{"title":"Leaving Records","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eLeaving Records is a homegrown experimental record label started by L.A. experimental musician MatthewDavid and visual artist Jesselisa Moretti. With a distribution partnership with Stones Throw Records, Leaving Records has become a prominent force in the music industry.\u003c\/p\u003e\n\u003cp\u003eKnown for their unique and innovative approach to music, Leaving Records showcases a diverse range of artists who push the boundaries of traditional genres. From ambient soundscapes to electronic beats, their catalog offers an eclectic mix that appeals to both avid music enthusiasts and casual listeners.\u003c\/p\u003e\n\u003cp\u003eWith an emphasis on artistic expression and creativity, Leaving Records aims to provide a platform for emerging talent while also supporting established musicians. 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Echoes of sweaty rave anthems and classic IDM head trips can be heard strewn throughout the album's eight compositions, awash in deep ambient swirls and intriguingly twisted samples.\u003c\/p\u003e\u003cp\u003eSan Francisco’s Xyla is a queer BPoC classical musician-turned producer heavily influenced by footwork, R\u0026amp;B, club and orchestral music. \u003cbr\u003e\u003c\/p\u003e\u003cp\u003eFor fans of: Bochum Welt, Aphex Twin, Four Tet, Barker, Matmos, Plaid etc.\u003c\/p\u003e","brand":"Leaving Records","offers":[{"title":"Black | LP","offer_id":50383576236363,"sku":"1132933","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/725bfb69-a635-4636-a622-2d1207aa07e2_thumbnail_4096.jpg?v=1726273178"},{"product_id":"cloud-suites-2","title":"Cloud Suites","description":"\u003cp\u003eCalifornia’s Nico Georis has always straddled (or, rather, negotiated) multiple dimensions. 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Foregoing pursuit of technical mastery and acclaim within the confines of the contemporary classical world, he has dedicated his talents to songcraft, broadly-defined — channelling unseen (or inaugurating altogether new) worlds through melody and repetition. \u003c\/p\u003e\u003cp\u003eConceived after an isolating, five-year struggle with a severe case of Lyme disease, \u003ci\u003eCloud Suites\u003c\/i\u003e documents Georis’s initial return to experimental ambient keyboard compositions. Conceptually, there is little ambiguity here: the songs—the “suites”—are clouds, or, rather, reflections of clouds, each named after a particular formation. Track titles range from the meteorologically specific to the expressive: “Cumuloids,” “Sundog,” and “Soft Yellow Gazers.” Georis composed the suites in real-time, peering out the windows of his Big Sur cabin-home\/recording studio (dubbed The Sky Shed), responding improvisationally to render specific clouds as music—in effect to pluck them from the sky. 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This conceit remains playfully ambiguous — to what extent, if at all, is Kagome (woven bamboo) meant to evoke the pattern of the same name, for example? But there is an intuitive sense, throughout \u003ci\u003eblueblue\u003c\/i\u003e, that Gendel has, in this instance, narrowed his focus. To say that \u003ci\u003eblueblue\u003c\/i\u003e feels richly textural might be a little on-the-nose, thematically, but alas…it does. \u003c\/p\u003e\u003cp\u003eThere is an intimacy, a humility, and a strength at play here that typifies the work of a master craftsman. Only an artist could make it sound so effortless. A Los Angeleno by way of Central CA, Gendel is by now an institution. Across a dizzying slate of solo releases and collaborations, he has amassed a reputation for not only virtuosic musicianship (primarily as a saxophonist, though the songs that would become blueblue were all initially composed on guitar), but also for his mercurial and prolific output — a corpus of work, which, while obviously indebted to jazz and hip hop (and the farther flung, experimental corners of both) is, in a word, unpindownable.\u003c\/p\u003e\u003cp\u003eThe bulk of \u003ci\u003eblueblue\u003c\/i\u003e was recorded in isolation in a makeshift studio built in a cabin floating atop a tributary of Oregon’s Columbia River. 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Conventional (linear) spacetime collapses, crushed beneath the track’s lumbering 4\/4 heartbeat and successive waves of distortion. As each wave recedes, samples trickle forward in the mix — seeking, perhaps, to fill the void. Voices and instruments rise and fall in uncanny reverse. Overlapping, implied melodies flicker into focus, then flit away. Feedback Jam is at once an initiation ritual, and a thesis statement for the record that follows.\u003c\/p\u003e\u003cp\u003eDrawing upon a vast personal archive of Iranian folk, classical, and pop recordings (some sourced from mixtapes made by her parents in the eighties\/nineties), Maral presents, on \u003ci\u003eGround Groove\u003c\/i\u003e, a further refinement of the signature “folk club” sound she developed as a live DJ— a sound she would later codify on \u003ci\u003eMahur Club \u003c\/i\u003e(2019) and \u003ci\u003ePush\u003c\/i\u003e (2020). 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Currently residing in Los Angeles, the jazz bassist, vocodorist, producer\/songwriter\/composer, artist and activist presents \u003ci\u003eParasail 18\u003c\/i\u003e - the debut full-length album. \u003c\/p\u003e\u003cp\u003eByron explains his new album: \"\u003ci\u003eParasail 18\u003c\/i\u003e was a 4 year process, and this process has made me as much as I've made it. What is this album all about? My escape in all its different forms:Hope, drugs, sex, desire, daydreaming, nightwalking, burial, fire, and fun. The Parasail represents our momentary relief from the weight of the world. The “18” represents the point in my life where I needed to escape most. The lowercase “i” represents ego dissolution and yielding to things as they are. The end of our escape.\"\u003c\/p\u003e","brand":"Leaving Records","offers":[{"title":"LP","offer_id":50505876209995,"sku":"2006682","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a2732721442_10_03283e04_thumbnail_4096.jpg?v=1727817498"},{"product_id":"strawberry-session","title":"Strawberry Season","description":"\u003cp\u003e\u003ci\u003eStrawberry Season\u003c\/i\u003e responds tenderly to this sorry state of affairs, not with false comfort — nor escapism. Rather, the album conveys, often wordlessly, that there remains an abundance of sweetness amidst our increasing unease. While much of twentieth century American popular and folk music may have dwelt on the beauty and plenitude of the prairie, More Eaze applies a similar Romantic focus to the small bursts of fecundity that now hide in plain sight. Blending found sound, generative music, a knack for elegant, classically-informed melodic arrangement, and a sort of Liz-Fraser-by-way-of-hyperpop approach to vocals, \u003ci\u003eStrawberry Season\u003c\/i\u003e offers unique solace — providing an occasion for the kind of deep listening that our overstimulated and undernourished spirits require if there is to be any hope at all (and of course there must be hope).\u003c\/p\u003e\u003cp\u003eMore Eaze (serving as composer, songwriter, multi-instrumentalist, producer, and sound artist) guides us incrementally to this locus of attentiveness. Strawberry Season begins with the softly sweeping gentle pets. Early intimations of Velvet Underground give way, indeed, to a string arrangement that John Cale might have saved for Paris 1919. The second track, Suped, features a kaleidoscopic swirl of grocery checkout scanners that eventually coalesce and release with the subtle strumming of a harp. On known, in the midst of a nearly elegiac outflow of feeling, a shower starts to run. Someone steps inside, pulling the curtain back, sending the plastic rings clattering. Moments later, the unmistakable sound of the showerer blowing their nose — an inclusion that is at once light-hearted and jarringly, movingly intimate.\u003c\/p\u003e","brand":"Leaving Records","offers":[{"title":"LP","offer_id":50506200514891,"sku":"2011346","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Strawberry_Season_035b77f6_thumbnail_4096.jpg?v=1727820291"},{"product_id":"music-for-living-spaces-2","title":"Music for Living Spaces","description":"\u003cp\u003eLeaving Records presents \u003ci\u003eMusic For Living Spaces\u003c\/i\u003e, the debut LP by non-binary Los Angeles-based artist Green-House. Olive Ardizoni helms the project, which made its debut with the charming 2019 EP \u003ci\u003eSix Songs for Invisible Gardens\u003c\/i\u003e.\u003ci\u003e \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eMusic for Living Spaces\u003c\/i\u003e represents an evolution of its predecessor’s minimalist compositions into songs that move with winsome melodies and emotional arcs. Though recorded during a pandemic, the transporting nature of \u003ci\u003eMusic For Living Spaces\u003c\/i\u003e offers a remedy for dreariness. Ardizoni states, “I’m trying to hit that part of the brain that’s affected by the emotional state that you’re in when you perceive something as cute.” \u003c\/p\u003e","brand":"Leaving Records","offers":[{"title":"LP","offer_id":50506556473675,"sku":"2022124","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a0920386584_65_2cd452e4_thumbnail_4096.jpg?v=1727824980"},{"product_id":"music-for-saxofone-and-bass-guitar","title":"Music For Saxofone and Bass Guitar","description":"\u003cp\u003eOriginally released as a limited cassette, this is the first edition of the album on vinyl. Jazz atmospherics from Los Angeles-based sax-bass duo of Sam Gendel (Inga, Fabiano do Nascimento, Moses Sumney) and Sam Wilkes (Knower). Avant-garde inflections and friendly rhythms, sincere melodies with elbow room.\u003c\/p\u003e\u003cp\u003eFor fans of John Coltrane, Pharoah Sanders, J Dilla, Daniel Lanois, Brian Eno, Wayne Shorter, Joe Zawinul, Miles David, Knower, Alice Coltrane, Flying Lotus, Aphex Twin, Sun Ra.\u003c\/p\u003e","brand":"Leaving Records","offers":[{"title":"LP - Black","offer_id":50506932289867,"sku":"1092403","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a153ed60-b5e6-48f0-bc28-44529e0f0d61_thumbnail_4096.jpg?v=1727833481"},{"product_id":"kickinit-alone","title":"Kickinit Alone","description":"\u003cp\u003eKiefer’s is an acclaimed Grammy Award-winning pianist and producer. Kiefer is one of LA jazz’s most exciting new artists. For fans of Kamaal Williams, Kamasi Washington, Blue Lab Beats, Sam Wilkes, Moses Boyd and Yussef Dayes. \u003c\/p\u003e","brand":"Leaving Records","offers":[{"title":"Green | LP","offer_id":50510865826123,"sku":"1132405","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/54bee957-6f7a-41ac-b147-a47f4ff4279f_thumbnail_4096.jpg?v=1727881181"},{"product_id":"music-for-living-spaces","title":"Music for Living Spaces","description":"\u003cp\u003eGorgeous mood music for plantlife from Olive Ardizoni’s Green-House project, once again painting synth watercolours designed to facilitate the connection between humans and nature. Highly recommended for the good of yr health, especially if work by Ana Roxanne, Mort Garson, Plone, Raymond Scott, Pauline Anna Strom or Ami Dang has resonated with you.\u003c\/p\u003e\u003cp\u003eWell this is a bit lovely. Los Angeles-based artist Olive Ardizoni first appeared last year with \u003ci\u003eSix Songs for Invisible Gardens\u003c\/i\u003e, a record designed as communion between plants and the people who care from them. \u003ci\u003eMusic For Living Spaces\u003c\/i\u003e develops the concept with purpose, crafted for spiritual and environmental elevation. \u003c\/p\u003e\u003cp\u003eArdizoni's music is unashamedly retro, crossing vintage electronic treatments with folk sounds and elements of '80s new age tape music that should be familiar to any regular Leaving Records listeners. On tracks like \u003ci\u003eSunflower Dance\u003c\/i\u003e and \u003ci\u003eRoyal Fern\u003c\/i\u003e, they flesh out delicate riffs with Mellotron flutes and brassy synth sounds that could have been snatched from Vangelis' studio. Elsewhere on \u003ci\u003eSoft Coral\u003c\/i\u003e and \u003ci\u003eBirds of Paradise\u003c\/i\u003e the mood is more in line with an eerie wildlife documentary or psychedelic children's TV theme. The Fender Rhodes guided shimmer of 'Find Home' hits at the apex, featuring Ardizoni’s voice for added resonance - a real standout.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eMusic for Living Spaces\u003c\/i\u003e is basically \u003ci\u003ePlantasia\u003c\/i\u003e with added subs, deployed at a time when our connection with the natural world seems elusive, almost beyond reach. For those of you in need of spiritual nourishment - it's pure, uncomplicated, life enhancing music.\u003c\/p\u003e","brand":"Leaving Records","offers":[{"title":"Black | LP","offer_id":50518766616907,"sku":"1135112","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/7a242d54-c257-4f4a-9918-91db514320dc_thumbnail_4096.jpg?v=1727964098"},{"product_id":"saana-sahel","title":"Saana Sahel","description":"\u003cp\u003eColloboh (a portmanteau of Collins Oboh) is a Nigerian-born, Los Angeles-based experimental producer and composer who has spent the past several years cultivating genre-spanning modular wizardry. A self-taught synthesist, Colloboh’s DIY recording diaries (still archived on Instagram) quickly amassed a dedicated online following, eventually catching the eye of Leaving Records founder, MatthewDavid, who wasted no time tapping the then-twenty-six-year-old to perform at the monthly Leaving showcase, Listen to Music Outside In The Daylight Under a Tree. \u003c\/p\u003e\u003cp\u003eIn 2021, Colloboh permanently relocated to Los Angeles from Baltimore, dedicating himself to music full-time, and quickly becoming a fixture of the city’s vibrant experimental scene. Whereas Colloboh’s debut EP Entity Relation (released that same year) dove headlong into club beats, \u003ci\u003eSaana Sahel\u003c\/i\u003e, out May 5th 2023 on Leaving Records, showcases the breadth of the fledgeling composer’s ambitions. The EP’s title, \u003ci\u003eSaana Sahel\u003c\/i\u003e, refers to a land of Colloboh’s pure imagining—an untouched utopia spanning lush coastlines and sweeping deserts. Beginning with the stately “Acid Sunrise” (like a Phillip Glass rave comedown), the EP functions as an atlas of sorts, mapping the region’s varied environments and moods. And varied indeed—across these six tracks there lie ecstatic jazz freakouts, samba shuffles, guest vocals from (seemingly) the very Seraphim, and interpolations of Debussy and Gabriel Faure.\u003c\/p\u003e\u003cp\u003e The breadth of sounds conjured here is a testament not only to Colloboh’s eclectic roster of influences, but also the period of deep and challenging personal growth that immediately preceded the EP’s composition. The construction of \u003ci\u003eSaana Sahel\u003c\/i\u003e (both the imagined locale and the release) served as a spiritual lode star, a place to which Colloboh could retreat for energetic restoration. Ever-generous, Colloboh has charted these expeditions for us in song, and now we may all draw sustenance and inspiration from the wellsprings of this rich land.\u003c\/p\u003e","brand":"Leaving Records","offers":[{"title":"LP","offer_id":50521687851339,"sku":"2028261","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/377720_236f7133_thumbnail_4096.jpg?v=1727993896"},{"product_id":"mycellium-music","title":"Mycellium Music","description":"\u003cp\u003eHaving emerged as a luminary of the Los Angeles Beat Scene, MatthewDavid immersed himself for several years in the rich, neglected, and all-too-often-derided archive of New Age sound\/culture, stewarding a kind of New New Age sensibility into being.\u003ci\u003e Mycelium Music\u003c\/i\u003e constitutes a synthesis of these aesthetics, an alchemical marriage of sorts, in which the digital and the organic, the earthen and the aethereal, the bloom and the rot all collide and coexist. \u003c\/p\u003e\u003cp\u003eHow might the Mycelium sing? Where other sound artists might be tempted to capture the phenomena, reaching for a field recorder, MatthewDavid responds with a succinct, impressionistic, and diaristic suite of “songs” (although, as with the mycelium itself, one cannot easily distinguish where one song\/organism ends and another begins).\u003c\/p\u003e","brand":"Leaving Records","offers":[{"title":"Black LP","offer_id":50522087031115,"sku":"2019816","price":37.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a1087988554_10_01786003_thumbnail_4096.jpg?v=1727998814"},{"product_id":"das-nuvens-2","title":"Das Nuvens","description":"\u003cp\u003eLos Angeles-based Fabiano Do Nascimento is a multi-string guitarist and songwriter who melds the traditional idioms of his native Brazil (i.e., samba, choro) with the more contemporary and experimental strains of jazz, pop, and electronic music. Das Nuvens (“The Clouds”), out July 2023 on Leaving Records, is a crisp, frequently blissful, and deceptively groove-oriented showcase from a consummate musician — a rich and varied collection of songs, all of which seem to prioritize, and thrive in, the soft and intentional spaces between notes. Das Nuvens constitutes the free-form, exploratory work of a musician who, having mastered a distinct musical language, seeks to apply his skill towards broader, more experimental modes of expression.\u003c\/p\u003e\u003cp\u003e Fittingly, track one — built around a contemplative, pointillistic refrain— is titled “Babel,” a reference to the legend of man’s attempt to build a tower to heaven, and how God thwarted this alleged act of hubris by shattering man’s shared language, sowing chaos and confusion. Though a stern parable on its face, it is a myth that 8 enshrines our world’s dizzying array of languages (of modes of being), and the subsequent beauty of cultural exchange through art. In this regard, it is a fitting opening statement for an album that collapses and collages not only contemporary and classical Brazilian and pop idioms, but also the diverse range of indigenous music that Nascimento has encountered and studied in his travels as a touring musician.\u003c\/p\u003e","brand":"Leaving Records","offers":[{"title":"Clear LP","offer_id":50530095857995,"sku":"2053041","price":32.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Das_Nuvens_9187e434_thumbnail_4096.jpg?v=1728072336"},{"product_id":"extravision-2","title":"Extravision","description":"\u003cp\u003eAfter a limited self-release in 2022, Extravision, the deeply therapeutic musico-psychonautic offering from experimental guitarist Guy Blakeslee has received the Leaving Records “all genre” re-release treatment. The record is, in a word, a balm. Like a window flung open on a sweltering day, Extravision occasions the sudden awareness of space, of calm, of context, of possibility. The record also catalogs a musician’s search for meaning and healing in the wake of catastrophe.\u003c\/p\u003e","brand":"Leaving Records","offers":[{"title":"Black LPx2","offer_id":50890846241099,"sku":"2234159","price":34.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a1665270057_10_f0e34199_thumbnail_4096.jpg?v=1732569624"},{"product_id":"soft-echoes-2","title":"Soft Echoes","description":"\u003cp\u003eSharada Shashidhar is a Los Angeles based vocalist, composer and producer. Her soulful voice takes inspiration from jazz and Indian classical music, which influences her songwriting and productions. Shashidhar’s elaborate harmonies and vocal creativity come together in a new beat-orientated spiritual jazz. Sharada has performed across the US and EU in spaces such as Le Guess Who? Festival, Badehaus Berlin, Zebulon and more. She has shared bills or collaborated with the likes of Carlos Niño, Pan Afrikan People’s Arkestra, and Zeroh among others. 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Their shared sonic affinities, while essential to the record’s sound, feel secondary to the integrity, confidence, and mutual regard that suffuse each note and every beat.\u003c\/p\u003e","brand":"Leaving Records","offers":[{"title":"LP - Black","offer_id":50890848108875,"sku":"2234157","price":28.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a1374760705_10_7fcc6dbe_thumbnail_4096.jpg?v=1732569670"},{"product_id":"gendel-dream-trio","title":"Gendel Dream Trio","description":"\u003cp\u003eDream Trio is the combination of Sam Gendel on wind controller and soprano saxophone, Benny Bock on udo synthesizer, and Hans Kjorstad on violin. 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Five years after their self-titled debut, electronic avant-pop outfit Harry the Nightgown embrace failure on their most maximalist, bittersweet record yet. \u003cem\u003eUgh\u003c\/em\u003e, their latest eleven-song offering on Leaving Records, is an exercise in freaked-out perfectionism.\u003c\/p\u003e\n\u003cdiv title=\"Page 6\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eFor fans of Björk, FKA Twigs, Oneohtrix Point Never, \u003c\/span\u003e\u003cspan\u003eTirzah, Vegyn.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Leaving Records","offers":[{"title":"LP - Black","offer_id":52312179900747,"sku":"R4608-5139","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a4092929463_10.jpg?v=1750349720"},{"product_id":"for-dancing-in-quiet-light","title":"For Dancing In Quiet Light","description":"\u003cp class=\"p1\"\u003eLuke Schneider\u003cspan class=\"s1\"\u003e’\u003c\/span\u003es new EP finds the pedal steel guitarist further refining his singular ambient vocabulary \u003cspan class=\"s1\"\u003e– \u003c\/span\u003egentle, resonant, and quietly radiant. Following two releases on Third Man, this Leaving Records debut is inspired by the intersection of breath and movement, drawing influence from his rural Tennessee surroundings and Lou Reed\u003cspan class=\"s1\"\u003e’\u003c\/span\u003es little- known tai chi soundtrack, Hudson River Wind Meditations. These compositions offer a delicate but emotionally resonant choreography of the inner self.\u003c\/p\u003e","brand":"Leaving Records","offers":[{"title":"12\" - Black","offer_id":52638976147787,"sku":"R7400-1882","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/LukeSchneider_Cover.jpg?v=1751570612"},{"product_id":"after-the-town-was-swept-away","title":"After The Town Was Swept Away","description":"\u003cp\u003eTyler Gilmore, known as BlankFor.ms, is a Brooklyn-based artist who creates richly textured music with degraded tapes, analog synthesizers, and a spinet piano. His work includes two full-length albums, two EPs, and Refract, a collaborative project with Jason Moran and Marcus Gilmore. Now comes his next album \u003cem\u003eAfter The Town Was Swept Away.\u003c\/em\u003e\u003c\/p\u003e","brand":"Leaving Records","offers":[{"title":"LP - Black","offer_id":52760369267019,"sku":"R9616-2010","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/3KBlank-Form-DIGITAL-FINAL_61ffbfe5-e69a-463c-bcf3-09fbfbc9db75.jpg?v=1752061793"},{"product_id":"toso-toso","title":"Toso Toso","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eNew York-based collective Toso Toso with their self-titled debut via Leaving Records. The album delivers an exploratory vision of avant-pop, where free improvisation meets intricate form. Tender and furious, the band navigates extremes of emotion and dynamics—playful and raw—crafting vivid contrasts and surprising turns that emerge seemingly out of nowhere. It’s a bold sketch of sound, where texture becomes narrative and experimentation feels instinctive.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Leaving Records","offers":[{"title":"LP - Black","offer_id":53526837100875,"sku":"R3467-0313","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/tosotosoself-titledalbumarthi-res2.0.jpg?v=1759508371"},{"product_id":"cavejaz","title":"Cavejaz","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eRio de Janeiro guitarist and composer Fabiano do Nascimento returns with new album \u003cem\u003eCavejaz\u003c\/em\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003eCavejaz\u003c\/em\u003e is a project that stemmed from a hang with renowned Minas Gerais singer\/songwriter Jennifer Souza, who suggested that do Nascimento record music with a new connection: the musician Paulo Santos, best known as a member of landmark Brazilian group UAKTI. Collaborators of Paul Simon, Philip Glass, Milton Nascimento, Stewart Copeland, among others, UAKTI became known for crafting their instruments by hand, using all kinds of recycled materials such as pvc pipes, glass, water, sponges, and more. Their artistic manifesto centres around creating minimal music, even as an ensemble.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn August 2024, do Nascimento and Paulo Santos began recording at Studio Ilha do Corvo in Belo Horizonte with producer Leo Marques. At the time, Brazil was suffering one of the biggest and widest spread wildfires the country had ever seen, smoke spreading all across South America and causing devastating effects especially in Belo Horizonte. It represented an uncomfortable time for Brazil, provoking widespread discomfort and anxiety, as well as forcing do Nascimento and Santos indoors at the studio and cutting their recording period down to a spare few sessions. \"But\", writes do Nascimento, \"we\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e managed to have a good time still, and to enjoy recording the open and free ideas that would come up. Leo would just hit record, and we would just play.\"\u003cbr\u003eThe second part of Cavejaz was recorded in Japan with veteran Japanese musician U-zhaan. The pair performed in concert in a beautiful noh-gaku-doh theater in Tokyo, which was recorded live, with Fabiano ultimately completing the Japan sessions solo at the SALO studio in Oiso.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan class=\"bcTruncateMore\"\u003e\"So the project became a selection of what I recorded in Minas Gerais in studio with Paulo and Jennifer in August 2024, and the rest live in Japan, with one exception being live recording from a concert I performed in Los Angeles with my longtime bandmate, the percussionist Ricardo \"Tiki\" Pasillas (Salvador). The material made sense together.\"\u003cbr\u003e\u003cbr\u003eDespite these disparate backgrounds, Cavejaz is made cohesive by its organic performance and minimalist instrumentation. It is crafted from guitar and handmade percussion, elevated further still by U-zhaan's intuitive additions for the tabla and Tiki's handmade, hybrid percussion set.\u003cbr\u003e\u003cbr\u003e\"The title came from the overall feel of the music and was recommended by my friend Sam Gendel,\" says do Nascimento. \"Kind of sounds like music coming from a cave with water and organic elements.\"\u003cbr\u003e\u003cbr\u003eFabiano do Nascimento is a Brazilian-American guitarist, composer, producer and arranger, currently based in Los Angeles and Tokyo. He performs on various multi-string and multi-tuning (nylon string) guitars. A contemporary artist who is deeply rooted in Brazilian heritage and is known for his unique sound and ever-expansive compositions, borrowing from the traditions of Afro-Samba, Folkloric and Choro while blending elements of jazz, experimental music, and electronica.\u003c\/span\u003e\u003cspan\u003e  \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Leaving Records","offers":[{"title":"LP - Black","offer_id":53721923944779,"sku":"R5251-0967","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a2410374036_16.jpg?v=1761318905"},{"product_id":"and-so-it-is","title":"And So It Is","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eBy no means a secret, (and in steady demand,) but certainly in the category of IYKYK, multi-instrumentalist Aaron Shaw is one of Los Angeles’s brightest young Composers, Producers, Arrangers, Band Leaders, and Music Directors. In his Home Studio that he shares with his older Brother, Lawrence (together making up the group Black Nile), Shaw can be found playing Saxophones, Clarinets, Flutes, Keyboards, Drum Machines, and also Engineering Sessions. A frequent fixture at The World Stage in Leimert Park, Shaw has collaborated with everyone from Pan Afrikan Peoples Arkestra, Phil Ranelin, Herbie Hancock, and Miguel Atwood-Ferguson, to Mary J. Blige, Dave Chapelle, Tyler, The Creator, Anderson .Paak, Nightmares on Wax and many more less well known OG, established, emerging, and underground Artists in the LA Jazz, Hip-Hop, Rap, Electronic, and Experimental Music scenes. Born and raised in Ladera Heights, he cut his teeth at the Fernando Pullum Community Arts Center and the LA County High School for the Arts (LACHSA) before eventually entering the tutelage of Kamasi Washington, who he is featured with in tandem Musical conversation on the entirety of the 2025 release Saul Williams meets Carlos Niño and Friends at TreePeople. After years of study, dedication, and gig-work, the path to his first full\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e-length release proved to be a perilous one. \u003cem\u003eAnd So It Is\u003c\/em\u003e,  on Leaving Records, documents the physical, musical, and spiritual transformation thrust upon an already extraordinary talent. \u003cbr\u003e\u003cbr\u003eIn 2023, at age 27, and after months of troubling symptoms and medical dead-ends, Shaw was diagnosed with bone marrow failure—a state of affairs he succinctly describes as “grim.” To say nothing of the alienation, exhaustion, and fear that accompanies such a diagnosis—the endless testing and treatment protocols—Shaw’s very capacity to play music, the craft to which he had consciously dedicated his life since the sixth grade, was suddenly, radically altered. The key matter was Shaw’s red blood cell count, and his incapacity to produce sufficient oxygen. Breath, the activating force of the wind instrument, was now in short supply. A once-normal gig became a medical gamble. How many stairs to the stage? Could he play in Idyllwild’s higher altitude? \u003cbr\u003e\u003cbr\u003eThe subsequent process of acceptance was fraught and non-linear (as major health journeys tend to be), characterized by periods of emotional exhaustion (crying spells, social isolation), as well as brave attempts to troubleshoot his limitations (experimenting with new mouthpieces and reeds, changing his posture). Initially frustrated by the resultant changes to his sound, Shaw pushed through. Playing music was still his primary source of solace. Through this self-therapy, and within the constraints of a new playing style, songs began to coalesce. “And So It Is,” a saying Shaw traces back to a childhood immersed in church music, became the mantra for this creative period, and eventually the collection’s title. \u003cbr\u003e\u003cbr\u003eUnder the nurturing eye of Leaving Record’s affiliate Carlos Niño (percussionist and, notably, the Producer for Andre 3000’s New Blue Sun) \u003cem\u003eAnd So It Is\u003c\/em\u003e slowly took shape—An eight song cycle that plums the depths of despair and isolation, as well as the strange clarity that comes from confronting one’s mortality. The aptly-titled first track, “Soul Journey” orients the listener. An initially off-kilter, ruminative, almost rainswept movement gives way to a more focused and propulsive mid-section (one senses grit here, a desire for forward momentum), before gradually laying down to a bed of cello and harp. And So It Is retains an inward focus throughout, and there are moments of transcendence, when the individual concerns plaguing Shaw seem to give way to pure delight in the discovery and expression of musical forms.\u003cbr\u003e\u003cbr\u003eShaw carefully selected his collaborators for this project, numerous and talented, including Lawrence Shaw and elder statesman Dwight Trible, among others. That track three, “Windows to the Soul,” is an interpretation of a Chick Corea composition, and that track eight, “Never Catch Me Out Of Alignment,” is sort of a cover of a Kendrick and Flylo collab, will intrigue and entertain old and new heads alike. And So It Is is a lovingly produced collaborative document of an artist at a crossroads who has chosen to proceed. Was it ever really a choice, even? While the future remains forever uncertain, for all of us, there is an infinite well-spring of hope and freedom and joy in doing what we do, and doing it well.\u003c\/span\u003e\u003c\/p\u003e","brand":"Leaving Records","offers":[{"title":"LP - Black","offer_id":56318075142475,"sku":"R5855-9639","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a2892779542_16.jpg?v=1768571858"},{"product_id":"the-haunted-house","title":"The Haunted House","description":"\u003cp class=\"p1\"\u003eNostalgia, longing, ambivalence, depression, healing and contentment, in unadorned and nocturne restraint, ‘The Haunted House’ is the deeply expressive new solo EP from Los Angeles artist and musician Diva Dompé.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFollowing acclaimed outings with their projects Yialmelic Frequencies, Galdre Visions, DIVA and BlackBlack, Dompé recorded The Haunted House in one week, straight to tape, on the outskirts of Death Valley, engineered by Leaving Records mainstay and fellow psychonaut Nico Georis.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e12\" EP on black vinyl with etched B Side.\u003c\/p\u003e","brand":"Leaving Records","offers":[{"title":"12\" - Black","offer_id":56474542702923,"sku":"R0792-6933","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/2000x2000bb_2dd6fece-d8e4-4960-bc2e-1e766e22c1e2.jpg?v=1770380116"},{"product_id":"where-the-echoes-bloom","title":"Where The Echoes Bloom","description":"\u003cp\u003eDebut album by LA theremin player \/ songwriter Alia [Alia Mohmed], most recently seen in collaboration with acclaimed harpist Nailah Hunter for blissful Harold Budd cover Pavilion of Dreams.\u003cbr\u003e\u003c\/p\u003e","brand":"Leaving Records","offers":[{"title":"LP - Black","offer_id":57146483474763,"sku":"R2432-2797","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/ALIA_digital_use_FINAL_RGB_front_3000x3000_8963cc1e-c1d0-426d-b81d-ae18459e1d7e.jpg?v=1777384527"},{"product_id":"fantastic-thoughts","title":"Fantastic Thoughts","description":"\u003cp\u003e\u003cb\u003eNate Mercereau\u003c\/b\u003e steps into progressive rock and jazz fusion with \u003ci\u003eFantastic Thoughts\u003c\/i\u003e, a record that feels maximalist, sincere and often disarmingly vulnerable. Joined by artists including \u003cb\u003eCarlos Niño\u003c\/b\u003e, \u003cb\u003eAaron Shaw\u003c\/b\u003e and \u003cb\u003eDeantoni Parks\u003c\/b\u003e, he builds a sound that asks a simple but daring question: “What if you did?”\u003c\/p\u003e\n\u003cp\u003eThere is serious depth behind it too, with \u003cb\u003eMercereau\u003c\/b\u003e bringing an extensive collaborative history that includes \u003cb\u003eAndre 3000\u003c\/b\u003e, \u003cb\u003eKamasi Washington\u003c\/b\u003e, \u003cb\u003eCarlos Niño\u003c\/b\u003e, \u003cb\u003eSurta Botofasina\u003c\/b\u003e and \u003cb\u003eIdris Ackamoor\u003c\/b\u003e. For listeners drawn to the exploratory edges of \u003cb\u003eSam Gendel\u003c\/b\u003e, \u003cb\u003eKamasi Washington\u003c\/b\u003e and \u003cb\u003eShabaka\u003c\/b\u003e, this is one to get lost in.\u003c\/p\u003e","brand":"Leaving Records","offers":[{"title":"LP - Cosmic Black","offer_id":58133275509067,"sku":"R6225-0050","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/2000x2000bb_72bdfe8f-a906-4302-9b0e-29b304fd7c82.jpg?v=1786722750"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/collections\/test_14d1018e_thumbnail_4096_852ff7fd-cb56-4165-baec-72e465b7d52b.jpg?v=1726273158","url":"https:\/\/shop.roughtrade.com\/collections\/leaving-records.oembed","provider":"Rough Trade","version":"1.0","type":"link"}