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A jagged anti-relaxant for our medicated age, rough-hewn and undefined. Morse code pulse programming flickers like distress signals while a gathering storm of strings, noise, and low-end looms in the distance. Processed electronics shiver and shudder against pitch-shifting assemblages of crackling voltage, mantric horns (including exquisite modal sax by Colin Stetson), and cathedral keys. Throughout, the pieces both accrue and avoid drama, more attuned to undertow than crescendo. Hecker mentions “negation” as a muse of sorts – the sense of tumult without bombast, tethered ecstasies, an escape from escapism. 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Wiltzie cites the barbiturate of the title as both muse and sacred escape: “When you are sitting face forward on the daily emotional meat grinder of life, I always wished I could have some, so I could just fall asleep automatically and the feeling would not be there anymore.” \u003c\/p\u003e\u003cp\u003eRecorded at Wilzie’s home studio, with strings added in Budapest at the old Hungarian National radio facility (Magyar Radio), the tracks feel simultaneously intimate and infinite, unfolding vistas glimpsed in an inner space. Robert Hampson of English drone rock icons Loop mixed the album, further lending the music a sense of cinematic expanse and oblique hypnosis. 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The duo exchanged tapes over the course of a year and then Donne ventured to Austin, TX for a week to record at Wiltzie’s home studio in 1999. The in-person collaboration moved much more quickly than the exchange of tracks by mail. One track on the \u003ci\u003eAix Em Klemm \u003c\/i\u003ealbum, “Sparkwood And Twenty-One”, was written and recorded in one day. The duo took the mysterious name Aix Em Klemm and the self-titled debut was released in the autumn of 2000. \u003c\/p\u003e\u003cp\u003eAs of late, Wiltzie lives in Brussels, and Donne joined Stars Of The Lid on their last tour of Europe in 2016 playing modular synth. 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The timbre of the instrument and spatial fluctuations of room tone infuse the music\nwith a subdued, sacred feel, like vaulted light in a nave of stained glass. 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