{"title":"Mudhoney","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eMudhoney is an American alternative rock band that was formed in Seattle, Washington in 1988. The band was created by vocalist Mark Arm and former guitarist Steve Turner after the split of the influential Seattle band Green River.\u003c\/p\u003e\n\n\u003cp\u003eAlthough Mudhoney did not achieve the same level of fame as some of their label and city mates, they were a significant part of the early 90s grunge scene. With their enduring presence, they have become one of the most respected and long-lasting groups from that era.\u003c\/p\u003e\n\n\u003cp\u003eKnown for their raw and energetic sound, Mudhoney has left a lasting impact on alternative rock music. Their contributions to the genre continue to be celebrated by fans around the world.\u003c\/p\u003e","products":[{"product_id":"five-dollar-bob-s-mock-cooter-stew-stpsfu","title":"Five Dollar Bob's Mock Cooter Stew","description":"\u003cp\u003eOut of print in any format for 30 years this is the first time it has been reissued, and it includes the original cover artwork. Most of us likely missed Mudhoney’s \u003ci\u003eFive Dollar Bob’s Mock Cooter Stew\u003c\/i\u003e when it first cratered here on Earth in late 1993, but we can ALL learn from our previous mistakes right now!!! This is their Reprise mini-LP for all to devour in real-time and roll in its naked glory.  Initially recorded by the band as an offering for their fans to devour while they were between full-length albums, the majority of ‘Five Dollar’ was recorded in one short, inspired burst on August 1, 1993, between the hours of 9:30 and 10:15 PM (with friend and Fastback Kur(d)t Bloch egging them on from the production booth). They smashed this out in just 45 minutes.  It might be the band at their most ‘Stooge-esque’ since there is no flowery imagery; nothing to misinterpret; just in-your-face blunt despair (in that department, Black Flag’s \u003ci\u003eDamaged\u003c\/i\u003e LP comes to mind, especially in Mudhoney’s gleefully punishing highlight: ‘No Song III’). Within two seconds of any of these songs hitting your mind (maybe even within one second), you knew it could only be Mudhoney. You can instantly recognise it, because they truly own it\/you\/the universe.\u003c\/p\u003e","brand":"Jackpot Records","offers":[{"title":"LP - Purple","offer_id":50403035021643,"sku":"2046517","price":34.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/product_id._e71afb49_thumbnail_4096.jpg?v=1726557039"},{"product_id":"touch-me-i-m-sick-sweet-young-thing-ain-t-sweet-no-more","title":"Touch Me I'm Sick \/ Sweet Young Thing Ain't Sweet No More","description":"\u003cp\u003eRepress of this all-time classic 7\". Originally released in 1988, this slice of Seattle genius should be in every collection. “Touch Me I’m Sick,”is a scene-defining anthem.\u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"Orange 7\"","offer_id":50405631787339,"sku":"2050995","price":8.99,"currency_code":"GBP","in_stock":false},{"title":"7\"","offer_id":50405631656267,"sku":"192636","price":8.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/51-h738TM6L._UF8941000_QL80__e501748d_thumbnail_4096.jpg?v=1726580376"},{"product_id":"suck-you-dry-the-reprise-years-rsd-2024","title":"Suck You Dry: The Reprise Years - RSD 2024","description":"\u003cp\u003e\n                            This product is a Record Store Day exclusive title and is not available to pre-order.\u003cbr\u003e\u003cbr\u003e\n                            To buy in-store: 8am, 20\/04\/2024 (Record Store Day).\u003cbr\u003e\n                            To buy online: 8pm, 22\/04\/2024. (Subject to availability).\u003cbr\u003e\n                            Don’t forget: Click 'Notify Me' to be the first to know about its availability online. It also helps us to place accurate orders so that we can please as many of you as possible on the day.\u003cbr\u003e\n                            \u003c\/p\u003e\u003cp\u003eNew 5LP box set featuring the three Reprise studio albums and an EP from the Godfathers of Grunge, as well as two bonus LPs of live tracks, B-Sides and unreleased demos, all making their debut on vinyl. This limited set includes the first North American pressing of their Reprise debut, \"Piece Of Cake\", liner notes by Keith Cameron, author of the book Mudhoney: The Sound And The Fury From Seattle, and new artwork by illustrator Edwin Fotheringham.\u003c\/p\u003e","brand":"Rhino","offers":[{"title":"White LPx5","offer_id":50409020457291,"sku":"2181340","price":149.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/418467268045-360_d53d1f82_thumbnail_4096.webp?v=1726609568"},{"product_id":"march-to-fuzz","title":"March to Fuzz","description":"\u003cp\u003eSeldom has so little been put to such good use. That's the nature of punk rock, and in this idiom, few bands were better at it throughout the rollercoaster Nineties than Seattle's Mudhoney. Four guys, two distortion pedals, and one scrawny, wise-ass singer with a sneer was all it took. When \"Suck You Dry,\" the second song on this perfectly executed 2-CD career summation, blasts out of your speakers with enough fuzzbucket guitar to stop a wrecking ball, you realize Mudhoney actually belongs in the top tier of punk rock acts for the last 20 years! \"There are only a few of our songs which I think came out perfect,\" writes guitarist Steve Turner about the song in the banter-buoyed annotation that accompanies all 52 songs on March to Fuzz. \"This is definitely one of them.\" Another, \"I Have to Laugh\" from 1998's overlooked Jim Dickinson-produced prize, Tomorrow Hit Today, follows. \"Another perfect song,\" boasts singer Mark Arm, and he's right. They're both right. Two and half hours of screeching, rawboned Sixties garage rock boosted by late-Eighties angst and Nineties bombast couldn't possibly snarl more down 'n' dirty than this mudcovered testament to man's helpless need to just plain RAWK!!! Shifting through six full-length albums and a veritable troughful of singles, EPs, and miscellaneous tracks, the \"Best of\" first disc slams through a seething, 73-minute main set featuring catalog favorites like \"Judgement, Rage, Retribution, and Thyme,\" \"Into the Drink,\" and \"Touch Me I'm Sick,\" while the \"Rarities and B-side\" gathers an endless encore's worth of covers: Spaceman 3 (\"Revolution\"), Angry Samoans (\"You Stupid Asshole\"), Damned (\"Stab Your Back\"), Elvis Costello (\"Pump It Up\"), Black Flag (\"Fix Me\"), Fang (\"The Money Will Roll Right In\"), Motörhead (\"Over the Top\"), and of course Austin's Jimmie Dale Gilmore (\"Tonight I Think I'm Gonna Go Downtown\"). The Dicks' \"Hate the Police\" actually closes the first disc, which only proves that, original or cover, Mudhoney absorbs all songs into their airplane engine roar. Bound by a gatefold cardboard sleeve, detailed with artwork by Fotheringham, and supported by a superior design and top-notch graphics, it's clear as much care went into this package as went into the song selection and sequencing. According to Turner in the liner notes, bassist Matt Lukin quit the band for good at the end of 1999, so the group's future is in doubt. Its place in the pantheon of punk rock greats is not.\u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"CD | x2","offer_id":50411012358475,"sku":"379333","price":7.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/c837764a-8dcd-407b-ba73-7b1784cf8623_thumbnail_4096.jpg?v=1726651498"},{"product_id":"digital-garbage","title":"Digital Garbage","description":"\u003cp\u003eSince the late '80s, Mudhoney – the Seattle-based foursome whose muck-crusted version of rock, shot through with caustic wit and battened down by a ferocious low end – has been a high-pH tonic against the ludicrous and the insipid. Thirty years later, the world is experiencing a particularly high-water moment for both those ideals. But just in time, vocalist Mark Arm, guitarist Steve Turner, bassist Guy Maddison, and drummer Dan Peters are back with \u003ci\u003eDigital Garbage\u003c\/i\u003e, a barbed-wire-trimmed collection of sonic brickbats. Arm's raw yawp and his bandmates' long-honed chemistry make \u003ci\u003eDigital Garbage\u003c\/i\u003e an ideal release valve for the 2018 pressure cooker. \"My sense of humor is dark, and these are dark times,\" says Arm. \"I suppose it’s only getting darker.\"\u003c\/p\u003e\u003cp\u003e\u003ci\u003eDigital Garbage\u003c\/i\u003e opens with the swaggering \u003ci\u003eNerve Attack\u003c\/i\u003e, which can be heard as a nod both to modern-life anxiety and the ever-increasing threat of warfare. The album's title comes from the outro of \u003ci\u003eKill Yourself Live\u003c\/i\u003e, which segues from a revved-up Arm organ solo into a bleak look at the way notoriety goes viral. Arm says: \"people really seem to find validation in the likes—and then there's Facebook Live, where people have streamed torture and murder, or, in the case of Philando Castile, getting murdered by a cop. In the course of writing that song, I thought about how, once you put something out there online, you can’t wipe it away. It’s always going to be there - even if no one digs it up, it’s still out there floating somewhere.\"\u003c\/p\u003e\u003cp\u003eAppropriately enough, bits of recent news events float through the record: \u003ci\u003ePlease Mr. Gunman\u003c\/i\u003e, on which Arm bellows \"We'd rather die in church!\" over his bandmates' careening charge, was inspired by a TV-news bubblehead's response to a 2017 church shooting, while the ominous refrain that opens the submerged-blues of \u003ci\u003eNext Mass Extinction\u003c\/i\u003e calls back to last summer's clashes in Charlottesville. Mudhoney's core sound - steadily pounding drums, swamp-thing bass, squalling guitar wobble, Arm's hazardous-chemical voice - remains on \u003ci\u003eDigital Garbage\u003c\/i\u003e, which the band recorded with longtime collaborator (and \u003ci\u003eDigital Garbage\u003c\/i\u003e pianist) Johnny Sangster at the Seattle studio Litho. The anti-religiosity shimmy \u003ci\u003e21st Century Pharisees\u003c\/i\u003e builds its case with Maddison's woozy synths, which Arm says “add a really nice touch to the proceedings.” \u003ci\u003eDigital Garbage\u003c\/i\u003e closes with \u003ci\u003eOh Yeah\u003c\/i\u003e, a brief celebration of skateboarding, surfing, biking, and the joy provided by these escape valves. \"I would’ve really just loved to write songs about just hanging out on the beach, and going on a nice vacation,\" says Arm. \"But, you know, that probably doesn’t make for great rock.\" Mudhoney, however, know what does make great rock - and the riffs and fury of \u003ci\u003eDigital Garbage\u003c\/i\u003e will stand the test of time, even if the particulars fade away. \"I've tried to keep things somewhat universal, so that this album doesn’t just seem like of this time - hopefully some of this stuff will go away,\" Arm laughs. \"You don’t want to say in the future, 'Hey, those lyrics are still relevant. Great!'”\u003c\/p\u003e\u003cp\u003eCD - Die-Cut Gatefold Digipak with Custom Dust Sleeve.\u003c\/p\u003e\u003cp\u003eLP - Black Vinyl. Die-Cut Gatefold Jacket with Custom Dust Sleeve. Comes with Download.\u003c\/p\u003e\u003cp\u003eLP+ - Limited Light Blue Opaque Loser Coloured Vinyl. Die-cut Gatefold Jacket with Custom Dust Sleeve. Comes with Download.\u003c\/p\u003e\u003cp\u003eTape - Four-Panel J-Card in Clear Case.\u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"LP.","offer_id":50447545860427,"sku":"1041167","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50447543894347,"sku":"1041165","price":9.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50447545303371,"sku":"1041168","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/9d8a085f-09d1-4a85-b523-e49418937937_thumbnail_4096.jpg?v=1727079418"},{"product_id":"lie","title":"LiE","description":"\u003cp\u003eVinyl only release. Recorded live during their 2016 European tour at shows in Germany, Croatia, Sweden, Austria, Norway, and Slovenia \u003ci\u003eLiE \u003c\/i\u003eis the first unlimited-edition, non-bootleg live Mudhoney album to date. 2018 marks Mudhoney’s 30th anniversary, and this release is a fitting start to a year that will also see the release of a new Mudhoney full-length. This album’s 11 tracks span the band’s storied career, and include their live cover of Roxy Music’s \u003ci\u003eEditions of You. \u003cbr\u003e\u003c\/i\u003e\u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"LP","offer_id":50447574303051,"sku":"1023426","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/6ee4bcb8-5d15-4643-b6d7-fdcbfd4aeaa3_thumbnail_4096.jpg?v=1727079732"},{"product_id":"every-good-boy-deserves-fudge-1","title":"Every Good Boy Deserves Fudge","description":"\u003cp\u003eWhether it was Conrad Uno's production, the addition of more instruments to the Mudhoney arsenal (notably, Mark Arm adds organ, as can be enjoyably heard on \u003ci\u003eWho You Drivin' Now,\u003c\/i\u003e among other numbers), a slew of brilliant songs, or a combination of the above, \u003ci\u003eEvery Good Boy Deserves Fudge\u003c\/i\u003e found Mudhoney coming into their own album-wise. \u003ci\u003eLet It Slide\u003c\/i\u003e, the album's lead single, fuses everything from surf rock drumming from Dan Peters to a delicious vocal whine on the verses from Arm into a hotwired classic. It's not so much grunge as speed-freak energy, and all the better for it given the caricatures of Sub Pop's sound that would soon take over the airwaves.\u003ci\u003e Into the Drink\u003c\/i\u003e is another fun single, using acoustic and electric guitar to carry a nicely snotty garage stomp along, the full band adding one of their better chorus-gang shouts. More acoustic twang surfaces here and there (check out \u003ci\u003eMove Out\u003c\/i\u003e), helping to show that the variety of songs and styles is much more apparent and welcome here than on the self-titled album. The almost-pretty rushed guitar chime on \u003ci\u003eGood Enough\u003c\/i\u003e could be mid-'80s New Order or the Wedding Present, while Steve Turner's harmonica playing often suggests even deeper roots (and on\u003ci\u003e Pokin' Around \u003c\/i\u003eis both quick on the pace and sweetly mournful). Uno's eight-track production makes more of less plenty of times - \u003ci\u003eSomething So Clear \u003c\/i\u003emay not sound as full to some ears as their other records, but the basic guitar overdubs add just enough force, an effective simplicity (and Turner's soloing is pretty great to boot). The six-minute \u003ci\u003eBroken Hands \u003c\/i\u003eis the one point on the album where the band completely freaks out, but unlike the takes-too-long moments of Mudhoney, it's all worth it here, down to the final chaotic amplifier abuse. \u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"Orange | LP","offer_id":50447624241483,"sku":"1098706","price":22.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50447624700235,"sku":"318263","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/8516c1c5-5264-48f3-a6e8-97ecd0ce6f96_thumbnail_4096.jpg?v=1727080252"},{"product_id":"vanishing-point","title":"Vanishing Point","description":"\u003cp\u003e25 years in, 'vanishing point' decisively affirms that, even in an age where only the newest of the new can survive (and even then, only for a few weeks at best), Mudhoney still have plenty to say and more to offer. these are songs written from the rare vantage point of a band who went through the rock 'n' roll meat-grinder and not only lived to tell such a tale, they came out full of the wisdom and dark humor such a journey provides. 'vanishing point' is filled with dread, psychoanalysis and nuggets-on-fire riffs; the sort of real, uninhibited rock music that is harder and harder to locate these days. with 'vanishing point', Mudhoney makes it easy.The Vinyl Version is the Coloured Vinyl Loser Edition.\u003c\/p\u003e","brand":"No Label","offers":[{"title":"LP.","offer_id":50447638659403,"sku":"359238","price":22.99,"currency_code":"GBP","in_stock":false},{"title":"CD.","offer_id":50447639544139,"sku":"359237","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/c3cfff44-114a-43c8-ae2b-beb8f65eaa7e_thumbnail_4096.jpg?v=1727080444"},{"product_id":"since-we-became-translucent","title":"Since We Became Translucent","description":"\u003cp\u003eLP with Download. Long out of print vinyl reissue of the 2002 album. Mudhoney is back on Sub Pop. This is their first release without Matt Lukin on bass (Guy Maddison formerly of Bloodloss and Lubricated Goat takes over, and Wayne Kramer plays bass on 'Inside Job'). One of the band's most varied records ever, ranging from Hawkwind-esque psych freakouts to horn-inflected stompers.\u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"LP","offer_id":50447919645003,"sku":"391396","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/ab27f076-2add-470e-ad5b-a1a1729da329_thumbnail_4096.jpg?v=1727084101"},{"product_id":"mudhoney-1","title":"Mudhoney","description":"\u003cp\u003e\u003ci\u003eMudhoney\u003c\/i\u003e is the debut studio album by Mudhoney, originally released in 1989. It was their first LP after several singles and the classic EP \u003ci\u003eSuperfuzz Bigmuff\u003c\/i\u003e. Raw and pure grunge with Mark Arm's devastating vocals. This classic album contains 12 tracks of roaring rock music, including the megahits “This Gift” and “Here Comes Sickness.”\u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"Purple | LP","offer_id":50447930097995,"sku":"1098707","price":22.99,"currency_code":"GBP","in_stock":false},{"title":"Blue LP","offer_id":50447931048267,"sku":"2219337","price":27.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50447930425675,"sku":"318262","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/9a9304bc-7555-4656-bb99-79fec19bdae1_thumbnail_4096.jpg?v=1727084245"},{"product_id":"morning-in-america","title":"Morning in America","description":"\u003cp\u003e\u003ci\u003eMorning in America\u003c\/i\u003e consists of 7 songs that were recorded during the sessions for Mudhoney’s 2018 album,\u003ci\u003e Digital Garbage\u003c\/i\u003e. The tracks include \u003ci\u003eLet's Kill Yourself Live Again\u003c\/i\u003e (an alternate version of the \u003ci\u003eDigital Garbage\u003c\/i\u003e stand-out \u003ci\u003eKill Yourself Live\u003c\/i\u003e, and the bonus track for the Japanese CD version of that album), \u003ci\u003eOne Bad Actor\u003c\/i\u003e (a new version of Mudhoney’s track on the limited-edition, and now very sold-out, SPF30 split 7” single w Hot Snakes), album outtakes \u003ci\u003eSnake Oil Charmer, Morning in America\u003c\/i\u003e and \u003ci\u003eCreeps Are Everywhere\u003c\/i\u003e, plus \u003ci\u003eEnsam I Natt (So Lonely Tonight,\u003c\/i\u003e a Leather Nun cover) and \u003ci\u003eVortex of Lies\u003c\/i\u003e from a very limited EU tour 7\". The songs were mixed at Johnny Sangster’s studio Crackle and Pop! \u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"Silver | LP","offer_id":50447945630027,"sku":"1072394","price":19.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50447946154315,"sku":"1072392","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/9bac2cf0-319a-40fd-bbb9-1ede7aaf6089_thumbnail_4096.jpg?v=1727084415"},{"product_id":"superfuzz-bigmuff-1","title":"Superfuzz Bigmuff","description":"\u003cp\u003e\u003cstrong\u003eMudhoney's\u003c\/strong\u003e debut six track EP, \u003cem\u003eSuperfuzz Bigmuff\u003c\/em\u003e, is full of anthems that defined a generation. Originally released on October 20, 1988, this album is still as wild, primal, and essential as ever.\u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"Grey | LP","offer_id":50448025813323,"sku":"1098708","price":19.99,"currency_code":"GBP","in_stock":false},{"title":"Yellow LP","offer_id":50448029712715,"sku":"2050996","price":19.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50448029122891,"sku":"318261","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/bfdebc35-7f1c-498a-8bd3-b58d917813d7_thumbnail_4096.jpg?v=1727085334"},{"product_id":"under-a-billion-suns","title":"Under A Billion Suns","description":"\u003cp\u003eLP with Download. Long out of print vinyl reissue of this 2006 album. Album number nine could be Mudhoney's most electrifying record since 'Every Good Boy Deserves Fudge', contrasting a band with a burgeoning social conscience, but one that shows no signs of growing old. Barreling along with the sodden riffs of guitarist Steve Turner and a rhythm section that overflows in chaos (see the instrumental 'A Brief Celebration of Indifference'), vocalist Mark Arm is aping maturity, spitting a soured societal fury over D.C. demigods ('Hard-on For War'), plodding expectations ('Where is the Future') and repeat hangovers ('Let's Drop In,' complete with female harmonies and Memphis-style horns).\u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"LP","offer_id":50448060186955,"sku":"391397","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/9d4fde38-a799-4228-91f8-138abaa6dd2f_thumbnail_4096.jpg?v=1727085792"},{"product_id":"superfuzz-bigmuff-deluxe-edition","title":"Superfuzz Bigmuff : Deluxe Edition","description":"\u003cp\u003eIn 2008, both Sub Pop and Mudhoney celebrated their 20th anniversaries. Sub Pop could think of no better way to do so than by putting out as many Mudhoney records as possible. So they released an excellent, new Mudhoney album called \u003ci\u003eThe Lucky Ones\u003c\/i\u003e and also this deluxe, remastered edition of \u003ci\u003eSuperfuzz Bigmuff\u003c\/i\u003e. Here you will find: the original \u003ci\u003eSuperfuzz EP\u003c\/i\u003e in its correct running order, singles, demos, and two blistering live recordings from 1988, all remastered, or in some cases, mastered for the very first time. There are four different versions of \u003ci\u003eMudride\u003c\/i\u003e here. Deluxe 32 track double cd.\u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"CD | x2","offer_id":50448174285131,"sku":"299142","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/d34d1b8f-0e9a-45f6-96a8-022b405d1bd9_thumbnail_4096.jpg?v=1727087391"},{"product_id":"under-a-billion-stars","title":"Under A Billion Stars","description":"\u003cp\u003eMudhoney is a four-piece rock group from the old, weird Seattle. For 18 years they have plugged into wall sockets all over the world, proving to be one of the most consistently electrifying acts to survive the grunge implosion, whatever that was. The wolfish howls of singer Mark Arm, soulful splatterings of guitarist Steve Turner and frenzied fills of drummer Dan Peters have produced 9 albums to date, most of which are considered neo-garage classics. In addition, they have had two bassists over the years, Matt Lukin, who retired in 1999, later replaced by the inimitable Australian Guy Maddison. Under a Billion Suns is the band's new long-player and it's performed with the same amplified urgency of their previous work. While history has shown musicians to be a largely unreliable lot, Mudhoney has never swayed in its vision of making really loud rock music and this album is no exception. Produced with the help of three notable knobsters (Phil Ek, Johnny Sangster, Tucker Martine) and boasting a blaring horn section, Under a Billion Suns exposes a more snidely political-fueled side to our shaggy heroes, but one revealed through the invariables of the Mudhoney recipe: thick, soggy punk riffs and underrated guitar dynamics, psychedelic tangents and snot-nosed finger-pointing. It is loud, it is fierce, and it is here for our world right now. Lucky for us, so is Mudhoney.\u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"CD","offer_id":50448209576267,"sku":"379355","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/6e7b3a18-96bf-4986-bd49-4f6cb9feca62_thumbnail_4096.jpg?v=1727087723"},{"product_id":"mudhoney-2","title":"Mudhoney.","description":"\u003cp\u003eThree Mudhoney albums have been lovingly remastered and pressed on coloured vinyl with download, sounding as fresh as they did on release. Aside from a brief re-release of \u003ci\u003eSuperfuzz Bigmuff\u003c\/i\u003e in 2000, none of these albums have been available on vinyl since the early 1990s. 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A month after release in July 1991, the album entered the UK album chart at Number 34 (five weeks later, Nirvana’s \u003ci\u003eNevermind\u003c\/i\u003e entered at 36) and went on to sell 75,000 copies worldwide. A more meaningful measure of success, however, lay in its revitalisation of the band, casting a touchstone for the future. The record is a major chapter in Mudhoney’s ongoing story, the moral of which has to be: when in doubt, fudge it.\u003c\/p\u003e\u003cp\u003eThe album began at Music Source Studio, a large space equipped with a 24-track mixing board - downright futuristic, compared to the 8-track setup that birthed the band’s catalytic 1988 debut, “Touch Me I’m Sick.” The Music Source session quickly turned into a false start when the results, in guitarist Steve Turner’s words, “sounded a little too fancy, too clean.” Lesson learned, the band went primitive and got to work at Conrad Uno’s 8-track setup at Egg Studio. Named after the cartons pasted on the walls in an optimistic attempt at sound-proofing, Egg boasted a ’60s vintage 8-track Spectra Sonics recording console, originally built for Stax in Memphis.\u003c\/p\u003e\u003cp\u003eSo it was that, in the spring of 1991, Mudhoney made \u003ci\u003eEvery Good Boy Deserves Fudge\u003c\/i\u003e. The resulting album is a whirlwind of the band’s influences at the time: the fierce ‘60s garage rock of their Pacific Northwest predecessors The Sonics and The Lollipop Shoppe, the gnashing post-hardcore of Drunks With Guns, the heavy guitar moods of Neil Young, the lysergic workouts of Spacemen 3 and Hawkwind, the gloomy existentialism of Zounds, and the satirical ferocity of ‘80s hardcore punk. The quartet’s special alchemy meant these fond homages never slid into pastiche. Ultimately, \u003ci\u003eEvery Good Boy Deserves Fudge\u003c\/i\u003e epitomised the best of Mudhoney: here was a band reconnecting with its purest instincts, and in the process reinventing itself. \u003c\/p\u003e\u003cp\u003eThis 30th anniversary edition, remastered by Bob Weston at Chicago Mastering Service, stands as testimony to the creative surge that drove them in this period. The album sessions yielded a clutch of material that would subsequently appear on B-sides, compilations, and split-singles. 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The apocalypse is stupider than anyone could’ve predicted.\u003c\/p\u003e\u003cp\u003eFortunately, the absurdities of modern life have always been prime subject matter for Seattle-based foursome Mudhoney, and the band take aim at all of them with typical barbed humor and muck-encrusted riffs on on 11th studio album, \u003ci\u003ePlastic Eternity\u003c\/i\u003e, which was recorded over nine days at Crackle and Pop! in Seattle with longtime producer Johnny Sangster.\u003c\/p\u003e\u003cp\u003eFrom taking on climate change from the perspective of the climate if the climate tried to play guitar like Jimi Hendrix (“Cry Me An Atmospheric River”) to a driving rock and roll song about taking drugs meant for livestock (“Here Comes the Flood”) to a classic punk attack on treating humans \u003ci\u003elike\u003c\/i\u003e livestock (“Human Stock Capital”), \u003ci\u003ePlastic Eternity\u003c\/i\u003e is a run through all the proto-genres of guitar rock with a keen eye on the inanities of the world in the 2020’s. It also contains a genuine love song in closing track “Little Dogs,” an ode to the simple joys of hanging out with tiny canines.\u003c\/p\u003e\u003cp\u003eMudhoney (vocalist Mark Arm, guitarist Steve Turner, bassist Guy Maddison, and drummer Dan Peters) remain the ur underground group, their gnarly primordial punk stew and Arm’s sharply funny lyrics as potent a combination as they’ve been since the band’s formation in the late 1980s. When asked why they continue making records nearly four decades after forming, Arm’s answer is simple.\u003c\/p\u003e\u003cp\u003e“We like each other, and we like being in a band together,” says Arm. “Some people have poker night or whatever the fuck, and they have the excuse to get together with their friends. For us, this [band] is that. 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Released in 1995, the album strips away much of the polish that had begun creeping into the genre, favouring instead thick, fuzz-drenched guitars, pounding rhythms, and Mudhoney’s trademark sneer. There’s a loose, almost reckless energy running throughout the record, as songs veer between snarling punk blasts and sludgy, mid-tempo grooves. 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