{"title":"Mig Music","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eMig Music is an independent record company founded by a2433871 in Hannover, Germany in 2009. The label has gained recognition for its diverse catalog and commitment to supporting independent artists.\u003c\/p\u003e\n\n\u003cp\u003eUnder the *MIG* label\/brand, Mig Music distributes its catalog worldwide through a network of independent partners. This allows their music to reach a global audience and gives artists the opportunity to connect with fans from all corners of the world.\u003c\/p\u003e\n\n\u003cp\u003eWith a focus on quality and artistic integrity, Mig Music continues to discover and nurture talented musicians across various genres. 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In 1970, \u003cem\u003eFuture Blues\u003c\/em\u003e was released, the first album with the new guitarist Harvey Mandel. With \"\u003cem\u003eSo Sad (The World's in a Tangle)\u003c\/em\u003e\", the album contains the band's first environmental protection song. It is about the constant smog over Los Angeles.\u003c\/p\u003e\n\n\u003cp\u003e\"\u003cem\u003eLet's Work Together\u003c\/em\u003e\", a cover version of Wilbert Harrison's \"\u003cem\u003eLet's Stick Together\u003c\/em\u003e\" from 1962, became a top ten hit for \u003cstrong\u003eCanned Heat\u003c\/strong\u003e worldwide. The concert recording '\u003cem\u003e70 Concert: Recorded Live In Europe\u003c\/em\u003e' followed in the same year. Recorded at various venues during the tour through Europe (including London's Royal Albert Hall), this is the band's first official live album and also the last audio document of \u003cstrong\u003eCanned Heat\u003c\/strong\u003e with Alan 'Blind Owl' Wilson, who died of an overdose of pills in September 1970.\u003c\/p\u003e\n\n\u003cp\u003eWith \u003cem\u003eFinal Vinyl\u003c\/em\u003e, \u003cstrong\u003eCanned Heat\u003c\/strong\u003e recently released their last album; \u003cem\u003eFuture Blues\u003c\/em\u003e and '\u003cem\u003e70 Concert: Recorded Live In Europe\u003c\/em\u003e' are among their essential albums when the band in its key line-up with Al Wilson, Bob Hite, Fito de la Parra, Harvey Mandel, and Larry Taylor had reached the zenith of their creative output at the end of the 1960s \/ beginning of the 1970s. 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So it's time for him to take stock.\u003c\/p\u003e\u003cp\u003eBut \"Signature\" is not just a \"Best Of\" for Huygen aka Neuronium, the tracks selected for this compilation have a very special meaning for the artist: \"All the tracks on \"Signature\" are based on a very deep context to me. They are in fact the exact description of who I am as a person, what I feel in life and what my goals are. They are the expression of my different moods when I compose music, in really completely different styles, from ultra-electronic, cosmic, spacey, dreamy, to even neo-classical music for and with, for example, the London Symphony Orchestra, which we then recorded at the Abbey Road Studio in London. And why did I choose just these tracks among more than 500 compositions from a 46 years period for this album? Simply because these tracks form a transparent acoustic document that reflects all my feelings. As different as they may be, and despite all the unpredictability that life sometimes brings, they are never negative. That's what I'm trying to convey with Signature\". \u003c\/p\u003e\u003cp\u003eCompilation compiled by Michel Huygen\/Neuronium himself with works from his long creative period, partly with recordings from London's Abbey Road Studios together with the London Symphony Orchestra, edited and remastered by the artist himself as well.\u003c\/p\u003e","brand":"Mig Music","offers":[{"title":"CD","offer_id":50393560056139,"sku":"2048725","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/0885513029829_a80a205a_thumbnail_4096.jpg?v=1726421306"},{"product_id":"la-vie-electronique-10","title":"La Vie Electronique 10","description":"\u003cp\u003ePart 10 of the great Klaus Schulze retrospective - now available as a jewel box.This 3-CD set contains rare and previously unreleased recordings from 1985 to 1993.\u003c\/p\u003e","brand":"Mig Music","offers":[{"title":"CD","offer_id":50393734775115,"sku":"2050642","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/La_vie__C3_A9lectronique_Vol._10_82955dea_thumbnail_4096.jpg?v=1726424987"},{"product_id":"shangri-la-live-in-bremen-1975-2001","title":"Shangri-La - Live in Bremen 1975 and 2001","description":"\u003cp\u003eThe Kevin Coyne Band live in Bremen on August 18, 1975 - The recording presents the third edition of the Coyne Band, among others with guitarist Andy Summers (The Police) and pianist Zoot Money (Animals, Eric Burdon, Mick Taylor, Humble Pie).\u003c\/p\u003e\u003cp\u003e Kevin Coyne at an early climax of his long and eventful career with now classic songs from his enormously extensive artistic legacy. Acclaimed by critics as a great blue sand rock voice from England, Kevin Coyne was one of the singer-songwriters who sang dark themes with ruthless emotionality and thus conveyed a new intensity. It is the only officially available live document of this band. It lasted only a year in total and is today one of the best for many Coyne experts. 26 years later. It was a long and not easy journey for Kevin Coyne from Bremen to Bremen.\u003c\/p\u003e\u003cp\u003e 26 years later meant for him: almost 30 more LPs, many of them with top ratings in music magazines - especially the releases on the Virgin label, and endless tours. But also: alcohol and crashes, divorce, nervous breakdown, escape from England. A new life in Nuremberg (Germany), a new love and marriage, rehab, an intensifed turn to his second artistic passion, painting. And again: countless tours, not only in his new home country, but also in Europe and the US. \u003c\/p\u003e\u003cp\u003eThis previously unreleased concert is not only a very nice addition to the work of exceptional artist Kevin Coyne, but also offers a comparison to the 1975 recording as well as a comparison of his development after a good quarter of a century.\u003c\/p\u003e","brand":"Mig Music","offers":[{"title":"CD","offer_id":50393735332171,"sku":"2050641","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/0885513000620_b07d6890_thumbnail_4096.webp?v=1726425015"},{"product_id":"live-rough-and-more","title":"Live Rough and More","description":"\u003cp\u003eAt his performance in the \u003cem\u003eSchauburg\u003c\/em\u003e (Bremen\/Germany) from 1985, accompanied by \u003cstrong\u003eDave Sheen\u003c\/strong\u003e (drums), \u003cstrong\u003ePeter Kirtley\u003c\/strong\u003e (guitar), and \u003cstrong\u003eSteve Lamb\u003c\/strong\u003e (bass), \u003cstrong\u003eKevin Coyne\u003c\/strong\u003e presented himself to his loyal German audience in top form. At home in Germany for a year, he made this concert a real home game.\u003c\/p\u003e\n\n\u003cp\u003eIn addition to his own compositions, he also performed classics such as \"\u003cem\u003eLucille\u003c\/em\u003e\" and \"\u003cem\u003eSinging the Blues\u003c\/em\u003e\". After countless personal downfalls - alcohol, nervous breakdown, divorce - a new era began. The bright sides appeared through his work, musically and lyrically, but without becoming arbitrary or fat.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eKevin Coyne\u003c\/strong\u003e remained a guarantor of unmistakable artistic expression and unconditional autonomy. \u003cstrong\u003eKevin Coyne\u003c\/strong\u003e never became a popstar in his creative years. He didn't want that either. But \u003cstrong\u003eKevin Coyne\u003c\/strong\u003e remained (even after his death in 2004) an insider tip with a loyal fanbase.\u003c\/p\u003e\n\n\u003cp\u003eUnique live album of the exceptional artist from 1985 from the \u003cem\u003eSchauburg\u003c\/em\u003e, recorded by Radio Bremen feat \u003cstrong\u003eDave Sheen\u003c\/strong\u003e (drums), \u003cstrong\u003ePeter Kirtley\u003c\/strong\u003e (guitar, has worked for Bert Jansch among others), and \u003cstrong\u003eSteve Lamb\u003c\/strong\u003e (bass) long out of print album, finally available again includes 2 bonus tracks - a studio track and a poem by \u003cstrong\u003eKevin Coyne\u003c\/strong\u003e, recited by himself.\u003c\/p\u003e","brand":"Mig Music","offers":[{"title":"CD.","offer_id":50393735790923,"sku":"2050639","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/4260061960019_e255611a_thumbnail_4096.webp?v=1726425040"},{"product_id":"the-ic-years-the-prophet-in-cognito","title":"The IC Years (The Prophet \u0026 In 'cognito)","description":"\u003cp\u003eThe band was founded as \"Peacock\" in 1975 by Tommy Betzler and frst toured the extended Rhine-Main area and built up a small but loyal fan base - Recording a demo tape and sending it to record companies proved to be unsuccessful - There were a lot of rejections, especially with the reason that the time of \"progressive rock\" is really over and \"disco\" is now the latest thing - In short - Peacock decided to split up - But they had done the math without Klaus Schulze.\u003c\/p\u003e\u003cp\u003e In order to impress Klaus, it was decided to give a live concert in the well-known venue \"Die Goldenen Krone\" in Darmstadt \/ Germany (\"The Golden Crown\") so that the mastermind could get a musical impression. Long story short- at the following dinner a record deal was signed and a few days later Peacock were already at the Panne-Paulsen-Studio in Frankfurt to record their debut album\"The Prophet\" (1980), produced by Klaus Schulze himself. It turned outt hat there was already a band of the same name, so they came up with the elegant solutionof calling themselves P'cock from now on. In 1981followed the second P'cock record \"In'cognito\", this time produced directly in Klaus Schulze's studio in Winsen \/ Germany. P'cock proved to be one of the most innovative German rock bands beyond the tapped out Krautrock idiom on the threshol dof the New Wave and the New German Wave, which was still to be taken seriously in the beginning. German prog rock band discovered by Klaus Schulze and praised as \"one ofthe best fusions between electronic and rock-oriented music\" produced by Klaus Schulze for the frst time ofcially available on a double CD and digitally.\u003c\/p\u003e","brand":"Mig Music","offers":[{"title":"CD","offer_id":50393746538827,"sku":"2050662","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/0885513000828_157a8979_thumbnail_4096.webp?v=1726425514"},{"product_id":"magic-man-2","title":"Magic Man","description":"\u003cp\u003eDuring one of his numerous tours through Europe, Omar performed with the Howlers on February 2, 1989 at the club \"Moments\" in Bremen (Germany)\u003c\/p\u003e\u003cp\u003e Omar's band at that time was John Inmon (guitar), Bruce Jones (bass), and Gene Brandon (drums).\u003c\/p\u003e\u003cp\u003e Born in McComb, Mississippi, USA, he began making music at the age of 12, still under his real name of Kent Dykes. 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A few days later, they met Klaus in his infamous recording studio somewhere in the woods of Northern Germany. After talking and \"vibing\" for hours, they started to initiate the \"docking sequence\" by putting on one of the typical Solar Moon beats in a loop. Klaus joined in with one of his beloved Moogs.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\"Let the rain come\" in its original version consists mainly of first take improvisation. 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In 1992 he had founded the seminal Fax label, which was both a vehicle for his own recordings and a chance to collaborate and release recordings from like-minded musicians from around the world: Robert Gorl of DAF; Geir Jenssen of Biosphere fame; the ever-eclectic Bill Laswell; Richie Hawtin; Lorenzo Montana; Gabriel Le Mar; Dr. Atmo and David Moufang to name just a few.\u003c\/p\u003e\n\n\u003cp\u003eIn an interview from 2002, Pete remembered: \"In fact, the detonation was 'Air II' - the spacey part of the track 'Travelling Without Moving' enthused Klaus. He wanted us to start to work together at once. It was the music that was of importance to him.\u003c\/p\u003e\n\n\u003cp\u003eAlthough Klaus had had no interest in working together before on principle, I knew I could convince him with my music. That was the key to our cooperation. The track was in a sort of Schulze\/Tangerine Dream style with its analogue synthi-bass sequences; it became apparent to both of us that we should approach things with analogue tools first of all. Although it wasn't so easy initially, the musical result finally convinced him. I didn't want to do just a remake of seventies space-music - I intended to meld it with the beats and sounds of today's electronic music, and I think we succeeded.\"\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eKlaus Schulze\u003c\/strong\u003e: \"The whole series was a very unpretentious project. Because I had always kept total control with my own albums, I let Pete take it off my hands and could make compromises. That was juicy for me, 'cause I don't work with other electronic musicians usually. It was a total different chemistry compared to say Manuel Goettsching, who I understand completely. From that point of view, it was a real challenge. I never could work with somebody like me, I'd rather do it on my own. The few people I have worked with, like Rainer Bloss, had to have strong egos to prevent themselves from being dominated by me. Namlook once said, my music was often too emotional from his point of view. Namlook is much more rational than me, that's why I always kidded him with the nickname 'the banker' - but this oppositional aspect made it exciting for me. I need people who work contrariwise.\u003c\/p\u003e\n\n\u003cp\u003eWork on 'Dark Side Of The Moog' started without any solid intention and wasn't planned as a series at all. There was only the aim that it didn't sound like 'Schulze' only, so I decided that Namlook had to make the final mix.\"\u003c\/p\u003e\n\n\u003cp\u003eThe influence Namlook had on Klaus's music in the middle of the nineties should not be taken lightly because although Klaus dearly loved those early-analogue elements from his own music, they had become, to an extent, lost. It was Pete who fortified him to go back to the analogue charm of his early albums and it was Pete who supported him in the modification of his analogue instruments, leading finally to the epoch-making Schulze album from 1996 - \"\u003cem\u003eAre You Sequenced?\u003c\/em\u003e\"\u003c\/p\u003e\n\n\u003cp\u003eFor Namlook, the curiosity of Klaus Schulze and their collaboration on a level playing field of mutual respect was inspiring:\u003c\/p\u003e\n\n\u003cp\u003eAnd so a legendary series of recordings was born. 'Dark Side Of The Moog' grew more or less unplanned to a sprawling, stately-sized series of eleven volumes recorded between 1994 and 2008, only ending with the early, tragic death of Pete on November 8th, 2012.\u003c\/p\u003e\n\n\u003cp\u003eRetrospectively, the approach to and exchange of music and ideas, the growing together and cross-pollination of emotion and logic, makes for a rewarding and fascinating listening experience that still holds its own today.\u003c\/p\u003e","brand":"Mig Music","offers":[{"title":"CD","offer_id":50400105464139,"sku":"2179174","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_625b194f_thumbnail_4096.jpg?v=1726510421"},{"product_id":"body-love-1","title":"Body Love 1","description":"\u003cp\u003eRe-issue in jewel case.    \u003c\/p\u003e\u003cp\u003eBODY LOVE is electronic discreet music maximised, so discreet you can't even remember to forget it. Hence its appeal, of course. (\"New Musical Express\"\/England, December 3, 1977)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKlaus Schulze talks about \"Body Love\":\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe origins of \"Body Love\" are quite funny. I received a call from a movie producer named Manfred Menz and I wound up becoming his principal composer for a period of time. Amongst others, I composed the \"Barracuda\" soundtrack for him [1978, previously unreleased on album]. This led to a friendship which lasts till today. Menz now lives in Malibu, California where I visited him a couple of years ago. Anyway, this guy calls me and asks if I would compose the score to a porn movie. I said: \"Porn? Nah, I don't do that kind of thing\".\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eAs it turned out, the director of the movie, Lasse Braun, had already shot it and had used my albums \"Timewind\" [1975] and \"Moondawn\" [1976] as a kind of \"working soundtrack\". This was obvious because the couples in the film were moving in time to my grooves! They were almost done with the film, which was very expensive for a porno - 1 million German Marks, and they were now looking for the final music. First they tried it with normal pop music but that didn't work out. So Lasse said to Manfred \"Let's simply ask Schulze to compose a soundtrack that's similar to \"Moondawn\"!\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eI drove down to Manfred's with my, then French girlfriend Blanche. We watched the movie and thought \"Well, it's really not too bad!\" Besides, there wasn't too much dialogue in it so you could let the music run through it all the way. Therefore I didn't need to write two minutes here, three minutes there until the next piece of dialogue or sound effect occurred. I had the opportunity of delivering a genuine composition.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eDirecteur Lass Braun said: \"Just give me the music, one or one and a half hours worth. I'll put the music to the movie and just fade it out in the parts where there shouldn't be any music.\" That fit in with me because that's my method of working anyway. I just had to keep an eye on the timing. It had to be in line with the timing for \"Moondawn\" because the couples in the film bobbed up and down accordingly.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eMIG disclaimed to add further bonus tracks, due to the fact that the re-release from 2005 on \"Revisited Record\" had already a playtime of 75 Minutes.\u003c\/p\u003e","brand":"Mig Music","offers":[{"title":"CD","offer_id":50400108740939,"sku":"2179172","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_6d362c01_thumbnail_4096.jpg?v=1726510444"},{"product_id":"party-pieces-live-in-bremen-1975","title":"Party Pieces (Live In Bremen 1975)","description":"\u003cp\u003eBritish singer-songwriter and guitarist (born: 24 January 1941, Leeds\/England - died: 10 September 2021, Brampton\/England) Great live concert recorded at the Post Aula in Bremen, Germany, May 12, 1975 - the CD contains two songs that have never been released on a live album before (\"More Like A Maze Than A Garden\" and \"New York Ladies\").    \u003c\/p\u003e\u003cp\u003eFiercely proud of his songs, but often dismissive of his live playing, his Yorkshire modesty belied the fact that he was one of the finest guitarists of his generation.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eHere's legendary singer, songwriter and guitarist Michael Chapman, nine years into his career. Starting in the folk clubs, Chapman kicked against the folk tag.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eHis first gig was to get out of the Cornish rain, there's no blue plaque in Botallack yet, but there should be.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eIn a career spanning 55 years, his playing went far beyond folk, into his first love, jazz, improvisation, reggae, rock \u0026amp; even noise. It was this borderless musicianship \u0026amp; love of playing that connected him with newer musicians.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eMichael loved playing in Germany, they loved him \u0026amp; with three live albums recorded there in '75, this is clearly a case of right place, right time.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\"Party Pieces\" was recorded at the Post-Aula in Bremen, Germany in 1975 and is available digitally and on CD in a jewel case that includes a 12-page booklet with photos and extensive liner notes written by Marc Higgins.\u003c\/p\u003e","brand":"Mig Music","offers":[{"title":"CD","offer_id":50400117162315,"sku":"2179178","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_9e55b1c4_thumbnail_4096.jpg?v=1726510507"},{"product_id":"time-robber-skyrover","title":"Time Robber \u0026 Skyrover","description":"\u003cp\u003eRe-issue as double CD in jewel case of long-awaited rerelease from the most successful creative period of the most famous Hungarian rock band Omega.    \u003c\/p\u003e\u003cp\u003ePart 3 of the re-releases from the successful years of Omega on the Bacillus - label of producer Peter Hauke, this time with the albums \"Time Robber\" and \"Skyrover\".\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eAfter four studio albums and one compilation, the Hungarian megastars Omega were still much of an insider tip in the West. However, sales figures were noticeably rising, though far from going through the roof. In addition, the band had evolved, becoming more professional, both in their live performance and in their appearance. Those in charge at Bacillus\/Bellaphon definitely meant to hold on to Omega, so in 1976 the contract with the quintet was extended till 1980. And the band, together with producer Peter Hauke, went to the Europasound Studios in Offenbach to record \"Time Robber\".That LP was Omega's breakthrough in the West.To date, the album is said to have sold around two million copies.And this success was well deserved; for the first time, the Hungarians delivered a complex, self-contained work.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eHopes were high for \"Skyrover\". Omega came to Offenbach again and self-produced an exquisite successor of \"Time Robber\", which was in no way inferior to its immensely successful predecessor. Quite a few Omega fans even consider \"Skyrover\" to be the better record, since the band elegantly merged the styles, which on \"Time Robber\" still appeared sometimes a bit stiff and side-by-side.\"Russian Winter\" has become a live classic - titled \"Lena\" on the Hungarian LP version. With its Eastern European folklore references, the song stood out from the musical concept, and that's probably why it became a fan favorite.\u003c\/p\u003e","brand":"Mig Music","offers":[{"title":"CD","offer_id":50400117948747,"sku":"2179161","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_68bf7902_thumbnail_4096.jpg?v=1726510519"},{"product_id":"emc2-3","title":"E=MC2","description":"\u003cp\u003eTeddy Lasry was a member of the experimental French progressive rock band Magma - After more than 47 years, this French masterpiece of electronic music from 1976 will finally been re-released on CD and digitally - In the tradition of Mike Oldfield, Teddy Lasry has played nearly all of the instruments on this atmospheric, electronic album himself on the album \"e=mc2\" is a colorful mixture of jazz-rock and electronics - The music is very varied and richly orchestrated - feat Magma musicians Jannick Top on bass and Andre Ceccarelli on drums. \u003c\/p\u003e\u003cp\u003eBorn in Paris Teddy Lasry was a member of the experimental French progressive rock band Magma. Together they developed the genre of Zeuhl (= celestial music), incl. the artificial language of Kobaian. Lasry recorded the highly successful albums \"Magma\", \"2\" (originally \"1001* Centigrades\") and \"Mekanik Destruktiw Kommandoh\" with Magma. \"Mekanik Destruktiw Kommandoh\" was the band's commercial breakthrough: they had a contract with Vertigo, and Giorgio Gomelsky, the Rolling Stones' first manager, produced the album \"MDK\" with Virgin co-founder Simon Heyworth (also Gong, Mike Oldfield, among others). The world was open to the musicians. However, Teddy Lasry left the band before they went back into the studio for \"Kohntarkosz\" in 1974. The multi-instrumentalist (flute, other wind instruments, keyboards, percussion) pursued a solo career, signed a recording contract with RCA in Paris and released the highly acclaimed album \"e=mc2\" in 1976. \u003c\/p\u003e\u003cp\u003eAlongside bassist Jannick Top (also from Magma) and drummer Andre Ceccarelli, Lasry played nearly all the instruments on the atmospheric electronic album himself in the tradition of Mike Oldfield. After more than 47 years, this French masterpiece of electronic music has finally been re-released; for the first time on CD and digitally. By the way, Lasry, who was born in 1947, is still musically active in music today.\u003c\/p\u003e","brand":"Mig Music","offers":[{"title":"CD","offer_id":50400234799435,"sku":"2179657","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/emc_C2_B2_96223c7a_thumbnail_4096.jpg?v=1726511177"},{"product_id":"the-nova-years-coming-jutta-weinhold","title":"The Nova Years (Coming \u0026 Jutta Weinhold)","description":"\u003cp\u003eThe first two albums from the German rock singer, available for the first time digitally and on CD - \"Coming\" (1976) recorded with Udo Lindenberg's Panikorchester - \"Jutta Weinhold\" (1978) among others with Lucifer's Friend as backing band. \u003c\/p\u003e\u003cp\u003e\"In rock 'n' roll you either die young or not at all. The former can't happen to me anymore,\" said Jutta Weinhold when she turned 75 last year. \"But sometimes it's time to look back a bit and think about how it all began\". In the early 1970s, Jutta was part of the ensemble in the musical productions of \"Hair\" and \"Jesus Christ Superstar\". Then, in 1974, came the step into \"independence\", the Jutta Weinhold Band was born. First big fan: Udo Lindenberg. He also pulled the strings behind the scenes during the production of the first Jutta Weinhold album \"Coming\": Panikorchester guitarist Karl Allaut produced the debut album and played the guitars, Udo's producer Thomas Kuckuck operated the controls in the studio, Steffi Stephan, Bertram Engel, Rainer Baumann and Jean-Jacques Kravetz provided the \"Panik\" accompaniment. The result was a crisp, rock-heavy album, not with Udo on vocals, but with Jutta. The album \"Jutta Weinhold\" followed in 1978, this time without the Panikorchester, but with a well-known line-up and a lot of soul. The boys of Germany's progressive rockband Lucifer's Friend were the backing musicians - everything of the best and finest. \u003c\/p\u003e\u003cp\u003eNow, for the first time, both albums are available digitally and on CD, new remastered in a brilliant, crisp and clear sound.\u003c\/p\u003e","brand":"Mig Music","offers":[{"title":"CD","offer_id":50400246858059,"sku":"2179653","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CS993367-01A-BIG_260cb59c_thumbnail_4096.jpg?v=1726511229"},{"product_id":"early-water-yummdb","title":"Early Water","description":"\u003cp\u003eIn 1976 Michael Hoenig had a brief collaboration with Ash Ra Tempel's Manuel Gottsching in Berlin. A 48-minute recording of one of the sessions, which was released in 1995 under the title \u003ci\u003eEarly Water\u003c\/i\u003e on Bernd Kistenmacher's Musique Intemporelle label.The album was deleted and unavailable for a long time Now, finally, a re-issue of will be available. Michael Hoenig still remembers: \"While I had been working on the \u003ci\u003eDeparture From The Northern Wasteland\u003c\/i\u003e album, Manuel Gottsching had asked me if I would team up with him for some concerts in France, since his group had just gone through one of its hibernation periods. We rehearsed in my place for three or four weeks. One evening we got a call regarding some missing guarantee, which ultimately led to the decision to cancel the tour. Just for fun, we played one of the planned sets for a last time. Even though I do not recall pressing a record button, somebody recently dug up a Revox tape of that very set. After performing some digital sonic archaeology on it, it was just released under the very appropriate title \u003ci\u003eEarly Water.\u003c\/i\u003e\" \u003c\/p\u003e\u003cp\u003eAnd Manuel Gottsching adds: \"Unfortunately, some of the concert dates were not confirmed in time and we had to cancel the complete tour just on the day before we wanted to leave for France. On that evening, nevertheless, we recorded our last rehearsal \"just in case\". It turned out as a flowing harmonic piece, reflecting much of the optimistic air of 1976. Michael made his 'departure' to Los Angeles in the early 1980s. When we met again in November 1994 I proposed to release this old track of ours. Michael took the original tape to Los Angeles, lovingly restored it and - well, here is it again!\"\u003c\/p\u003e","brand":"Mig Music","offers":[{"title":"Black LP","offer_id":50400346898763,"sku":"2008070","price":22.99,"currency_code":"GBP","in_stock":false},{"title":"Blue LP","offer_id":50400349684043,"sku":"2179620","price":27.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50400348832075,"sku":"2008071","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/product_id._17c2d990_thumbnail_4096.jpg?v=1726511908"},{"product_id":"chronicles-i-2","title":"Chronicles I","description":"\u003cp\u003eFirst part of a retrospective of the band from 1977 to 1982 - re-issue of the version re-recorded and remastered in 1993.\"Chronicles I\" is the first part of a retrospective of Eloy's band history, but it is no ordinary \"best of\" album\u003c\/p\u003e","brand":"Mig Music","offers":[{"title":"CD","offer_id":50402136162635,"sku":"2185037","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_f911a7b4_thumbnail_4096.jpg?v=1726533393"},{"product_id":"history-box-1-the-studio-albums-2","title":"History Box 1 - The Studio Albums","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\"We had idols who influenced us, from Jethro Tull to Deep Purple and later Supertramp. From the beginning, we tried to play as well as our Anglo-American colleagues,\" remembers Thomas Bruck, bassist and singer of the Cologne progressive rock band Satin Whale.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eGenerally labelled, as usual with a German rock band in the early 1970s, as Krautrock, the four Cologne musicians already developed on their debut album \"Desert Places\" (released in 1974 on the Brain label, the trademark for rock music from Germany) a quite independent and unmistakable sound with high recognition value. Reward of the effort - already the debut album was sufficient that in the same year the listeners of the German Radio Station Sudwestfunk voted Satin Whale the most popular band in Germany in the contest \"Rocksound 74\". The musicians then continued on their successful course.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eOver the years Satin Whale released 5 studio albums, a soundtrack (\"Die Faust In Der Tasche\", 1979, starring Manfred Krug and Ursula Monn), a live double album and a remix album, for which Germany's producer legend Conny Plank was responsible.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eNow a complete retrospective of Satin Whale's work is released in two box sets. The first box set \"The Studio Albums\" contains the 5 studio albums from the years 1974 to 1981, the second box set (released a few months later) contains the live album, the remix album and the soundtrack. A booklet with plenty of background information by Thomas Zimmermann and photos are documenting the history of the band.\u003c\/p\u003e","brand":"Mig Music","offers":[{"title":"CD","offer_id":50402454077771,"sku":"2164121","price":39.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_c2a35574_thumbnail_4096.jpg?v=1726545796"},{"product_id":"a-dream-of-lasting-peace","title":"A Dream Of Lasting Peace","description":"\u003cp\u003eSiena Root – Swedish root rock experience! Siena Root came to life in Stockholm and is today considered one of the pioneering Swedish bands in root rock music.\u003c\/p\u003e\u003cp\u003eThey persistently pulled through with releasing their first album on vinyl back in 2004, long before the retro trend had people carrying down their old turntables from the attic. The quest to bring out the beauty of analogue music production to the listeners continued. The live act came to be an uncompromising show, using all the heavy vintage equipment that most bands lack the strength and passion to carry along. Even a full-size multi-track tape recorder was brought on tour during the recording of the live album. The immense dedication to do it all the way is what made Siena Root stand out from the bunch.With a vast discography and a reputation of being an extraordinary live act, Siena Root is now releasing their seventh album. Driven by their passion for experiments with analog music production they went deep into the Swedish forest, where musical inspiration can only be distracted by the scent of magnetic tape. \u003c\/p\u003e\u003cp\u003eThe result was as always; heavy drum grooves, solid bass riffs, screaming guitar\/organ dogfights and powerhouse vocals. All working together in a classic, yet playful and dynamic interaction. But there's more to it. This album was made as much for listening as for feeling, thinking and dreaming. A dream of lasting peace...\u003c\/p\u003e","brand":"Mig Music","offers":[{"title":"CD","offer_id":50402501919051,"sku":"1164370","price":19.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50402502410571,"sku":"1164369","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/397b6e02-2e53-49e0-9ca8-fcfea82c9634_thumbnail_4096.jpg?v=1726547627"},{"product_id":"faith-live-at-theaterhaus-stuttgart-march-10th-2016","title":"Faith - Live At Theaterhaus Stuttgart, March 10th 2016","description":"\u003cp\u003e\u003ci\u003eFaith\u003c\/i\u003e was recorded at the Theaterhaus Stuttgart, Germany on 10 March 2016 and is released as a 2-CD and 1-DVD set by MiG-music.When the concert was recorded, it was intended as a release show for the then current album \u003ci\u003eReanimated Memories. \u003c\/i\u003eIn addition to better-known classics from earlier years such as \"The Storm\" (from the very early 1969 album \u003ci\u003e2 Ozs. Of Plastic With A Hole In The Middle\u003c\/i\u003e) or \"Many Are Called But Few Get Up\" (from \u003ci\u003eMaximum Darkness\u003c\/i\u003e) this release also features some songs from \u003ci\u003eReanimated Memories\u003c\/i\u003e. The artwork is also based on that of \u003ci\u003eReanimated Memories\u003c\/i\u003e, interspersed with some live and snapshots of the band. As Martin Ace notes in the booklet text, Phil Ryan passed away on 30 April 2016, before the DVD could be released, so this is also a testament to his time with the band during several periods from early 1970 to 2016. Man went down in history as \"the best kept secret of the British rock scene\" according to Melody Maker, and \"one of the most popular underground bands ever\" according to Musik Express.\u003c\/p\u003e","brand":"Mig Music","offers":[{"title":"CD","offer_id":50402520138059,"sku":"1139816","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/5ed70ade-4df0-45a9-a6c7-913459a8b06a_thumbnail_4096.jpg?v=1726548077"},{"product_id":"la-vie-electronique-vol-2","title":"La Vie Electronique Vol. 2","description":"\u003cp\u003eRe-issue in 3CD jewel box with fotos and extended liner notes - Klaus Schulze is one of Germanys most critically acclaimed musicians - The dawn of a music genre, carefully documented.      \u003c\/p\u003e\u003cp\u003e\"La Vie Electronique\" first was released as a strictly limited 50 CD-Box and later it was released in chronological order in 3CD-sets including some material never released before.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThis second set contains pieces, which have been recorded between 1972 and 1975\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\"North of the Yukon\" and \"Study for Philip K. Dick\" are from another historic tape with no date or other markings, with no real start and no end. lt was probably recorded in 1972 or 73 and what you hear is mostly the heavy sound of Klaus' old electric Teisco organ to which he added some strange sounds. More of these strange sounds he used on \"Electric Love-Affair\".\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eIs it wrong if I state that Klaus was the first who dared to use noise (as in \"Electric Love-Affair\": a lot of noise and buzz) as stylistic device? The four tracks \"Nightwind\", \"Minuet\", \"Signs of Dawn\", and \"Land der leeren Hauser\" are from a collaboration in the year 1973 between Klaus and a friend at this time, Hans-Jorg Stahlschmidt. These titles were played and recorded at 'delta acustic\" studio in 1973. The proposed group name for Klaus' and Hans-Jorgs collaboration changed between \"Tau\", \"Tao\", and \"Timewind\" (!) Also, a deal with a German record company had already been made, but for reasons unknown today, the album never came out. The music sounds like early 'New Age', but of course this definition wasn't known then. Klaus very own keyboard playing style is already identifiable. Klaus mostly plays the organ, and both played also guitars and bass guitar. The whispering voice on \"Signs of Dawn\" is Klaus. The singing voice on \"Land der leeren Hauser\" is not Klaus. The three shorter titles are the original titles as given on the tape box. In 1973, same more \"avant-garde\" music was done by Klaus, for the radio play \"Das Grobe ldentifikationsspiel (The Big Garne of ldentification)\", a Science-Fiction thriller by Alfred Behrens, it won the award: \"Preis der Kriegsblinden Deutschlands\", and since then it has been regularly repeated on German radio. The tape box says: \"Ballett Titanensee\", and it dates from about 1973.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003elt's mainly, if not only, the Farfisa \"Professional Duo\" organ und an echo device. At least to me it sounds as if it's already the \"Farfisa\" and not the Teisco anymore.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eIn February 1973 we picked up this new and heavy two-manual organ from Farfisa, for a concert in Paris (which was Klaus' first solo concert).\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eOf course, there was no ballet ever produced with this music, and therefore, for release we gave it the title \"Titanensee\" and cut the additional word.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\"Studies for Organ, Keyboard and Drumset\": recorded 1974 in Berlin, this music was then stored away in another of those dusty tape boxes, where I unearthed it 22 years later, under exactly this title. We hear Klaus play a drum set, a pair of bongos, the Farfisa 'Professional Duo\" organ (which I have just mentioned above), and a second keyboard which could be the 'Solina String Ensemble\"(?). Reverb, echo, phasing and stereo panning were also used by Klaus in his now established way.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\"Memento Mori\" and \"Blaue Stunde\" belong together. Not that the music is the same, but they both mark a change in Klaus' music. The era of \"Timewind\" and \"Moondawn\" is coming. I can still see Klaus, sitting night after night in front of his equipment in the cellar of the house that we had rented in Hambuhren, after our move away from Berlin in August 1975. The recording was probably done in autumn or winter 1975. Partly this is a beautiful and at the same time eerie experiment, und partly it is very soft, silent, subdued music. 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Conny Plank, who also played on several Cluster albums, completed the quartet on guitar, keyboards, and vocals.\u003c\/p\u003e","brand":"Mig Music","offers":[{"title":"CD.","offer_id":50407268974923,"sku":"2189433","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_19cd09d5_thumbnail_4096.jpg?v=1726596295"},{"product_id":"gravedigger-2","title":"Gravedigger","description":"\u003cp\u003eDebut album \u003ci\u003eGravedigger\u003c\/i\u003e was recorded at EMI studios, Cologne and released on the now defunked Harvest label - In 2013 EMI re-released the album as a double CD with remixes and bonus tracks and the band made their one and only video clip for 'I Wanna Scream' - 40 years later! - As there is a constant need for this psychedelic and timeless piece of music the German label MIG release the album once again and once more as an LP.\u003c\/p\u003e","brand":"Mig Music","offers":[{"title":"Black LP","offer_id":50407384744267,"sku":"2189417","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_4e7dd1ff_thumbnail_4096.jpg?v=1726597254"},{"product_id":"weed","title":"Weed","description":"\u003cp\u003ethe only album by the act, weed, plays a special role among the more obscure releases by german rock acts from the seventies. the unconventional music produced by this short-lived project has to be seen within the context of the german music scene of that time, still looking for its own identity, experimenting with a diversity of curious stylistic directions. remastered with original artwork.\u003c\/p\u003e","brand":"Mig Music","offers":[{"title":"CD","offer_id":50407942062411,"sku":"300441","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/da5c7e09-bb52-483d-9567-b828175048c7_thumbnail_4096.jpg?v=1726601381"},{"product_id":"essen-pop-and-blues-festival-1969-1970","title":"Essen Pop and Blues Festival 1969 \/ 1970","description":"\u003cp\u003eTwo great live concerts of The Keef Hartley Band at the Essen Blues and Pop Festival from 1969\/1970 finally available on a double CD.In 1963, Keef Hartley joined the band Rory Storm \u0026amp; The Hurricanes, with whom Ringo Starr had previously drummed\u003c\/p\u003e","brand":"Mig Music","offers":[{"title":"CD","offer_id":50409722642763,"sku":"2192150","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_18668c2d_thumbnail_4096.jpg?v=1726625606"},{"product_id":"live-at-rockpalast-hamburg-1985-2","title":"Live At Rockpalast - Hamburg 1985","description":"\u003cp\u003eThe legendary Rockpalast concert of 24 February 1985 finally available on a double LP! 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This innovative concept was ahead of its time and would later be called \"world music\". He brought together an all- star ensemble (Steve Winwood, Ric Grech, Chris Wood, Graham Bond, Denny Lane, etc.) and played two concerts at the Royal Alber Hall in London and the Town Hall in Birmingham. Shortly after the concerts, the live double LP \"Ginger Baker's Air Force\" was released in Europe and America. 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Four years earlier, Mario Schonwalder had released \"Aus einer anderen Zeit ...\", his first solo work, which was launched in a limited edition and only as a cassette. \u003c\/p\u003e\u003cp\u003eOne year later followed \"The Eye Of The Chameleon\", an album completely in the style of the Berlin School, with a melancholic, partly even somewhat gloomy basic mood. He dedicated the title \"Earthtime\" to a deceased friend. The album was released on Bernd Kistenmacher's label Musique Intemporelle, the Berlin electronic musician and label boss described his ever slightly pensive artist as a \"pessimistic optimist\" at that time. 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After that Wolfgang Bock actively withdrew from the music scene, he devoted more and more to his passion as a single-handed sailor, left Germany and moved to Spain. In 2022 \"Cycles\" was reissued, the media reacted euphorically to this re-release after 42 (!) years. 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In addi on to the eight tracks of the original album, the re-release of “Keep On” and “First Communica on” gave the band 14 minutes of bonus material. “Keep On” is a straight rock number, while “First Communica on” was recorded live in 1972.\u003c\/p\u003e","brand":"Mig Music","offers":[{"title":"LP","offer_id":50434139029835,"sku":"1072715","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_bf771ec0_thumbnail_4096.jpg?v=1728833198"},{"product_id":"destination-3","title":"Destination","description":"\u003cp\u003eAfter \"RA\", another classic of the German \"Progressive Rock Legend\" Eloy-released by MiG-music, for the first time on vinyl - atmospheric, but also very rocky all tracks composed and produced by Frank Bornemann. With the growing desire for earlier works by ELOY, the \"German flagship of art and progressive rock\" according to the music press, \"Destination\", an album from 1992 that has not been available for a long time, will now be re-released in 2024. As vinyl records were almost completely \"out\" at that time in the early nineties, \"Destination\" is now being released as a physical product on vinyl for the first time.\u003c\/p\u003e\u003cp\u003e\"Destination\" is an album on which we processed and mixed many different inspirations and stylistic elements. Although bassist Klaus Peter Matziol picked up the bass for the band again for the first time during production, the material was mainly the result of a collaboration between Michael Gerlach and myself, and the result was a mixture of atmospheric but also very rocky sounds, whereby I challenged myself with my own vocals and we filled out the still not completely new line-up with various other instruments. After the success of its predecessor RA, which immediately catapulted ELOY back into the official German album charts after a three-year break, there was a lively spirit of optimism. The sound and the melange of the music worked as planned.\"(Frank Bornemann, 2023)\u003c\/p\u003e","brand":"Mig Music","offers":[{"title":"Black LP","offer_id":50434602107211,"sku":"2179632","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Destination_d1e2aadd_thumbnail_4096.jpg?v=1726892067"},{"product_id":"trancefer-2","title":"Trancefer","description":"\u003cp\u003eRe-issue of the originally 1972 released Klaus Schulze Album Trancefer \"Always a soundwave in front of the rivalry, Schulze is presenting his album together with the percussionist Mike Shrieve (Santana), who performs real marvels on his two barrels, and the cellist Wolfgang Tiepold, who forms a pleasant contrast to Schulze's often hard and strictly synthesizer patterns with his warm touch\" - (Stereoplay, Germany, 1982) \u003c\/p\u003e\u003cp\u003eSchulze says: \"Because of the cooperation in \"GO\"- project (Stomu Yamashta, Klaus Schulze, Phil Manzanera, Steve Winwood, Rosko Gee, Al DiMeola und Mikael Shrieve), I developed a good connection with Mike Shrieve. For the concert in Paris, we only had the material from the frst \"GO\"-record, which was about 40 min. worth. Since the gig was supposed to last for two hours, we played some extra stuff as an encore, such as \"Dear Mr. Fantasy\" (Trafc) and \"Black Magic Woman\" (Santana). When we still had 20 minutes left, I said: \"Well, I'm playing on my own for those 20 minutes\". So, I was playing and suddenly Michael comes in and starts to improvise on his drums. Fantastic! Obviously, he really liked this Schulze music because the songs were so long and he could freely improvise. 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It is a stroke of good fortune that the gig was recorded for TV by Rockplast because there is only comparatively few official live material of Peter Hammill, either as frontman of VDGG or solo artist. Actually, the band played in Hamburg exclusively that re-arranged material from Hammill's latest albums. Only one solo classic ? 'Modern' from the year 1973 ? as well as two newer VDGG songs, 'The Sphinx In The Face' und 'My Room' made their way on the set list. Then the K-GROUP was history, too Today, many fans see the K-Group as the best phase in the solo career of Peter Hammill and the Rockplast performance, at last being released as DVD and CD is seen as one of its magic moments.\n\nCD x 2 + DVD\u003c\/p\u003e","brand":"Mig Music","offers":[{"title":"CD","offer_id":50439440597323,"sku":"405563","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/0a51f2ea-70b4-4985-a2af-e0d8854b8419_thumbnail_4096.jpg?v=1726953862"},{"product_id":"live-at-rockpalast-1984","title":"Live At Rockpalast 1984","description":"\u003cp\u003eIn 1973, \u003cstrong\u003eTom Robinson\u003c\/strong\u003e moved from Cambridge to London and joined the acoustic trio Café Society. Their debut-album was produced by the Kinks' Dave and Ray Davies and released in 1975 on their own Konk label.\u003c\/p\u003e\n\n\u003cp\u003eRobinson left Cafe Society in 1976, started gigging in London, and founded a new band with his old friend, guitarist Danny Kustow, amidst the London Punk Rock scene - The Tom Robinson Band. They signed to EMI, \"\u003cem\u003e2-4-6-8 Motorway\u003c\/em\u003e\" was their first single, released in late 1977, which got into the top 5 of the UK singles charts and stayed there for over a month.\u003c\/p\u003e\n\n\u003cp\u003eIn early 1978, the Tom Robinson Band recorded their debut album \u003cem\u003ePower Of The Darkness\u003c\/em\u003e, peaking at number 4 in the UK album charts. The title track was released as a single and entered the charts as well. Their song \"\u003cem\u003eGlad To Be Gay\u003c\/em\u003e\" was banned by the BBC.\u003c\/p\u003e\n\n\u003cp\u003eThe band split in 1980 after the release of their second album \"\u003cem\u003eTRB Two\u003c\/em\u003e\". \u003cstrong\u003eTom Robinson\u003c\/strong\u003e, who supported Amnesty International, Rock Against Racism, and stood up for equal rights for gays, spent a couple of months in Germany and returned to the UK with three future singles: \"\u003cem\u003eWar Baby\u003c\/em\u003e\", \"\u003cem\u003eAtmospherics\u003c\/em\u003e\", and \"\u003cem\u003eBack In The Old Country\u003c\/em\u003e\". These were eventually released on the album \"\u003cem\u003eHope And Glory\u003c\/em\u003e\" in 1984, and the record company sent him out on tour to promote it.\u003c\/p\u003e\n\n\u003cp\u003eOn 9th November 1984, \u003cstrong\u003eTom Robinson\u003c\/strong\u003e \u0026amp; Crew performed at the Zeche in Bochum and the WDR Rockpalast was there.\u003c\/p\u003e","brand":"Mig Music","offers":[{"title":"CD","offer_id":50440410136907,"sku":"1127969","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/718af837-1c0f-44bc-b8f5-b5f3e5fd0db4_thumbnail_4096.jpg?v=1726961420"},{"product_id":"history-box-vol-1-the-brain-years","title":"History Box Vol. 1 - The Brain Years","description":"\u003cp\u003eFinally available again or for the first time and on CD - the 3 Epitaph\nalbums from their time with BRAIN plus the 1982-\"Danger Man\" album. \u003c\/p\u003e\u003cp\u003eFirst \"History Box\" of the well-known German-British \"Krautrock\" legendWhen we\nstarted our musical journey over fifty years ago, no one would have guessed that\nEpitaph would still be active in 2023.In the late 1970, we lived with our wives,\nroadies, dogs, cats and bats in the \"Alten Schulhaus\" in the small German village\nof Graue in the Lüneburg Heide and jammed and composed new songs. Our last\nalbum \"Return To Reality\" had been very successful. So, our record company,\nBrain Metronome, wanted a new Epitaph production.\nOur drummer Fritz Randow was impressed by the drum sounds from Hotline\nStudios in Frankfurt, so we went to record there. It turned out to be a more disco\noriented studio with plasmatic people. Not exactly the place for a rock band. But\nwe made the best of it and put out a reasonable sounding recording. Shortly after\nrecording, Michael Karch, our keyboardist, decided to leave the band so we were\nback to our \"Twin Guitars\".\u003c\/p\u003e","brand":"Mig Music","offers":[{"title":"CD","offer_id":50441623830859,"sku":"2019718","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/1008636028_69077ba4_thumbnail_4096.jpg?v=1726983707"},{"product_id":"live-at-rockpalast-2008-and-1998","title":"Live at Rockpalast 2008 and 1998","description":"\u003cp\u003eThe Rockpalast performance of June 21, 1998 at the Loreley is a significant example of the first international phase of success. It was Tito \u0026amp; Tarantula's third concert in Germany and it shows that their musical reputation did not crumble to dust in broad daylight at all. At that time the violinist and mandolin player Lyn Bertles gave the band a more folkloristic touch. That and the simmering mixture of blues, rock and Americana with Mexican influences put the German crowd under the same spell as the shady spectators in the famous movie scene.\u003c\/p\u003e","brand":"Mig Music","offers":[{"title":"CD","offer_id":50442135470411,"sku":"2203491","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_539290ef_thumbnail_4096.jpg?v=1726992942"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/collections\/test_a47e4f3a_thumbnail_4096_c7d128aa-c586-4316-8783-44167d88256b.jpg?v=1726204232","url":"https:\/\/shop.roughtrade.com\/collections\/mig-music.oembed?page=5","provider":"Rough Trade","version":"1.0","type":"link"}