{"title":"Not Not Fun","description":null,"products":[{"product_id":"escapism","title":"Escapism","description":"\u003cp\u003eTokyo architect Hiroki Takahashi is a world-builder both in matter and sound. His latest collection of serene micro-miniatures was inspired by “the dissatisfaction with reality that I feel on a daily basis.” Escapism offers exactly that: percolating patterns of fiberglass synthetics and fluorescent melody, assembled into minimalist bio-domes of refracted light and hanging gardens. \u003c\/p\u003e\u003cp\u003eRecorded during metropolitan commutes, afterhours office meditations, and various windows of urban stasis, the album actualizes the ambient muse of its maker, willing space from density, tranquility from tedium. As with his work in exotic atmosphere unit Unknown Me, Takahashi’s touch is hushed, precise, and prismatic, coaxing spectrums of illusion and bliss in its tinted glass spirals: “Extreme tension produces extreme relaxation.”\u003c\/p\u003e","brand":"Not Not Fun","offers":[{"title":"White LP.","offer_id":50389979726155,"sku":"2164170","price":25.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Escapism_9c651435_thumbnail_4096.jpg?v=1726377577"},{"product_id":"ataraxia","title":"Ataraxia","description":"\u003cp\u003eThe concept for and palette of Crystal Dorval aka White Poppy’s ‘Paradise Gardens’ trilogy first germinated in 2016 as a notion of “paradise music” combining new age, bedroom shoegaze, and bossa nova into “transcendental Tropicalia.” As she filled tapes of recordings exploring the idea, many of the songs gradually gravitated towards the hermetic dream pop her project is best known for, becoming the albums \u003ci\u003eParadise Gardens \u003c\/i\u003e(2020) and \u003ci\u003eSound Of Blue \u003c\/i\u003e(2023). Dorval describes these collections as a sort of “emotional purging or shadow work,” before arriving at “the state of inner paradise:” Ataraxia.\u003c\/p\u003e\u003cp\u003e As the third, final, and most purist realisation of the original ‘Paradise Gardens’ vision, \u003ci\u003eAtaraxia\u003c\/i\u003e delivers. Nine instrumentals of nimble guitar, elevated bass, clean rhythm, and clear light, gliding like swans on a shimmering pond. There’s a sense throughout of playful tranquillity, of serenades at sunset, of kisses of blissful Muzak wafting along a boardwalk.\u003c\/p\u003e\u003cp\u003eBut behind the music is a patience, grace, and levity born of Dorval’s personal journey with spiritual healing that paralleled the trilogy. A process of transmuting pain into beauty, day by day, melody by melody, cleaving the darkness from the soul and re-entering one’s rightful home in the Garden.\u003c\/p\u003e","brand":"Not Not Fun","offers":[{"title":"White LP","offer_id":50426434453835,"sku":"2212337","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Ataraxia_b1f3b8a4_thumbnail_4096.jpg?v=1726809882"},{"product_id":"bitokagaku","title":"Bitokagaku","description":"\u003cp\u003eThe second LP by Tokyo ambient conceptualists Unknown Me began as a commission for historic Japanese cosmetic conglomerate Shiseido, conjuring audio approximations of seasons and scents, but soon flowered into its own refracted and rarefied environment: \u003ci\u003eBitokagaku\u003c\/i\u003e. Translated as “beauty and science,” the album is the foursome’s first composed solely with software, reflecting the collection’s utopian, laboratorial muse.  \u003c\/p\u003e\u003cp\u003eFrom levitational electronica (“A Rainbow in Meditative Air”) and vaporous downtempo (“Dancing Leaves”) to planetarium reverie (“Kitsune No Yomeiri”) and AI IDM (“Retreat Beats”), the music moves like weather patterns in a bio-dome: dazzling, microcosmic, and delicately calibrated. Percolating synths crossfade with field recordings from Shiseido’s research division; the sound of streams and distant birds blur into a processed haze; clinical voices read lists of precious stones. It’s a vision of new age as soft robotics, of serenity streamlined by sentient systems.\u003c\/p\u003e\u003cp\u003eUM’s team of engineers (Yakenohara, P-RUFF, H. 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Latticework electronics flicker with texture, glitch, wobble, and mirage, themed around sensory perception and body parts.\u003c\/p\u003e","brand":"Not Not Fun","offers":[{"title":"Black | LP","offer_id":50456304746827,"sku":"1121571","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a1543498531_16_bc1c3dae_thumbnail_4096.jpg?v=1727197523"},{"product_id":"relativiteit-van-de-omgeving","title":"Relativiteit Van de Omgeving","description":"\u003cp\u003eAntwerp synthesist David Edren describes his latest solo collection in conceptual terms: a harmony of space and time, elements and environments, perception and impermanence. \n\nConceived in the morass of 2020, he began envisioning a widescreen suite of electronic compositions connected to the hidden rhythms of what surrounds and affects us. The 12 tracks of Relativiteit Van de Omgeving trace a chain of miniature terrariums, from misty meadows and moonlit gardens to cosmic vistas of asteroid showers.\n\nIt’s music both subtle and symphonic, attuned to the sweeping planetary clockwork of water and wind, birds and insects, seeds scattered in soil forever being reborn: “skating the thin ice of ideas, like a heroic water strider.”\n\u003c\/p\u003e","brand":"Not Not Fun","offers":[{"title":"LP","offer_id":50478636499275,"sku":"2010579","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a0979205736_10_7b45a67e_thumbnail_4096.jpg?v=1727487281"},{"product_id":"alley-of-the-sun","title":"Alley of the Sun","description":"\u003cp\u003eAlthough many a vibe has shifted since the days of dubbing NNF001 one at a time on the floor of a Koreatown bachelor apartment in February of 2004, using stolen photocopies and tie-dyeing J-cards with wine, the label’s essential premise has not. Then, as now, the vision was to elevate and enshrine outsiders, foragers, hidden gems, and hybrid sounds on cheap tapes or affordable records, to be savoured and shared in the here and now. 399 catalogue titles later, the centre still holds.\u003c\/p\u003e\u003cp\u003eTo toast the label’s 20th anniversary and 400th release, we commissioned a gold roll call of alumni and affiliates: Alley Of The Sun. Named in homage to the Malibu mystic music fountainhead, skewed through a smoggy sideways lens, the 16-song, 90-minute, double LP suite spans every shade of NNF’s Pacific palette: rainforest ceremony, skyway motorik, Tascam rapture, silhouette shoegaze, basement vapour, astral ascension, jazz shadows, 5th world tropics, lucid dream drone, desert quests, prophecy electronics, ritual wreckage.\u003c\/p\u003e\u003cp\u003eEqual parts snapshot, tapestry, and time capsule, the compilation reflects the breadth of NNF’s two-decade exploration and evolution, from simple soil to a sea of dunes. True undergrounds have no set sound or fixed polarity, only flashes of transient magic and forking paths, to be cherished and championed for as long as the candle lasts.\u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003e1. X. Y. R- Wind Chimes Voices\u003c\/p\u003e\u003cp\u003e2. Frunk29- Journey In Search of the Holy Gray\u003c\/p\u003e\u003cp\u003e3. SiP- Grand Avenue\u003c\/p\u003e\u003cp\u003e4. NEW MEXICAN STARGAZERS- HEADLIGHTS IN REARVIEW\u003c\/p\u003e\u003cp\u003e5. White Poppy- On Love\u003c\/p\u003e\u003cp\u003e6. Essential Key- Cold City\u003c\/p\u003e\u003cp\u003e7. UNKNOWN ME- Mirage of Ocean\u003c\/p\u003e\u003cp\u003e8. Magnétophonique - V50 tone transfer\u003c\/p\u003e\u003cp\u003e9. David Edren- Vienya \u003c\/p\u003e\u003cp\u003e10. Andra Ljos- SIlver Wings and a Drop of Blood\u003c\/p\u003e\u003cp\u003e11. Wave Temples- Side Quest\u003c\/p\u003e\u003cp\u003e12. Golden Hallway Music- Evening Sky People (Yaman Dream)\u003c\/p\u003e\u003cp\u003e13. 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It’s music for memory gardens and pastel horizons, dreaming of bliss and distance, but bound to the here and now: “Thinking about leaving here forever \/ thinking about leaving here for good \/ but I keep holding on for something \/ hoping that it could get better than this \/ what’s one more night?”\u003c\/p\u003e","brand":"Not Not Fun","offers":[{"title":"LP","offer_id":50529932083531,"sku":"2050059","price":25.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Sound_of_Blue_232cf5bf_thumbnail_4096.jpg?v=1728068185"},{"product_id":"leos-ultras","title":"Leos Ultras","description":"\u003cp\u003eA full four years after Chicago organ maestro Jimmy Lacy’s legendary maiden voyage as SiP, \u003ci\u003eLeos Naturals\u003c\/i\u003e, he returns with its lush, layered, long-awaited sequel: \u003ci\u003eLeos Ultras\u003c\/i\u003e. \u003c\/p\u003e\u003cp\u003eConceived and recorded in a corner of a large floorplan warehouse-turned-sound lab called Homan Gardens, the album radiates a rare joy and colour, projected through a technicolor slideshow of cosmic keys, clarinet, kalimba, sax, melodica, flute, tambourine, and drumbox. The songs feel warm and weathered, like familiar garments treasured through passing seasons.\u003c\/p\u003e\u003cp\u003eMany seasons did pass while these songs took shape, spiked with seismic changes – Lacy’s first daughter was born, followed 17 months by a second. Daily routines grew denser, but he never lost faith in the melodies simmering in the periphery of his thoughts: “I knew the music would be there whenever I had the time. It felt good to stay calm about it.” Patience paid off; Leos Ultras is indeed the ultimate SiP statement to date, rich with detail, discovery, beauty, lofted improvisation, and shades of spiritual jazz. It’s music both casual and cosmic, playful and poignant, channelled from long shadows and wordless hours in celebration of life, love, and Leo. \u003c\/p\u003e","brand":"Not Not Fun","offers":[{"title":"Yellow LP","offer_id":50531982999883,"sku":"2220866","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Leos_Ultras_9230e554_thumbnail_4096.jpg?v=1728113733"},{"product_id":"rural-deceased-undiscovered","title":"Rural Deceased Undiscovered","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCalifornia composer Phil Geraldi’s vinyl debut both refines and refracts his signature muse of interstitial Americana across 11 melted glass mosaics of processed guitar, decayed radio glow, and Harmonia synth horizons: \u003cem\u003eRural Deceased Undiscovered.\u003c\/em\u003e He describes his vision for the pieces as “multilinear,” rearranging classic radio songbook elements like hooks, choruses, and emotional cues into unfamiliar topographies of “alien country.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eShards of acoustic guitar and pedal steel flicker in long shadows of amplifier hum and airwave static, like the scrambled broadcast of some heartland station along a desert highway. 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