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The label's artists consistently deliver thought-provoking lyrics and captivating beats that push the boundaries of the genre.\u003c\/p\u003e\n\n\u003cp\u003eWhether you're a long-time fan or new to the world of hip-hop music, Mello Music Group offers an extensive catalog of albums that showcase the diverse talents within their roster. From introspective storytelling to hard-hitting anthems, there's something for everyone on MMG's releases.\u003c\/p\u003e","products":[{"product_id":"joell-ortiz","title":"Joell Ortiz","description":"\u003cp\u003eOn \"Signature\" Joell Ortiz's raw lyrical prowess converges with L'Orange's creative brilliance, resulting in an album that is truly a musically collaborative masterpiece\u003c\/p\u003e","brand":"Mello Music","offers":[{"title":"Black LP","offer_id":50388515258699,"sku":"2149541","price":37.99,"currency_code":"GBP","in_stock":true},{"title":"Clear LP","offer_id":50388515422539,"sku":"2149549","price":39.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50388515586379,"sku":"2149553","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_2280c477_thumbnail_4096.jpg?v=1726343576"},{"product_id":"blacklight-3","title":"Blacklight","description":"\u003cp\u003eWhen two artists as esteemed \u0026amp; talented as Apollo Brown \u0026amp; Stalley come together, they shine, even in the dark. \"Blacklight\" represents the combination of two titans of hip-hop, both largely recognized as legends in their own right while also being overlooked by some when the discussions of \"best alive\" come up. Apollo Brown just recently produced the #1 R\u0026amp;B album in the US on iTunes earlier this year (Raheem DeVaughn - Lovesick). 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No two artists exemplify this hard truth more than legendary Detroit producer Apollo Brown and Buffalo's maverick emcee Che' Noir. The two artists came together to create a sound as natural as calm after the storm.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe soulful, head-nodding production of Apollo Brown has been a staple called on by some of the greatest to ever do it. From Ghostface Killah to Danny Brown, and from Freddie Gibbs to Chance the Rapper, Apollo Brown's signature style has become an iconic staple of the culture. Meanwhile, Che' Noir has stepped onto the scene as smoothly as any double dutch veteran. Having already worked alongside Benny The Butcher, Kool G Rap, and Fred The Godson, she has emerged as one of the most extraordinary New York talents heard in years.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe pair's new album, \"As God Intended\", drifts up and down city streets and offers a glimpse behind closed doors, telling the stories of gunshots, missing fathers, \u0026amp; playing the system. Pressed on Brown Sabbath color vinyl. The album from Apollo Brown \u0026amp; Che' Noir features Skyzoo, Blakk Soul, Planet Asia, Ty Farris, and Black Thought. Part of the Mello Music Group 24 for '24 Artist Series featuring limited edition vinyl art by oil painter KipDaFog. 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The West Coast legend was able to fit directly into the plan and bring his talents to the album, creating a perfect match.\u003c\/p\u003e","brand":"Mello Music","offers":[{"title":"Brown LP","offer_id":50390027436363,"sku":"2056923","price":42.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50390027731275,"sku":"2056929","price":36.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Anchovies_96f43dc5_thumbnail_4096.jpg?v=1726380162"},{"product_id":"time-astonishing-3","title":"Time? Astonishing!","description":"\u003cp\u003eIf there's a secret to time travel, Kool Keith owns the patent - Even a flying DeLorean seems too conventional for the Bronx legend - He'd more logically orbit throughout the galaxy in a gleaming chrome spaceship, teaching the stars and aliens new forms of originality - He is too weird to live, too rare to die, too uniquely ultra-magnetic to be accurately mimicked.      Released on Mello Music Group, Time? Astonishing! is the latest dimensional warp from hip-hop's premiere astral traveler. His union with MMG producer L' Orange finds him exploring uncharted terrain: choppy volcanic rock planets, ice glacier moons, new surgical procedures, and fresh rappers to toss into the ether. The scalpel remains eternally sharp.\u003c\/p\u003e\u003cp\u003e      The beats glow with radioactive grit. Hard enough to knock from your car speakers, cinematic and plutonium-propelled enough to transport you to strange terra firma. Buck Rodgers movie serials meet boom-bap. And along for the odyssey are a cast of the best underground MC's of the last decade: Blu, Open Mike Eagle, Mr. Lif, J-Live, and more.\u003c\/p\u003e\u003cp\u003e      These are space symphonies and occult odysseys, fuel for wanderers, wonderers, and all the a-likes.\u003c\/p\u003e\u003cp\u003e      Welcome to the new world, even more sinister and suspenseful than the last one. 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It is virtuosic in its musicality, direct in its language, and infinitely relatable.\u003c\/p\u003e\n\n\u003cp\u003eIn a landscape overrun with abstract indulgence and shallow trend-chasers, the Prince George's County, Maryland artist has created a record that reminds you that it's music before it's hip-hop. For \u003cstrong\u003eOddisee\u003c\/strong\u003e, \"\u003cem\u003eThe Good Fight\u003c\/em\u003e\" is about living fully as a musician without succumbing to the traps of hedonism, avarice, and materialism.\u003c\/p\u003e\n\n\u003cp\u003eIt's music that yields an intangible feeling: the sacral sound of an organ whine, brass horns, or a cymbal crash. It's a meditation on our capacity to love and the bonds binding us together. It's our ambition and greed warring with our sense of propriety - a list of paradoxes we all face when living and striving.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOddisee's\u003c\/strong\u003e production simmers in its own orchestral gumbo. 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Kava Kon isn’t recreating exotica so much as reviving its original promise: escape, elegance, and possibility, rendered in warm, widescreen stereo. Built on shimmering vibraphones, reverb-drenched guitars, analog organs, and ritual-leaning percussion, these tracks move at an unhurried pace. This is oceanic music—designed for dim lights, glowing glassware, and time stretched just enough to breathe. The lineage is clear: lounge exotica, bachelor-pad modernism, space-age pop. But this isn’t pastiche or museum work. It’s retro-futurism with intention, imagined from the future looking back. The “Atomic Age” isn’t just aesthetic shorthand. It speaks to contrast—leisure in the shadow of anxiety, beauty alongside uncertainty, fantasy as a necessary technology. Kava Kon understands that tiki was never about geography; it was about psychology. A constructed elsewhere. A permission slip to slow down. 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Keith is, of course, one of the pivotal figures in the history of hip-hop, and has been one of the genre’s most singular writers and original voices. The Bronx native was a founding member of Ultramagnetic MCs, whose debut album, 1988’s Critical Beatdown, served as a blueprint for both internationally famous acts like Public Enemy and for the entire future of underground rap. But Keith’s solo work, which began in earnest in the mid-’90s with Dr. Octagonecologyst (released under a pseudonym, naturally) is even stranger, more experimental, more brilliant. He will enjamb seemingly unrelated ideas and images against one another with a poet’s love for language and a pornographer’s knack for camp. Subsequent records like 1997’s Sex Style, ‘99’s Black Elvis\/Lost In Space, and 2000’s Matthew were hailed as instant classics; Keith has spent the last several years crafting expertly written records that are rewardingly bizarre, unlike anything else on the rap landscape - and KEITH is a crown jewel in that excellent late-period run.\u003c\/p\u003e\u003cp\u003ePsycho Les is a founding member of the Beatnuts, who were first notable as the only Latino members of the Native Tongues, the collective of groups that pushed hip-hop to its avant edges in the early ‘90s. They were staples throughout that decade, both with their own albums and via the production they did for artists as disparate as Fat Joe and Common –– as well as for their work pioneering the remix. The Beatnuts’ music had in its foreground cramped house parties and reckless debauchery; Les developed the unique ability as a producer to merge that abandon with technically rigorous sample manipulation and unique arrangements.\u003c\/p\u003e\u003cp\u003eIf you’re worried that two artists who have been working at this for so long would be tempted to rest on their laurels or make music that’s predictable, disabuse yourself of that notion. Keith opens the album with a tangent about Foot Locker –– not about buying shoes, but about lusting after the footwear chain’s employees, with their tight, referee-striped shirts and form-fitting black pants. It only gets stranger from there. His Lamborghinis aren’t just green, they’re pistachio green; his head is perfectly round like Charlie Brown’s; his handkerchief is worth your per diem. 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