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'Nocturnal Koreans' emphasises studio construction over authentic performance, using the recording environment as an instrument, not just as a simple means of capturing Wire playing.Although it's become de rigueur to talk about Wire's capacity for self-reinvention, that's never the whole story. Certainly, the impulse to pursue fresh ideas with each phase of work is buried deep in their artistic DNA, but they've balanced that commitment to the new with a core character and attitude that's always at some level recognisable as Wire - without being reducible to a formulaic sound. 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There is less overt anger and insolence than in the past, and in its place is plenty of dark weirdness. truly disturbing at certain points, this album is a challenging listen. Beginning with the sinister \u003ci\u003eI Should Have Known Better\u003c\/i\u003e a song that has so little to do with the same-titled Beatles song that it really is scary, \u003ci\u003e154 \u003c\/i\u003efollows with the shambling, atonal \u003ci\u003eTwo People in a Room\u003c\/i\u003e and the choppy, robotic guitars of \u003ci\u003eThe 15th.\u003c\/i\u003e The fiendish \u003ci\u003eA Touching Display \u003c\/i\u003esounds like music for a primitive rite, while on \u003ci\u003eA Mutual Friend\u003c\/i\u003e, close british invasion-flavoured harmonies collide with harsh, dangerous-sounding guitar chords. The highlight here, and arguably the most incredible song in Wire's book, is \u003ci\u003eMap Ref. 41 n, 93 w. \u003c\/i\u003ewords fail to conjure the otherworldly majesty of this track.\u003c\/p\u003e\u003cp\u003eCD - Remastered Digipack CD Version.\u003c\/p\u003e\u003cp\u003eLP - Remastered Vinyl with Inner Sleeve.\u003c\/p\u003e\u003cp\u003e3CD - Remastered Triple CD Version with 80-page hardback book. 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Following the 2\u003ci\u003e Read and Burn\u003c\/i\u003e CD Eps Wire released the full length album Send, combining some tracks from both \u003ci\u003eRead and Burn\u003c\/i\u003e EPs and four unreleased pieces. Since none of the tracks had previously been issued on vinyl, a creative solution was sought to include all of the tracks from \u003ci\u003eSend\u003c\/i\u003e and the two \u003ci\u003eRead and Burn\u003c\/i\u003e EPs. This was achieved by some quite brutal edits! Thus the title \u003ci\u003ePF456 Redux \u003c\/i\u003eis both catalogue number and descriptor of the process. However, none of the tracks on pf4, pf5 and pf6 were ever put out on vinyl at full length – hence \u003ci\u003ePF456 Deluxe\u003c\/i\u003e, which includes everything from those three releases and Twelve Times You, for good measure. As in many things with Wire, form follows function. The limited edition version for Record Store Day 2021 comes with a hard -bound book containing text about these recordings and photos from the period.\u003c\/p\u003e\u003cp\u003eIn addition it is perhaps fitting that PF456REDUX now finds its new home as a limited CD release. title PF456 Redux is both catalogue number and descriptor of the process.\u003c\/p\u003e","brand":"Pink Flag","offers":[{"title":"10\"x2 - Black","offer_id":50460803334475,"sku":"1118587","price":34.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50460802679115,"sku":"1125811","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/9300c333-43a5-4696-bb04-63e69f2c039c_thumbnail_4096.jpg?v=1727238470"},{"product_id":"pink-flag","title":"Pink Flag","description":"If \u003cb\u003eTalking Heads\u003c\/b\u003e' \u003ci\u003e'77\u003c\/i\u003e art rock is the light, then \u003ci\u003ePink Flag\u003c\/i\u003e's is the darkness. Harsh, fast guitars mixed with a fresh interpretation of what builds a song gives us this arrogant, snarling but composed look at the effect the punk scene was having across London in the late 70's.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMatt, Rough Trade Denmark Street\u003c\/b\u003e","brand":"Pink Flag","offers":[{"title":"LP - Black","offer_id":50465354514763,"sku":"1032525","price":22.99,"currency_code":"GBP","in_stock":true},{"title":"CD | x2","offer_id":50465351139659,"sku":"1032528","price":27.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50465357398347,"sku":"1032524","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/9b0dc4d6-dc53-4fe4-ab0c-109ff13cf447_thumbnail_4096.jpg?v=1727287132"},{"product_id":"chairs-missing","title":"Chairs Missing","description":"\u003cp\u003eReleased a mere 10 months after the punk blaze of \u003ci\u003ePink Flag, Chairs Missing\u003c\/i\u003e from 1978 proved Wire was more than a smart-arse punk band. The abrasive nature of the earlier release is still evident in many of the tracks, but the input of Mike Thorne's keyboard arrangements adds far more depth and atmospheric layers. Standout cuts are the instant pop single \u003ci\u003eOutdoor Miner \u003c\/i\u003eand the mindless but catchy chant of \u003ci\u003eI Am the Fly.\u003c\/i\u003e \u003ci\u003eChairs Missing\u003c\/i\u003e is full of energy, wit and good songs. \u003ci\u003eChairs Missing\u003c\/i\u003e has been often cited as the evolutionary link between punk and post-punk. In general, the lyrics are darker than those on \u003ci\u003ePink Flag\u003c\/i\u003e, even morbid at times; images of cold, drowning, pain, and suicide haunt the record, and the title itself is a reference to mental instability.\u003c\/p\u003e\u003cp\u003eCD - Remastered Digipack CD Version.\u003c\/p\u003e\u003cp\u003eLP - Remastered Vinyl with Inner Sleeve.\u003c\/p\u003e\u003cp\u003e3CD - Remastered Triple CD Version with 80-page hardback book. The original album is presented on its own CD, accompanied by two bonus CDs with 34 cuts featuring Singles, B-sides, studio recordings and demo sessions.\u003c\/p\u003e","brand":"Pink Flag","offers":[{"title":"LP - Black","offer_id":50465361559883,"sku":"1032533","price":22.99,"currency_code":"GBP","in_stock":true},{"title":"3CD","offer_id":50465359069515,"sku":"1032534","price":27.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50465361330507,"sku":"1032530","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/21d20b6d-1aaf-4207-8f25-2439c6d9a347_thumbnail_4096.jpg?v=1727287178"},{"product_id":"mind-hive","title":"Mind Hive","description":"\u003cp\u003eWire exhibit little inclination to look back - rather they remain resolutely focused on producing music which is smart, vital and defiantly modern. \u003ci\u003eMind Hive\u003c\/i\u003e is the group’s first newly recorded material since 2017’s \u003ci\u003eSilver\/Lead\u003c\/i\u003e. That album garnered rave reviews and career best sales. Yet, if \u003ci\u003eSilver\/Lead\u003c\/i\u003e set the bar pretty high, \u003ci\u003eMind Hive\u003c\/i\u003e seems to have no problem vaulting over it.\u003c\/p\u003e","brand":"Pink Flag","offers":[{"title":"Black | LP","offer_id":50465372668235,"sku":"1079340","price":19.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50465373028683,"sku":"1079339","price":12.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50465373454667,"sku":"1079341","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/eb1ac7b5-5eeb-4e65-9c0f-33e0ad24e9d4_thumbnail_4096.jpg?v=1727287488"},{"product_id":"not-about-to-die","title":"Not about To Die","description":"\u003cp\u003eThe original \u003cem\u003eNot About To Die\u003c\/em\u003e was an illegal bootleg, released at some point in the early 80s, by the dubiously named Amnesia Records. The album was made up of selections from demos recorded by the group for their second and third albums: \u003cem\u003eChairs Missing\u003c\/em\u003e and \u003cem\u003e154\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eThese demos had been recorded for EMI, with cassette copies circulated amongst record company employees. However, they were never intended for release. A typically shoddy cash-in, the songs on \u003cem\u003eNot About To Die\u003c\/em\u003e were taken from a second or possibly third generation cassette, with the album housed in a grainy green and red photo-copied sleeve.\u003c\/p\u003e\n\n\u003cp\u003eCompared with the high standards of production and design \u003cstrong\u003eWire\u003c\/strong\u003e have always been known for, it was something of an insult to band and fans alike. Now, in a classic act of Wire perversity, the group have decided to redress the balance and reclaim one of the shadier moments of its history, by giving \u003cem\u003eNot About To Die\u003c\/em\u003e its first official release on the band's own pinkflag imprint.\u003c\/p\u003e\n\n\u003cp\u003eAll the tracks have been properly remastered, with the relevant recording details in place. As for the sleeve artwork, whilst it strongly references the original, it is decidedly more artful in its execution. \u003cem\u003eNot About To Die\u003c\/em\u003e emerges as a fascinating snapshot of Wire in transition with embryonic versions of classic songs such as \"\u003cem\u003eFrench Film (Blurred)\u003c\/em\u003e\", \"\u003cem\u003eUsed To\u003c\/em\u003e\" and \"\u003cem\u003eBeing Sucked In Again\u003c\/em\u003e\", that the group would develop considerably for their epochal 1978 album \u003cem\u003eChairs Missing\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eLater demos such as \"\u003cem\u003eOnce Is Enough\u003c\/em\u003e\", \"\u003cem\u003eOn Returning\u003c\/em\u003e\" and \"\u003cem\u003eTwo People In A Room\u003c\/em\u003e\" would surface in radically altered form on 1979's \u003cem\u003e154\u003c\/em\u003e. Some songs, such as \"\u003cem\u003eThe Other Window\u003c\/em\u003e\", are virtually unrecognisable from their later iterations but the biggest prizes here may well be the tracks that were omitted from Wire's later studio albums.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTrack list:\u003c\/strong\u003e \n\u003cem\u003eOh No Not So (Save The Bullet)\u003c\/em\u003e 4th Demo \/ \u003cem\u003eCulture Vultures\u003c\/em\u003e 4th Demo \/ \u003cem\u003eIt's The Motive\u003c\/em\u003e 4th Demo \/ \u003cem\u003eLove Ain’t Polite\u003c\/em\u003e 4th Demo \/ \"\u003cem\u003eFrench Film (Blurred)\u003c\/em\u003e\" 4th Demo \/ \u003cem\u003eUnderwater Experiences\u003c\/em\u003e 4th Demo \/ \u003cem\u003eStalemate\u003c\/em\u003e 4th Demo \/ \u003cem\u003eOptions R\u003c\/em\u003e 4th Demo \/ \u003cem\u003eIndirect Enquiries v1\u003c\/em\u003e 5th Demo \/ \u003cem\u003eChairs Missing (Used To)\u003c\/em\u003e 5th Demo \/ \"\u003cem\u003eBeing Sucked In Again\u003c\/em\u003e\" 5th Demo \/ \"\u003cem\u003eIgnorance No Plea (I Should Have Known Better)\u003c\/em\u003e\" 6th Demo \/ \"\u003cem\u003eOnce Is Enough\u003c\/em\u003e\" 6th Demo \/ \"\u003cem\u003eThe Other Window\u003c\/em\u003e\" 6th Demo \/ \"\u003cem\u003eStepping Off Too Quick (Not About To Die)\u003c\/em\u003e\" 6th Demo \/ \"\u003cem\u003eOn Returning\u003c\/em\u003e\" 6th Demo \/ \u003cem\u003eFormer Airline\u003c\/em\u003e 6th Demo \/ \"\u003cem\u003eTwo People In A Room\u003c\/em\u003e\" 6th Demo\u003c\/p\u003e","brand":"Pink Flag","offers":[{"title":"Black LP","offer_id":50465505214795,"sku":"1145237","price":22.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50465504919883,"sku":"1155000","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/d7bed6f1-0cbc-480f-8d64-c98144c06280_thumbnail_4096.jpg?v=1727290459"},{"product_id":"artery","title":"Artery","description":"\u003cp\u003eThose familiar with Battles, with Russian Circles, will identify parallels of appeal on this second studio set - the band's first properly focused album statement after a 2011 debut of more arbitrarily collected cuts. But Brontide's approach to formulating a long-form record is more streamlined than several peers. Peaks come in hard and dips to more introspective passages rightfully balance these leaps of tempo - but core structures avoid the unnecessary fiddliness synonymous with acts plying a line in lyrics-shorn, dynamic instrumental music.\u003c\/p\u003e","brand":"Pink Flag","offers":[{"title":"CD","offer_id":50470952370507,"sku":"378341","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e03c9f20-7150-4296-b473-37fd74c050f1_thumbnail_4096.jpg?v=1727386078"},{"product_id":"change-becomes-us","title":"Change Becomes Us","description":"\u003cp\u003eRepressed and no longer numbered or limited. 'Change Becomes Us' is the result of a resuscitated Wire (featuring original members Newman, Lewis and Robert Grey) taking on the results of writing sessions from the late 70s, works that stubbornly refused to die but also to mutate into fully-fledged Wire compositions.\n\n\n\n\n\n\n\n\n\nThe tendency of these new songs to refuse a single, settled identity is emblematic of the band's ever-evolving aesthetic - one that's always hinged on sustained tensions and oppositions: between the familiar and the unfamiliar, the comfortable and the unsettling, the melodic and the brutal, the cerebral and the visceral, the smart and the moronic, the obvious and the inscrutable, the rational and the absurd.\u003c\/p\u003e","brand":"Pink Flag","offers":[{"title":"LP | x2","offer_id":50491337802059,"sku":"360800","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/3c10fd12-29f1-4ae7-91ee-6af8fd5866ee_thumbnail_4096.jpg?v=1727685721"},{"product_id":"document-and-eyewitness-1979-1980","title":"Document And Eyewitness 1979 - 1980","description":"\u003cp\u003ePink Flag re-issue the legendary 4th Wire album. Released originally on Rough Trade in 1980, the album was primarily recorded live at a 1979 show. Long unavailable on any format the re-issue features additional unreleased material on a double CD and double vinyl. For those unfamiliar with 'Document and Eyewitness', it really doesn't do it justice to describe it simply as a collection of live recordings from three turn-of-the-80s Wire gigs. What makes it more than that is the unorthodox nature of the main performance and the way it was presented on record. The centre piece of the original vinyl release was a recording of the final gig of Wire's 70s phase. Wire's set was composed of largely new (and often under-rehearsed) work, accompanied by a series of artistic actions and interventions. The approach was to couple selected live tracks with a spoken commentary on the proceedings by long-term Wire fans Adrian Garston and Russell Mills. Hence the title, 'Document and Eyewitness'. For the album, the Electric Ballroom material was supplemented with recordings from a July 1979 show at the Notre Dame Hall (a straightforward band performance), along with one track from a 1979 gig in Montreux. LP - Double vinyl in a gatefold sleeve with visual documentation of the Electric Ballroom gig.CD - Double CD with extra tracks (some not heard for nearly 35 years!) and sleeve notes by Wilson Neate.\u003c\/p\u003e","brand":"Pink Flag","offers":[{"title":"CD | x2","offer_id":50492727001419,"sku":"378774","price":14.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50492725592395,"sku":"378773","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/c23d62e4-79f1-415a-9cc0-f44a199dcd6b_thumbnail_4096.jpg?v=1727693126"},{"product_id":"wire","title":"Wire","description":"\u003cp\u003eRight from their inception in 1976, back in the first stirrings of punk, Wire went about making music in a subversive, conceptual way, setting themselves apart from both their peers and their influences.\"I had this idea that I wanted to avoid things that had a particular kind of tradition,\" explains singer and guitarist Colin Newman. \"I thought the three-chord trick was too simplistic and that the one-chord trick would be better. Or the two chord trick where the second chord is definitely not the right chord.\"Bass guitarist and vocalist Graham Lewis identifies another trait that has run throughout the group's lifetime. \" People said, we were mysterious, arch and dark. But the only way of doing that successfully, is by also having a sense of humour. You have to have that balance. With Wire there's a peculiarity, a contrariness and that can be funny.\"This questing approach has served them well in guarding against repetition and cliché. In context, Wire's last album, 2013's aptly titled Change Becomes Us was another case of \"Expect the unexpected\" as it found them extensively reworking a rich cache of material abandoned amid a temporarybreak-up in the early 80s. Their 13th studio album - simply titled Wire - comprises material that was written with the album in mind, but toured extensively first, as well as songs that Newman introduced to the group in the studio just prior to recording. The idea was to get the most spontaneous reaction possible from the musicians, and far from the rough and ready results one might expect from such a tack, Wire is full of swooning pop melodies with a 60s tinge and an irresistible, near motorik rhythmic momentum. One can recognise certain melodic inflections, guitar and bass motifs, and drum rhythms from Wire's idiosyncratic vocabulary but it has a remarkable freshness. The basic tracks were recorded at Rockfield Studios  with overdubs added at Brighton Electric. The 11 tracks selected for release were the ones that came together most naturally. From the outset Wire was an alliance between four very different characters and continues today with the addition, in 2012, of It Hugs Back guitarist Matthew Simms, who is around thirty years younger than the other group members. \"With Matt there was a really new dynamic that had appeared in the group's sound and that was something we wanted to capture, utilise and be creative with,\" says Lewis.Wire is the first album where Simms has been involved in formulating the material from the ground up, but when the group's particular chemistry starts working he is now very much part of the process.Lewis provides most of the lyrics for the album, their subject matter encompassing love songs, cryptic narratives and coded messages. One time, Newman asked Lewis to send over some unfinished, unformatted text so he wouldn't be bound by what to use for the chorus. This material spawned two songs written on the same day, 'Split Your Ends' and the droll 'In Manchester'. 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It arrives on the 40th anniversary of their debut performance. Yet it’s about as far from nostalgia as you could get. This is the sound of a uniquely addictive 21st century psychedelic post-punk.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eColin Newman\u003c\/strong\u003e and \u003cstrong\u003eMatt Simms\u003c\/strong\u003e’ guitar work is alternately jagged and luminous, while bassist \u003cstrong\u003eGraham Lewis\u003c\/strong\u003e’s ear-catching lyrics are vivid yet oblique. Meanwhile, drummer \u003cstrong\u003eRobert Grey\u003c\/strong\u003e provides a virtual masterclass in percussive minimalism. But it’s how the various instruments mesh together that really counts. And \u003cstrong\u003eNewman\u003c\/strong\u003e’s production creates a sonic space in which even the smallest gesture is accorded some recognition.\u003c\/p\u003e\n\n\u003cp\u003eHighlights include the optimistic dazzle of \"\u003cem\u003eDiamonds In Cups\u003c\/em\u003e,\" with its almost T. 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The original EP, 3rd in the \u003cem\u003eRead and Burn \u003c\/em\u003eseries and the one not compiled on to the \u003cem\u003eSend\u003c\/em\u003e album, was the last non-historic release by the original Wire line up of Colin Newman, Graham Lewis, Bruce Gilbert and Robert Grey and has never been properly released on vinyl.\u003c\/p\u003e\n\u003cp\u003eThe 2026 version brings the original 4 tracks and adds 3 more. While some of the tracks originated as part of the 2001-2002 sessions that gave forth \u003cem\u003eSend\u003c\/em\u003e, others have a more storied history. 23 Years Too Late actually started life as a highly transformed cover of the 70’s Wire single Dot Dash – performed under the name Dip Flash as part of Iain Sinclair's London Orbital, a night at the Barbican London on 25th October 2002, celebrating London’s M25 motorway (AKA The Orbital). The never previously released piece in its original form is included as an additional track. 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