{"title":"HNE","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eHNE is a renowned music label that has been making waves in the industry for years. With a focus on quality and innovation, HNE has become synonymous with groundbreaking music and exceptional talent. The label prides itself on its diverse roster of *artists* who span various genres, including rock, pop, and alternative. From iconic bands to emerging artists, HNE consistently delivers captivating music that resonates with audiences worldwide.\u003c\/p\u003e\n\n\u003cp\u003eWhen it comes to the *performers* signed under HNE, they are known for their incredible artistry and unique sound. Each artist brings something special to the table, whether it's powerful vocals or masterful instrumentals. HNE ensures that every release is meticulously crafted to perfection, resulting in albums that are both sonically impressive and emotionally evocative.\u003c\/p\u003e\n\n\u003cp\u003eWith an extensive catalog of releases spanning several decades, HNE continues to be at the forefront of the music industry. Whether you're a fan of classic hits or looking for fresh sounds, this label has something for everyone. When you see the name HNE credited on an album cover or promotional material, you can trust that you're in for a musical journey like no other.\u003c\/p\u003e","products":[{"product_id":"lightning-strikes-volume-one-1982-1983","title":"Lightning Strikes – Volume One (1982-1983)","description":"\u003cp\u003eInspired by his guitar heroes \u003cstrong\u003eJimi Hendrix\u003c\/strong\u003e and \u003cstrong\u003eRory Gallagher\u003c\/strong\u003e, the young \u003cstrong\u003eBernie Tormé\u003c\/strong\u003e pitched up in London in 1977, then in the grip of punk rock. He embraced punk, playing the Roxy and the Vortex. But he had his reservations: \"\u003cem\u003eGuitar solos not allowed\u003c\/em\u003e.\" So he was perfectly placed to hitch his wagon and trusty Stratocaster to \u003cstrong\u003eIan Gillan\u003c\/strong\u003e's new venture, \u003cem\u003eGillan\u003c\/em\u003e, in 1978. Bernie’s guitar histrionics were the perfect foil. Gillan’s new solo band saw the singer enjoy his biggest solo successes, across four hit albums, numerous singles and appearing before millions of viewers on Top Of The Pops.\u003c\/p\u003e\n\n\u003cp\u003eAfter eventually jumping ship in 1981, Bernie released his debut solo album, \u003cem\u003eTurn Out The Lights\u003c\/em\u003e (CD1) to chart success the following year. Bernie was joined by \u003cstrong\u003ePhil Spalding\u003c\/strong\u003e on bass and vocals, Saxon’s \u003cstrong\u003eNigel Glockler\u003c\/strong\u003e and \u003cstrong\u003eMark Harrison\u003c\/strong\u003e on drums and Gillan’s \u003cstrong\u003eColin Towns\u003c\/strong\u003e on keyboards and flute.\u003c\/p\u003e\n\n\u003cp\u003eFollowing extensive touring of the UK with the \u003cem\u003eElectric Gypsies\u003c\/em\u003e, Bernie released his second solo album with the power trio featuring Everton Williams on bass and vocals and Frank Noon on drums. \u003cem\u003eElectric Gypsies\u003c\/em\u003e (CD2) was produced by Bernie Tormé and Stephen Stewart.\u003c\/p\u003e\n\n\u003cp\u003eEver the showman, it made sense for Bernie to record a live album, and in 1984 he released the self-explanatory \u003cem\u003e[LIVE]\u003c\/em\u003e (CD3), recorded in London the previous year. Putting together a new three-piece band, Bernie was backed by \u003cstrong\u003eColin “James” Bond\u003c\/strong\u003e on bass and \u003cstrong\u003eRon Rebel\u003c\/strong\u003e on drums.\u003c\/p\u003e\n\n\u003cp\u003eThe fourth and final CD in this set is \u003cem\u003eLive In Sheffield 1983\u003c\/em\u003e (CD4). Recorded live at the Octagon, Sheffield on the same tour and with the same line-up as the \u003cem\u003e[LIVE]\u003c\/em\u003e album, the show on CD4 mines a similar vein as the first live album on this collection, drawing heavily on his first two solo albums, and including a cover of Gillan’s ‘No Easy Way’.\u003c\/p\u003e","brand":"HNE","offers":[{"title":"CD","offer_id":50393442091339,"sku":"2048455","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/BernieTorme_HNEBOX200_925931c2_thumbnail_4096.jpg?v=1726417200"},{"product_id":"overcome-3","title":"Overcome","description":"\u003cp\u003eLong lost collaboration by Glenn Hughes and Robin George, originally recorded in 1989.\u003c\/p\u003e\u003cp\u003eA chance meeting between Glenn Hughes and Robin George eventually resulted in an invitation for Glenn to sing backing vocals for Robin and Sean Harris’ Notorious album, which lead to a full collaboration between Robin and Glenn. The album started life as a solo Robin George record and developed into ‘Overcome’, complete with four songs co-written by the pair; ‘Number One’, ‘Sweet Revenge’, ‘Don’t Come Crying’, and the title track.\u003c\/p\u003e\u003cp\u003eSuch was the faith and strength in the new recordings, that a major label deal was struck but fell through, leaving these recordings to languish in the vaults. Glenn is on fine form on the album, and among the 13 tracks of melodic, and occasionally funky, hard rock, one special treat is the track ‘Haunted’, essentially recorded by a reformed Trapeze, featuring Dave Holland, Mel Galley and Terry Rowley.\u003c\/p\u003e\u003cp\u003eGlenn Hughes has quite rightly been hailed “The Voice Of Rock”, and for good reason. With a career that kicked off with Mel Galley and Dave Holland in Trapeze in 1970, followed by Deep Purple between 1973 and 1976, Glenn would also form Hughes \/ Thrall, join Black Sabbath, enjoy a successful solo career, collaborate with artists as varied as Gary Moore, Joe Lynn Turner and the KLF, founding Black Country Communion and California Breed, and fronting The Dead Daisies.\u003c\/p\u003e\u003cp\u003eOver the years, Robin George has collaborated with many musical legends, from Led Zeppelin’s Robert Plant, Thin Lizzy’s Philip Lynott, Uriah Heep’s David Byron, UFO’s Pete Way, John Wetton and Asia, Daniel Boone, Raymond Froggatt and the Quireboys’ Spike.As a native of Wolverhampton, it’s no surprise that a musician of Robin George’s caliber would cross paths with local heroes Trapeze.\u003c\/p\u003e","brand":"HNE","offers":[{"title":"CD.","offer_id":50394474381643,"sku":"2054119","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/GlennHughesRobinGeorge_HNECD212-scaled_36d1eb15_thumbnail_4096.jpg?v=1726440351"},{"product_id":"runaway-dreams-1980-1992","title":"Runaway Dreams 1980-1992","description":"\u003cp\u003eThe New Wave Of British Heavy Metal of the late 1970s and early 80s gave us many influential and enduring rockers; Derrylin, Co. Fermangh in Northern Ireland gave us Mama’s Boys, featuring the McManus brothers; Pat on guitar, John on bass and vocals and Tommy on drums.\u003c\/p\u003e\u003cp\u003eThe young trio had come from a musical family steeped in traditional Irish music, but the McManus brothers developed a more rock-orientated direction when their band Pulse discovered Irish rockers, Horslips. When a DJ jokingly referred to the young group as a bunch of “Mama’s Boys”, the name stuck. An independent band in the truest sense of the word, they released a number of now very collectable 45s, plus the self-financed\u003ci\u003e Official Bootleg\u003c\/i\u003e (CD1) in 1980 – it was essentially their demo, pressed up on vinyl to sell at gigs. Gaining attention across the water, they were invited to play a number of important support slots, including Hawkwind in 1982, Thin Lizzy’s 1983 farewell tour, opening for Wishbone Ash, and eventually a prestigious appearance at the 1983 Reading Rock festival.\u003c\/p\u003e\u003cp\u003eIn 1982 the band released their second self-financed recording,\u003ci\u003e Plug It In\u003c\/i\u003e (CD2), featuring the single ‘Needle in The Groove’. The album and single gained them support from important and influential UK magazines, such as Sounds, and Kerrang!. Their third album, 1983’s \u003ci\u003eTurn It Up\u003c\/i\u003e, was released to further acclaim, with Kerrang! hailing it as, “Yet another quantum leap!”\u003c\/p\u003e\u003cp\u003eMama’s Boys were then snapped up by Jive Records, recording a number of commercially successful albums during the 1980s, and gaining all important exposure in the United States through rotation on MTV, before releasing\u003ci\u003e Relativity\u003c\/i\u003e (CD4) in 1992. Sadly, it was Mama’s Boys last album. However, this collection is completed with ‘B-Sides and Rarities (1980-1992)’ (CD5), a compilation of early singles and non-album tracks, including ‘Rollin’ On’, ‘High Energy Weekend’, ‘Belfast City Blues’, and finishes of with a 1992 live version of the Slade classic, ‘Mama Weer All Crazee Now’. The set includes liner notes based on new interviews with the band’s Pat McManus.\u003c\/p\u003e","brand":"HNE","offers":[{"title":"CDx5.","offer_id":50396196503883,"sku":"2165951","price":34.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/MamasBoys_HNEBOX211-1536x1536_4bd552a1_thumbnail_4096.jpg?v=1726479510"},{"product_id":"sweet-oblivion-expanded-edition","title":"Sweet Oblivion - Expanded Edition","description":"\u003cp\u003eThe history of the \u003cstrong\u003eScreaming Trees\u003c\/strong\u003e goes back to 1985 when brothers Van Conner on bass and Gary Lee Conner on guitar teamed up singer Mark Lanegan in rural logging town Ellensburg, Washington State. After recording a handful of EPs and LPs for various US indie labels, including SST and Sub Pop, they signed to Sony imprint Epic Records for 1991's \u003cem\u003eUncle Anaesthesia\u003c\/em\u003e, co-produced with Soundgarden's Chris Cornell.\u003c\/p\u003e\n\n\u003cp\u003eGeographically close enough to Seattle to benefit from the grunge scene that was about to explode with Nirvana in 1991, by the time they came to record \u003cem\u003eSweet Oblivion\u003c\/em\u003e in 1992, they had been joined by Barrett Martin on drums (REM, Mad Season, Queens Of The Stoneage and Walking Papers). Whilst retaining the psychedelic elements that characterised much of their early output, their second major label album certainly leaned further towards a more commercial, hard rock sound.\u003c\/p\u003e\n\n\u003cp\u003eProbably the band's most successful record, this was no doubt helped by the inclusion of lead single \"\u003cem\u003eNearly Lost You\u003c\/em\u003e\" on the 2,000,000 selling soundtrack to Cameron Crowe's grunge-era movie, \u003cem\u003eSingles\u003c\/em\u003e, thrusting the band into the limelight with the attention brought by the film, and an MTV-friendly video. Produced by Don Fleming, the album was mixed by Andy Wallace, who had brought a commercial sheen to the previous year's \"\u003cem\u003eNevermind\u003c\/em\u003e\" by Nirvana.\u003c\/p\u003e\n\n\u003cp\u003e\"\u003cem\u003eNearly Lost You\u003c\/em\u003e\" was followed by the release of the more introspective \"\u003cem\u003eDollar Bill\u003c\/em\u003e\" as a single, with \"\u003cem\u003eShadow Of the Season\u003c\/em\u003e\" and \"\u003cem\u003eButterfly\u003c\/em\u003e\" also released as singles in certain international territories. This edition now features a number of non-album bonus tracks. \"\u003cem\u003eMaybe (Van's New One)\u003c\/em\u003e\" was sung by bassist Van Conner, whilst \"\u003cem\u003eE.S.K.\u003c\/em\u003e\" is an outtake from the album sessions.\u003c\/p\u003e\n\n\u003cp\u003eFamed Seattle producer Jack Endino had previously worked with Screaming Trees on 1989's \"\u003cem\u003eBuzz Factory\u003c\/em\u003e\" for SST and the \"\u003cem\u003eChange Has Come\u003c\/em\u003e\" EP for Sub Pop before he came back on board to record an acoustic version of \"\u003cem\u003eWinter Song\u003c\/em\u003e\", on which he guests on slide guitar. Prefiguring Americana, and to some degree a precursor to Mark Lanegan's solo album \"\u003cem\u003eI'll Take Care Of You\u003c\/em\u003e\", their cover of Thomas A. Dorsey's \"\u003cem\u003e(There'll Be) Peace In the Valley (For Me)\u003c\/em\u003e\" was released a full two years before Johnny Cash's \"\u003cem\u003eAmerican Recordings\u003c\/em\u003e\" comeback.\u003c\/p\u003e\n\n\u003cp\u003eWhilst their grunge-era peers hailed 70s punk and 70s metal as key influences, Screaming Trees' cover of Small Faces' \"\u003cem\u003eSong of a Baker\u003c\/em\u003e\" ably demonstrates where the band's musical heart truly lay. Again produced by Jack Endino, their cover of Black Sabbath's \"\u003cem\u003eTomorrow's Dream\u003c\/em\u003e\", originally from the \"\u003cem\u003eBlack Sabbath Vol 4\u003c\/em\u003e\" LP, rounds off this remastered 2CD collection in heavy style.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eScreaming Trees\u003c\/strong\u003e would release one further album, \"\u003cem\u003eDust\u003c\/em\u003e\", in 1996, before splitting in 2000. The members continue to pursue various musical ventures, with the prolific Mark Lanegan having now released 10 solo albums, as well as finding time to collaborate with artists as diverse as Isobel Campbell, Duke Garwood, Twilight Singers, Queens Of the Stone Age, Unkle and Soulsavers, whilst Van Conner releases records regularly with Valis, and guitarist Gary Lee Conner recently released the highly psychedelic \"\u003cem\u003eUnicorn Curry\u003c\/em\u003e\".\u003c\/p\u003e\n\n\u003cp\u003eAs well as plenty of memorabilia and period artwork, the booklet of this 2CD edition features a 4,500 word essay based on new interviews with producer Jack Endino and Screaming Trees guitarist Gary Lee Conner, conducted for this set.\u003c\/p\u003e","brand":"HNE","offers":[{"title":"CD","offer_id":50403140501835,"sku":"1060633","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e4ed56af-037e-43ca-b998-9345b3bbf25d_thumbnail_4096.jpg?v=1726558051"},{"product_id":"covenant-sharks","title":"Covenant + Sharks","description":"\u003cp\u003eTwo studio albums and one live set featuring \u003cstrong\u003ePhil Mogg\u003c\/strong\u003e, \u003cstrong\u003ePete Way\u003c\/strong\u003e, and \u003cstrong\u003eMichael Schenker\u003c\/strong\u003e from the classic, reformed Strangers In The Night line-up of \u003cstrong\u003eUFO\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eUFO\u003c\/strong\u003e’s roots go all the way back to London in 1968, when vocalist \u003cstrong\u003ePhil Mogg\u003c\/strong\u003e and bassist \u003cstrong\u003ePete Way\u003c\/strong\u003e teamed up with drummer Andy Parker. 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The second release from the reunion following \u003cem\u003eWalk On Water\u003c\/em\u003e was \u003cem\u003eCovenant\u003c\/em\u003e (CD1).\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003ePhil Mogg\u003c\/strong\u003e, \u003cstrong\u003eMichael Schenker\u003c\/strong\u003e, and \u003cstrong\u003ePete Way\u003c\/strong\u003e, the line-up was completed by legendary drummer Aynsley Dunbar. Released in 2000, \u003cem\u003eCovenant\u003c\/em\u003e was the 15th album by this British melodic hard rock institution. The same band released \u003cem\u003eSharks\u003c\/em\u003e (CD2) two years later, in 2002.\u003c\/p\u003e\n\n\u003cp\u003eTheir 16th album was also the last album to feature lead guitarist \u003cstrong\u003eMichael Schenker\u003c\/strong\u003e. The original releases of \u003cem\u003eCovenant\u003c\/em\u003e and \u003cem\u003eSharks\u003c\/em\u003e featured live bonus tracks recorded on tour in the States to support the 1995 release of the \u003cem\u003eWalk On Water\u003c\/em\u003e album.\u003c\/p\u003e\n\n\u003cp\u003eThis time \u003cstrong\u003ePhil Mogg\u003c\/strong\u003e, \u003cstrong\u003eMichael Schenker\u003c\/strong\u003e, and \u003cstrong\u003ePete Way\u003c\/strong\u003e were joined by Simon Wright (Dio, AC\/DC) on drums and Paul Raymond on guitar and keyboards. Paul Raymond had also been part of the legendary ‘Strangers In the Night’ band. Recorded live at Blind Melons, Buffalo, NY, USA on September 11th, 1995 (CD3), as well as plenty of much-loved \u003cstrong\u003eUFO\u003c\/strong\u003e classics, including ‘Too Hot To Handle’, ‘Rock Bottom’, and ‘Out In The Street’, the third disc features ‘Venus’ and ‘Pushed To The Limit’ from the \u003cem\u003eWalk On Water\u003c\/em\u003e album.\u003c\/p\u003e","brand":"HNE","offers":[{"title":"3CD","offer_id":50407374422347,"sku":"2178874","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/UFO_CovenantSharks_HNE3CD215T-scaled_bc3a3369_thumbnail_4096.jpg?v=1726597180"},{"product_id":"wont-get-out-alive-waysted-volume-one-1983-1986","title":"Won’t Get Out Alive, Waysted Volume One (1983-1986)","description":"\u003cp\u003eWhen \u003cstrong\u003ePete Way\u003c\/strong\u003e passed away in August 2020, the music world lost a true legend, a much-loved musician and influential songwriter, inspiring many hard rock and metal bands, from Iron Maiden to Metallica.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003ePete Way\u003c\/strong\u003e first came to prominence as the bass guitarist in \u003cem\u003eUFO\u003c\/em\u003e. Through various highs and lows, from forming in 1968, through the peak years of the 1970s and into the early 1980s, \u003cstrong\u003ePete\u003c\/strong\u003e eventually quit \u003cem\u003eUFO\u003c\/em\u003e in 1982, forming \u003cem\u003eWaysted\u003c\/em\u003e in 1983.\u003c\/p\u003e\n\n\u003cp\u003eTeaming up with singer Fin Muir, \u003cem\u003eWaysted\u003c\/em\u003e was completed by Ronnie Kayfield on lead guitar, Frank Noon on drums, and \u003cstrong\u003ePete\u003c\/strong\u003e's former \u003cem\u003eUFO\u003c\/em\u003e band-mate, Paul Raymond, on rhythm guitar and keyboards.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eWaysted\u003c\/em\u003e's well-received debut for Chrysalis Records, the self-explanatory \u003cem\u003eVices\u003c\/em\u003e kicks off with the stage favorite and the band’s calling card, \"\u003cem\u003eLove Loaded\u003c\/em\u003e\", followed by \"\u003cem\u003eWomen In Chains\u003c\/em\u003e\" and \"\u003cem\u003eSleazy\u003c\/em\u003e\". 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While on tour in 1984 supporting the mini-album, the band was captured on stage in Cardiff on \u003cem\u003eYou Won’t Get Out Alive\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eWith a set that includes covers of \u003cem\u003eUFO\u003c\/em\u003e’s ‘Only You Can Rock Me’ and ‘Too Hot To Handle’, as well as songs from their first two releases, \u003cem\u003eWaysted\u003c\/em\u003e now featured three former members of \u003cem\u003eUFO\u003c\/em\u003e, with Paul “Tonka” Chapman on lead guitar, and Andy Parker on drums.\u003c\/p\u003e\n\n\u003cp\u003eIt was the trio of Paul Chapman, \u003cstrong\u003ePete Way\u003c\/strong\u003e, and Fin, joined by Humble Pie’s Jerry Shirley on drums, that recorded \u003cem\u003eThe Good Bad And The Waysted\u003c\/em\u003e in 1985. As well as ‘Hang ’Em High’ and ‘Manuel’, the album features the original version of ‘Heaven Tonight’.\u003c\/p\u003e\n\n\u003cp\u003eSealing a new deal with EMI’s Parlophone Records, \u003cem\u003eWaysted\u003c\/em\u003e released \u003cem\u003eSave Your Prayers\u003c\/em\u003e in 1986. With \u003cstrong\u003eWay\u003c\/strong\u003e and Chapman now joined by Danny Vaughn on vocals and John Ditedoro on drums, they re-recorded ‘Heaven Tonight’ for single release.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eWaysted\u003c\/em\u003e initially called it a day following the release \u003cem\u003eSave Your Prayers\u003c\/em\u003e, but the next chapter in the \u003cem\u003eWaysted\u003c\/em\u003e story is captured on the HNE Recordings release \u003cem\u003eHeroes Die Young: Waysted Volume Two 2000-2007\u003c\/em\u003e.\u003c\/p\u003e","brand":"HNE","offers":[{"title":"CD","offer_id":50409538453835,"sku":"2178875","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_7b4d3756_thumbnail_4096.jpg?v=1732597357"},{"product_id":"lights-out-in-tokyo-live-rsd-2024","title":"Lights Out In Tokyo - Live - RSD 2024","description":"\u003cp\u003e\n                            This product is a Record Store Day exclusive title and is not available to pre-order.\u003cbr\u003e\u003cbr\u003e\n                            To buy in-store: 8am, 20\/04\/2024 (Record Store Day).\u003cbr\u003e\n                            To buy online: 8pm, 22\/04\/2024. (Subject to availability).\u003cbr\u003e\n                            Don’t forget: Click 'Notify Me' to be the first to know about its availability online. It also helps us to place accurate orders so that we can please as many of you as possible on the day.\u003cbr\u003e\n                            \u003c\/p\u003e\u003cp\u003eEmbarking on a world tour, it made sense for melodic hard rockers UFO to record their date at Club Citta, Kawasaki in Japan on June 20, 1992. UFO had always enjoyed a large following in Japan, who were not only rewarded with Running Up The Highway, Borderline and She’s The One from the new High Stakes and Dangerous Men record, but plenty of UFO classics too, including Love To Love, Only You Can Rock Me, Lights Out, Doctor Doctor, Rock Bottom and Shoot Shoot. 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Released in 1985, it was led by the single and MTV favourite ‘God Blessed Video’.\u003c\/p\u003e\u003cp\u003eVai left to join David Lee Roth for 1986’s \u003ci\u003eEat ’Em And Smile\u003c\/i\u003e, to be replaced by guitarist Danny Johnson for 1986’s \u003ci\u003eDangerous Games\u003c\/i\u003e (CD4). Among the originals included on the album was a cover of The Animals’ ‘It’s My Life’, as well as a re-working of ‘Only One Woman’, a song written by The Bee Gees that had been a hit for Graham’s pop duo The Marbles way back in 1968.\u003c\/p\u003e\u003cp\u003eThis comprehensive collection is completed with \u003ci\u003eCapitol Crimes – The Unreleased Sessions\u003c\/i\u003e (1985-1986) (CD4), a new collection of rare and unreleased tracks recently unearthed from the vaults. 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With \u003cstrong\u003eRobin George\u003c\/strong\u003e on guitars (while also adding bass guitar on ‘Little By Little’), \u003cstrong\u003eMel Collins\u003c\/strong\u003e on saxophone, \u003cstrong\u003eBob Jackson\u003c\/strong\u003e on keyboards, \u003cstrong\u003eRoger Flavelle\u003c\/strong\u003e on bass, \u003cstrong\u003eJohn Shearer\u003c\/strong\u003e on drums and The Powder Puffs adding backing vocals, The Byron Band released ‘\u003cem\u003eOn The Rocks\u003c\/em\u003e (CD1)’, their debut for Creole Records, in 1981.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing eight tracks, including the single ‘Rebecca’, this collection also includes the non-album single ‘Every Inch Of The Way’, ‘Routine’, the B-Side of ‘Every Inch Of The Way’, and ‘Tired Eyes’, the B-side of ‘Rebecca’. 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The version here features ten bonus tracks.\u003c\/p\u003e\u003cp\u003eBad Company reformed with various line-ups, and after a reunion tour with the original quartet in 1999, Ralphs released his second solo album, the all instrumental ‘It’s AllGood’ (CD2) in 2001. This is clearly an album by a man enjoying himself once more, recording an album’s worth of music he loves and playing all of the instruments himself on the studio tracks. 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This five disc set comes with an extended essay from NWOBHM expert John Tucker, and features plenty of pages of rare photos and sought after memorabilia.\u003c\/p\u003e","brand":"HNE","offers":[{"title":"CD","offer_id":50452238827851,"sku":"2001365","price":42.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Girlschool_HNEBOX161-min-720x720_29a72ba9_thumbnail_4096.jpg?v=1727145035"},{"product_id":"past-and-present-songs-in-time-1970-2021","title":"Past And Present (Songs In Time) 1970-2021","description":"\u003cp\u003e6CD book set celebrating the late, great \u003cstrong\u003eKen Hensley\u003c\/strong\u003e. For fans of \u003cstrong\u003eUriah Heep\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eSolo\u003c\/em\u003e (CD1) focuses on gems from his first three solo albums, released by Bronze Records between 1973 and 1981. 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According to Ken’s liner notes for 2002’s \"\u003cem\u003eRunning Blind\u003c\/em\u003e\" (CD3), \"I suppose this CD is really typical of the way I like to record, with a mixture of songs of different styles. Most of the time I consider myself a storyteller and the tempo, rhythm and production should combine to accompany the lyrical message.\"\u003c\/p\u003e\n\n\u003cp\u003e\"\u003cem\u003eRunning Blind\u003c\/em\u003e\" was followed in 2003 with \"\u003cem\u003eThe Last Dance\u003c\/em\u003e\" (CD4). 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At the end of the tour, the pair joined forces with singer Eric Adams and \u003cstrong\u003eManowar\u003c\/strong\u003e were born.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eScott Columbus\u003c\/strong\u003e would join on drums for 1983’s \u003cem\u003eInto Glory Ride\u003c\/em\u003e. Releasing the self-explanatory and genre defining \u003cem\u003eBattle Hymns\u003c\/em\u003e in 1982, they would release three more influential and ground breaking albums of heavy metal before signing to Atlantic Records in 1987 for \u003cem\u003eFighting The World\u003c\/em\u003e. Notable for being the first \u003cstrong\u003eManowar\u003c\/strong\u003e LP to sport a cover painting by celebrated fantasy artist Ken Kelly, famed for his iconic artwork for \u003cem\u003eKISS\u003c\/em\u003e and \u003cem\u003eRainbow\u003c\/em\u003e, Kelly would collaborate with \u003cstrong\u003eManowar\u003c\/strong\u003e for many years to come.\u003c\/p\u003e\n\n\u003cp\u003eAmong the 9 tracks penned by Joey DeMaio was a revisit to the epic \"\u003cem\u003eDefender\u003c\/em\u003e\" featuring Orson Welles (the only occasion that the legendary actor collaborated with a heavy metal band). Also included was lead single \"\u003cem\u003eBlow Your Speakers\u003c\/em\u003e\", whose video gave the band a wider audience through the growing popularity of MTV.\u003c\/p\u003e\n\n\u003cp\u003eWasting no time, a second LP was released by Atlantic in 1988. \u003cem\u003eKings Of Metal\u003c\/em\u003e proved to be a commercial high point, featuring the singles \"\u003cem\u003eWheels Of Fire\u003c\/em\u003e\" and \"\u003cem\u003eKings Of Metal\u003c\/em\u003e\". The “Kings Of Metal” tour would continue for three years, taking \u003cstrong\u003eManowar\u003c\/strong\u003e around the globe.\u003c\/p\u003e\n\n\u003cp\u003eIt was four years before another \u003cstrong\u003eManowar\u003c\/strong\u003e record – \u003cem\u003eThe Triumph Of Steel\u003c\/em\u003e – was released, by which time founder member Ross The Boss had been replaced by David Shankle on guitar and Rhino had replaced \u003cstrong\u003eScott Columbus\u003c\/strong\u003e on drums, the only record to feature this line-up. The album kicks off with one of \u003cstrong\u003eManowar\u003c\/strong\u003e’s most ambitious pieces, the near 30 minute \"\u003cem\u003eAchilles, Agony And Ecstasy In Eight Parts\u003c\/em\u003e\". Sporting another impressive Ken Kelly painting, \u003cem\u003eThe Triumph Of Steel\u003c\/em\u003e was released in 1992, and features the single ‘\u003cem\u003eMetal Warriors\u003c\/em\u003e’. Included as a bonus track is the non-album song, \"\u003cem\u003eHerz Aus Stahl\u003c\/em\u003e\".\u003c\/p\u003e","brand":"HNE","offers":[{"title":"CD","offer_id":50484091617611,"sku":"1104064","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/61de39cb-1d00-482f-9fc0-0930ff3e03c0_thumbnail_4096.jpg?v=1727581032"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/collections\/test_42d52528_thumbnail_4096_6ed1c5eb-010b-4026-8921-331da3be6d4a.jpg?v=1726417179","url":"https:\/\/shop.roughtrade.com\/collections\/hne.oembed","provider":"Rough Trade","version":"1.0","type":"link"}