{"title":"Portraits GRM","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003ePortraits GRM\u003c\/em\u003e is a new collection of releases brought to you by INA GRM and Editions MEGO. Building on the success of their previous collaboration, Recollection GRM, this series takes a fresh approach by focusing on recent creations commissioned by the GRM. With an impressive repertoire that goes beyond the \"classic\" GRM sound, \u003cem\u003ePortraits GRM\u003c\/em\u003e offers a complementary selection of innovative and captivating music. Discover the cutting-edge talent showcased in this series and immerse yourself in the world of contemporary electronic music.\u003c\/p\u003e","products":[{"product_id":"statistique-synthetique-teum-the-silvery-slit","title":"Statistique Synthtique \/ Teum (the Silvery Slit)","description":"\u003cp\u003eStatistique Synthétique draws as much from the history of computer sound synthesis as from its latest developments. But well beyond developing simply as a proof of concept, this piece aims to transcend the abstract status of synthetic sound objects and lead them to a properly hallucinatory state, that is to say to a meeting point where the object and perception dissolve into each other, in a sort of transcendental field. Beyond, also, hylomorphism, to reach the world of matter-form fusions, where perception knows how to see \"shoulders of hills\", as Cézanne wrote.\u003cbr\u003eTeum (the Silvery Slit) is, as the title suggests, an overture, an opening to the game of multiplications, fragmentations, duplications. But it is also the opening understood as the void that blossoms between two borders, a break from which escapes a double tension, both the pulling force of these two edges which move apart and the opposite force of reconciliation, of compression. Okkyung Lee invites us to a truly telluric moment, a rare moment of expression where tectonic movements and shear stresses become music. If the earthquakes were, as we thought in the 18th century, due to underground thunderstorms, there is no doubt that this piece of music, both celestial and continental, could have been their audible manifestation.\u003cbr\u003eText by François Bonnet\u003c\/p\u003e","brand":"Portraits GRM","offers":[{"title":"Black | LP","offer_id":50479434465611,"sku":"1117523","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/f086c08e-cf57-4198-95dc-f3e7bdfe3f10_thumbnail_4096.jpg?v=1729413165"},{"product_id":"forma-metabolist-meter-foster-cottin-caetani-and-a-fly","title":"Forma \/ Metabolist Meter (Foster, Cottin, Caetani and a Fly)","description":"\u003cp\u003e\u003ci\u003eForma\u003c\/i\u003e by Lucy Railton, is a work that digs into us. It disorients us, plays with us, but without malice. It is like a nocturnal butterfly whose wings reflect a dark light, thus projecting fleeting hallucinations, which nevertheless persist on the surface of our retina. Its trajectories, too, are unpredictable. But such disorientation is not that of a chaotic space, it is rather a mysterious reason that presents itself to us, an imperious unfolding whose logic escapes us, but which nevertheless fascinates. It is also a history of shapes and their becomings. A story, also of their own vanishing.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eMetabolist Meter (Foster, Cottin, Caetani and a Fly)\u003c\/i\u003e, by Max Eilbacher is a teeming piece, a matrix where textures and structures merge together, where the polyrhythmic instances become timbre, where the formal abstraction of the harmonic volutes coagulates around a vibrating form that is actualized in the dramatic reality of a dying fly. And this formal mastery is not disembodied in Max Eilbacher's work and the kaleidoscopic forms of the sound spectra that he has deployed know how to resonate in the sensations and experiences of each one.\u003c\/p\u003e\u003cp\u003eThese two pieces have this in common, but each with their own agenda, that they evolve with grace and inspiration in the vast domain of the sound world and it is a great pride for us to present them in this new collection.\u003c\/p\u003e","brand":"Portraits GRM","offers":[{"title":"Black | LP","offer_id":50479442395467,"sku":"1096767","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/547e46c2-5c36-4dd0-828d-5903c7fc42c4_thumbnail_4096.jpg?v=1727509346"},{"product_id":"trigram-for-earth-50-frequency-and-amplitude-modulated-sine-waves-describing-a-landscape","title":"Trigram For Earth \/ 50 Frequency And Amplitude Modulated Sine Waves Describing A Landscape","description":"\u003cp\u003eTrigram for Earth, by Flora Yin Wong, is inspired by traditional eight-sided Pakua mirrors and the trigrams inscribed on each of their edges. The function of the mirrors is to show the nature of reality as being composed of mutually opposing forces and modulate them. Here, energies seem to be manipulated to guide and direct our listening, lost in a maze of sound, diffracted to the point of merging with the artist's own listening, through her memories, her obsessions, the fragments she carries within her. Flora Yin Wong invites us to embark on a multi-faceted investigation of sound, a journey through the meanders of liberated sonic forces, an auscultation of her own listening and a portal, at last, ajar to a fragmented and forever mysterious inner world. In his work '50 frequency and amplitude modulated sine waves describing a landscape,' Sébastien Roux applies his approach to algorithmic composition to the observation of the natural world, bringing the sound of the sea and the song of birds into the electronic domain, transmuting them into each other through a slow process of gradual modulation. Exploring the abstract space of pure sounds between two naturalistic tableaux, Sébastien Roux offers us a fascinating meditation on the world of synthesis, revealing, with an economy of means and great formal elegance, the magic of sonic simulacrum (deepl propose simulacra, mais là je suis pas assez calé…) and the strange beauty of the artificial, in a gesture that is ultimately as poetic as it is musical.\u003c\/p\u003e","brand":"Portraits GRM","offers":[{"title":"Black LP","offer_id":50532262969675,"sku":"2221016","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Flora_Yin_Wong__SeBastien_Roux_-_50_frequency_and_amp_46310360_thumbnail_409.jpg?v=1728118030"},{"product_id":"banshee-basse-brevis","title":"Banshee \/ Basse Brevis","description":"\u003cp\u003eFRANÇOIS J. 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Thus, a small boat cleaving through a loch becomes the voice of the mountains and wilderness, and the howling of the wind on the moors becomes the lament of a Banshee, harbinger of death, messenger of the Other World.The piece unfolds in seven interwoven moments:I Subharmonics (An Uaimh Bhinn)II Seabirds \u0026amp; fiddle (Rubha na h-Eist)III Impacts \u0026amp; Melancholy (Bodach an Stòrr)IV Spectre (Quiraing)V Cailleachan \/ CorryvreckanVI Distance (Loch Bracadail)VII Banshees\u003c\/p\u003e\u003cp\u003eSARAH DAVACHI \u003c\/p\u003e\u003cp\u003e‘BASSE BREVIS’(18:11)\u003c\/p\u003e\u003cp\u003eCo-commissioned by Radio France and INA grm, Basse Brevis by Canadian composer Sarah Davachi was premiered at the Présences 2024 festival, which was dedicated to Steve Reich. Drawing on her own minimalist approach, Sarah Davachi explores, with extreme care, the weavings and complex relationships between the timbral, spatial and durational components of music. Using developments that can be appreciated over time, the composer manages to create music that is extremely precise, subtle and lively. But what is striking, and particularly evident in \u003ci\u003eBasse Brevis\u003c\/i\u003e, is that such an approach, both abstract and restrained, is nonetheless at times utterly poignant. The work combines moments of formal exploration with moments of pure emotion in a perfectly mastered fashion, creating a gentle tension as it swings between two modes of listening that navigate indecisively within both instrumental and concrete approaches, tracing, in parallel, a diagonal of sound that unfolds around perception, sensation and feeling.\u003c\/p\u003e","brand":"Portraits GRM","offers":[{"title":"Black LP","offer_id":51134888804683,"sku":"2240400","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/3f8922ec-7f7b-f5a1-2c6c-a200f5af10eb_43e0ad22_thumbnail_4096.jpg?v=1737466346"},{"product_id":"basho-still-forms","title":"Basho \/ Still Forms","description":"\u003cp\u003eNew piece by the critically acclaimed English composer \u003cstrong\u003eBeatrice Dillon\u003c\/strong\u003e on Side A.\u003c\/p\u003e\n\u003cp\u003eOn Side B, a new piece by Japanese composer \u003cstrong\u003eHideki Umezawa\u003c\/strong\u003e, homage to the legendary Baschet sound structure.\u003c\/p\u003e","brand":"Portraits GRM","offers":[{"title":"LP - Black","offer_id":51375637332299,"sku":"R1302-4640","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/47bd632e-df54-c1d4-96ad-ea04be425024_7d8182ad-1845-4fdc-9ad9-d57cdedcddf2.jpg?v=1752247165"},{"product_id":"orchid-mantis-breach","title":"Orchid Mantis \/ Breach","description":"\u003cp\u003eCollaborative piece between \u003cstrong\u003eMichelle Helene Mackenzie\u003c\/strong\u003e and \u003cstrong\u003eStefan Maier\u003c\/strong\u003e on one side and a new electroacoustic piece by \u003cstrong\u003eOlivia Block\u003c\/strong\u003e on the flip. Design by Stephen O’Malley.\u003c\/p\u003e","brand":"Portraits GRM","offers":[{"title":"LP - Black","offer_id":51376693838155,"sku":"R8206-4884","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/0d974d9d-8967-1b50-930c-114f887dd029_675c4c05-dc8d-4194-bfcd-c136e03cd57e.jpg?v=1752280945"},{"product_id":"portals-rope","title":"Portals \/ Rope","description":"\u003cp\u003eJANA IRMERT\u003cbr\u003e\u003cem\u003ePORTALS\u003c\/em\u003e (16:06)\u003cbr\u003eProduced entirely from sounds recorded in the Amazon rainforest in Brazil and Colombia, \u003cem\u003ePortals\u003c\/em\u003e evokes the hidden world of sounds that lie beyond our perception. Whether concealed in ultra-sonic frequency registers or in the depths of the aquatic medium, these sounds bear witness to an unsuspected and teeming animal activity. Insects, frogs, bats and freshwater dolphins move about, hiding from our eyes and ears. Revealing this palette of sounds, in particular through transposition, and placing it back in the realm of the audible, Jana Irmert invites and guides us on a fascinating exploration of an unsuspected, speculative and non-human world of sound, which she exposes and recomposes in a way that is both respectful and personal, accompanying this teeming and fascinating sound material in a musical gesture of great clarity. \u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePortals\u003c\/em\u003e is an attempt to access the evocative power of an Amazonian forest on the brink of catastrophe, through a decentring of the listening experience delicately composed by Jana Irmert.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e7038634357\u003cbr\u003e\u003cem\u003eROPE\u003c\/em\u003e (20:47)\u003cbr\u003eWith uncommon mastery and precision, \u003cem\u003eRope\u003c\/em\u003e unfolds in a suspended time that seems nonetheless ominous. As its title suggests, \u003cem\u003eRope\u003c\/em\u003e explores the formal figure of the rope, as an interweaving of synthetic and natural fibres that hold and amalgamate, held together by the forces of tension and friction. The rope itself, as Neo Gibson explains, is knotted at regular intervals along its entire length, so that you can hang on to it. \u003cem\u003eRope\u003c\/em\u003e unfolds slowly, evolving from the threshold of the perceptible towards denser, more ballasted electronic textures, but always on the brink of an upheaval to come. Then a melodic motif appears, seeming to carry within it an impossible consolation. In this respect, \u003cem\u003eRope\u003c\/em\u003e balances strikingly between formal elegance, sonic gravity and an emotional charge that is almost uncontainable.\u003c\/p\u003e","brand":"Portraits GRM","offers":[{"title":"LP - Black","offer_id":53216061423947,"sku":"R1324-8077","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/JanaImert_7038634357-Portals_Rope.jpg?v=1755699547"},{"product_id":"sparkling-or-silent-unfamiliar-music-paris","title":"Sparkling or Silent \/ unfamiliar music (paris)","description":"\u003cp\u003e\u003cem\u003eSparkling or Silent\u003c\/em\u003e, by the duo composed of crys cole and Oren Ambarchi, is a moment apart in their respective artistic approaches, taking a step aside and marking a point of fixation around an electroacoustic method which, while always latent in both of their works, here asserts itself as a central compositional modality. However, the electroacoustic approach is not called upon here for its formal reasons, or even less as an aesthetic line to follow. On the contrary, it is seen as a writing tool, open to all possible sonic possibilities, a tool that allows the artist to draw, within the sound itself, an intertwined space where reminiscences, impressions and sensations weave a narrative on the edge of the imagination and the moments experienced together, a narrative in which a complex and sensitive layer of sound is embedded, blurring the boundaries between artistic project, intimate journey and shared dreams. 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