{"title":"Rhymesayers Entertainment","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eRhymesayers Entertainment is an underground hip-hop label based in Minneapolis, Minnesota. Founded by Sean \"Slug\" Daley of Atmosphere and Brent \"Siddiq\" Sayers, the label has been a driving force in the hip-hop scene since its inception. With a focus on showcasing talented artists and pushing boundaries, Rhymesayers has become synonymous with quality music.\u003c\/p\u003e\n\u003cp\u003eKnown for their unique sound and thought-provoking lyrics, Rhymesayers artists have gained a loyal following worldwide. The label's releases are highly regarded within the industry and have received critical acclaim from both fans and critics alike.\u003c\/p\u003e\n\u003cp\u003eWith an impressive roster of artists including Atmosphere, Brother Ali, Aesop Rock, and many more, Rhymesayers continues to be at the forefront of independent hip-hop. Their dedication to authenticity and artistic integrity sets them apart from other labels in the industry.\u003c\/p\u003e","products":[{"product_id":"float-reissue","title":"Float (Reissue)","description":"\u003cp\u003eIn 2000, Aesop Rock released his first official album, \u003ci\u003eFloat\u003c\/i\u003e, following his steady ascent in the underground from two previous releases, the collection of works CD of lore, \u003ci\u003eMusic For Earthworms\u003c\/i\u003e (1997), and the\u003ci\u003e Appleseed\u003c\/i\u003e EP (1999). And, while every album Aesop has done since then has captured his continual evolution as both a producer and a writer, \u003ci\u003eFloat \u003c\/i\u003ewas undeniably exceptional in its own right.\u003cbr\u003e\u003cbr\u003eFor one, there was something impacting about a full-length album, 20 tracks deep, that never had any singles. Every track only existed as part of the album experience. That in mind, the album's production is split nearly in half between Aesop Rock and longtime collaborator and good friend, Blockhead, as well as one offering from Omega One, the Reggae-vibed \u003ci\u003eSkip Town\u003c\/i\u003e. The album's production largely seems to have one collective goal, to immediately capture the intended mood, luring the listener in and leaving them attentive and prepared for the carefully crafted accompanying lyricism.\u003cbr\u003e\u003cbr\u003eLyrics in mind, Aesop Rock is clearly the star of the record, but the few guest appearances, strategically spread throughout the album, are either the result of great foresight or unavoidable synergy - perhaps both - as Slug (of Atmosphere), Vast Aire (of Cannibal Ox), and Dose One were all right in the midst, or directly on the verge, of breakthrough career moments of their own around the same time they were featured on\u003ci\u003e Float.\u003c\/i\u003e As for Aesop, the album finds him diving deep into his intricate, visually descriptive and emotionally riveting writing style, which has only gotten more vigorous and diverse over time. His delivery feels settled into the hints of urgency, as if he is well aware that the journey and challenges, as well as triumphs, that he shall face are arduous and plentiful.\u003cbr\u003e\u003cbr\u003eTwenty years after its debut, \u003ci\u003eFloat\u003c\/i\u003e is a time capsule of an artist on the brink of fully tapping into creative freedom, while the industry was simultaneously in the middle of a notable shift, which still remains a powerful statement on its own, decades later. To celebrate, Rhymesayers re-release\u003ci\u003e Float \u003c\/i\u003eon 2xLP vinyl, available in three different, limited edition colourways! \u003c\/p\u003e","brand":"Rhymesayers Entertainment","offers":[{"title":"Yellow | LP | x2","offer_id":50383905816907,"sku":"1099100","price":37.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50383905653067,"sku":"1099101","price":39.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/adec5fdf-6773-4f63-92b0-248f92bc3cb0_thumbnail_4096.jpg?v=1726277889"},{"product_id":"talk-talk-ep","title":"Talk Talk EP","description":"\u003cp\u003eThe title of the most recent Atmosphere album, May 2023’s \u003ci\u003eSo Many Other Realities Exist Simultaneously\u003c\/i\u003e, evokes the multiversal storytelling that’s recently vaulted into the mainstreamcconsciousness. With their latest effort, the irrepressible Talk Talk EP, the Minneapolis legends dart across threads of space-time to grab hold of the one where Slug and Ant became titans of the electro-rap that was foundational to their youths. By evoking acts like Kraftwerk and Egyptian Lover, Atmosphere makes visions of the future from four decades ago seem new once again, the relentless forward churn of technological optimism reimagined as an endless loop with irresistible drums.\u003c\/p\u003e\u003cp\u003eThe genesis of the Talk Talk EP was the session for a song of the same name that appeared on \u003ci\u003eSo Many Other Realities Exist Simultaneously\u003c\/i\u003e. A collaboration with Lifter Puller alum Bat Flower, the song “Talk Talk” exists alongside electro classics in an uncanny valley that’s been warped into a sweaty nightclub, at once vaguely alien and deeply human. Enamored with the song’s outcome, Slug and Ant returned for a longer exploration of the sound, to mesmeric results. The pulsing “Rotary Telephone,” where the TV antennas seem tuned to a world just slightly askew from ours, thrives on the tension between Slug’s careening vocals and the song’s taught structure—form matched perfectly with content. And on “Hear Hear,” the struggle to make human connections is revealed as a beautiful one.\u003c\/p\u003e\u003cp\u003eFor all its well-documented roots in disco and R\u0026amp;B, rap’s connection to the electronic music of the 1970s and ‘80s is a core part of its DNA. The Talk Talk EP is one of the clearest articulations of this truth to emerge in many years, a testament to the communal power of programmed sound. For proof, look no further than “Traveling Forever,” the haunting missive that closes out the record. Images flash: of police knees on necks, of prying cameraphones, another empty hotel room indistinguishable from the last. “I never got to learn how to dance for you,” Slug raps, pointedly. “I don’t know whether or not that’s an attribute.” A chill runs down your spine but the skull at its top keeps nodding.\u003c\/p\u003e","brand":"Rhymesayers Entertainment","offers":[{"title":"Pink LP","offer_id":50395621458251,"sku":"2144786","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50395620999499,"sku":"2144785","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/ATMOSPHERE_-_TALK_TALK_EP_-_PACKSHOT_a46f79de_thumbnail_4096.jpg?v=1726469068"},{"product_id":"daylight-2","title":"Daylight","description":"\u003cp\u003eOriginally released in 2002, Daylight EP was the follow-up to Aesop Rock’s critically-acclaimed \u003ci\u003eLabor Days\u003c\/i\u003e album, a cult classic released only six months prior. The EP was built around its titular opening song, “Daylight,” one of the standout tracks from \u003ci\u003eLabor Days\u003c\/i\u003e, and continued expanding upon the range and depth of Aesop’s multi-talented gifts for writing and producing. In addition to the title track, Daylight EP also included its counterpoint, “Night Light,” an alternate version in concept whose paraphrased lyrics simultaneously refer back to– and stand in stark opposition to– the original's, over darker, more menacing production. The tracklist for Daylight EP boasted seven songs plus a hidden track for a total of eight, and collectively featured production by Blockhead, El-P, Blueprint and Aesop Rock himself, as well as guest appearances from Vast Aire (Cannibal Ox) and Blueprint.   \u003c\/p\u003e","brand":"Rhymesayers Entertainment","offers":[{"title":"Orange 12\"","offer_id":50401325220171,"sku":"2179827","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50401323843915,"sku":"2179826","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Daylight_4cbf3127_thumbnail_4096.jpg?v=1726521097"},{"product_id":"mm-food","title":"Mm Food","description":"\u003cp\u003eIn 1998, \u003cstrong\u003eZev Love X\u003c\/strong\u003e of the seminal rap group \u003cstrong\u003eKMD\u003c\/strong\u003e re-emerged as a masked super villain known as \u003cstrong\u003eMF Doom\u003c\/strong\u003e. The following year, he released the groundbreaking independent classic \u003cem\u003eOperation: Doomsday\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eDoom only added to the mystery by creating multiple aliases (\u003cem\u003eKing Geedorah\u003c\/em\u003e, \u003cem\u003eViktor Vaughn\u003c\/em\u003e, etc.) and taking a no holds barred approach to his musical career. 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Within those 9 months, they released a full-length album, four EP's, and a 42-minute mixtape of exclusive material, altogether totaling 48 new songs released, all while they were consistently touring as well. This rapid-fire string of releases introduced some of their most popular songs to date and showcased their dynamic range, from moody and reflective, to upbeat and optimistic, to a boom-bap throwback style of rap, the latter of which was most prominently displayed on the mixtape. Introduced on Christmas Day 2007, the mixtape was a \"gift\" to fans in the form of a free download, aptly titled \u003ci\u003eStrictly Leakage\u003c\/i\u003e – a nod to both eschewing standardized industry practices in favor of giving the music away, and to another prominent album title from the era that inspired them and perhaps more specifically, these recordings.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eStrictly Leakage\u003c\/i\u003e surprised fans and critics alike, not just because the download invite appeared in their inbox without warning, but also because the project sounded so uniquely different from Atmosphere's typical recordings. Ant was digging deep into the funk and soul crates, favoring samples over live instrumentation, and producing tracks that sounded as if they were birthed alongside late '80s and early '90s hip-hop classics. Slug was rapping with a renewed passion, yet somehow sounding more casual and carefree delivering endless wordplay with more technical rhyme patterns than other Atmosphere projects. Together, they created 13 exclusive songs that sound- ed as if they were just having fun making them, without the pressure of any album expectations – undoubtedly as rewarding an exercise for themselves as it was for the listeners.\u003c\/p\u003e\u003cp\u003eEarly on, \u003ci\u003eStrictly Leakage\u003c\/i\u003e had been pressed on a limited run of vinyl and CD, but it wasn't long before they sold out, and fans were left chasing streams and digital files in order to hear the project. Finally, the project returns to vinyl LP and CD, made available for retail distribution, so fans everywhere can own and appreciate this unique chapter in Atmosphere's story.\u003c\/p\u003e","brand":"Rhymesayers Entertainment","offers":[{"title":"Black LPx2","offer_id":50417100521803,"sku":"2192956","price":32.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50417100292427,"sku":"2192955","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/ATMOSPHERE_-_STRICTLY_LEAKAGE_-_PACKSHOT_a929f5d0_thumbnail_4096.jpg?v=1726716729"},{"product_id":"first-born-20th-anniversary-edition","title":"First Born (20th Anniversary Edition)","description":"\u003cp\u003eMicheal “Eyedea” Larsen and Gregory “DJ Abilities” Keltgen first met in the mid-90s and soon began a working relationship that would play a prominent role in the burgeoning Indie-Rap movement of the time. After numerous successes across nearly every notable MC or DJ battle of the late ‘90s and early ‘00s, including HBO’s Blaze Battle, the Rocksteady Anniversary, Scribble Jam, the DMC’s and more, they had already cemented their legacies both as individuals in the battle scene and as the dynamic duo, Eyedea and Abilities, for their live performances and showmanship. However, determined not to be dismissed as one-dimensional, they set out to prove they were to be taken just as seriously at writing and recording. Together, they developed a near symbiotic creative union that produced three albums—\u003ci\u003eFirst Born; E\u0026amp;A\u003c\/i\u003e; and \u003ci\u003eBy The Throat\u003c\/i\u003e—before Eyedea tragically passed away in 2010, at the age of 28.\u003c\/p\u003e\u003cp\u003eThe release of their debut album, \u003ci\u003eFirst Born\u003c\/i\u003e, had revealed their talents to be much more versatile and expansive than previously expected. 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Take \"Eye of Horus,\" where the pulsing drums convey an urgency that borders on panic; Kurious weaves a complex tapestry of history and insight, but does so while ducking through and under each pocket in the beat. \u003c\/p\u003e\u003cp\u003eProduced in its entirety by Mono En Stereo, Majician is filled with songs like \"Eye of Horus,\" which dance on the line between confession and confrontation. \"Separation Anxiety\" is a personal bloodletting in the form of lyrical exercise; \"Par For the Course,\" which features the elusive Mr. Fantastik, makes drum breaks from the early Reagan era sound totally revitalized. Through the radical amount of work Kurious put into the writing and recording of this material, he's removed all ambiguity from the question of whether he can stand as one of the premier MCs of his time. \u003c\/p\u003e","brand":"Rhymesayers Entertainment","offers":[{"title":"Red LPx2","offer_id":50426581680459,"sku":"2215611","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50426581221707,"sku":"2215610","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Screenshot_2024-08-07_at_09.58.29_752612ee_thumbnail_4096.png?v=1726813567"},{"product_id":"unlearning-vol-1","title":"Unlearning Vol 1","description":"\u003cp\u003eThroughout his career, Evidence has always been adept at both staying true to his roots and evolving as he grows and learns from life experiences, including recognizing when the time comes to unlearn. During the campaign for his last album, \u003ci\u003eWeather or Not\u003c\/i\u003e (2018), he expressed a desire to close the chapter on the weather-related theme that had been a staple of his solo career to that point. \u003ci\u003eUnlearning Vol. 1\u003c\/i\u003e not only sees that vision come to life, but shines brilliantly in the process. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eUnlearning Vol. 1\u003c\/i\u003e pairs Evidence’s own production with works from The Alchemist, Nottz, Sebb Bash, Animoss, Mr. Green, V Don, Daringer and Eardrum (QThree). This highlights perhaps an undervalued skill of Ev’s—his ability to collaborate with a multitude of producers on a project, while still creating an album with a cohesion and consistency rarely found in such extensive collaboration. While the album’s musical soundscape sets the scene, it's Ev’s gift for relatable yet inventively clever writing that really paints the picture, continually pulling the listener in. That said, a small but powerful cast of guest appearances also decorate the landscape, courtesy of stellar performances from Boldy James, Conway The Machine, Fly Anakin, Navy Blue, and Murkage Dave. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eUnlearning Vol. 1\u003c\/i\u003e embodies the sound and feeling of pure artistic expression, capturing a moment in time where marketability, album sales \u0026amp; streaming potential, and the desire to please anyone other than the artist themselves, are all just an afterthought. As one could expect, such freedoms allowed Evidence to tap into something special that sounds engaging and unique, and also remains true to his foundation. 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With his tenth album, \u003ci\u003eIntegrated Tech Solutions\u003c\/i\u003e, Aes wields insidious corporatespeak as a tool to pry that parasitic worldview away from the parts of life that truly matter.\u003c\/p\u003e\u003cp\u003eA concept album about an organization offering \"lifestyle- and industry-specific applications designed to curate a desired multi-experience,\" \u003ci\u003eIntegrated Tech Solutions\u003c\/i\u003e picks apart the charlatan language that hears app inventors put themselves on continuums starting with cavemen and continuing through da Vinci. On \"Mindful Solutionism,\" the wheel evolves seamlessly into modern agriculture—and then into atomic bombs, Agent Orange, cigarettes, and surveillance cameras. In a rare moment of transparency, the engineers Aes give voice to sum up this spiral in just a few words: \"We cannot be trusted with the stuff that we come up with.\"\u003c\/p\u003e\u003cp\u003eAppropriately, the album sounds like the past and future at once. Largely self-produced, Integrated Tech Solutions catches Aes at his leanest and most innovative, leveraging \"Solutionism\"'s careening bounce against the wistful \"By the River\" or the slow creep of \"Salt and Pepper Squid.\" The effect is a record that sounds itself like an organism growing, mutating, hurtling toward profitability-and then destruction. 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About the emotional weight that we unknowingly bestow upon the next generation; the genetic transfer of both trauma and triumph that we, both donors and beneficiaries, are tasked with reshaping into a future of our own.\" \u003cbr\u003e\u003cbr\u003e\u003ci\u003eThe Sharecropper's Daughter\u003c\/i\u003e album is entirely produced by a veteran renaissance man from the Atlanta Hip Hop scene, Sol Messiah, with the exception of \u003ci\u003eDeliverance\u003c\/i\u003e produced by Evidence. 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The first Appleseed CD’s were CD-R’s I duped at home and sold from my backpack at an MF DOOM show at Brownies, which was right below my apartment at the time. I continued to sell hand to hand in NY, while Blockhead started fielding some mail orders from a young internet. People would send us cash or a check, and he’d cut the covers out and mail them off.“ \u003c\/p\u003e\u003cp\u003eThe two of them were able to move a couple thousand CDs that way before turning their attention to newer projects, particularly Float in Aesop’s case. As a result, Appleseed went out of print for many years before resurfacing as a merch item on tour. However, in all that time it was only available on CD, directly from Aesop. 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Meanwhile, the rhythms on So Many Other Realities are some of the most inventive of Ant’s career. The playful percussion on “In My Head” acts as a nice counterweight to the roiling writing, while the drum patterns on “Holding My Breath” and “Bigger Pictures” allow Slug to play with his flow to emphasize the anxiety driving the record.\u003c\/p\u003e\u003cp\u003eWhere previous records in this most recent act of Atmosphere’s career have been focused on emphasizing the parts of life that carry the most meaning—family, brotherhood, purpose—So Many Other Realities is an almost unnerving excavation of paranoia that can be grafted onto the general malaise of a pandemic weary society full of civil unrest. The tension of these songs is palpable, but the album’s mere presence is a testament to the hope that has to underpin even the most stressed out songs. 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The fact that this excellent album, slated for a 1994 release, did not seen the light of day until 2001 (its first issue - now out of print) testifies to a time when shortsighted industry backlashes against records that inflamed middle america were in vogue. Elektra records higher-ups canned the project due to its controversial cover art, which shows a sambo figure being lynched. this must-purchase concept album is worth the wait. From the jazzy, hypnotic samples on the title cut to 'Sweet Premium Wine,' a farcical ode to swigging 40-ounce bottles of brew (remember when drinking st ides and old english was trendy?), you know you've found rap heaven. classic headbanger 'what a nigga know?' (and the remix featuring partner-in-rhyme MF Grimm) is equally off the chain. 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Upon release, Skelethon was praised for its intricate storytelling that expertly balanced abstract imagery with concrete details, and its immersive production incorporating sample-based beats with dusty pianos, distorted guitars, and psychedelic synths. To this day, the album remains a fan favourite and a critical darling, praised for its poignant introspection and razor-sharp wordplay. \u003c\/p\u003e\u003cp\u003eIn celebration of its 10th anniversary, comes this limited edition 3xLP vinyl package that includes a gatefold jacket with revised art layouts, printed sleeves, a4-panel insert with full album lyrics, two cream and blackmarble-coloured vinyl, and a UV printed ultra-clear bonus disc vinyl with four exclusive bonus tracks! 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From onset, \u003ci\u003eWord?\u003c\/i\u003e proves to be every bit an exercise in refining and advancing their craft as it is a harkening to earlier work. That is, while their releases have grown more broodingly cinematic, and increasingly concerned with the human condition and mortality, \u003ci\u003eWord?\u003c\/i\u003e manages to reintroduce moments of levity and lightheartedness throughout, an approach seldom heard on their albums of late. \u003c\/p\u003e\u003cp\u003eFrom album opener “Fleetwood,” with its razor-sharp snares and warm fleshy bassline, to the resonant melody of “Clocked”, there are strong hints of Atmosphere’s nascent years within the sound. Meanwhile, songs like “Woes”, “Strung” and “Vanish” cheerfully make light of daily hardships, but they’re more likely to be remembered for making listeners want to bob their heads and sing along. With Slug and Ant directing the course, the album plays like a joyride through a range of experiences and emotions, with an extensive cast of special guests hopping in and out along the way, including Evidence, Muja Messiah, Musab, Nino Bless, Nikki Jean, Anwar HighSign, BlackLiq, Sa-Roc, Haphduzn, Lateef the Truthspeaker, Aesop Rock, and the late MF Doom (RIP). 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From there, he began taking an interest in production too, which ultimately led him to working alongside legendary Atlanta producer, Dallas Austin. While Sol Messiah's time with Austin created a deep catalog filled with timeless tracks for TLC, Madonna, Boyz II Men and more, he eventually chose to pursue his own path independently and spent years building a stunning catalog of his own, producing popular tracks for Chamillionaire, David Banner, Nappy Roots, Dead Prez and more.\u003cbr\u003e\u003cbr\u003eSoon, Sol Messiah would embark on a fruitful musical partnership with a fierce lyricist named Sa-Roc. Together, Sa-Roc and Messiah have released over a dozen projects thus far, including Sa-Roc’s groundbreaking 2020 debut on Rhymesayers Entertainment, The Sharecropper’s Daughter. As a duo, Sa-Roc and Sol Messiah have amassed a global reach, touring internationally and rocking crowds across continents. They have performed at the legendary Jazz Cafe in London, performed live for BBC, and have shared the stage with luminaries such as Common, The Roots and Jay Electronica.\u003cbr\u003e\u003cbr\u003eOn \u003ci\u003eGOD CMPLX\u003c\/i\u003e, Sol Messiah connects with some of the finest MCs in the game to create an impressive collection of Hip Hop music that's both innovative and inspiring. 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Ant's production is minimalistic, moody, even eclectic in nature, full of atmospheric textures and unconventional rhythms. 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The decision to use different producers for those albums was an integral part of the group's journey. \u003cbr\u003e\u003cbr\u003eA lot has changed since their last release in 2009, including for Murs and Slug themselves in both their personal and professional lives. Their careers have continued to elevate and their families have continued to grow, and this fourth album is something of a reflection of those changes, starting with the title of the project itself. \u003ci\u003eFelt 4 U\u003c\/i\u003e seemed the simplest, most direct way of saluting the fanbase that has made Felt what they are, a thank you to the dedicated; as well as moving away from the perhaps more male gaze-feel of the previous titles. \u003cbr\u003e\u003cbr\u003eEven amidst the changes we still find familiarities, like Ant making a return to handle full production on \u003ci\u003eFelt 4 U.\u003c\/i\u003e Sonically, the album is overflowing with the influences of funk, soul, blues and even country flavors. While \u003ci\u003eFelt 3 \u003c\/i\u003ehad a wintery feel, \u003ci\u003eFelt 2\u003c\/i\u003e sounded perfect in autumn and the first Felt captured the blossoming sounds of spring, this is a distinctly summery album, with the richness of Ant's production creating an overall warmth that envelops the whole project. From the opening chords of \u003ci\u003eNever's Enough\u003c\/i\u003e, with its funk-fueled, vaguely retro feel, to the outrageously smooth vibes of \u003ci\u003eUnderwater,\u003c\/i\u003e this is a rap album that demands as much attention for the music, as it does for the rappers themselves. The album is unique to the Felt catalog for its inclusion of guest artists though, with four features making their way onto the final cut. The aforementioned \u003ci\u003eUnderwater\u003c\/i\u003e features an excellent appearance from Blimes, who brings her inimitable style to the hook, and Blueprint is credited as his alter-ego, Shepard Albertson, thanks to his vocal support on \u003ci\u003eCrimson Skies\u003c\/i\u003e, while The Grouch and Aesop Rock join in on \u003ci\u003eHologram \u003c\/i\u003emaking the perfect Easter egg for Felt fans, thanks to their contributions on previous projects.\u003cbr\u003e\u003cbr\u003eOverall, this album provides the perfect segue into Felt's next chapter. It reflects changing attitudes in the culture and in the world as a whole, and it reflects the changes in Murs and Slug as well. Whereas before, when some songs were delivered with perhaps a slight tone of judgement – for want of a better word – on \u003ci\u003eFelt 4 U\u003c\/i\u003e we find two artists offering us their opinions and viewpoints in the hopes of furthering discussion. 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Over the next 3 years, the duo recorded and released a flurry of unofficial Atmosphere CD’s, tapes, songs and side projects, along with pressing and distributing a string of vinyl EP’s, titled “Ford One”, “Ford Two”, and “The Lucy EP”. These vinyl EP’s were ultimately consolidated onto one CD as well, for the purpose of selling on tour and distributing to retail, becoming what most considered to be Atmosphere’s official sophomore album, \u003ci\u003eLucy Ford: The Atmosphere EP’s\u003c\/i\u003e, more commonly referred to as simply Lucy Ford. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eLucy Ford\u003c\/i\u003e was packed with the kind of nimble wordplay found on Atmosphere’s debut, but it was paired with more self-reflective and introspective rhymes than their previous album. 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He won the regional title and advanced to the U.S. finals that year, before doing it again in 2001. Soon after, Abilities was also garnering attention for performing all the scratches on indie classic, Fantastic Damage, the debut album by El-P of Run The Jewels’ fame, as well as contributing his turntable talents and production skills to other Hip-Hop cult favorites like The Anti-Album by Semi.Official, and The Taste of Rain... Why Kneel? by Deep Puddle Dynamics. But above all, his name would become most celebrated throughout the 2000’s as one-half of the dynamic Hip-Hop duo Eyedea and Abilities.\u003c\/p\u003e\u003cp\u003eDJ Abilities had first met Micheal “Eyedea” Larsen in the mid-90’s, and the two soon began a working relationship that would eventually play a prominent role in the burgeoning Indie-Rap movement of the time. 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A departure from previous work that was primarily sample-based, Phonograph Phoenix finds Abilities opting to build the album’s compositions from the ground up, creating his own sound through Ableton Live and various soft synths, with razor sharp cuts and select vocal chops providing a voice where his fallen partner may have once stood. \u003c\/p\u003e\u003cp\u003eAbilities’ new production techniques breathe an awakening essence into Phonograph Phoenix, whether that’s in the deep, cavernous bass and funky drum loops of “Worldwide”, the gorgeous atmospheric synths he conjures on “Waves”, or the sinister head-nodding groove of “The Badman” with its vulnerable-but-not-self-pitying vocal samples. Throughout its creation, Abilities sought to remain as truthful as possible, ensuring that each song held qualifying meaning and that the album on a whole made a definitive statement. 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Raised in a military family, his nomadic upbringing exposed him to many diverse influences and, coupled with his father's love for collecting records, laid the groundwork for his deep appreciation for all sorts of music. Ant's latest endeavor, Collection of Sounds, is a four-volume series of instrumental works showcasing the breadth and depth of his musical expertise.\u003c\/p\u003e\u003cp\u003eThe Collection of Sounds series offers a window into Ant's creative journey, reflecting his evolution as an artist over the years. Drawing from a vast vault of unreleased material, he's exhumed cross sections of his catalogue with surgical precision, organizing songs by sound rather than mere chronology. 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Building on the textured soundscapes that define his work, this album showcases Ant's masterful ability to weave together infectious grooves, deep basslines, and melodic samples that evoke the warmth and rhythm of reggae. The result is an immersive listening experience that transports listeners to sun-soaked streets, lively dance halls, and basement cyphers. Ant's dynamic production shines through in pieces that echo the playful energy of early hip-hop while embracing the laid-back vibes of dub. Cuts like “Welcome Back” and \"Perfection\" exemplify his signature style, blending intricate rhythms with emotive undertones, while others like \"Hello Darlings\" explore new depths of creativity. With crisp drum patterns and lush, layered instrumentation, he creates works that are both nostalgic and fresh. 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