{"title":"Lost Map Records","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eLost Map Records, established in 2013, is a Scottish independent record label that operates from the caravan home of Johnny Lynch AKA Pictish Trail on the picturesque Isle of Eigg. Situated at coordinates 56°54’N and 06°10’W, this label has become a hub for unique and innovative music.\u003c\/p\u003e\n\n\u003cp\u003eWith an impressive roster of talented artists, Lost Map Records showcases a diverse range of genres including indie pop, folktronica, and experimental music. The label's commitment to nurturing emerging talent has led to the discovery of many exciting new voices in the industry.\u003c\/p\u003e\n\n\u003cp\u003eKnown for their distinctive sound and captivating live performances, *Pictish Trail*, *Rozi Plain*, *Monoganon*, and other artists signed to Lost Map Records have gained recognition both nationally and internationally. With their thought-provoking lyrics and infectious melodies, these musicians continue to push boundaries and captivate audiences around the world.\u003c\/p\u003e","products":[{"product_id":"we-are-the-animals-in-the-night","title":"We Are the Animals in the Night","description":"\u003cp\u003eBorn as a way of staving off madness during lockdown and patiently nurtured into one of the most exciting projects either of its architects have turned their hands to, Afterlands is Rick Anthony (The Phantom Band \/ Rick Redbeard) and David McAulay (Strike the Colours \/ From Scotland With Love). Featuring a litany of esteemed guest performers from across the Scottish music scene, Afterlands’ spellbinding debut album \u003ci\u003eWe Are Animals In The Night\u003c\/i\u003e is released on limited-edition 12” vinyl. It’s preceded by the sublime new single ‘Whale Song’ – an enthralling, noirish piano duet between Rick and Jill Lorean AKA Glasgow-based singer-songwriter Jill O’Sullivan (Sparrow and The Workshop). It plunges listeners deep into \u003ci\u003eAfterlands\u003c\/i\u003e’ crepuscular sound world, where shadows, dreams, memories and fears overlap and intertwine with astonishing results.\u003c\/p\u003e","brand":"Lost Map Records","offers":[{"title":"Black LP","offer_id":50416276209995,"sku":"2198111","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/afterlands-cover-square_4b360ed5_thumbnail_4096.jpg?v=1726700668"},{"product_id":"thick-terrain","title":"Thick Terrain","description":"\u003cp\u003eLondon dream-pop ensemble Firestations are back with their first full album in five years. 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The Wringer is a back-to-basics set of classic pop songs in the 60s songbook vein, taking a raw and unfiltered look at love and how it cuts both ways, it reaffirms Martha Ffion as one of the most fluent songwriters of her generation. \u003c\/p\u003e","brand":"Lost Map Records","offers":[{"title":"Black LP","offer_id":50424674058571,"sku":"2032036","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Martha_Ffion_-_The_Wringer_Album_Square_7797c932_thumbnail_4096.jpg?v=1726781322"},{"product_id":"hee-haw-ep","title":"Hee Haw EP","description":"\u003cp\u003eAn assortment of tunes dreamed up in fits and starts since the dark days of 2020, the Hee Haw EP sees Seamus continues his adventures in sound, with five more playfully screwed-up songs – each as fresh as the day and yet somehow old as the hills – spanning unwelcome lockdown observations, strange tales of a pub doorman and surely the only ever close encounter between Darach O’ Catháin and Suicide’s ‘Ghost Rider’.\u003c\/p\u003e","brand":"Lost Map Records","offers":[{"title":"Black 12\"","offer_id":50432822313291,"sku":"2167488","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Hee_Haw_EP_97e08912_thumbnail_4096.jpg?v=1726874315"},{"product_id":"algorithmic-mood-music","title":"Algorithmic Mood Music","description":"\u003cp\u003eThird album from Glasgow queer pop producer \u003cstrong\u003eSusan Bear\u003c\/strong\u003e (FKA Good Dog), a much respected and sought-after stalwart of the Scottish DIY scene and a lynchpin of Lost Map Records.\u003c\/p\u003e\n\n\u003cp\u003eThe follow-up to 2022’s \u003cem\u003eAlter\u003c\/em\u003e, which was hailed by Bandcamp Daily as “one of the most perfect bedroom pop albums ever created”, \u003cem\u003eAlgorithmic Mood Music\u003c\/em\u003e marks a new direction for Suse after two well-received records, by leaning further into her electronic side.\u003c\/p\u003e\n\n\u003cp\u003eStill melancholy, tape-y vibes, but this time upping the energy, taking influence from club and dance music.\u003c\/p\u003e","brand":"Lost Map Records","offers":[{"title":"Black LP","offer_id":50432906854731,"sku":"2207056","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Susan_Bear_Album_Square_ad0eff4e_thumbnail_4096.jpg?v=1726875028"},{"product_id":"the-corner-of-a-sphere-if-in-doubt-yes","title":"The Corner of a Sphere \/ If In Doubt Yes","description":"\u003cp\u003eA reissue of Alabaster dePlume's sold out album, \u003ci\u003eThe Corner Of A Sphere. \u003c\/i\u003eThe album has been nominated for Gilles Peterson's Album of the Year. 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She has toured extensively around the UK and Europe, including as solo tour support for feted American indie-rock band Big Thief. In parallel with her burgeoning solo career, Clémentine has become a much in-demand multi-instrumentalist, particularly on bass, for artists including Snapped Ankles, Rozi Plain, Alabaster dePlume, Dana Gavanski, Bamboo, Yama Warashi, Naima Bock, Blue House, Bas Jan, Floating World Pictures and Haha Sounds Collective.  \u003c\/p\u003e\u003cp\u003e‘Silence’ is the third track from the \u003ci\u003eMy Empty Town\u003c\/i\u003e EP to be released. ‘Elixir’ – a psychedelic reworking of a song from Clémentine’s 2020 debut album \u003ci\u003eLe Continent,\u003c\/i\u003e given new life by producer Toby Burroughs (POZI), and featuring Phil MFU (Vanishing Twin) on Moog and electronics, Ursula Russell (Snapped Ankles) on drums, James Howard (Blue House, Dana Gavanski) on bass and Dimitrios Ntontis on organ and synths – came out in 2020. 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With an album release (the critically acclaimed 'Weird Country') overshadowed by a state of collective panic, a litany of cancelled tour dates, and plans not so much put on the backburner as thrown out the window of a van, somewhere between Glasgow and Birmingham.\u003cbr\u003e\u003cbr\u003eInstead, with the excellent \u003ci\u003eGolden Mountain, Here I Come\u003c\/i\u003e on Lost Map Records, Savage Mansion have doubled down, solidifying their reputation as one of Scotland’s (and the UK’s) most prolific emerging guitar bands and as a hardworking collective drawing from a diverse palette of musical and literary influences. Re-emerging as a five-piece with Craig Angus (vocals, guitar), Andrew Macpherson (guitar), Beth Chalmers (keys), Jamie Dubber (bass) and Lewis Orr (drums), Golden Mountain, Here I Come is a record that’s hook-laden, poignant, and cryptic. It’s indie rock that’s both an instant feast for the senses and a rich tapestry of sounds and words to pore over and savour.\u003cbr\u003e\u003cbr\u003e‘It could be our first record as a band,’ says Angus. ‘In many ways it is, to the extent that we toyed with changing the name of the band. But you forget it's a fucking pain naming a band in the first place, so we stuck with it.\u003cbr\u003e\u003cbr\u003eRecorded with the band’s live engineer Ross McGowan (Kaputt, Dananananaykroyd) at Chime Studio in Glasgow, the more collaborative of the band’s third album is palpable. ‘It was the first record we made with Beth on keys,’ Angus says, ‘so there were five people actively having a say about musical direction, whereas in the past the songs were 80 to 90% fully formed before they got to rehearsal rooms. We reworked a lot of the songs beyond recognition this time. I had to let go of a lot of the expectations I had, and it’s a stronger body of work as a consequence, more adventurous.’\u003cbr\u003e\u003cbr\u003eIt’s that spirit that’s interwoven throughout the record, starting with the album title. Taken from a line in the first completed song ‘Jesus Is Pale’, Angus comments on the idea behind the name. ‘It was something that came to me at work one day, I used to scrawl ideas on bits of paper as I went about my business, and the idea of ‘now climbing golden mountain’ appealed to me looking back through notes. It felt a little bit like something you’d find in sci-fi or fantasy fiction maybe. And I like the idea of a destination or landmark being the centrepiece of a work. Like the way Dylan used Highway 61 as a frame to explore a specific time.’\u003cbr\u003e\u003cbr\u003eThe album began life as a fictional travelogue, still evident on the ‘The Black Cat’ where a surreal hitchhiking narrative is weaved over a musical soundscape that’s influenced by krautrock grooves as much as country sensibilities. ‘Over time golden mountain became a placeholder for something else,’ Angus says, ‘a looser destination, sometimes a physical place, sometimes a mental state. I think a lot of that was to do with being confined to one room, more or less, for months on end. You’re living in this stasis, with no real grasp on how long it’ll last, so a lot of living becomes imagined.’\u003cbr\u003e\u003cbr\u003eThe themes are apparent from the off. Opening track and lead single ‘Life More Abundant’ rolls like a runaway train, all chugging guitars and rapid vocal delivery, as an energised narrator thrillingly rejects tired conventions and seeks a new way of life. In the funk inspired standout ‘The Crucible’, which feels as much indebted to James Brown as it is garage rock, the central character rediscovers their own agency in real time. By the rousing climax of ‘Plans’, a full on revolt is brewing.\u003cbr\u003e\u003cbr\u003eIt’s a fresh musical direction for the group too, a new wave sound inspired by The B52s and Elvis Costello as much as the garage rock Parquet Courts and The Replacements. Saxophone and clarinet are supplied courtesy of Stephen ‘Sweet Baboo’ Black (Cate Le Bon, Aldous Harding). ‘We worked on the arrangements together over zoom, back when leaving the house was still a rare thing,’ says Angus. ‘I’m not sure we’d have tried working remotely like that in normal times, so I’m oddly grateful for the strange circumstances. His playing really lifts everything, and it’s hard to imagine the album without those contributions, now.’\u003cbr\u003e\u003cbr\u003e\u003ci\u003eGolden Mountain, Here I Come \u003c\/i\u003eis a triumphant comeback from Savage Mansion. While the new material features the same razor-sharp songwriting, melodic intertwining guitars and close harmonies, it's the artistic focus that elevates the band to a whole new level. 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She began making her mark as a musician through support slots for touring artists including Michael Chapman, Alessi’s Ark, Hiss Golden Messenger, Tiny Ruins, Ryley Walker and Willy Mason at her local music venue The Band Room in Farndale. “Having artists from all over the world come and play in the tin shed at the bottom of the hill was pretty special,” she reflects. Since 2018, with the support of a growing band of friends, collaborators and fans, Amy has released a series of four EPs, each exploring an element – Weathered by Waves, We Got Fire, Where My Garden Lies, and When In The Wind. She has received support from BBC 6 Music, BBC introducing, Uncut Magazine and Rough Trade, and has played headline tours around the UK and Ireland, as well as performed at Brighton’s Great Escape festival.\u003c\/p\u003e\u003cp\u003eInspired by centuries of human habitation on the ancient North York Moors,\u003ci\u003e Over Ling and Bell \u003c\/i\u003ewas written in a secluded farmhouse there, mostly alone but sometimes with friends. It represents the fullest, finest, and most complete manifestation yet of Amy May Ellis’s nourishing nature songs. Opener ‘Rain From the East’ is a song about “feeling unsteady and the weariness that comes with grief”, formed in time with the shoveling of coal under a gathering storm. Shaped by sinister folktales, ‘Aud Mother’ celebrates witches, mothers, and the power of friendship. Set to softly tumbling percussive loops, ‘Miner Farmer’ references Amy’s grandmother and her sister, who would walk from their dale over the hill to the neighbouring valley, carrying their dancing shoes for a night ofrevelry in the village hall. ‘Maybe We’ll Wake Up’ is a gently unfurling torch song written together with fellow singer-songwriter Uma Bunnag, while the album’s stunning, shimmering, dreamlike closer ‘Mondegreen’ was written with and produced by Sam Griffiths of York indie rock band The Howl and The Hum. \u003ci\u003eOver Ling and Bell\u003c\/i\u003e is fresh and youthful and yet crafted in a grand folk tradition, interrogating legend and turning the soil in search of meaning, healing and purpose. 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Since the group disbanded in 2011, Leif has explored many configurations and approaches, from experimental noise collaborations with the infamous Bug Incision crew to playing sold-out shows with the  punk-hearted OK Jazz, drumming with slacker-rock bands (Hex Ray and Hungry Freaks), playing synths with Matt Swann (of Astral Swanns), and singing in a witch choir (Hermitess). Leif’s admirers include K Records maestro Calvin Johnson (they toured together with The Believer Magazine). \u003c\/p\u003e\u003cp\u003e  Releases under the solo-with-friends moniker L.T. Leif have included the 2016 double album Shadow on the Brim \/ Rough Beasts and Leif’s first release on Lost Map Records, the 2022 Lost Cat limited edition cassette compilation of live and unreleased tracks, improvisations and deep cuts Introducing L.T. 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Paragons of the cross-pollinating Glasgow DIY scene, their rapturous psychedelic odysseys have been emanating from the city since 2013 via esteemed labels including Night School and Optimo Music. \u003c\/p\u003e\u003cp\u003e Written and recorded at the band’s Glasgow home studio during and after the lockdowns of 2020-2021, and completed just before the birth of Lewis and Suzi’s son Echo in the summer of 2022, its 10 tracks of house-quaking acid pop, celestial drones and yogic devotionals are a by-turns banging and blissed-out meditation on life and death, community and seclusion, worlds both outwith and within. A song about “coming back to the centre after spiralling too far and recognising you’re not the only person wondering what’s going on”, ‘Open The Door’ reaches for the fresh silicon sound of Yellow Magic Orchestra. ‘Stop’ and ‘Golden Goose’ channel the space age pop dreams of Broadcast, while ‘Le Mirage’ and ‘Dans Le Noir’ take influence from 1970s electronic dance music pioneer Patrick Cowley – the former his gay porn movie soundtracks, the latter Cowley’s game-changing hi-NRG productions such as ‘Menergy’ and ‘Megatron Man’. Transportational seven-minute album closer ‘I Become’ sees Free Love borrow lyrics from the first track Lewis and Suzi ever recorded together, ‘Crystal Salutation’. “In doing, we become.”\u003c\/p\u003e","brand":"Lost Map Records","offers":[{"title":"Brown | LP","offer_id":50506917577035,"sku":"2001768","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Inside_29975d2e_thumbnail_4096.jpg?v=1727833027"},{"product_id":"follow-footsteps-ep","title":"Follow Footsteps EP","description":"\u003cp\u003eIsle-of-Eigg dwelling electro-acoustic psych-pop wonder Pictish Trail, AKA Johnny Lynch, released his fifth album \u003ci\u003eIsland Family\u003c\/i\u003e in 2022 to critical acclaim from all from The Observer and The Times to Mojo, Uncut, Loud and Quiet and BBC 6 Music. As he works on a much-anticipated follow-up, Johnny has decided to revisit the family of songs that made up Island Family once again, and present “reduxes” of three of them in brand new, stripped-back form, recorded together with a specially assembled trio of musicians: Semay Wu on cello, Gillian Fleetwood on harp, and long-time collaborator Susan Bear on keys\/bass. The resulting EP, Follow Footsteps, is released on limited-edition 12” vinyl in a gold-foil print sleeve, via Lost Map Records.\u003c\/p\u003e\u003cp\u003eBy putting the wild, untamed euphoric-bucolic psychedelia of ‘Island Family’, ‘Melody Something’ and ‘Nuclear Sunflower Swamp’ through a softer filter – complimented by a pair of short incidental instrumentals in ‘Follow Footsteps’ and ‘Flowers Rising Into The Black’ – Pictish Trail has discovered delicately kaleidoscopic new resonance in the songs. 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It’s the end product of months of patient and painstaking groundwork, Craig working closely with co-songwriter Andrew Macpherson to shape and re-shape ideas, until they represented the best version of the band we’ve heard yet.\u003c\/p\u003e","brand":"Lost Map Records","offers":[{"title":"Black LP","offer_id":50530184495435,"sku":"2180037","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50530182988107,"sku":"2180036","price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Savage_Mansion_-_The_Shakes_Square_Artwork_939a10e1_thumbnail_4096.jpg?v=1728073572"},{"product_id":"echoes-anam-cara","title":"Echoes \/ Anam Cara","description":"\u003cp\u003eOne of the south-west’s most exciting new bands, eclectic Cornish cosmic folk collective Blind Yeo release their debut compilation album E\u003ci\u003echoes \/ Anam Cara\u003c\/i\u003e via Lost Map. Bringing together songs from Blind Yeo’s two EPs to date, including their newly re-mixed and re-mastered 2023 debut EP Echoes (previously only available on limited-edition cassette), it’s the perfect introduction to a band whose wild and freewheeling sound continues to grow and grow. \u003c\/p\u003e\u003cp\u003eLed by singer, songwriter and guitarist Will Greenham, Blind Yeo features a shifting cast of members which at present includes Henry Greenham, Sam Pert, Anoushka Helm, Jake Sheridan, Phil Self, Phyllida Bluemel and Dan Gilbert. The project began in the quiet and solitude of lockdown, before coming alive in a creatively explosive residency at the newly opened Cornish Bank in 2022 – a vibrant not-for-profit community arts space in the centre of Falmouth which has become the heart of a thriving underground Cornish scene of which Blind Yeo are very much a part. The band has since grown into a psychedelic carnival of sound best experienced live, as their memorable sets at festivals including Lost Map’s Christmas Humbug in Edinburgh and Great Estate and Tropical Pressure in Cornwall have proved.\u003c\/p\u003e\u003cp\u003eBlind Yeo self-released their debut EP Echoes in April 2023, with tracks receiving plays from NTS, Soho Radio and BBC Introducing. It was followed in May 2024 by their Lost Map debut single ‘Otherside’ – a six-and-a-half-minute blur of motorik beats, rave synths and jagged electric guitar runs which received support from BBC 6 Music’s New Music Fix. Blind Yeo’s second EP Anam Cara was recorded last summer in guitarist and sound technician Dan Gilbert’s cob house, off-grid, solar powered studio hidden in woodland just off the north coast of Cornwall. Instead of putting it out as a purely standalone release, they’ve decided to pair it up with Echoes to create a revealing document of the band’s first two years together, and the thrilling journey of discovery they’ve been on to date – a journey that shows no time of stopping anytime soon.\u003c\/p\u003e","brand":"Lost Map Records","offers":[{"title":"LP - Black","offer_id":50944116392267,"sku":"2235581","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/AnamCaraPlainCover_6a035f9b_thumbnail_4096.jpg?v=1733541519"},{"product_id":"god-damn-you-mountain","title":"God Damn You Mountain","description":"\u003cp\u003eThe debut album from Irish singer-songwriter, and producer, \u003cstrong\u003eSeamus Fogarty\u003c\/strong\u003e. 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You’ll want to play this album over and over again to be sure it wasn’t some kind of weird dream.\u003c\/p\u003e","brand":"Lost Map Records","offers":[{"title":"LP - Yellow","offer_id":51405125779787,"sku":"R2190-4527","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a1825022131_10_4ebc340b-23f9-4bf6-8fe1-f818ebb56bc2.jpg?v=1752297024"},{"product_id":"dryas","title":"Dryas","description":"\u003cp\u003eA haunting, post-apocalyptic ballad wrapped in atmospheric production, ‘snowglobe’ was the Lost Map debut single by Minneapolis-born, Scotland-based singer-songwriter Faith Eliott (they\/them). 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Produced and mixed by Ben Hillier (Depeche Mode, Blur, Nadine Shah), the album is steeped in memory, the search for self and the timeless power of voices raised in ritualistic union. It’s a dramatic, intimate and electrifying record that channels the ruggedness of Dominie’s upbringing through textured layers of cello and guitar, anchored by a blistering live band.\u003c\/p\u003e\n\u003cp\u003eThe album promises to establish Dominie as a compelling new voice in alt-folk. Influences range from the brooding swagger of Richard and Linda Thompson to the raw energy of Magnolia Electric Co. and PJ Harvey.  \u003c\/p\u003e\n\u003cp\u003eThe 10-track album includes singles ‘Land’, ‘Hurricane’, ‘Weaver’, and ‘Animal’ – each exploring themes of transformation, identity and place. Dominie’s compositions are fleshed out by a core trio of trusted collaborators – drummer Dave Hamblett, guitarist Phil Self, and bassist Twm Dylan – while choral voices recur throughout, linking the album to ancient traditions of communal song. 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Produced collaboratively by Manuela, Nick McCarthy (Franz Ferdinand) and Polina Lapkovskaya (aka Pollyester), the album arrives eight years after Manuela’s acclaimed self-titled debut LP on Lost Map — a cult favourite that earned praise from Pitchfork, Stereogum, The Line of Best Fit, Drowned In Sound, The Skinny and BBC 6 Music.\u003c\/p\u003e\n\u003cp\u003eWritten and recorded in Bavaria during a period of personal and artistic reinvention, \u003cem\u003eUltraviolet\u003c\/em\u003e grew slowly from synth sketches and cinematic arrangements into a vivid, dreamlike album shaped by “the echoey sounds of empty churches”, folklore, morality, surrealism and the strange emotional pull of twilight worlds just beyond ordinary perception. 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