{"title":"Marina Records","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eMarina Records is a German music label that has been making waves in the industry since its establishment. Owned by *a634614* and *a775465*, Marina Records has become synonymous with quality music and innovative artists. With a diverse roster of talented musicians, the label has consistently delivered groundbreaking albums across various genres.\u003c\/p\u003e\n\n\u003cp\u003eSince its inception, Marina Records has gained a reputation for discovering and nurturing emerging talent. The label's commitment to supporting artists throughout their careers is evident in the long-lasting relationships it maintains with many of its signed acts. This dedication to artist development has allowed Marina Records to foster an environment where creativity thrives.\u003c\/p\u003e\n\n\u003cp\u003eWith an impressive catalog spanning multiple decades, Marina Records boasts an extensive collection of releases that have stood the test of time. From indie pop gems to experimental rock anthems, each album released under the label showcases the unique vision and artistic integrity that defines Marina Records.\u003c\/p\u003e","products":[{"product_id":"kelvingrove-baby","title":"Kelvingrove Baby","description":"\u003cp\u003eMarina proudly present: The long-awaited reissues of all three classic Marina albums by The Bathers - \u003ci\u003eLagoon Blues\u003c\/i\u003e (1993), \u003ci\u003eSunpowder \u003c\/i\u003e(1995) and \u003ci\u003eKelvingrove Baby\u003c\/i\u003e (1997). In new beautiful deluxe editions - all remastered plus enhanced artwork. And on vinyl for the first time ever! \u003c\/p\u003e\u003cp\u003eThe Bathers (aka Chris Thomson) from Glasgow are somewhat of a Scottish national treasure. Listen to these albums, and you’ll know why. Enter a musical universe of intricate arrangements, lush orchestrations, swoony vocals and songs of deep emotional beauty. With nods to Van Morrison, Tom Waits, David Bowie, Tim Hardin and Leonard Cohen. Moody wurlitzers and mesmerising pianos are joined by violins, accordians and acoustic guitars to create a hypnotic, totally unique sound. Chamber pop at its very best. \u003c\/p\u003e\u003cp\u003eLiz Fraser of The Cocteau Twins contributes vocals on a couple of songs on \u003ci\u003eSunpowder.\u003c\/i\u003e A match made in heaven with the music of Chris Thomson. James Grant of Love and Money - Thomson’s fellow musician in legendary 80s pop band Friends Again - supplies backing vocals and guitar on \u003ci\u003eKelvingrove Baby\u003c\/i\u003e. 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(Subject to availability).\u003cbr\u003e\n                            Don’t forget: Click 'Notify Me' to be the first to know about its availability online. It also helps us to place accurate orders so that we can please as many of you as possible on the day.\u003cbr\u003e\n                            \u003c\/p\u003e\u003cp\u003eFor the very first time on vinyl, remastered and beautifully packaged in a gatefold sleeve with completely new artwork and with added new liner notes by Brett Milano:\u003ci\u003e Power Ballads\u003c\/i\u003e by Ashby – their critically acclaimed debut from 2001. The pop duo from Boston presents a lushly arranged sound that combines European movie soundtracks, Brazilian bossa nova, post-rock electronica and classic 60s pop. 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While the musical climate in Germany of the late ’60s and early ’70s was clearly dominated by horrible Schlagers, nevertheless, records of outstanding class were cut with Teutonic precision. Just check out “Gemini” by Günter Noris, a stomping piano-led instrumental worthy of Ramsey Lewis. Or the proto-funk of Erwin Halletz “Das Stundenhotel Von St. Pauli” – a tight soundtrack groover clearly inspired by James Brown. Or the elegantly sweeping “Naturally Stoned” by Helmut Zacharias with more than a trace of a brilliant John Barry arrangement, and the Blood Sweat and Tears-inspired “Molotow Cocktail Party” by Vivi Bach \u0026amp; Dietmar Schönherr. The guys behind these productions were usually slick jazz players and studio musicians from the tightest orchestras of the country. Somehow these middle-aged men knew how to move the Kraut and adapt their skills to the swinging Sixties. \u003c\/p\u003e\u003cp\u003eEven Peter Thomas, one of Germany’s best known film composers, chose to tackle The Stones’ “Jumpin' Jack Flash” in very unique and mad fashion. And the man behind Memphis Black’s ultra-rare breakbeat monster “Why Don't You Play The Organ, Man” is none other than Ingfried Hoffmann of the acclaimed Klaus Doldinger Quartet. Check out the truly smoking drugsploitation nugget “Marihuana Mantra” by Kuno and The Marihuana Brass, right alongside Werner Müller’s hilarious “Bodybuilding”, an intoxicating sexy groover. And then there's Bill Lawrence’s “Pussy Baby” – a track that has to be heard to be believed. Even international stars like France Gall went Kraut-a-delic in the ’60s. “Hippie Hippie”, a bubbly “love and peace” ditty, was especially written and produced for the German market. 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Some krauts certainly knew how to cook up a serious groove and put the d into funk. Just take the Poets of Rhythm and the Whitefield Brothers, two groups from munich that immerged themselves so deep into the rare grooves of James Brown's people label catalogue that it became part of their dna. The Whitefield Brothers' 'Rampage' sounds like it was recorded in a funky shack in Louisiana in the late 60s. No wonder that DJ Shadow and lyrics born are keen to work with them nowadays. The discofied side of funk is represented by Ganymed's spacy 7-minute magnum opus 'Future World' (1979) and the incredibly switched-on 'Stop Talking Bull', a rocking collaboration by Discotizer and Supermax (discotizer = rap mad men 5 sterne deluxe). Disco overlord Giorgio Moroder makes a laid-back appearance with his one-off project stolen property with a slow burnin, super-kool cover of 'Low Rider' by War. Even Boney M got funky once. oh yes, and how! their completely unknown and completely atypical b-side 'Dancing in the Streets' (1978) sounds as good as any miami funk tune served by KC and the Sunshine band or Kool and the Gang. dig. The earliest entry on the compilation hails from 1972 and is cooked up by uber-drummer Charly Antolini. Jumping from his much sought-after album atomic drums is a funky break-beat feast made in heaven. When the energy of punk met the rhythmic sophistication of funk, it often made for outstanding results. berlin's no new york-styled collective zatopek (featuring sven regener of element of crime fame) is a prime example: driven by a great horn section, they explore the same territory as early 80s contemporaries Pigbag and James White and the Contortions. during the 70s, even some old school bandleaders got in the game and infused their sound with a dose of f.u.n.k. 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