{"title":"Proper Records","description":"\u003cp\u003eLabel founded in 1996 by Malcolm Mills and [a280987]\r\n\r\nPart of Proper Music Group Ltd.\r\n\r\nRelated to:\r\n- [l=Proper Music Publishing Limited]\u003c\/p\u003e","products":[{"product_id":"october-in-the-railroad-earth","title":"October In The Railroad Earth","description":"\u003cp\u003eAmerican troubadour Tom Russell, regarded as one of the finest songwriters of his generation, returns with \u003ci\u003eOctober in the Railroad Earth\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003eThe new studio album comprises ten original Tom Russell songs, including the title track from the Irish film \u003ci\u003eSmall Engine Repair\u003c\/i\u003e and features Bill Kirchen on lead electric guitar, Eliza Gilkyson on backing vocals and the Grammy Award winning Texmaniacs.\u003c\/p\u003e","brand":"Proper Records","offers":[{"title":"CD.","offer_id":50383978529099,"sku":"1057171","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/8c02bbae-5c65-4958-9ed8-8b55df4deb6d_thumbnail_4096.jpg?v=1726281447"},{"product_id":"blues-from-laurel-canyon","title":"Blues From Laurel Canyon","description":"\u003cp\u003e\u003cstrong\u003eJohn Mayall's\u003c\/strong\u003e first post-Bluesbreakers album saw the man returning to his roots after the jazz\/blues fusion that was \u003cem\u003eBare Wires\u003c\/em\u003e. \u003cem\u003eBlues from Laurel Canyon\u003c\/em\u003e is a blues album, through and through. 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Starting \noff as a janglesome\n Scottish indie group, Del Amitri had developed into a west-coast \ninfluenced leftfield pop act, and now with the wind of success in their \nhair (after the protracted build of Waking Hours), the group – Justin \nCurrie, Iain Harvie, David Cummings, Andy Alston\n and Brian McDermott – paired up with producer Gil Norton and crafted a \nhandsome rock album to capitalise on their success.\n\nIt's a varied, expansive selection. Ballads are represented by the \ndelightful First Rule Of Love and Be My Downfall, but it is the uptempo \nnumbers that shine, typified by Change Everything's lead single, Always \nThe Last To Know, a No 11 hit in the UK and a\n No 30 stateside. All 12 tracks emphasise just how important Del Amitri \nwere to 'the other 90s': straightforward, intelligent music, away from \nthe headline fads.\u003c\/p\u003e","brand":"Proper Records","offers":[{"title":"Black LP.","offer_id":50404065968459,"sku":"2169581","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Change_Everything_536e002c_thumbnail_4096.jpg?v=1726566251"},{"product_id":"world-shut-your-mouth","title":"World Shut Your Mouth","description":"\u003cp\u003eOriginally issued in 1984, \u003cem\u003eWorld Shut Your Mouth\u003c\/em\u003e saw the mercurial leader of The Teardrop Explodes establish himself as a fully-fledged solo artist. Never re-pressed in its original format, this re-issue faithfully replicates the original 1984 Mercury Records UK release and is pressed onto high quality 180g vinyl.\u003c\/p\u003e\n\n\u003cp\u003eWhen The Teardrop Explodes finally ground to a halt in late 1982, all eyes were on what leader \u003cstrong\u003eJulian Cope\u003c\/strong\u003e would do next. After retreating to the village of Drayton Bassett in Staffordshire for an extended period, Cope began writing \u003cem\u003eWorld Shut Your Mouth\u003c\/em\u003e, his first solo album. Released in March 1984, it is the closest to his old band of all his solo work (\u003cem\u003eMetranil Vavin\u003c\/em\u003e and \u003cem\u003ePussyface\u003c\/em\u003e were both originally intended for the Teardrops).\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eWorld Shut Your Mouth\u003c\/em\u003e featured Gary Dwyer on drums, and giving the album its most distinctive sound, Kate St. John on oboe. 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We wanted the album to revolve around those psychedelic, blues-inspired forays we are so fond of exploring on stage. So this past February the live band (the four of us plus Jeff Bird) gathered in our studio to record all of these songs over a four day period.\u003cbr\u003e\u003cbr\u003eWe approach them all live-off-the-floor: nasty and dirty and disturbing the cold winter's nights peace. We tried to channel Miles at the Isle of Wight, deep in his Bitches Brew phase; Captain Beefheart and his Mirror Man psychoses; The Birthday Party live at the Electric Ballroom circa 1981 (Margo, Al and I were in that audience); Neil and Crazy Horse in the back room at SIR....overdriven and thick with electricity. 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The album also includes covers of songs by two of the country's most important rock artists-\"I Cannot Sit Sadly By Your Side\" by Zuoxiao Zuzhou (ZXZZ) and Xu Wei's \"My Fall.\"\u003cbr\u003e\u003cbr\u003eRenmin Park a fictional love story about two people whose two worlds will forever keep them apart,\" says the guitarist. \"It's a thank-you letter to an obscure city and the people who opened up their lives to five very strange strangers. 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Reedsman Dick Heckstall Smith joined, alongside drummer Jon Hiseman from the Graham Bond Organisation and bass player Tony Reeves. The resulting album, Bare Wires, was Mayall's most successful album, reaching No 3 in the UK charts. If it could be said that if Blues Breakers With Eric Clapton was the foundation stone of UK blues tock, then \u003ci\u003eBare Wires\u003c\/i\u003e did similar for jazz rock. 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Signing to Island Records, the group – at this point Gedge, guitarist Paul Dorrington, bassist Darren Belk, and drummer Simon Smith – went to Seattle to record with producer\/engineer Steve Fisk, known then for his work with the fabled Sub-Pop label.\u003c\/p\u003e\n\n\u003cp\u003eAs a result, \u003cem\u003eWatusi\u003c\/em\u003e is both razor-sharp and slyly commercial, as typified by its singles \"\u003cem\u003eYeah Yeah Yeah Yeah Yeah\u003c\/em\u003e\" and \"\u003cem\u003eIt's A Gas\u003c\/em\u003e.\" There is much to enjoy beyond – especially the tender confessional \"\u003cem\u003eBig Rat\u003c\/em\u003e\" and the reflective garden party drama \"\u003cem\u003eGazebo\u003c\/em\u003e.\" Both underline John Peel's comment that Gedge had written \"some of the best love songs of the rock'n'roll era.\"\u003c\/p\u003e\n\n\u003cp\u003eFor lovers of grunge-based indie with generous dashes of melody, \u003cem\u003eWatusi\u003c\/em\u003e is a must-have. 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Where previous albums Atlantic and The Emigrant witnessed him searching for his place in the world, geographically and otherwise, Shorebound finds him more settled, within himself, his career, and his two hometowns of Glenarm, N.Ireland, and Nashville, Tennessee.\u003c\/p\u003e","brand":"Proper Records","offers":[{"title":"CD","offer_id":50471996588363,"sku":"1056211","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/5959830f-d568-4441-948e-57622715ef97_thumbnail_4096.jpg?v=1727414120"},{"product_id":"lifetime-achievement","title":"Lifetime Achievement","description":"\u003cp\u003eLoudon Wainwright III releases his new album \u003ci\u003eLifetime Achievement\u003c\/i\u003e. 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Guitarist Martin Bramah, who had founded the group with Smith, returned, replacing Smith's ex-wife Brix, who had been in the group since 1983. There were few cries of sell-out, however, when The Fall signed to a major; it was just part of an evolutionary process. The three Fontana albums,\u003ci\u003e Extricate, Shift-Work\u003c\/i\u003e and \u003ci\u003eCode: Selfish\u003c\/i\u003e were stunningly consistent.\u003c\/p\u003e\u003cp\u003e1992's\u003ci\u003e Code: Selfish\u003c\/i\u003e marked the arrival of Dave Bush to the group on keyboards, bringing a harder, techno-edge to the work. Less focussed than its predecessors, the album reveals its considerable charms gradually – the initially impenetrable seven-minute splurge of opener of The Birmingham School of Business School gives way to the Top 40 commercialism of Free Range. 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Guitarist Martin Bramah, who had founded the group with Smith, returned, replacing Smith's ex-wife Brix, who had been in the group since 1983. There were few cries of sell-out, however, when The Fall signed to a major; it was just part of an evolutionary process. The three Fontana albums, \u003ci\u003eExtricate, Shift-Work\u003c\/i\u003e and \u003ci\u003eCode: Selfish\u003c\/i\u003e were stunningly consistent.\u003c\/p\u003e\u003cp\u003eReleased in February 1990, \u003ci\u003eExtricate\u003c\/i\u003e was a big bold statement, co-opting some Madchester beats into The Fall's mix, with the band and Smith on excellent form. From the catchy indie of Hilary and The Littlest Rebel, the oblique attack on past lovers in Sing! Harpy, and the touching rumination on death and new love, Bill Is Dead, Extricate is one of the group's most coherent albums. 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