{"title":"Music From Memory","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eMusic From Memory is a record label based in Amsterdam, founded and run by Jamie Tiller and Tako Reyenga. With a focus on reissuing obscure and overlooked music from the past, the label has gained a reputation for its carefully curated releases. Through their dedication to unearthing hidden gems, Music From Memory has become an authoritative source for discovering unique and timeless sounds. Whether you're a seasoned collector or new to the world of vinyl, this label offers an exceptional selection that will captivate any music lover.\u003c\/p\u003e","products":[{"product_id":"the-habitat-ensemble","title":"The Habitat Ensemble","description":"\u003cp\u003eSelf-titled debut album of Habitat Ensemble, a new musical collective headed up by musician Marius Houschyar.\u003c\/p\u003e\u003cp\u003eThe collective originates deep in the south of the Czech Republic, on the border with Austria, amongst the idyllic hills and fields of a village called Maříž, where a summer school of outsiders and creatives have been gathering since the 1990s. Enriching each other through intercultural exchange, summer school participants have created a unique gathering of artistic expression and interdisciplinary research.\u003c\/p\u003e\u003cp\u003eOriginally grown out of the idea of translating the unique energy of the community and its environment into a musical journey where each member makes their own individual contribution, during the summer of August 2022, The Habitat Ensemble became an exciting vehicle for connection and co-creation.\u003c\/p\u003e\u003cp\u003eWhether it be musical experimentation, composition, poetry, song or dance, Habitat Ensemble, having started as a series of multidisciplinary workshops, slowly developed into a unique musical recording. The album serves to conjure the unique nature, community, experimentation surrounding the school and the collective’s search for harmony across all of these, both musical and spiritual.\u003c\/p\u003e","brand":"Music From Memory","offers":[{"title":"Black LPx2.","offer_id":50388312850763,"sku":"2167294","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/mfm065_the_habitat_ensemble_97b9faba_thumbnail_4096.jpg?v=1726341052"},{"product_id":"musica-esporadica","title":"Musica Esporadica","description":"\u003cp\u003eMFM044 sees the reissue of the cult Spanish studio project Música Esporádica with their incredible one off, self-titled album. Another Suso Saiz side project, this one grew out of his work with his band Orquesta De Las Nubes, who were themselves the subject of a Music From Memory compilation last year.\u003cbr\u003e\u003cbr\u003eThe idea of getting Orquesta De Las Nubes to collaborate with Glen Velez and Layne Redmond arose after the two American musicians visited Spain during a series of seminars on frame drum techniques in 1985. Having met Glen Velez some years before in Madrid whilst Glen was performing with the Steve Reich Ensemble, Suso Saiz and Glen Velez quickly formed a strong friendship over their mutual love of non-Western music and the potentials of repetition within music. The two would play, talk and drinks for many hours in Suso’s studio space whenever Glen was in Madrid.\u003c\/p\u003e\u003cp\u003eDuring one such session in 1985, Glen and Suso would be joined by Orquesta De Las Nubes and Spanish friend and musician Miguel Herrero. With exciting new ideas flowing quickly and easily, Suso decided to immediately call Track Studios in Madrid to see if they might have a space to record some of the material. With just a few days available the group would record for about 12, with what Suso would describe as ‘incredible fluency’, by which time they would have recorded the album they would later title Música Esporádica.\u003cbr\u003e\u003c\/p\u003e","brand":"Music From Memory","offers":[{"title":"Black LP.","offer_id":50389100659019,"sku":"1082291","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/M_C3_BAsica_Espor_C3_A1dica_-_EP_51f897c3_thumbnail_4096.jpg?v=1726353964"},{"product_id":"loveshadow","title":"Loveshadow","description":"\u003cp\u003eMusic From Memory are excited to introduce another new group for 2021, this time presenting the self-titled debut album from Loveshadow.\u003c\/p\u003e\u003cp\u003eCurrently based in San Francisco, the duo of Anya and Izaak initially met whilst working in an Oakland cafe in 2016. The two Californians quickly bonded over a track by the ’80s disco band Aurra which was playing over the radio and almost immediately their separate journeys in music became interwoven. They soon began to write music and creating their own work would become a way for the pair to get closer to the sound they were searching for, as well as enabling them to discover the healing power of making and listening to music.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eLoveshadow\u003c\/i\u003e was recorded predominantly in the Bay Area between 2017-2020 as well as whilst traveling to NYC, Chicago and around Portland. Having released previously as the outfit \u003ci\u003eS Transporter\u003c\/i\u003e alongside Detroit friend Ryan Spencer, Loveshadow is formed of Anya as singer and song writer alongside Izaak on synthesizers, bass and percussion. This eight track album is the duo’s first release; exploring emotive Pop and DIY Funk leanings it stands as a joyful homage to the music they bond over, as well as an ode to their own love and friendship.\u003c\/p\u003e","brand":"Music From Memory","offers":[{"title":"Black | LP.","offer_id":50405948555595,"sku":"1161187","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/f6c76474-3f53-4fdd-aadb-1ecc90196b87_thumbnail_4096.jpg?v=1726582271"},{"product_id":"oumaumau","title":"Oumaumau","description":"\u003cp\u003eMusic From Memory are excited to present the first compilation of works by British electronic pioneers MLO aka Peter Smith and Jon Tye. Titled \u003ci\u003eOumuamua\u003c\/i\u003e and second up in the Virtual Dreams series, the compilation is an in-depth artist focused release containing twelve thoughtfully selected tracks that touch on highlights from the duo’s discography as well as newly (re)discovered music drawn from a vast archive of unreleased pieces, sketches and extended jams recorded between 1993-1995.\u003c\/p\u003e\u003cp\u003eMLO’s ambient explorations began when Pete and Jon, having first met in rival punk bands during the late ‘70s, found themselves with unlimited access to an incredibly well-equipped studio, having been hired to produce an Icelandic pop star’s record in the early ‘90s. Particularly charmed by the Korg PS 3300 and an Emulator 2, Smith and Tye were also deeply fascinated by outer space and set about developing a musical landscape informed by both this new state of the art musical equipment and what lay beyond the Earth’s limits. Painting with a palette informed by classical minimalism, new age and the works of Cluster \u0026amp; Eno; the duos primary colours were drones, sustained tones, washes, calming tides, gentle temple bells and soft angelic voices with flickering glimpses of percussion and drums that hinted at the possibilities of a dance floor.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eOumuamua\u003c\/i\u003e is a collection of music to get lost-in, a wander down the mazed, mirrored corridors of the subconscious. Peaceful, flowing, fresh-water patterns, drawing the listener toward a mediative, inner space. Not strictly ambient, rather the music rests temporarily within the boundaries between drum ‘n’ bass, library music, soundtracks and Techno. Or how Jon Tye himself puts it: “It really feels like music from a different place, a different time, made by different people.”\u003c\/p\u003e\u003cp\u003eArtwork by Vica Pacheco, design by Steele Bonus, liner notes by Dr. Rob\u003c\/p\u003e","brand":"Music From Memory","offers":[{"title":"Black | LP | x2","offer_id":50416925147467,"sku":"1129508","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/839ccf35-a707-4af5-80cd-1731372adc95_thumbnail_4096.jpg?v=1726712496"},{"product_id":"hyphea","title":"Hyphea","description":"\u003cp\u003eNew album by Montreal based artist Phoebé Guillemot aka RAMZi. Featuring ten mind-melting tracks 'hyphae' is RAMZi's latest sonic quest and is based around sketches she originally made as a score for a documentary about mushrooms called 'Fun Fungi' (directed by Frederic Lavoie).\u003c\/p\u003e\u003cp\u003eRecorded between November 2021 and May 2022, writing 'hyphea' began as an attempt to transcend boredom and frustrations imposed by severe restrictions during the pandemic. For Phoebé the album was a way to reconnect with her alter ego RAMZi; who's energy brought her back to uniquely mystical feelings and hope for future magical adventures.\u003c\/p\u003e\u003cp\u003eRAMZi is a uniquely wild spirit from the forest and refers to a parallel autonomous world that keeps evolving. In Phoebé's own words: \"The music remains as a doorway to that world. It has never been about me, I always see that entity bigger than myself. The process of writing 'hyphea' was rather intuitive. I don't think about styles of music before producing tracks. Those are more like an adventure in itself, each one set in a different ecosystem.\"\u003c\/p\u003e\u003cp\u003eArtwork by Marinka Grondel.\u003c\/p\u003e","brand":"Music From Memory","offers":[{"title":"Black LP","offer_id":50420183007563,"sku":"2018652","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Hyphea_38709f08_thumbnail_4096.jpg?v=1726751471"},{"product_id":"yellow-river-blue","title":"Yellow River Blue","description":"\u003cp\u003eMusic From Memory are excited to present the debut LP of Kaifeng born, Vancouver based artist Yu Su in collaboration with Chinese label bié Records. Titled \u003ci\u003eYellow River Blue\u003c\/i\u003e it is our first release of 2021 and the second collaboration between label and artist, following up on the strongly received EP \u003ci\u003eRoll With The Punches\u003c\/i\u003e from 2019 on Second Circle.\u003c\/p\u003e\u003cp\u003eNamed after the world’s most heavily silted river, \u003ci\u003eYellow River Blue\u003c\/i\u003e is Yu Su's personal musical autobiography, constructed around stories of chasing something inconceivable. Written and recorded in different continents in between August 2019 and March 2020, all songs seek to musically translate years of moving and touring, temporarily settling, and the feelings of both being turned away and accepted. In her own words, “The world is my home and it isn’t, but as long as there is generosity of water and mud...” It is an homage to her home beside the Yellow River.\u003c\/p\u003e\u003cp\u003eYu Su's debut album consists of eight songs that are versatile in both writing and aesthetics. Versatile individually, consistent as a whole. Yu Su is in a class of her own, dodging the obvious while combining sounds and inspirations of various origins into a new destination that sounds like her home in the here and now. It's a release that is constantly in motion and moves fluently between contemporary pop, ethereal sound compositions and dance-floor experiments.\u003c\/p\u003e","brand":"Music From Memory","offers":[{"title":"Black LP","offer_id":50426238370123,"sku":"1110740","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/5f55c041-0518-4872-a706-4c8ca6e3646e_thumbnail_4096.jpg?v=1726805453"},{"product_id":"outro-tempo-electronic-and-contemporary-music-from-brazil-1978-1992","title":"Outro Tempo: Electronic And Contemporary Music From Brazil 1978-1992","description":"\u003cp\u003eFor their first multi-artist compilation, Music From Memory take us on a trip to the heart of the Amazon rainforest. Outro Tempo: Electronic and Contemporary Music From Brazil, 1978-1992 is a double LP that explores the outer reaches of Brazilian music, where indigenous rhythms mix with synthesizers and where MPB mingles with drum computers. As Brazil faced the last years of its military dictatorship and transition to democracy, a generation of forward-thinking musicians developed an alternative vision of Brazilian music and culture. They embraced traditionally shunned electronic production methods and infused their music with elements of ambient, jazz-fusion, and minimalism. At the same time they referenced the musical forms and spirituality of indigenous tribes from the Amazon. The music they produced was a complex and mesmerising tapestry that vividly evoked Brazilian landscapes and simultaneously reached out to the world beyond its borders. The product of extensive research, this compilation is a unique introduction to this visionary music and features many fresh discoveries in a country well trodden by record diggers. It gathers tracks from obscure albums that have for too long been neglected by even the most avid collectors of Brazilian music. It includes now highly sought after music by Andréa Daltro, Maria Rita, and Fernando Falcão, as well as unknown gems like those of Cinema, Carlinhos Santos, and Anno Luz. This is an essential release that reveals a broader spectrum of Brazilian music, striking a unique sonic signature that is full of innovation, experimentation, and beauty. Compiled by John Gómez and featuring extensive liner notes, Outro Tempo showcases this overlooked corner in Brazil’s rich music history for the first time. \u003c\/p\u003e\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F301686770\u0026amp;show_artwork=true\u0026amp;color=f2667e\u0026amp;buying=false\u0026amp;theme_color=232323\u0026amp;font=Helvetica+Neue\u0026amp;show_user=false\u0026amp;in=music-from-memory%2Fsets%2Fmfmf016-outro-tempo-electronic-and-contemporary-music-from-brazil-1978-1992\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Music From Memory","offers":[{"title":"2LP - Black","offer_id":50426272285003,"sku":"1007292","price":32.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50426270613835,"sku":"1028382","price":18.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/00bf1bde-26bb-48bc-b229-84dcd1b4d295_thumbnail_4096.jpg?v=1726806154"},{"product_id":"all-again-3","title":"All Again","description":"\u003cp\u003e\u003ci\u003eAll Again\u003c\/i\u003e. That’s the title of the full-length record from Philadelphia’s Queen of Jeans. The LP tracks an entire arc that, by the final hazy vibrato wash of “Do It All Again,” bleeds back into the ambient first seconds of the record. “Thought I’d call tonight, hear how you’re dealing,” Miriam Devora sings to a distant lover on opener “All My Friends” in a neon-lit, melancholy tenor, the precise sound of lonesome love. The full band joins her in a beautiful night time sway, but it’s still no use: “I got all my friends around, but I’m not home til I’m alone with you.” \u003c\/p\u003e\u003cp\u003eThe rest of the record follows this relationship as it tumbles through loneliness and longing, to elation and joy, to pain and anger, and finally to its foggy close, where Devora admits, “If I got to do it all again, I’d find you there like I did back then.” \u003c\/p\u003e\u003cp\u003eReleasing on Memory Music, \u003ci\u003eAll Again\u003c\/i\u003e is principally an enveloping, rich indie-rock record, changing dance partners between cheek-to-cheek ’60s pop sweetness, ’90s alt-rock dirt, spacious and pained emo, and the songcraft and melodicism of the sharpest acoustic singer-songwriter acts. Devora (vocals, guitar, keys) and Matheson Glass (lead guitar, piano) took extra care this time to create a Queen of Jeans full-length that reflected in sound and structure the emotional depths they were exploring. \u003c\/p\u003e\u003cp\u003eIt’s the first time since their 2015 debut, \u003ci\u003eDig Yourself\u003c\/i\u003e, that they’ve had a full band, with drummer Patrick Wall and bassist Andrew Nitz, to build with. Where on releases like 2022’s sparkling lockdown-pop Hiding In Place Devora and Glass had gone into producer and mix\/master engineer Will Yip’s Studio 4 with sketches and worked with Yip to arrange the songs in studio, this time, they went in with a complete vision for the record. That allowed them to use studio time to expand the record’s sonic boundaries. “We had a lot more room to play with some of the ear candy we’ve always wanted to explore and get weirder in the studio,” says Glass. \u003c\/p\u003e\u003cp\u003eThose elements lend a physicality and playfulness to the memory and emotions that unfurl through All Again. “We’re trying to tell the story of when you look back at an important relationship,” says Glass. “Years go by, and the more you reflect on it, it becomes more warped and the facts become a little bit more murky. We wanted to play with that and get surreal with the story.” (Literally: listen for a “monster” voice in the already-released banger “Karaoke.”) The record’s artwork, conceptualized by Devora, renders this idea with devastating clarity. \u003c\/p\u003e","brand":"Memory Music","offers":[{"title":"Gold LP","offer_id":50426640138571,"sku":"2205177","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/All_Again_8e49e133_thumbnail_4096.jpg?v=1726815167"},{"product_id":"salt-and-sugar-look-the-same","title":"Salt And Sugar Look The Same","description":"\u003cp\u003eMusic From Memory is pleased to announce the upcoming release of ‘Salt And Sugar Look The Same’, a collaborative album from Tim Koh and Sun An.\u003c\/p\u003e\u003cp\u003eTim Koh is an American multi-instrumentalist and visual artist born and raised in Los Angeles. He has been touring, releasing music and showing art works internationally for nearly two decades. Sun An is a Southern California-based graphic designer, art director, and sound designer who has self-released music since 2012.\u003c\/p\u003e\u003cp\u003e‘Salt And Sugar Look The Same’ plays somewhat like a dreamlike collage; across 18 short compositions, finger-picked guitars melt with electronics and warped samples to create a form of American Primitivism bent and refracted through Tim and Sun’s unique lens.\u003c\/p\u003e\u003cp\u003eTheir collaborative journey unfolded gradually, exchanging snippets via email over the span of a year or so, Sun in LA and Tim in Berlin. Amidst personal struggles and uncertainties, the act of recording and composing became a refuge, a safe space where they could navigate life's complexities together. Though they didn't converse much, mostly just sending music, their musical dialogue spoke volumes, shaping a narrative that evolved naturally over time. As they shared their musical ideas, they discovered a profound sense of connection and understanding with one another. The music became a conduit for healing, bridging the gaps between them and offering comfort in times of need.\u003c\/p\u003e\u003cp\u003eTheir musical influences and backgrounds anchored them. From reminiscing about past scenes to exploring cultural intricacies of being Korean American in Los Angeles, infused with a natural sense of shared identity, their collaboration reflected a mergence of old and new memories into a hallucinatory, dream-like experience. Across the 18 compositions that make up the album, incense emerges as a poignant motif, symbolizing the passage of time. Each incense stick becomes a vessel carrying the essence of moments gone by, while the holder becomes the custodian of these ephemeral memories.\u003c\/p\u003e\u003cp\u003e‘Salt And Sugar Look The Same’ invites the listener on a boundary-transcending journey of introspection, joy, and pain, creating an experience that lingers long after the last note fades.\u003c\/p\u003e","brand":"Music From Memory","offers":[{"title":"Black LP","offer_id":50433629716811,"sku":"2207162","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/mfm070_tim_koh_sun_an_cover_kopie_ee6750c9_thumbnail_4096.jpg?v=1726881485"},{"product_id":"criola","title":"Criola","description":"\u003cp\u003eA mini LP of works by Denis Mpunga and Paul K. Combining elements of traditional African music with experimental electronics, the Belgian\/Congolese duo released only a handful of tracks, scattered across a few rare LP and cassette compilations that were put out in the mid eighties by obscure european labels . This release also includes a few previously unreleased songs that were found on the original master tapes. 180gram pressing. Artwork by Denis Mpunga. \u003c\/p\u003e\u003cp\u003eThe work of the Belgian\/Congolese duo Denis Mpunga and Paul K. is the subject of Music From Memory's latest compilation EP, ''Criola''. Combining elements of traditional African music with experimental electronics, the pair recorded and released only a handful of tracks, scattered across a few obscure LP and cassette compilations. Bringing together this material for the first time ''Criola'' includes both released as well as unreleased material from the musician's archives dating from between 1980-1984. Relocating with his family from the Congo to Belgium in 1973 at the young age of 13, Denis Mpunga grew up in the industrial city of Liege and quickly became deeply embedded in it's musical scene, forming the group Gomma Percussions in 1979; a percussive group driven by West African influences that would also experiment with found objects and improvised musical instruments. The group released only one 7' but toured and performed frequently up until as late as 2000. A side project Eko-Kuango formed by the Gomma Percussion members also saw the release in 1985 of the now much sought after 12'' ''Fura'' which also includes Denis Mpunga on vocals. As well as a later career as a comedian and actor with roles in television and cinema, Dennis has continued to produce and compose music, perhaps most notably writing the soundtrack for ''La Promesse'' (1996) a highly regarded film by the Dardenne brothers; currently probably Belgiumï¿½s most celebrated of contemporary film makers. Patrick Stas who would release with Denis under the ï¿½Paul K.ï¿½ moniker was a well-known local musician in Liege and considered something of a luminary figure in the electronic and experimental music scene in Belgium. Patrick would set up the independent cassette and vinyl label ''Home Produkt'' releasing amongst others, the work of Tara Cross, who has herself been the subject of a compilation in recent years. Both well known figures in Liege's music scene the two of them would join forces in 1980 to work together on a soundtrack for a children's animation company called ''CAMERA etc'', recording the ''Intermezzo'' tracks which are included here. Keen to experiment further as a duo, Denis would propose the idea of combining some more traditional songs or percussive African elements with Patrick's experiments with drum computers and synthesisers. Working around more conventional instruments such as guitar and bass, Denis would also bring Balafons, Senzas and a Zither to their recordings whilst Patrick would work with an array of synthesizers and drum machines such as Rolandï¿½s MC 202, TB 303 \u0026amp; TR 808 and Korgï¿½s MS20 \u0026amp; Monopoly amongst many others. At a time when world-music was becoming hugely popular across Europe especially so in Belgium and France, the pair were keen to try and explore African music in a new contemporary way. Much like the intentionally provocative archival image, which Denis selected for the sleeve of Criola, the recordings set out to play with and challenge preconceptions and expectations of African music and African culture. Together, Denis Mpunga and Paul K's, if somewhat brief, musical adventure would create a fascinating new musical language, African music born out of an industrial European landscape; music which the compilation ''Criola'' reveals as both wholly unique and visionary.\u003c\/p\u003e","brand":"Music From Memory","offers":[{"title":"LP","offer_id":50442136486219,"sku":"2037787","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Criola_23f45aa7_thumbnail_4096.jpg?v=1726992965"},{"product_id":"heisei-no-oto-japanese-left-field-pop-from-the-cd-age-1989-1996","title":"Heisei No Oto - Japanese Left-field Pop From The CD Age (1989-1996)","description":"\u003cp\u003eMusic From Memory is excited to announce a special compilation that they’ve been working on for some time now; MFM053 – VA – Heisei No Oto – Japanese Left-field Pop From The CD Age (1989-1996). Compiled by long-time friends of the label, Eiji Taniguchi and Norio Sato, Heisei No Oto delves into a world of music released almost exclusively on CD and brings together a fascinating selection of discoveries from a little known and overlooked part of Japan’s musical history.\u003c\/p\u003e\u003cp\u003eThe last ten or so years have seen a global wave of interest in Japanese music encompassing ambient, jazz, new wave and pop records from the 1980s, some of which is increasingly considered the most innovative and visionary music of that time. Although some music from this period, in the form of ‘City Pop’ or ‘rare groove’ records, had been coveted by collectors and DJs for a number of years, most Japanese music from the time was little known outside and often even within Japan.\u003c\/p\u003e\u003cp\u003eSometime around the mid 2000s, two Osaka record store owners, Eiji Taniguchi of Revelation Time and Norio Sato of Rare Groove, along with a handful of deep Japanese diggers such as Chee Shimizu of Organic Music records in Tokyo, began to explore beyond the typical ‘grooves’ or ‘breaks’. Much like their counterparts in Europe and the US, they began delving into home-grown ambient, jazz, new wave and pop records, discovering visionary music, often driven by synthesizers or drum computers, that broke beyond the typical confines of their genres.\u003c\/p\u003e\u003cp\u003eSpending tireless hours in local record stores and embarking on digging trips across the country, Eiji Taniguchi and Norio Sato, much like Chee Shimizu, have been at the forefront of unearthing and introducing many of the very Japanese records now loved and sought after around the world. Yet as YouTube algorithms and vinyl reissues would transport such music into the global consciousness and demand and therefore scarcity intensified for such records, so Eiji and Norio have recently begun to turn their attention to CDs.\u003c\/p\u003e\u003cp\u003eThe title of the compilation Heisei No Oto refers to the sound of the Heisei era, which began in 1989 and corresponds to the reign of Emperor Akihito until his abdication in 2019. Marking the culmination of one of the most rapid economic growths in Japanese history, 1989 also coincided with the music industry’s final shift away from vinyl in favour of CDs. And, although compact discs were first introduced seven years earlier it wasn’t until late into the ‘80s that, beyond dance music labels, CDs became the exclusive format for major and independent labels in Japan and throughout the world.\u003c\/p\u003e","brand":"Music From Memory","offers":[{"title":"LP","offer_id":50444543590731,"sku":"1113005","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e24f9787-592a-4175-8182-bd82b3006dc7_thumbnail_4096.jpg?v=1727028333"},{"product_id":"fools-harp-vol-1","title":"Fools Harp Vol 1","description":"\u003cp\u003eFools’ debut album ‘Fools’ Harp Vol. I’ and the first solo release of American musician Christopher Bear. Drummer and multi-instrumentalist of cult indie band ’Grizzly Bear’, ‘Fools’ is a pseudonym that Christopher has been using while working on his independent music making for some time now.\u003c\/p\u003e\u003cp\u003eOften finding the structure and form of a more traditional ‘song’ and the concept of an album too\u003cbr\u003erestrictive, Christopher finally set aside a six week period in the summer of 2019 to explore the\u003cbr\u003epossibilities of jamming alone and seeing where it took him: recording each instrument himself\u003cbr\u003eand then responding through improvisation to his own recordings, Whilst doing most of the\u003cbr\u003erecording in a digital set up, he also set out to capture some of the same mental and sonic\u003cbr\u003espace from his time recording on 4-track.\u003c\/p\u003e\u003cp\u003eThe results of these Fools’ sessions, he explains, feel “almost more like a mixtape than an\u003cbr\u003e‘album’ per se” to him. With a sense of the dichotomy between nostalgia and the future, ‘Fools’\u003cbr\u003eHarp Vol. I’ seeks to transport the listener to a world both familiar and comforting, exploring\u003cbr\u003esomething undiscovered while maintaining a deep sense of openness and curiosity.\u003cbr\u003eThe album will be released in vinyl and digital formats with a cassette release to follow including\u003cbr\u003eadditional bonus tracks.\u003c\/p\u003e","brand":"Music From Memory","offers":[{"title":"Black | LP","offer_id":50448334127435,"sku":"1093761","price":18.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/209fe36e-9a98-4b9d-a952-45cdde7a5f58_thumbnail_4096.jpg?v=1727090072"},{"product_id":"perfect-stranger","title":"Perfect Stranger","description":"\u003cp\u003eMusic From Memory return with a further six tracks from Dutch musician Richenel. Continuing with recordings taken from his debut album 'La Diferencia’, originally released in 1982 on the cult Amsterdam cassette only label Fetisj, the tracks on Music From Memory’s second EP ‘Perfect Stranger’ includes alternate takes drawn from Richenel’s personal copy of the album alongside a further composition which didn’t make it onto the original Fetisj cassette. Studying set and costume design whilst making a name for himself as a singer and performer in Amsterdam’s underground clubs, Richenel played with several disco acts and cultivated an extravagant cross-gender stage persona before connecting with members of the local label. Hooking up through their time together at the Rietveld art academy in Amsterdam, Fetisj was an experimental multi media collective which revolved around a loose mix of various young artists and musicians. Having developed a house band with artists going by a number of different pseudonyms the label set up their own small makeshift studio and would produce and sell the cassettes through their distribution network and at events across the city. Recorded amongst the turmoiled punk and squatter scene of Amsterdam against a backdrop of drugs and social unrest, the ‘La Diferencia’ sessions reflect a unique mix of punk aesthetics with a synthesized bedroom funkiness. A somewhat illustrious figure in Dutch pop history with his flamboyant appearance as well as having one of the more exceptional male voices to come out of the country, Richenel would go on to record a number of successful albums and hit singles in the Netherlands and beyond. This largely unknown album on Fetisj however, seems to embody the spirit of another time; a particularly unique and richly creative moment in Amsterdam’s musical and cultural history and one that is deserving of a much wider audience.\u003c\/p\u003e\u003cp\u003e\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F563170236\u0026amp;show_artwork=true\u0026amp;color=f2667e\u0026amp;buying=false\u0026amp;theme_color=232323\u0026amp;font=Helvetica+Neue\u0026amp;show_user=false\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp\u003e‘Perfect Stranger’ is co-compiled by Orpheu De Jong\u003c\/p\u003e","brand":"Music From Memory","offers":[{"title":"LP","offer_id":50449269850443,"sku":"1044605","price":18.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/c39ab02a-e478-48c4-86a8-cf65464f0fc8_thumbnail_4096.jpg?v=1727100972"},{"product_id":"broken-belief","title":"Broken Belief","description":"\u003cp\u003e10 tracks by Japanese ambient musician Toshifumi Hinata. Right on point!\u003c\/p\u003e\u003cp\u003e\u003ci\u003eBroken Belief\u003c\/i\u003e brings together a selection of recordings by Japanese multi-instrumentalist Toshfumi Hinata drawn from a body of work originally recorded between 1985-1987. Attending Berklee College of Music after spending time living in both the United States and the United Kingdom, Hinata would study under the tutelage of pianist Patricia Laliberte, graduating from the esteemed American school in 1982. Returning to Japan after becoming disillusioned with his classical training, Hinata experimented with many different forms of music. Moving away from depending simply on acoustic instruments, he would instead become entrenched in the possibilities of the latest analog synthesizers being developed at the time.\u003c\/p\u003e\u003cp\u003eToshifumi Hinata’s initial idea was to make his first album with just a Prophet 5 and Linn Drum Machine. Tweaking filters and creating intricate sequences, Hinata would record various sounds on analog tapes and overdub many different layers; recording violin, piano and other accompaniments separately later on. It would become a method of working for the musician which he would apply almost entirely throughout this period. A deeply submerged process; one in which he would seek, as he himself puts it, to \"weave musical images\".\u003c\/p\u003e\u003cp\u003eToshifumi Hinata would go on to record several more albums released only on CD throughout the late 1980s and 1990s, after which he focused mainly on music for TV dramas, commercials and documentaries. Now living in Tokyo he is almost exclusively focused on creating music for documentaries. The period of work released between 1985-1987 is one though that was not only a rich moment in the history of Hinata himself but of Japanese music and electronic music in general.\u003c\/p\u003e","brand":"Music From Memory","offers":[{"title":"Black | LP","offer_id":50453288059211,"sku":"1075556","price":20.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/f9441a8f-dcee-47bd-a909-730caf075798_thumbnail_4096.jpg?v=1727170581"},{"product_id":"uneven-paths-deviant-pop-from-europe-1980-1991","title":"Uneven Paths: Deviant Pop From Europe 1980-1991","description":"\u003cp\u003eCompiled by record connoisseur Raphael Top-Secret and label man Jamie Tiller. The compilation brings together twenty one tracks from across the continent; exploring the more unusual and unexpected sides of Pop music produced during that period. Drawing material from cult experimental artists such as Steve Beresford, Brenda Ray and Bill Nelson alongside one-off independent musical projects rescued from the fringes, ’Uneven Paths’ focuses on a selection of tracks that go beyond the confines of mainstream pop music but which also transcend expectations of much of the ’experimental’ music of the time. This is music with one foot in the avant-garde and another foot firmly rooted within the sensibilities of Pop; where Jazz musicians detour into Synth-Pop, Punk bands break into Boogie jams, and student doctors jam out on odd melodies with synthesizers and drum machines during their night shifts.\u003c\/p\u003e","brand":"Music From Memory","offers":[{"title":"LP | x2","offer_id":50453451178315,"sku":"1031032","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/0cb1ceae-f8d6-4c69-b415-1716d86799b9_thumbnail_4096.jpg?v=1727172222"},{"product_id":"dschung-tek-ep","title":"Dschung TEK EP","description":"\u003cp\u003eMusic From Memory are back with their first 12” of 2019 in the form of a five track EP from prolific German drummer Curt Cress.\u003c\/p\u003e\u003cp\u003eSince the early 1970s Cress has worked with a number of high profile German bands such as Passport, Atlantis and Snowball as well as on cult Disco records with studio groups such as Tender Aggression and Chime. Working tirelessly as a session musician for countless German and International Jazz, Rock and Pop acts, Cress has also worked extensively as a Producer, most notably for Nina Hagen. Cress would also record a number of records as a solo artist, with his unique sensibility as a drummer given centre stage.\u003c\/p\u003e\u003cp\u003eMFM 038 features three deep percussive workouts from his 1983 solo album ‘Avanti’, a record which has been a long time favourite the label. With the tracks ‘Power Vein’ and ‘Sundance’ now finally available on a loud 12” pressing. The EP also features two direct detours into House music by Curt with alternate versions of the forward thinking drum track ‘Dschung Tek’. Released in 1991 under Curt’s ‘C.C’ moniker, ‘Dschung Tek’ has been another big favourite of the last few years at the label after a tip by way of their pal Tornado Wallace.\u003c\/p\u003e","brand":"Music From Memory","offers":[{"title":"Black | 12\"","offer_id":50455885021515,"sku":"1062087","price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/da030a32-4120-44ad-bd63-17f6a25475cb_thumbnail_4096.jpg?v=1727194831"},{"product_id":"tom","title":"Tom","description":"\u003cp\u003eHeart to Gold is a band from Minneapolis, Minnesota. To be even more specific, they’re three guys from Fridley and Columbia Heights, two towns on the north end of the Twin Cities. These facts are important: the three members of Heart to Gold share an intimate and reciprocal relationship with their hometowns. They celebrate and support one another. \u003cbr\u003e\u003cbr\u003eThe band’s second full-length record, \u003ci\u003eTom\u003c\/i\u003e, is a swaggering, scrappy punk rock love letter to their hometowns and all the glory, pain, conflict, and reward that come from being of a place and a community and seeing both through, even to bittersweet ends. (Plus, it’s got an I Think You Should Leave reference.) It’s named for and dedicated to their best bud, Thomas Vescio, though his is not the mug leering goofily on the record’s cover. “That’s our bass player Sidian Johnson,” says singer and guitarist Grant Whiteoak. It’s an intentional feint: “It’s kinda silly, we knew people would think, ‘Oh, that must be Tom.’ Nope.” \u003cbr\u003e\u003cbr\u003eThe music on \u003ci\u003eTom\u003c\/i\u003e, which follows their 2018 LP \u003ci\u003eComp\u003c\/i\u003e, was written by Whiteoak between early 2019 and early 2021 before he convened with Johnson and drummer Blake Kuether to track at various locations across the Twin Cities, including Tangerine Recording Studio in St. Paul, TreeSpeak Studios in Minneapolis, and Whiteoak’s house. \u003cbr\u003e\u003cbr\u003eIt’s a fitting process for a record that tracks the formative emotional rollercoaster of life between the Twin Cities and Red Wing, Minneapolis, where the trio went to college. Whiteoak says the central motifs on Tom are deeply emotional. “It’s about maybe feeling not good enough, or just feeling like not appreciated for whatever reasons, whether that’s in your internal emotional capacity or from something external,” he says. “It’s not an emo record, but it’s not a bubblegum pop record.” \u003cbr\u003e\u003cbr\u003eIt may not be either, but Tom steals from both ends of that spectrum, copping the chipper Midwest energy of The Weakerthans alongside the spacious, expressive emo of American Football and the thrashing, perfectly-ordered messiness of Hüsker Dü.\u003c\/p\u003e","brand":"Memory Music","offers":[{"title":"Green | LP","offer_id":50458709295435,"sku":"1162631","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/42ba6c87-0789-4dca-beb2-6375f48c0225_thumbnail_4096.jpg?v=1727213193"},{"product_id":"resonant-bodies","title":"Resonant Bodies","description":"\u003cp\u003eMusic From Memory are excited to present the latest chapter in their ongoing collaboration with seminal Spanish ambient musician Suso Saiz. \u003ci\u003eResonant Bodies\u003c\/i\u003e is Suso’s seventh album project with the label and again raises the bar of his musical output, embracing a conceptual approach of which Suso himself says the following: \u003c\/p\u003e\u003cp\u003e“A body vibrates producing a sound that reaches another body and makes it vibrate and generate a new sound that makes another body vibrate that generates another sound... Imagine an infinite orchestra of bodies multiplying their sound vibrations creating the symphony of Resonant Bodies.\u003c\/p\u003e\u003cp\u003eResonance as a principle of Communication; sound as a builder of ties and interrelations between men. Resonant Bodies pieces are part of a whole and are both generators of it. Unlike other works, during the approximately two years it took me to finish Resonant Bodies the pieces were gradually completed and small sound particles were added caused by the vibrations generated by the previous layers until creating imperfect and synchronized sound objects.”\u003c\/p\u003e","brand":"Music From Memory","offers":[{"title":"Black | LP","offer_id":50460651356491,"sku":"1139840","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/b33b8da1-6b24-40d6-a27c-e71e3d76ff1c_thumbnail_4096.jpg?v=1727236093"},{"product_id":"the-distance-1","title":"The Distance","description":"\u003cp\u003eNew LP from Gigi Masin, Jonny Nash and Young Marco. Highly Recommended! In the spring of 2016, Gigi Masin, Jonny Nash and Marco Sterk got together in the studio for the first time since they recorded Clouds, the critically acclaimed debut album from their Gaussian Curve project. By the time they reconvened in Sterk's new studio in Amsterdam, a stone's throw away from the temporary, second-‐floor space where they recorded Clouds, much had changed. When they first got together in March 2014, it was for a spontaneous, weekend-‐long exploration of shared musical passions. They were merely three new friends expressing themselves, and having huge amounts of fun in the process. By the time they got together again last year, the album they recorded on that famous weekend had taken on a life of its own. To their surprise and delight, Clouds had become one of the most admired ambient albums of the 21st century. Theyd initially reconvened in the studio to rehearse for their first live performances. It soon become clear that all three members were brimming with ideas for new Gaussian Curve material. Over the four days that followed, and fuelled by the same spontaneous working method that drove Clouds, a new album began to take shape. Although their methodology remained the same, the inspirations were different. Whereas Clouds was intimate by design, The Distance reflects more on spaciousness, distance and time. It is instantly recognizable as a Gaussian Curve record, but feels different in scope and tone. The Distance is a different musical beast to its predecessor, but shares the same timeless, emotion‐rich feel that made Clouds such a hit. While the fundamental ingredients remain the same Masins masterly piano and synthesizer work, Nashs blissful, meandering guitar\u003c\/p\u003e","brand":"Music From Memory","offers":[{"title":"LP","offer_id":50481872306507,"sku":"1010382","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/fccf6be4-3e21-43ae-93f8-afb67faa265a_thumbnail_4096.jpg?v=1727545923"},{"product_id":"the-dahlem-diaries","title":"The Dahlem Diaries","description":"\u003cp\u003eThe new LP by Krefeld-born, Berlin-based artist Philipp Otterbach entitled \u003ci\u003eThe Dahlem Diaries\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003eRecorded in a little-visited corner of the German capital, \u003ci\u003eThe Dahlem Diaries\u003c\/i\u003e is a convergence of ideas, sketches and tracks, both old and new, most of which were produced between 2020-2022. Whilst eerie atmospheres, electronics and drums have played a pivotal role in Philipp’s earlier releases, his latest is a rather more introspective affair, in which the guitar takes a leading role. A role Otterbach uses to quietly bring light and hope to his music.\u003c\/p\u003e\u003cp\u003eSpeaking about his writing process, Philipp explains that, based around his original compositions, “Friends were nice enough to contribute additional parts on their instruments which I then reworked, put together and re-contextualized. The recordings encapsulate a very specific moment in time, one that would have sounded perhaps very different the day before or after.”\u003c\/p\u003e\u003cp\u003eCombined with a strong use of effects and field recordings, \u003ci\u003eThe Dahlem Diaries\u003c\/i\u003e feels somewhat like a scene or fragment from a story, in which the narrative remains undefined. It is a playful album that is something of a blurred underwater adventure, sounding as bright as it is hazy, even psychedelic at times, yet with an almost melancholic positivity. In Philipp’s own words: “It could be an album about friendship and being at one with myself, whilst at the same time bringing a certain seriousness to my music, but not necessarily to myself; there is also a playful humour hidden in there. ”\u003c\/p\u003e\u003cp\u003eArtwork by David McFarline.\u003c\/p\u003e","brand":"Music From Memory","offers":[{"title":"LP","offer_id":50484338721099,"sku":"2053921","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/The_Dahlem_Diaries_3465400a_thumbnail_4096.jpg?v=1727588747"},{"product_id":"hidden-gems","title":"Hidden Gems","description":"\u003cp\u003e\u003ci\u003eHidden Gem\u003c\/i\u003e is the Zenmenn's first full album produced together with songwriter and vocalist John Moods and follows their much-loved debut record, \u003ci\u003eEnter The Zenmenn\u003c\/i\u003e. Named after a country song that didn't quite make it to the final selection, 'Hidden Gem' is the result of an extended jam session at a friend’s studio, in a field of mystical meadows somewhere south of Hamburg, in which the band would experience a series of inexplicable phenomena.\u003c\/p\u003e\u003cp\u003eIt was their earlier collaboration on the future classic, \u003ci\u003eHomage To A Friend\u003c\/i\u003e that kickstarted their idea to team up with John Moods again, and in the late summer of 2021 the band set to work on a full album of material together. Using The Zenmenn's trusted drum kit, good old DX7, an unusual Ukrainian bass and an almost discarded pedal steel guitar, combined with Moods’ uniquely fragile voice, the outcome resulted in six timeless songs. The resulting harmonic sound is, as the band put it, “something like Adult Oriented Rock with a teaspoon of Celtic sentimentalism, a pinch of big city Country wrapped in a late night '70s style jam”.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eHidden Gem\u003c\/i\u003e, much like their previous LP, was recorded without pre-arranged songs or any fixed musical concept. Instead, it captures fleeting moments of creativity and reflects the joint musical sentiments of the band members at the time. “Some artists are amazing at vision and curating, our work-flow is opposite to that. We are pretty messy and all over the place in our creation, as in life. It has its advantages and disadvantages, but hopefully it comes out all right in the end.”\u003c\/p\u003e","brand":"Music From Memory","offers":[{"title":"Black | LP","offer_id":50489744523595,"sku":"1161221","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/ce62ddff-c3dc-44f7-a58e-d07b645c5b2e_thumbnail_4096.jpg?v=1727643511"},{"product_id":"virtual-dreams-ambient-explorations-in-the-house-and-techno-age-1993-1997","title":"Virtual Dreams: Ambient Explorations In The House and Techno Age, 1993-1997","description":"\u003cp\u003eMusic From Memory is delighted to be turning 50 with a special release: MFM050 - V\/A - Virtual Dreams: Ambient Explorations In The House and Techno Age, 1993-1997 (3xLP\/2xCD). The first in a series of compilations, alongside more in depth artist-focused releases, Virtual Dreams will delve into music produced during the 1990’s that redefined the boundaries of ‘Ambient’. This was music that explored the possibilities of Ambient music within a new setting, created often by House \u0026amp; Techno music producers for a world beyond dance floors but made very much with the pre and post-clubbing listener in mind.\u003c\/p\u003e\n\u003cp\u003eWhen House and Techno exploded out of America in the mid 1980s a whole generation was redefined not only musically but also culturally and chemically speaking. Peaking, quite literally, with a second ‘Summer of Love’ in 1988, millions of young people across the world would experience the life-changing ups of a brave new world but with it of course came the downs; enter the concept of a ‘Chill-out’ room. Whilst early Chill-out rooms lacked a specific sound and were often soundtracked by music such as reggae and soul, slowly young Techno and House producers themselves would become increasingly interested in developing a futuristic ‘Ambient’ soundtrack to a world beyond the thud of the main room.\u003c\/p\u003e\n\u003cp\u003e‘Ambient’ in this new age now though had sharper teeth than in Brian Eno's key text for ‘Music for Airports’, instead here the sounds were the mode of transport rather than the backdrop. While the melodies were pretty, the soundscape steered away from the pastoral, dreaming of outer-space and technology as opening up exciting new dimensions. Much like in the first Summer Of Love; the musicians were again exploring psychedelic, mind-altering and transcendental possibilities of music. And also much as in the first Summer Of Love, a psychedelic visual language would accompany the music. Though now the tracks could be accompanied by music videos, utilising early CGI techniques, they would look almost entirely to the future: envisioning technology, nature and humanity intertwined in a new Utopian future. Virtual Dreams of a better world.\u003c\/p\u003e\n\u003cp\u003eFrom Ambient and early Chill-out classics, to lesser known one-off projects, as well as Ambient deviations by some of House and Techno’s leading producers, Volume One of Virtual Dreams features tracks by Bedouin Ascent, LA Synthesis, LFO, Marc Hollander, Mark Pritchard \u0026amp; Kirsty Hawkshaw, Richard H. 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Recorded during 2021 and the beginning of 2022, it is the result of Androo's desire to draw connections between diverse fragments of music and art.\u003c\/p\u003e\u003cp\u003eOriginally born out of the Dub sound-system scene in Geneva and with a continued love for the modal music of the likes of John and Alice Coltrane and Pharoah Sanders, Androo has long put improvisation at the center of his practice. His understanding of dub music as an integral part of the experimental music tradition, with ties to the school of Musique Concrète for instance, and with trap music as another vital ingredient, has as much to do with the form as with the method. With the studio as a laboratory for experimentation, Androo utilizes a variety of outboard instruments as well as working in-the-box, but it’s his classic “dub style” technique of mixing at the hardware console that leaves its quintessential mark throughout the whole record.\u003c\/p\u003e\u003cp\u003e'Club Salon Theatre' is a rich patchwork of imagined scenes, emotive melodies, flying rhythms, harmonic changes, loose improvisations, with an almost romantic thread running through it. Like a collection of musical poems, gently arranged in what is sometimes sparse musical language. Far from a patchwork of scattered and disjointed inspirations, there is a real unity and singularity at work, resulting in a record which can be enjoyed as a collection of sonic poems, simultaneously nonchalant and earnest, sentimental and playful.\u003c\/p\u003e","brand":"Music From Memory","offers":[{"title":"LP","offer_id":50490494517579,"sku":"2027984","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a3224342720_10_d9646716_thumbnail_4096.jpg?v=1727664062"},{"product_id":"early-tape-works-1986-1993-vol-2","title":"Early Tape Works 1986 - 1993 Vol 2","description":"\u003cp\u003eThe Japanese producer and DJ Kuniyuki Takahashi is the subject of Music From Memory’s latest retrospective compilation with ‘Early Tape Works - 1986-1993’. Composed of two volumes, the compilations gather together a selection of tracks from a tiny run of privately released tape only albums, highlighting a fascinating early period in Kuniyuki’s musical output, one of which little is known. \"After discovering the world of nightclubs in Japan around 1986, and the seemingly boundless freedom expressed there through music as well as art, Kuniyuki became inspired to experiment with electronic music. Excited by the possibilities of new music technology, he would begin to gather together a number of, at that time, reasonably accessible and inexpensive local keyboards, drum computers and recording equipment. This became for Kuniyuki a way in which to explore music not as such made for nightclubs, but certainly inspired by them. Setting up a home studio in his hometown of Saporro, Kuniyuki would record extensively during this period with the equipment he had gathered together, equipment such as Roland’s Juno60, TR-606, TB-303, Casio FZ-1, Korg 770, Boss DE-200, Foster A8 and a Yamaha MT44 track cassette recorder. Driven to develop a musical language derived as much by an exploration of music technology and a desire to create new sounds, Kuniyuki was also looking to evolve the possibilities of what he refers to as a ‘new Oriental sound’. 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This volume picks up where the first Outro Tempo left off, shedding light on a new wave of experimentalism that emerged in Brazil in the late 1980s and 1990s. The twenty tracks collected uncover another area of Brazilian music that looked to the future for inspiration. This time it drifts beyond the rainforest and into the pulsating heart of Brazil’s great cities, where it meets a generation of young artists eager to radically change the face of contemporary Brazilian music. In Outro Tempo II the avant garde and pop worlds meld in a haze of percussion and electronics. It presents another uncompromising and magnetic reinterpretation of the limits of Brazilian music. 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The final result is an immersive musical compilation that flows perfectly from start to finish.\u003c\/p\u003e\u003cp\u003eTragically, during the last few weeks of finalising MFM066, label co-owner Jamie Tiller passed away in a sudden accident. \u003ci\u003e10\u003c\/i\u003e was always intended to be a way to reflect on the journey of Music From Memory. 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Or, in the band's own words, in a time of what they see as spiritual neglect, “it offers a human kind of stillness through the dualistic fusions of complexity and simplicity, mystery and clarity and East and West.”\u003c\/p\u003e","brand":"Music From Memory","offers":[{"title":"Black | LP","offer_id":50530089795915,"sku":"1116060","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/b754b667-644a-4674-8b18-c75aa459d4d5_thumbnail_4096.jpg?v=1728072225"},{"product_id":"move-through-it","title":"Move Through It","description":"\u003cp\u003eIn his foundational essay on Los Angeles, L.A. 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The eight-track record, however, lands in a more contemplative zone, better suited for a golden hour drive than a night out.\u003c\/p\u003e\u003cp\u003eThough it's his first record, 'Move Through It' is the accomplished work of a fully-formed artist, produced patiently between 2017 and 2020 with help from friends including Baba Stiltz, Phil Cho, Damon Palermo and John Jones. \"Mark,\" the Koanic track conclusion side A, is an arpeggiated slow burn reminiscent of Pino Donaggio's brilliant score for Brian De Palma's 1984 film Body Double. Ho's stunning, pure falsetto soars above gentle melodies. \"Miss Suzuki,\" the piece that originally caught the ear of MFM's Jamie Tiller and Tako, opens the record with a blue, cinematic sway. Ho's facility for poignant melodies—easily conveyed through saxophone, vibes, various keyboards and his own voice—shines on \"College Crest Drive,\" as well as the title track. The lyrical \"Move Through It\" and the restrained and beautiful closing cut, \"TYFC,\" are abetted by glimmering Kraut guitar figures courtesy of John Jones.\u003c\/p\u003e\u003cp\u003eWhile Ho's rhythms and melodies paint a crystal-clear musical vision, the music's emotional centre is more elusive, indicative of a yearning feeling synonymous with the City Of Angels. Hitting these hazy and subtle notes, Move Through It falls within a canon of sun-addled records spanning from Herb Alpert's \"Rotation\" to Dam-Funk's Private Life trilogy as Garrett. 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As with Part One, released in 2020, 'Virtual Dreams II' shines a light on house and techno-adjacent music that helped redefine the definition of ambient music during the 1990s.\u003c\/p\u003e\u003cp\u003eThe focus of Part One heavily fell on music from techno and house producers in Europe, eagerly exploring new soundtracks for chill-out rooms and re-imagining the potential future of club culture from new perspectives. For Part Two, we narrow the lens to focus on a unique time and place, namely Japan between 1993-1999. Despite missing out on the 'Acid House Fever', club culture was beginning to take shape in Japan during the early '90s. 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First appearing on Eiji’s compilation ’Heisei No Oto - Japanese Left-field Pop From The CD Age (1989-1996)’, this selection of rediscoveries, further shines a light on the singular musician known as Dream Dolphin and her place in Japan’s rich electronic music legacy.\u003c\/p\u003e\u003cp\u003eDream Dolphin was originally an Ambient and Electronic project by the Japanese artist referred to simply as Noriko, who moved from studying classic Italian songs as a child, to increasingly being inspired by artists such as PIL, Yellow Magic Orchestra, KLF and movies such as ‘2001: A Space Odyssey’ and ‘Le Grand Bleu’. The music she released under the name Dream Dolphin, from the age of sixteen, is unique and versatile in style, encompassing Ambient, IDM, Techno, Trance and Drum \u0026amp; Bass, whilst fusing natural sounds with her own spoken word lyrics.\u003c\/p\u003e\u003cp\u003eDream Dolphin released an incredible twenty albums in just eight years. 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