{"title":"Le Volume Courbe","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eLe Volume Courbe is a captivating artist whose music transcends genres and defies categorization. With a unique blend of dreamy pop, psychedelic rock, and experimental sounds, *Le Volume Courbe* creates an enchanting sonic landscape that captivates listeners.\u003c\/p\u003e\n\n\u003cp\u003eInspired by artists such as Broadcast, Cate Le Bon, and Spacemen 3, *Le Volume Courbe* seamlessly combines ethereal vocals with intricate instrumentation to create mesmerizing melodies. Their music takes listeners on a journey through introspective lyrics and atmospheric soundscapes.\u003c\/p\u003e\n\n\u003cp\u003e*Le Volume Courbe's* distinct sound has garnered critical acclaim from both fans and critics alike. Their ability to push boundaries while maintaining a sense of accessibility sets them apart in the music industry. Whether performing live or recording in the studio, *Le Volume Courbe* consistently delivers powerful performances that leave audiences wanting more.\u003c\/p\u003e","products":[{"product_id":"i-wish-dee-dee-ramone-was-here-with-me","title":"I Wish Dee Dee Ramone Was Here With Me","description":"\u003cp\u003eReleased via Pickpocket Records - run by \u003cstrong\u003eCharlotte Marionneau\u003c\/strong\u003e and \u003cstrong\u003eKevin Shields\u003c\/strong\u003e (My Bloody Valentine) - Marionneau builds upon the melodic, experimental aesthetic, creating an equally individual, curiously titled album to its predecessor. 10 years in the making, \u003cem\u003e'I Wish Dee Dee Ramone was Here with Me'\u003c\/em\u003e is Marionneau's long awaited follow up to the highly thought of \u003cem\u003e'I Killed My Best Friend'\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eIts originality shares something with outsider art: naïve, primitive, primal, rather than following the standard rules. The album's opener, \u003cem\u003e'Born to Lie'\u003c\/em\u003e, commences like the initial blooming of a seed, sprouting with an understated beauty. Featured in Nick Moran's (Lock Stock and Two Smoking Barrels \/ Harry Potter) 'The Kid', and name checking Kevin Shields on guitar, \u003cem\u003e'I Love the Living You'\u003c\/em\u003e is one of the albums more stripped back productions.\u003c\/p\u003e\n\n\u003cp\u003eInitially a poem, \u003cem\u003e'I Wish Dee Dee Ramone was Here with Me'\u003c\/em\u003e is not just simply an ode to the late great Ramone, but an angelic and endearing depiction of a lonely evening, prompted by Marionneau's late night reading. Unsurprisingly, a book on the man himself. \u003cem\u003e'Rusty'\u003c\/em\u003e then erupts from the melancholy that precedes it, yet maintains the effortless and earnest tone previously mapped out.\u003c\/p\u003e\n\n\u003cp\u003eWhere \u003cem\u003e'Rusty'\u003c\/em\u003e transcends, \u003cem\u003e'Le Petit Chevalier'\u003c\/em\u003e hones it back in, exchanging the distorted drive for a downbeat eloquence. The Pitchfork lauded \u003cem\u003e'The House'\u003c\/em\u003e follows. Co-mixed with Brendan Lynch (Paul Weller \/ The Rakes), \u003cem\u003e'The House'\u003c\/em\u003e bursts with a lo-fi intensity, doused in dream-like flitters.\u003c\/p\u003e\n\n\u003cp\u003eThe penultimate track, \u003cem\u003e'Monte Dans Mon Ambulance'\u003c\/em\u003e, which features Martin Duffy (Felt \/ Primal Scream), opens the beginning of the end in a sullen, downbeat tone. \u003cem\u003e'The Mind is a Horse Version'\u003c\/em\u003e then bolsters the darkness that broods submissively throughout, in what is an experimentally emphatic closer.\u003c\/p\u003e\n\n\u003cp\u003eHarnessing a plethora of genres into a coherent linear, the album is a tour de force. Well thought, organic and inviting; from the ambivalent intensity of \u003cem\u003e'Soap On, Soap Off'\u003c\/em\u003e to \u003cem\u003e'Monte Dans Mon Ambulance'\u003c\/em\u003e, and from the full-blooded swing, swagger and whistles of \u003cem\u003e'Rusty'\u003c\/em\u003e to the subtly sonic swellings and broodings of \u003cem\u003e'The House'\u003c\/em\u003e, the album is laced with surprises, subversions and a refreshing candour which sets this apart from anything else. It's a unique, compelling listen.\u003c\/p\u003e","brand":"Pickpocket Records","offers":[{"title":"CD","offer_id":50471011483979,"sku":"395117","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/378a9169-17dc-49df-8d54-0ada97f1dd3f_thumbnail_4096.jpg?v=1727388035"},{"product_id":"fourteen-years","title":"Fourteen Years","description":"\u003cp\u003e\u003cem\u003eFourteen Years\u003c\/em\u003e is the first of three 10” comprising Charlotte Courbe’s third album. It marks her return to Honest Jon’s after two decades.\u003c\/p\u003e\n\n\u003cp\u003eRecently, Charlotte joined \u003cstrong\u003eNoel Gallagher’s High Flying Birds\u003c\/strong\u003e, singing and playing scissors. Her recording \u003cem\u003eBorn To Lie\u003c\/em\u003e featured prominently in the TV series \u003cem\u003eKilling Eve\u003c\/em\u003e. Spotify has just voted her track \u003cem\u003eRusty\u003c\/em\u003e amongst the best of the last decade.\u003c\/p\u003e\n\n\u003cp\u003eAfter a cancer diagnosis last year, Charlotte felt the urge to produce and release new music. “It became like a vital thing.” \u003cem\u003eMRI Song\u003c\/em\u003e and \u003cem\u003ePlanet Ping Pong\u003c\/em\u003e were recorded during chemotherapy.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eMind Contorted\u003c\/em\u003e is a duet with \u003cstrong\u003eTerry Hall\u003c\/strong\u003e, also featuring Terry’s son Theodore, and \u003cstrong\u003eNoel Gallagher\u003c\/strong\u003e on guitars, in a cover of Daniel Johnston. The song \u003cem\u003eFourteen Years\u003c\/em\u003e is the oldest inclusion. Meant for LVC’s second album — \u003cem\u003eI Wish Dee Dee Ramone Was Here With Me\u003c\/em\u003e — it announces a fresh, freer direction.\u003c\/p\u003e\n\n\u003cp\u003eThe sleeve exclusively presents new work by the celebrated English artist John Stezaker, in the first of a triptych. This EP is laced with surprise and subversiveness. Its refreshing candour sets it apart. It’s a unique, compelling listen.\u003c\/p\u003e","brand":"Honest Jons","offers":[{"title":"Black | 10\"","offer_id":50479846588747,"sku":"1106679","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/10c572f2-35c6-4552-b8ba-6e67b45a4824_thumbnail_4096.png?v=1727512245"},{"product_id":"planet-ping-pong","title":"Planet Ping Pong","description":"\u003cp\u003e\u003cstrong\u003eLe Volume Courbe's\u003c\/strong\u003e \u003cem\u003ePlanet Ping Pong\u003c\/em\u003e is a collection of sonic trips echoing fulgurances of beat poetry. Charlotte is a magician who can weave the directness of punk with the emotions of pop while staying in the realms of edgy experimentation.\u003c\/p\u003e\n\n\u003cp\u003eThe bunny comes out of the hat smoking a cigarette and looks you in the eye. The single \u003cem\u003e“Two-Love”\u003c\/em\u003e is a collaboration with \u003cstrong\u003eNoel Gallagher\u003c\/strong\u003e on piano and bass and \u003cstrong\u003eLascelles Gordon\u003c\/strong\u003e on percussions. The album also includes a cover by \u003cstrong\u003eDaniel Johnston\u003c\/strong\u003e \u003cem\u003e“Mind Contorted”\u003c\/em\u003e which is presented as a duet with \u003cstrong\u003eTerry Hall\u003c\/strong\u003e, and also features his son \u003cstrong\u003eTheodore Hall\u003c\/strong\u003e and \u003cstrong\u003eNoel Gallagher\u003c\/strong\u003e on guitars.\u003c\/p\u003e\n\n\u003cp\u003eThe originality of Charlotte’s music shares something with outsider art: naïve, primitive, primal, rather than following the standard rules. The new album self-produced and mixed by \u003cstrong\u003eBrendan Lynch\u003c\/strong\u003e and Charlotte is no exception. It’s a unique and compelling listen laced with surprises, subversions and a refreshing candour which sets it apart from anything else.\u003c\/p\u003e\n\n\u003cp\u003eCharlotte was born and raised in France and moved to London in 1995. 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