking of ‘\u003cem\u003eHard Ride\u003c\/em\u003e’, originally from their Neat debut LP. After making a significant dent in the Billboard 200, \u003cem\u003eStay Hard\u003c\/em\u003e was followed by \u003cem\u003eThe Pack Is Back\u003c\/em\u003e (CD2), released in 1986.\u003c\/p\u003e\n\n\u003cp\u003eRecorded at the famed Bearsville studio with renowned producer Eddie Kramer, \u003cem\u003eThe Pack Is Back\u003c\/em\u003e featured a more radio-friendly sound, featuring the singles ‘\u003cem\u003eGimme Some Lovin’’\u003c\/em\u003e and ‘\u003cem\u003eThe Pack Is Back\u003c\/em\u003e’. Eschewing the more commercial direction they had taken with their first two Atlantic albums, the five-track ‘\u003cem\u003eMad\u003c\/em\u003e’ EP (CD2) was produced by the band themselves in 1986.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eRaven\u003c\/strong\u003e left Atlantic following 1987’s \u003cem\u003eLife’s A Bitch\u003c\/em\u003e (CD3), their last record to feature drummer \u003cstrong\u003eRob “Wacko” Hunter\u003c\/strong\u003e. Influential American rock and metal label Combat Records were the perfect home for their seventh full-length album, \u003cem\u003eNothing Exceeds Like Excess\u003c\/em\u003e (CD4) in 1988. Now featuring Pentagram drummer Joe Hasselvander, \u003cstrong\u003eRaven\u003c\/strong\u003e had once again opted to produce the album themselves.\u003c\/p\u003e\n\n\u003cp\u003eAs well as an extensive essay from NWOBHM expert John Tucker, this 4CD set also features an extensive booklet featuring rare imagery and memorabilia.\u003c\/p\u003e","brand":"Hne Recordings Ltd","offers":[{"title":"CDx4","offer_id":51188233109835,"sku":"2242529","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Screenshot_2025-01-31_at_15.45.12_64e12380_thumbnail_4096.png?v=1738350742"},{"product_id":"cool-atomic-kix","title":"Cool Atomic Kix,","description":"\u003cp\u003eEight CD collection of \u003cstrong\u003eKix\u003c\/strong\u003e’s seven albums. Plus a CD of early demos. This collection is completed with liner notes from esteemed rock and metal journalist, Xavier Russell, based on a new interview with \u003cstrong\u003eKix\u003c\/strong\u003e's Brian ‘Damage’ Forsythe.\u003c\/p\u003e\n\n\u003cp\u003eForming in Maryland in 1976, like many of their hard rock contemporaries, \u003cstrong\u003eKix\u003c\/strong\u003e started out as a bar band, playing hard rock covers of the day. By the time they signed to Atlantic Records for their 1981 self-titled debut, \u003cem\u003eKix\u003c\/em\u003e (CD1), the band had settled on the line-up of Steve Whiteman on vocals, Ronnie Younkins and Brian Forsythe on guitar, Donnie Purnell on bass and Jimmy Chalfant on drums.\u003c\/p\u003e\n\n\u003cp\u003eProduced by Tom Allom (Judas Priest, Black Sabbath), \u003cem\u003eKix\u003c\/em\u003e’s debut featured many stage favourites, including the singles ‘The Itch’, ‘Heartache’ and ‘Atomic Bombs’.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eKix\u003c\/strong\u003e shifted away from their earlier, heavier sound, to a more commercial approach, tailor made for MTV with 1983’s \u003cem\u003eCool Kids\u003c\/em\u003e (CD2). Produced by Pete Solley (Whitesnake, Ted Nugent), Brad Divens replaced Ronnie Younkins on guitar.\u003c\/p\u003e\n\n\u003cp\u003ePerfectly placed to take advantage of the burgeoning hair metal scene, Ronnie Younkins was back for 1985’s \u003cem\u003eMidnite Dynamite\u003c\/em\u003e (CD3). The album saw \u003cstrong\u003eKix\u003c\/strong\u003e collaborating with outside songwriters, most notably Bob Halligan Jr., famed for his work with Judas Priest, and Winger’s Kip Winger.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eKix\u003c\/strong\u003e reached something of a commercial peak with 1988’s platinum \u003cem\u003eBlow My Fuse\u003c\/em\u003e (CD4). Featuring the hit power ballad ‘Don’t Close Your Eyes’, the album also featured the singles ‘Blow My Fuse’ and the self-explanatory ‘Get It While It’s Hot’.\u003c\/p\u003e\n\n\u003cp\u003eThe band moved from Atlantic to East West for 1991’s \u003cem\u003eHot Wire\u003c\/em\u003e (CD5), notable for its Hugh Syme (Rush) designed sleeve. 1993 saw the release of the inevitable and much demanded \u003cem\u003eLive\u003c\/em\u003e (CD6) album, featuring the \u003cstrong\u003eKix\u003c\/strong\u003e classics, ‘Hot Wire’, ‘Same Jane’ and ‘Rock and Roll Overdose’.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eDemos\u003c\/em\u003e (CD7) features 'Red Lite, Green Lite, TNT', 'Get It While It's Hot' and 'No Ring Around Rosie'. \u003cstrong\u003eKix\u003c\/strong\u003e called it a day after 1995, but thankfully reunited in 2003, eventually releasing 2014’s \u003cem\u003eRock Your Face Off\u003c\/em\u003e which charted at 49 in the Billboard chart and remained there for three weeks, it was \u003cstrong\u003eKix\u003c\/strong\u003e’s highest charting album since \u003cem\u003eBlow Your Fuse\u003c\/em\u003e (1988).\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eKix\u003c\/strong\u003e’s final show took place on September 17th, 2023, at the ‘Merriweather Post Pavillion in Columbia, MD. The band’s impressive career lives on in this eight CD box set.\u003c\/p\u003e","brand":"Hne Recordings Ltd","offers":[{"title":"8CD","offer_id":51758240301387,"sku":"R0846-6271","price":57.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Screenshot2025-05-02at21.08.38_33afa4c5-eb5e-444f-880c-abcb5a8a8309.png?v=1752288359"},{"product_id":"running-wild-live-in-london","title":"Running Wild Live In London","description":"\u003cp\u003eFirst time that this show has been made officially available on CD in a new, exclusive CD \/ DVD set. Filmed at the Camden Palace on December 7th, 1984, this recording captured the London-based \u003cstrong\u003eQueens\u003c\/strong\u003e of heavy metal, \u003cstrong\u003eGirlschool\u003c\/strong\u003e, while they were midway through recording their 1985 album, \u003cem\u003eRunning Wild\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eAfter a run of classic albums for Bronze Records, home of Motorhead and Uriah Heep, \u003cstrong\u003eGirlschool\u003c\/strong\u003e had been signed to American major label, Mercury Records. Featuring Cris Bonnaci on lead guitar, and vocalist Jackie Bodimead, alongside founder members Kim McAuliffe and Denise Dufort, with bassist Gil Weston, unsurprisingly this set features a total of five songs – \"\u003cem\u003eRunning Wild\u003c\/em\u003e\", \"\u003cem\u003eAre You Ready?\u003c\/em\u003e\", \"\u003cem\u003eNowhere To Run\u003c\/em\u003e\", \"\u003cem\u003eLove Is A Lie\u003c\/em\u003e\", and \"\u003cem\u003eCan’t You See\u003c\/em\u003e\" - from the yet to be released '\u003cem\u003eRunning Wild\u003c\/em\u003e', their first album without lead guitarist and lead singer Kelly Johnson.\u003c\/p\u003e\n\n\u003cp\u003eThis raucous, hour-long set was originally filmed for TV, while acting as a useful promotional tool for the imminent US release (inexplicably, the album wouldn’t receive an official release outside of the States until 2015, when it was made available on CD for the first time by HNE). Featuring liner notes from Rich Davenport, based on new interviews with Kim McAuliffe.\u003c\/p\u003e","brand":"Hne Recordings Ltd","offers":[{"title":"CD\/DVD","offer_id":51794133025099,"sku":"R8150-5226","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Screenshot2025-05-09at13.44.24_fb2740d2-db58-4e11-b3ab-5ebe7f36c686.png?v=1752234251"},{"product_id":"bad-boys-the-mcauley-schenker-group-story-1987-1992","title":"Bad Boys - The McAuley Schenker Group Story 1987-1992","description":"\u003cp\u003eFour albums from the McAuley Schenker Group from the late 80s and early 90s. All with bonus material. Featuring the legendary guitarist Michael Schenker.\u003c\/p\u003e\n\u003cp\u003eAfter making his debut at a mere 17 years on Scorpions’ first LP ‘Lonesome Crow’ in 1972, guitar maestro and mad axe-man Michael Schenker spent five years as lead guitarist with the inimitable UFO, before forming The Michael Schenker Group (MSG for short) with singer Gary Barden in 1979. With four studio albums and two live records under his belt between 1980 and 1984, Michael returned in 1987 with the ‘Perfect Timing’ album, fronted by former Grand Prix and Far Corporation singer Robin McAuley, and a change of name to the McAuley Schenker Group - but still conveniently shortened to MSG. The new look MSG released a total of four albums between 1987 and 1992, starting with the melodic ‘Perfect Timing’ (1987), followed by ‘Save Yourself’ (1989), ‘M.S.G.’ (1992) and finally with ‘Unplugged Live' (1992). ‘Perfect Timing’ features three singles; ‘Love Is Not A Game’, ‘Follow The Night’ and the US Hot 100 Hit ‘Gimme Your Love’, and is certainly the most melodic and AOR-friendly of this batch of albums. ‘Save Yourself’ followed in 1989. 1991’s ‘M.S.G.’ was certainly a harder, grittier affair than the previous McAuley Schenker releases, and includes the single, ‘Never Ending Nightmare’. The much harder, guitar-driven sound was possibly a reaction to grunge that was very much in vogue at the time, whereas ‘Perfect Timing’ was a good reflection of the more commercial, glam sounds and hair-metal that was the height of fashion in the mid-late 1980s. Thanks in part to MTV’s popular Unplugged series of TV broadcasts, albums and videos, going acoustic was certainly very much de rigueur in the early 1990s, which leads us to the fourth and last album in this collection; 1992’s ‘Unplugged Live'. As well as key McAuley Schenker songs, recorded live in Los Angeles in 1992, the album features three UFO classics; ‘Natural Thing’, ‘Doctor Doctor’ and ‘Lights Out’.\u003c\/p\u003e\n\u003cp\u003ePerfect Timing features the bonus tracks ‘Gimme’ Your Love’ (Edit) and ‘Follow The Night’ (Edit). ‘Save Yourself’ is now expanded with ‘There Has To Be Another Way’ (Instrumental), ‘Save Yourself’ (Single Edit), ‘This Is My Heart’ (Edit), ‘Anytime’ (Single Edit), ‘Anytime’ (Radio Edit), ‘Bad Boys’ (Acoustic Version). ‘M.S.G.’ now features ‘When I'm Gone’ (Single Edit), ‘Nightmare’ (Single Edit), ‘When I'm Gone’ (Acoustic Version), ‘When I'm Gone’ (Alternative CHR Version) and ‘Nightmare’ (AOR Version). Unplugged Live is completed by a take of UFO’s ‘Only You Can Rock Me’, ‘Anytime’ (Acoustic Version), ‘What Happens To Me’ (Acoustic Version), ‘We Believe In Love’ (Acoustic Version) and ‘Never Ending Nightmare’ (Acoustic CHR Version) taken from the unplugged in the studio Japanese only mini-album ‘Nightmare: The Acoustic MSG’.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Hne Recordings Ltd","offers":[{"title":"4CD","offer_id":55811295084875,"sku":"R6455-7883","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Screenshot2025-10-31at15.49.35.png?v=1761925797"},{"product_id":"born-under-the-wrong-sign-1976-1979","title":"Born Under The Wrong Sign (1976-1979)","description":"\u003cp\u003eFive CD collection detailing this influential Scottish band’s work from 1976 until 1979. Featuring 27 bonus tracks, including single versions and outtakes. Includes the original, alternative version of the \u003cem\u003eExpect No Mercy\u003c\/em\u003e album.\u003c\/p\u003e\n\u003cp\u003eScotland’s premier hard rockers Nazareth originally formed in Dunfermline in the late 1960s, releasing their debut record in 1971. Featuring Dan McCafferty on lead vocals, Manny Charlton on lead guitar, Pete Agnew on bass guitar and Darrell Sweet on drums, \u003cem\u003eClose Enough For Rock 'n' Roll\u003c\/em\u003e (CD1) was Nazareth’s seventh studio album, released in March 1976. Recorded at Le Studio in Montreal, Canada, the album followed the international success of the \u003cem\u003eHair Of The Dog\u003c\/em\u003e album with a more experimental and polished sound compared to their earlier, grittier sound. The opening track ‘Telegram’ is a four-part rock opera detailing the exhausting but exciting life of a touring band in the 1970s, and served as the band's concert opener.\u003c\/p\u003e\n\u003cp\u003eProduced by the band's guitarist, Manny Charlton, \u003cem\u003ePlay 'n' The Game\u003c\/em\u003e (CD2) was their eighth studio album, released in November 1976. Continuing the band's exploration of arena rock and AOR styles, the album is often noted for a more experimental sound compared to their earlier, heavier music, incorporating elements of Southern rock and psychedelia.\u003c\/p\u003e\n\u003cp\u003eOften touching on themes of revenge, violence and rebellion, Nazareth released their ninth album \u003cem\u003eExpect No Mercy\u003c\/em\u003e (CD3) in 1977, returning to a heavier, more aggressive sound, featuring gritty guitar riffs and the trademark, gravelly vocals of Dan McCafferty. Also included here is the original, alternative version of the album (CD4). \u003cem\u003eExpect No Mercy\u003c\/em\u003e is also notable for its iconic album cover by famed fantasy artist, Frank Frazetta.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNo Mean City\u003c\/em\u003e, the fifth CD in this collection, was Nazareth’s tenth studio record, released in January 1979. Marking a heavier, twin-guitar sound with the addition of SAHB’s Zal Cleminson on second guitar, \u003cem\u003eNo Mean City\u003c\/em\u003e was housed in another classic album cover, designed by Rodney Matthews (Thin Lizzy, Diamond Head), and features the single ‘May The Sunshine’.\u003c\/p\u003e","brand":"Hne Recordings Ltd","offers":[{"title":"5CD","offer_id":56941780238667,"sku":"R0906-3649","price":36.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Screenshot2026-04-03at09.38.41.png?v=1775205572"},{"product_id":"long-hard-road-1980-1985","title":"Long Hard Road (1980-1985)","description":"\u003cp\u003e5CD anthology covering 1980 to 1985. Nightwing were part of the New Wave Of British Heavy Metal. Features new liner notes from Classic Rock’s Rich Davenport.\u003c\/p\u003e\n\u003cp\u003eNightwing formed in 1978 in time to take full advantage of the burgeoning New Wave Of British Heavy Metal scene sweeping the UK in the late 1970s and early 1980s. Formed by ex-Strife bassist Gordon Rowley, with keyboard player Kenny Newton, guitarists Eric Percival and Alec Johnson with Steve Bartley on drums, they released four studio albums and one live album between 1980 and 1985. This set kicks off with debut album \u003cem\u003eSomething In The Air \u003c\/em\u003e(CD1). With a sound that mixed boogie with elements of prog rock against a core hard rock sound, \u003cem\u003eSomething In The Air f\u003c\/em\u003eeatures the single ‘Barrel Of Pain’ (Graham Nash), plus a cover of ‘You Keep Me Hanging On’.\u003c\/p\u003e\n\u003cp\u003eDeveloping a cult following between tours with the band Gillan, and important appearances at the Reading Rock Festival, Nightwing released their second album \u003cem\u003eBlack Summer (\u003c\/em\u003e1982) on Gull Records (originally home to Judas Priest). The album is notable for its iconic cover art by famed fantasy artist Melvyn Grant (Iron Maiden, Judas Priest). Recorded at Amazon Studios in Liverpool and Morgan Studios in London, it was mixed at Spindletop Recorders, Los Angeles, and features eight songs written by guitarist Alec Johnson.\u003c\/p\u003e\n\u003cp\u003eGull released their third album, \u003cem\u003eStand Up And Be Counted\u003c\/em\u003e (CD3), in 1983. Featuring the single ‘Treading Water’, the band still featured bassist Gordon Rowley, Steve Bartley, Alec Johnson with Kenny Newton on organ and synthesiser, but now with lead vocals from Max Bacon.\u003c\/p\u003e\n\u003cp\u003eTheir fourth studio album \u003cem\u003eMy Kingdom Come\u003c\/em\u003e (CD4) was released in 1984, once again featuring an iconic album cover, this time illustrated by famed artist Roger Dean (Yes, Asia). The album featured a cover of Steve Hackett’s ‘Cell 151’.\u003c\/p\u003e\n\u003cp\u003eNightwing enlisted Dave Evans on vocals and Glynn Porrino on lead guitar following the departure of Max Bacon and Alec Johnson, leading them to record their first and only live album, \u003cem\u003eNight Of Mystery - Alive! Alive! \u003c\/em\u003e(CD5) taken from concerts in Yugoslavia and West Germany.\u003c\/p\u003e","brand":"Hne Recordings Ltd","offers":[{"title":"5CD","offer_id":57421041402187,"sku":"R1853-4949","price":34.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Screenshot2026-05-23at08.53.57_c01a5ec8-70ae-4a39-a7ca-f86a054af46b.png?v=1779524422"},{"product_id":"when-electricity-came-to-arkansas-vol-1-1971-1973","title":"When Electricity Came to Arkansas Vol 1 (1971-1973)","description":"\u003cp\u003eFirst volume in a series of complete recordings of the popular southern rock band. Features inimitable and influential frontman Jim Dandy. Includes the expanded version of the live collection, ‘Raunch ‘N’ Roll Live’. For fans of: Lynyrd Skynyrd, Allman Brothers.\u003c\/p\u003e\n\u003cp\u003eBlack Oak Arkansas released their self-titled debut album (CD1) in March 1971. Although their origins go back as far as 1963, the band finally coalesced around inimitable frontman and natural showman Jim \"Dandy\" Mangrum on lead vocals and washboard. Playing a mixture of southern rock, hard rock and country, the band signed to Atlantic subsidiary ATCO Records, with a band featuring Rickie “Ricochet” Reynolds on guitar, Stanley “Goober” Knight on guitar and organ, Pat \"Dirty\" Daugherty on bass guitar and Wayne “Squeezebox” Evans on drums. Named after their hometown of Black Oak in (you guessed it) Arkansas, their first album featured the singles ‘Hot And Nasty’, ‘Uncle Lijiah’ and ‘Lord Have Mercy On My Soul’.\u003c\/p\u003e\n\u003cp\u003eTheir second album for Atco, \u003cem\u003eKeep The Faith\u003c\/em\u003e (CD2), was released less than a year later, in January 1972. Recorded at Criteria Studios in Miami and Village Recorders in Los Angeles, the title track was released as a single.\u003c\/p\u003e\n\u003cp\u003eBy the time they released third album, \u003cem\u003eIf An Angel Came to See You, Would You Make Her Feel At Home? \u003c\/em\u003ein June 1972, they had been joined by legendary drummer Tommy Aldridge (Whitesnake, Pat Travers, Ozzy Osbourne). ‘If An Angel Came To See You, Would You Make Her Feel At Home?’ features the single ‘Full Moon Ride’.\u003c\/p\u003e\n\u003cp\u003eBOA were now establishing themselves as a solid live concert draw across the States, so it made perfect sense for their fourth album to be a live recording. Recorded in December 1972 and released in February 1973, ‘Raunch ‘N’ Roll Live’ (CDs 4 and 5) captures the raw energy and excitement of the band on stage. Expanded to two discs, the live set presents their unique blend of hard rock, southern rock and boogie.\u003c\/p\u003e","brand":"Hne Recordings Ltd","offers":[{"title":"5CD","offer_id":57470314873163,"sku":"R5406-2713","price":34.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Screenshot2026-05-29at18.24.15.png?v=1780075473"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/collections\/test_0257142e_thumbnail_4096_5f092a8c-b59d-4dd5-a3a5-0bf93d701c3c.jpg?v=1726522205","url":"https:\/\/shop.roughtrade.com\/collections\/hne-recordings-ltd.oembed","provider":"Rough Trade","version":"1.0","type":"link"}