{"title":"Nine x Nixe","description":null,"products":[{"product_id":"crockodials","title":"Crockodials","description":"\u003cp\u003eKelley Stoltz’s track for track covers album of Echo and the Bunnymen’s \u003ci\u003eCrocodiles\u003c\/i\u003e is available for the first time on vinyl this Record Store Day via Nine x Nixe Records. Originally recorded in late 2001, the album was not released until 2006 and was only available on CD (originally a Tour Only CD via Beautiful Happiness). Stoltz took up the mantle of rhythm guitar in the Bunnymen’s live set up in 2016, after a few high profile state-side support slots won largely because of this album. Pressed on 180 Gram colour vinyl, with original artwork and new sleeve notes from Bunnymen guitarist Will Sergeant and Scott Kannberg (Pavement), there’s never been a better time to discover this gem from Stoltz’s back catalogue. Remastered by Mikey Young. Bonus 7” E.P. features 3 early demos of 14 year old Kelley’s band. These are the earliest known recordings of Stoltz’s Bunnymen covers. 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One of those ever present characters \u003cbr\u003ewho seems weirdly displaced in the modern world.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eWhelligan’s songs mine that vein of melodic, psychedelic guitar pop that a certain type of English \u003cbr\u003eband are famous for. With songs spinning effortlessly from one genre to another, fans of XTC, Syd \u003cbr\u003eBarrett, and even The Rutles won’t be disappointed.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCo-produced by long term collaborator Nick Frater (Big Stir Records\/Great Sheiks) whose trademark sonic fairy-dust brings the magic of Whelligan’s tunes to your ears.Sweet vocals harmonise over warm and wiry guitars, while inventive lyrics are matched with floating melodies. 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For the B side, The Burning Hell took a crack at a cover of the excellent Half Man Half Biscuit song Lark Descending, recorded outside in the woods of Eastern Canada with the help of a solar-powered recording studio trailer.\u003c\/p\u003e\u003cp\u003eThe Burning Hell is the songwriting project of Mathias Kom, particularly known for their literate—often literary—and humorous lyrics. Theirs is a diverse yet distinctive brand of DIY Indie Pop. Over a varied musical career, The Burning Hell have often remained idiosyncratic and unclassifiable, much to the delight of those who love them. Although musical style and influence differs from record to record, and song to song, the constant has always remained Kom’s singular outlook on the world: wise and naive, cynical and life-affirming, full of brilliant, unexpected narratives and a deeply felt generosity of spirit. The band’s live performances underscore these themes: they exhibit a joy and camaraderie too infrequently seen on stage. 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Self-producing and working out of their own Yellowbird Studio, they enlisted the help of Grammy award winning producer Mark Rankin (QOTSA, Adele, Bloc Party) to mix the record. Throughout their career, the band have consistently demonstrated their ability to wilfully dismantle themselves in the pursuit of pushing the boundaries of what can be achieved both sonically and emotionally with their music.\u003c\/p\u003e","brand":"Nine x Nixe","offers":[{"title":"CD","offer_id":50461215261003,"sku":"2010344","price":12.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50461215686987,"sku":"2010345","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/getImage-1.php_4f23f4d2_thumbnail_4096.jpg?v=1727245370"},{"product_id":"restless-fate","title":"Restless Fate","description":"\u003cp\u003eEarly 80’s Liverpool stalwarts The Room are back. Theirs is a melodic blend of progressive, alternative pop and sultry post-punk, which is just as fresh and relevant now as it was when they first broke up in 1985. Firm favourites of the late, great John Peel they have been compared to Joy Division, The Fall and fellow Liverpool band Echo and the Bunnymen. New album \u003ci\u003eRestless Fate\u003c\/i\u003e picks up where the band left off. At times shimmering, at times haunting, but at all times an arresting and urgent listen. An exploration of man’s search for meaning and the dysfucntion of the human condition, there is still a relentless optimism at the core of this record. A stark post-punk soundcape provides plenty of space for frontman Dave Jackson’s spirited yet acerobic vocal. 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