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There is an element of the Doors' Morrison Hotel period and a whiff of Captain Beefheart and The Magic Band in the rocking driving blues of tracks like \"\u003cem\u003eDeath Letter\u003c\/em\u003e\" and \"\u003cem\u003eProblems\u003c\/em\u003e\". \"\u003cem\u003eSong For Pauline\u003c\/em\u003e\", on the other hand, harks back to the Delta of Robert Johnson.\u003c\/p\u003e\n\n\u003cp\u003eThere has been much speculation in recent years as to whether legendary record sleeve designer Barney Bubbles was responsible for the eye-catching sleeve image of a red Indian with 4 bullet holes in his forehead dripping blood. The rear sleeve credits the design to Teenburger, Bubbles' Notting Hill-based company. 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She gained recognition as a session vocalist and arranger, working with artists and bands such as Jimi Hendrix and Dudley Moore. Barbara was a prominent figure in the UK's music industry during the height of the \"library music\" era, where composers created music for television, film, and radio. One of her most notable works was her arrangement and vocal work for the *Vocal Shades and Tones* album, which became iconic in the world of library music. Her compositions, like \"Hot Heels\" and \"Steam Heat,\" are renowned for their catchy, funky, and soulful elements, often featuring groovy bass lines, smooth vocals, and jazzy arrangements. 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