{"title":"Prosthetic","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eProsthetic is a US record label specializing in heavy metal recordings. Founded in Los Angeles, California in 1998 by former employees of Columbia Records, Prosthetic has established itself as a prominent force in the metal music industry. With an impressive roster of talented *artists* and performers, the label continues to push boundaries and deliver groundbreaking music to fans worldwide.\u003c\/p\u003e\n\n\u003cp\u003eSince its inception, Prosthetic has been dedicated to supporting and promoting the heavy metal genre. The label's founders, [a2954878] and [a=Dan Fitzgerald (2)], recognized the need for a platform that would allow emerging metal bands to showcase their talent and reach a wider audience. With their expertise and passion for music, they created Prosthetic with the aim of providing opportunities for artists to thrive.\u003c\/p\u003e\n\n\u003cp\u003eOver the years, Prosthetic has signed numerous influential *bands* across various subgenres of heavy metal. From death metal to black metal, thrash to progressive, the label embraces diversity within the genre while maintaining its commitment to quality music. With a strong focus on artistic integrity and innovation, Prosthetic consistently delivers albums that resonate with both hardcore fans and newcomers alike.\u003c\/p\u003e","products":[{"product_id":"entering-the-gateways-2","title":"Entering the Gateways","description":"\u003cp\u003eHailing from Helsinki, Finland, Prosthetic Records signees DISGUISED MALIGNANCE will be releasing their forthcoming debut album, Entering the Gateways, on September 29. The Finnish death metal group’s inaugural full-length sees DISGUISED MALIGNANCE settling into a full line-up for the first time in their four year history, with Entering the Gateways mining the depths of ontological horror and celestial transcendence. Inspired heavily by Lovecraftian horror and armed with an esoterically eldritch unease at the simultaneously unknown and unknowable, Enter the Gateways oscillates between the physical and the otherworldly throughout its 34 minute runtime. DISGUISED MALIGNANCE’s ambitions to take death metal’s elemental parts and impart their own verve and voice into the genre are plain to see on their first full-length, and it's a testament to their natural talents that Enter the Gateways stands as a bold introduction to the band.\u003c\/p\u003e","brand":"Prosthetic","offers":[{"title":"Red LP","offer_id":50389750645067,"sku":"2054162","price":27.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50389750350155,"sku":"2054156","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Entering_the_Gateways_4893710c_thumbnail_4096.jpg?v=1726370562"},{"product_id":"at-the-somber-steps-to-serenity-2","title":"At the Somber Steps To Serenity","description":"\u003cp\u003eHailing from the hallowed city that birthed classic death metal acts such as Entombed, Dismember and Unleashed before them, Stockholm, Sweden’s XORSIST are preparing to release their sophomore album, At the Somber Steps of Serenity, via Prosthetic Records in October. Following their self-released debut album Deadly Possession in 2022, XORSIST caught the attention of the Los Angeles metal label with their old school approach to and affinity for Sweden’s death metal legacy and history. Founded by Gustav Ryderfelt (vocals and guitar) before cementing their line-up with both Birk Castenmalm (vocals and bass) and Alphonse Bouquelon (drums), XORSIST’s core sound is one rooted in deep reverence for the genre’s roots as much as it is a spirited progression of the raw and uncompromising Stockholm sound. Seeking to continue their working relationship with the legendary Sunlight Studios (Dismember, At The Gates, Entombed, Grave and more), XORSIST once again opted to retain Tomas Skogsberg on co-production duties with Iñaki Marconi (Soen, Sepultura, Carcass). XORSIST’s proclivity for musical tradition is not mere homage so much as it is a graceful carrying of the genre’s torch. 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Upon hitting play on the opening prologue track of BATS, it’s safe to assume that we’re about to embark on quite the journey - with GAMA BOMB as our intrepid tour guides. From the tombs of Egypt to the faded glamour of old Hollywood, Philly, Domo, John, Joe and James lead us through new sonic landscapes and all manner of novel adventures on what they themselves call their “weirdest” album yet. Sonically, GAMA BOMB manage to stay true to their distinctive thrash sound, honed to perfection over two decades at the frontline of headbanging and fist-pumping. There are nods to heavy metal titans such as Judas Priest and Iron Maiden, there’s even a sliver of Bad Brains-esque punk attitude, and more familiar influences such as Tankard and Sodom are still evident. But if you think GAMA BOMB are serving up something run of the mill then you’ve clearly not accounted for a blazing saxophone solo (courtesy of Irish sax man Gavin Kerins) or a star-turn from hip hop pioneer The Egyptian Lover who raps on - naturally - Egyptron. 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The influence of death metal’s forefathers is evident in PHOBOPHILIC’s full throttle output, but their gaze is fixed firmly on the future - wherever it may take them... Since their 2016 formation PHOBOPHLIC have steadily accumulated early releases in the shape of two demos, 2019’s Undimensioned Identities EP and a split release with Canada’s Sedimentum, all the while honing their craft out across the North American touring circuit - featuring live stints with Gatecreeper and Mutilated respectively, as well as appearances at LDB Fest and Philadelphia Death Nexus - positioning themselves among US death metals most intriguing young acts. Across Enveloping Absurdity’s runtime PHOBOPHILIC’s quest for elucidation is explored in punishingly heavy fashion across tracks such as Those Which Stare Back, Nauseating Despair and Survive in Obscurity. But for all of the Midwestern group’s old school death metal artisanship and lyrical angst, there is a fundamental rejection of misplaced nihilism in the form of quieter and reflective passages throughout. No better is this showcased than mid-album track Individuation’s calm before the storm, which offers up Enveloping Absurdity’s most contemplative moment.\u003c\/p\u003e","brand":"Prosthetic","offers":[{"title":"Black LP","offer_id":50399312085323,"sku":"2175556","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_d924dadc_thumbnail_4096.jpg?v=1726504334"},{"product_id":"the-end-of-my-road-2","title":"The End Of My Road","description":"\u003cp\u003eGerman melodic extreme metal act FAR BEYOND mark their return with their third studio album, The End of My Road, on February 16 via their new label home Prosthetic Records. FAR BEYOND’s latest full-length is an ambitious and fastidiously curated amalgam of melodeath, symphonic and power metal, covering themes of courage and heart in the face of depression and hardship. Formed in the early 2000s, FAR BEYOND is the solo project of Eugen Dodenhoeft. Based in the Franconian Switzerland region of Germany, FAR BEYOND’s history to this point has been one of slow and steady artistic progression with 2005’s An Angel's Requiem and 2016’s A Frozen Flame Of Ice albums showcasing Dodenhoeft’s penchant for seamlessly alternating dynamics of gothic and death metal symphonia. Lusciously complex by design, FAR BEYOND’s latest album shines in its songwriting structure. Across the eight tracks, Eugen compiled up to 30 layers of vocals, synthesisers and orchestral textures. Whilst a solo endeavour at its core, The End of My Road sees collaborative guitar solos from Nathram’s Lukas Grässlin as well as additional synthesiser embellishments from Ari Ahrendt on Tempus Fugit and the title track. The End of My Road was then placed in the hands of Patrick Stäudle of Glaswald Studios in The Black Forest, Germany. Furthering their quest to understand the complexities of the unknown and transcend beyond the unknown, The End of My Road’s contemplative atmospherics and concentrated sonic extremities merge seamlessly with a deft poetic touch. With Eugen adding: “The End of My Road is my invitation to get lost in the sonic realms of FAR BEYOND and find a moment of peace and inspiration. 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