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Yes, there’s a breakup in play, but\nWebster is not documenting the heartbreak of a breakup so\nmuch as she’s navigating the contours of heartbreak itself.\n\u003c\/p\u003e\u003cp\u003eRecorded at Sonic Ranch Studios in Texas with her longtime\nband, Webster is accompanied on \u003ci\u003eUnderdressed at the\nSymphony\u003c\/i\u003e by Matt Stoessel’s arcs of shimmering pedal steel,\nthe plaintive, unhurried drums of Charles Garner, and,\noccasionally, additional guitarwork from Wilco’s Nels Cline,\namong many other crucial players. The title of the album refers\nto Webster’s post-breakup compulsion to visit the symphony\non a whim, usually buying a ticket at the last possible second.\n“Going to the symphony was almost like therapy for me. I was\nquite literally underdressed at the symphony because I would\njust decide at that moment that that's what I wanted to do,”\nshe says. “That's what I felt like I needed to hear. 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They suddenly sounded like a band reimagined, their once-ramshackle folk-pop now brimming with unprecedented gusto and sheen. But could they see it, too? \u003c\/p\u003e\u003cp\u003eSo in the ad hoc studio the Chicago duo built in the living room of their rented Portland bungalow, a shared 2020 escape hatch amid breakups and lockdowns, Julien and Max decided to find out. Somewhere between midnight and dawn every night, their brains refracted by the late hour and light psychedelics, they’d play their latest creations while a hardware store disco ball spun overhead and slowed-down music videos from megastars spooled silently on YouTube. 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The recalcitrant ennui of opener “Nothing Remains,” the devastating loss of “Terminal,” the sun-streaked renewal of “Real Love”: However surprising it may sound, \u003ci\u003eSpark\u003c\/i\u003e is less a radical reinvention for Whitney than an honest accounting of how it feels when you move out of your past and into your present, when you take the next steps of your lives and careers at once and without apology. \u003ci\u003eSpark \u003c\/i\u003emaintains the warmth and ease of Whitney’s early work; these songs glow with the newness of now. \u003c\/p\u003e\u003cp\u003eListen closely, and you’ll notice frequent references to smoke and fire throughout \u003ci\u003eSpark\u003c\/i\u003e, itself a double entendre for inspiring something new or burning down the old. Max and Julien were indeed in Portland for the Fall of 2020, when smoke from nearby fires choked the city at record levels. 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Thoughts will\ncome to the 21-year-old singer-songwriter in dreams, or as she\nwrites lyrics in studio sessions, words floating onto the page before\nshe’s really had a moment to realise what they are. “As soon as we\nstart making the music, my brain sort of turns off,” she explains. “I’ll\nbe sitting there, writing all this stuff that feels like a load of\nnonsense, and a month later, I'll look back and be like ‘oh’. It all\ncomes from a place I didn’t even realise was there.”\n\u003c\/p\u003e\u003cp\u003eIn learning how to open up to herself, gglum ended up finding a\nkindred spirit in producer Karma Kid (Maisie Peters, Shygirl, Connie\nConstance), pushing past her natural bedroom-pop introversion to\nfind joy in the process of collaboration. Whether it’s the ragged\nradio-rock of ‘SPLAT!’ (“basically about realising that somebody you\nheld up very highly is actually just a massive shambles of a\nperson”) or the riotous, industrial energy of ‘Easy Fun’, Smoker is\nable to reshape her vocal around the mood, creating a record which\nexpertly balances light and shade. “I've never really done anything\nin like that vocal style before,” she says of ‘Easy Fun’s near-spoken\ndelivery. “I love that song because it’s not something I would have\ncome up with on my own, but Karma Kid was great at pushing me\nout of my comfort zone. I just thought like, look: I can be a little\nsilly with this.”\n\u003c\/p\u003e\u003cp\u003eThe release of \u003ci\u003eThe Garden Dream\u003c\/i\u003e will offer gglum plenty more\nopportunity to get both silly and serious, to be bold in her\nexploration of new ideas and sounds. 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The apartment was full of art and inspiration: cameras, naturally, but also high-end stereo tube amplifiers and objects that you’d rush towards money in hand at your local flea market. But also a gigantic nine foot Bosendorfer grand piano and a massive grand vintage JBL theater speaker console. His home was overwhelmed by music.\u003c\/p\u003e\u003cp\u003eBy recording there the album captures not just his performances, but also the vibe of the place; it often felt as though there were artists lurking in the aether listening along. His visitors over the years were no small change: Lee Friedlander, Carl Sagan, Dennis Hopper , Paul McCartney and many others came to see him and listen to his hypnotic “Musik”. You can hear local traffic, a dog barking, weather; reality, in other words. But there was another space layered on top, a kind of surreality echoing his music, as you can imagine a gathering of musicians listening in, eager to join him. 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Conceived in pieces over the last several years and completed just the month before his passing, \u003ci\u003eThe Hex\u003c\/i\u003e is the grand statement Swift acolytes have been a-wishin-and-a-hopin’ for all these years. After a career of sticking some of his finest songs on EPs and 45s, here are all his powers coalescing into a single, long-player statement. At its core, \u003ci\u003eThe Hex\u003c\/i\u003e is an aching call out into the void for Swift’s mother (\u003ci\u003eWendy\u003c\/i\u003e) and his sister (\u003ci\u003eSister Song\u003c\/i\u003e) whom he lost in back-to-back years. You hear a man at his lowest and spiritually on his heels. The pain fueling Swift’s cries of “She’s never comin’ back” on the absolutely gutting standout \u003ci\u003eNancy\u003c\/i\u003e is some sort of dark catharsis for anyone who’s ever lost a loved one to the cold abstraction of Death. Over a slow, Wall of Sound kick and a warbling synth, Swift’s cries climb higher-n-higher-n-higher into what may be his most devastating vocal performance on record. A cry of pain so real and so raw Swift had to treat the performance with just a little studio effect, without which the recorded grieving might be too much to bear. \u003ci\u003eThe Hex\u003c\/i\u003e is presented here as \u003ci\u003eThe Hex For Family and Friends\u003c\/i\u003e. 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And that’s right where she wants you: Vulnerable, wide open to any-and-everything, ready to have your world tipped onto its head. She’s a master of spinning your head around. First, you get the Bar Band from Hell of \u003ci\u003eMidsummer New York\u003c\/i\u003e to kick things off. It’s about the last thing you’d expect from Ono coming off Plastic Ono Band. But here you are, listening to Ono channeling Elvis. At 16-minute-plus, the tranced-out, motorik-inspired boogie \u003ci\u003eMind Train\u003c\/i\u003e is rough-and-ready for your next basement get down. Movement and perspiration required. Ono’s band of session heavy hitters burrows deep in a sort-of locomotive raga while Ono’s punchy vocables and rhythmic syllables do interpretive dances around one another. If Ono’s voice were Miles Davis’s trumpet, \u003ci\u003eMind Train\u003c\/i\u003e might not sound totally out of place on Davis’s Jack Johnson or On The Corner. 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The 2016 debut is a beautiful fusion of the American soundscape, with elements of country, soul and folk all smoothed over. Like a warm embrace from an old friend, it just feels so natural. Whether it’s the George Harrison slide guitar, the conversational melodies, the choral brass or sweet sentiment of the lyrics, \u003ci\u003eLight Upon The Lake\u003c\/i\u003e scratches a lot of itches that we all have in us. 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Loren’s lyrics are all his, and you feel it with every bright, Maraschino-cherry-like word that falls from his lips. Like a lover, You scream and I shatter, I hit like a hammer, Loren sings. And we get to feel what Loren feels. We live in his brain, riding his genre bending emotions, on a wave of modern pop. And the songs lift, they are anthems of belief, “Hollywood Blvd,” “I’m a Slut,” “Euphemism,” “Gay Angels,” are all odes to triumphing over the corroding powers of fear and doubt. And on this ride, Loren’s voice is the guard rail, ever eager to stretch and transform, belting, talk-singing, multiplying, keeping us safe.\u003c\/p\u003e\u003cp\u003eHow do you like LA? Loren asks. 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With the 2007 death of long time Bassist Evan Farrel, Josephine is no doubt the strongest set of songs Molina has written since the inception of Magnolia Electric Co., those classic themes take on new meanings. Molina has approached the universal loneliness before, but never in such a focused, directed manner as found on Josephine. Molina, Magnolia Electric Co. ^#^and legendary recording engineer Steve Albini have put it all to heart and on record. The album is also an experiment in Molina's song craft, introducing some real lessons in brevity as he whittles a handful of tracks into well-under three minutes. 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Both long-running contemporaries on the rootsier end of America’s independent rock underground, Molina \u0026amp; Johnson is not necessarily an album you would have anticipated taking place – after all, it’s not immediately clear what one grizzle-voiced folk hand can bring to another. \u003c\/p\u003e\u003cp\u003eBut if the division of labour here threatens to sound like two men wrestling over the steering wheel, the result is certainly more complimentary than complicated; 14 songs that, while not game-changing by any means, at least display a clear shared vision. Fans of Molina’s sparser, less-filled-out work will probably warm immediately to this collaboration. Often pared down to guitar, piano and circling voices, it’s reminiscent of the likes of 2000’s Songs: Ohia album Ghost Tropic, albeit with a slightly lighter tone (not difficult – much of Songs’ work was black as pitch). 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On lead single \u003ci\u003eOld Man\u003c\/i\u003e, the biting opener of her electrifying debut album, \u003ci\u003eBeware of the Dogs\u003c\/i\u003e, she targets the song’s titular creep, “Oh are you scared of me old man or are you scared of what I’ll do? You grabbed me with an open hand. The world is grabbing back at you.” When something needs to be said, whether it’s to an abusive man, a terrible boss, or a clueless significant other, the 26-year old Fremantle, Western Australia-based musician is fearless in telling it like it is. Delivered entirely with a sarcastic wink and a full heart, \u003ci\u003eBeware of the Dogs\u003c\/i\u003e proves across 13 life- affirming songs the power in sticking up for yourself, your friends, and what’s right. \u003c\/p\u003e\u003cp\u003eThe album showcases an artist totally in command of her voice, able to wield her inviting charm and razor-sharp wit into authentically raw songs. 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The instrumentation is just right: Molina knows exactly when to compliment his tenor guitar and haunting vocals with a touch of banjo and woodwinds. Likewise, Molina shows a brave restraint in places, stripping songs down to their bare minimum and allowing them fly or fall on their own power. This album paints with broad brushstrokes the territory that Molina explores in more detail with subsequent \u003ca href=\"https:\/\/www.allmusic.com\/artist\/songs-ohia-mn0000040230\"\u003eSongs: Ohia\u003c\/a\u003e albums. With vaguely circular lyrical patterns and diction that seems to flow out of some as yet undiscovered folk tradition, these songs speak of love in terms of fear and exhilaration.\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"Black LP","offer_id":50409851879755,"sku":"287347","price":32.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50409851715915,"sku":"1099224","price":9.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/755662b8-89c6-42ce-a524-589ad8147cc6_thumbnail_4096.jpg?v=1726630098"},{"product_id":"brothers-and-sisters-of-the-eternal-son","title":"Brothers and Sisters of the Eternal Son","description":"\u003cp\u003eWeathered veteran singer-songwriter Damien Jurado has quietly amassed an exceptional (and, at 11 LPs and 18 EPs, exceptionally large) discography over the past two decades, and he adds to it with the release of 'Brothers And Sisters Of The Eternal Son', his latest album for Secretly Canadian. Like 2012′s 'Maraqopa', Jurado's new LP was produced by solo artist and Shins touring keyboardist Richard Swift. Damien Jurado is every character in every Damien Jurado song.\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"CD | x2","offer_id":50409854468427,"sku":"1044803","price":14.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50409854828875,"sku":"371779","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/8cba59fd-a3e4-4847-9d56-38781833fcb6_thumbnail_4096.jpg?v=1726630225"},{"product_id":"slave-ambient","title":"Slave Ambient","description":"\u003cp\u003eThe War On Drugs conjure an ambling drone that conceals real pop-hooks and allows classic-rock colours to seep through. Main man Adam Granduciel gets plenty of Dylan comparisons, but \u003ci\u003eSlave Ambient\u003c\/i\u003e feels like a more back-alley Byrds filtered through a gauzier Spacemen 3 lens. \u003c\/p\u003e\u003cp\u003eThe chugging \"Your Love Is Calling My Name\" drives that road for six blissful minutes, but their best song, \"Baby Missiles\" - in a different version here than on 2010's \u003ci\u003eFuture Weather\u003c\/i\u003e EP - overlays a synth aura, like '80s-era Springsteen, with a splash of Kurt Vile. 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Instead, Bigfoot posesses flirty rhythmic sensibilities both snappy and sparkling, a rosy, near-tropical warmth, and a loose and conversational feel that position you right in the line of Yudin's wry gaze.Vinyl with Download.\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"LP","offer_id":50409940091211,"sku":"361222","price":39.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50409941434699,"sku":"361221","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/34a1207f-61cf-4192-a8a6-809d838cbefe_thumbnail_4096.jpg?v=1726632956"},{"product_id":"felt-lrsd-2020","title":"Felt (LRSD 2020)","description":"\u003cp\u003eNew Two Tone vinyl edition of Suuns album, \u003ci\u003eFelt.\u003c\/i\u003e. You can hear this freedom flowing through the 11 tracks on \u003ci\u003eFelt\u003c\/i\u003e. It’s both a continuation and rebirth, the Montreal quartet returning to beloved local facility Breakglass Studios (where they cut their first two albums (\u003ci\u003eZeroes QC\u003c\/i\u003e and \u003ci\u003eImages Du Futur\u003c\/i\u003e) with Jace Lasek of The Besnard Lakes) but this time recording themselves at their own pace, over five fertile sessions spanning several months. A simultaneous stretching out and honing in, mixed to audiophile perfection by St Vincent producer John Congleton (helmer of Hold\/Still), who flew up especially from Dallas to deploy his award-winning skills in situ. Suuns are proud of their roots in Canada’s most socialist province, while sonically standing apart from Quebec’s string-swept, accordion-driven, choral chamber indie scene. Quebecois natives Shemie and Joseph Yarmush founded the group just over a decade ago, the latter having moved to Montreal from a nearby village. The only member not to be formally schooled in jazz, guitarist Yarmush studied photography and utilized his visual training to help realize Shemie’s novel concept for the eye-catching album artwork.\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"Green | LP","offer_id":50409946677579,"sku":"1094247","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/9a59e32f-5b8c-471b-afa6-249bed63e4d7_thumbnail_4096.jpg?v=1726633304"},{"product_id":"person-to-person","title":"Person To Person","description":"\u003cp\u003eThe songs are propelled by benga-flavoured beats, fuzzed-out synth bass, clucking tropical cowbells- from soaring horn sections to emotive string arrangements, its frontman Matt Popieluch's emotive, aschcroft-y delivery that always keep the songs in check. One can't help but imagine this was the mood of Foreign Born's mid-summer retreat to sunset lodge studios, where bass parts were laid down in the wee hours of morning and the hot tub bubbled late into the night. The result of the session is an album of dense pop that justifies the band's place among top songsmithing contemporaries like Cass Mccombs and James Mercer, as well as greats like (dare i say it?) David Bowie (there, i said it). But the band is able to bypass the 'songwriter' label by delivering a much more collective sound - you know, like a band. african high-life guitars are countered with new wave wash; the sound of a band daring to keep its pallet open to most any influence - from u2 to the Feelies. If the walkmen weren't afraid to go out in bermuda shorts and flip-flops, you may have a sound close to this... like it could be Phil Spector's mid-70's 'lost recordings' inspired by the depth of second-line drum bands from New Orleans. It's been said that foreign born is an anthem band without 'the' fist-pumping anthem, which may be true. and this is ok, because the trade-off is for an album far more cerebral and sustaining. the thing with summer anthems is that they only last a summer, Foreign Born delivers the soundtrack for the backyard bbq of the ages. \u003cbr\u003e\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"Black | LP","offer_id":50409969123659,"sku":"314407","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"Blue LP","offer_id":50409967747403,"sku":"1139351","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50409968468299,"sku":"314406","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/af4fa814-6805-47ba-b3e8-1e899f092895_thumbnail_4096.jpg?v=1726633661"},{"product_id":"didn-t-it-rain-2","title":"Didn't It Rain","description":"\u003cp\u003eNever has a \u003cem\u003eSongs: Ohia\u003c\/em\u003e album's process been so integral to its overall feel as is the case with \u003cem\u003eDidn't It Rain\u003c\/em\u003e, the band's sixth proper full-length.\u003c\/p\u003e\n\n\u003cp\u003eThe album, like the working class South Philadelphia neighborhood in which it was birthed, has a real used goods kinda feel to it. Engineer Edan Cohen employed what some may consider 'old-fashioned' recording techniques - the entire album was recorded live with no overdubs, the full band playing in one room with the players always within arms' reach of one another.\u003c\/p\u003e\n\n\u003cp\u003eSingers \u003cstrong\u003eJason Molina\u003c\/strong\u003e, \u003cstrong\u003eJennie Benford\u003c\/strong\u003e and \u003cstrong\u003eJim Krewson\u003c\/strong\u003e (the latter two of \u003cem\u003eJim and Jennie And The Pinetops\u003c\/em\u003e) sharing microphones singing live together, sometimes sitting in chairs, sometimes standing.\u003c\/p\u003e\n\n\u003cp\u003eThe result is a sound which resembles the warmth and personality of the classic Muscle Shoals Sound recordings of the early- to mid-70s: Willie Nelson's \"\u003cem\u003ePhases and Stages\u003c\/em\u003e\", the Rolling Stones' \"\u003cem\u003eWild Horses\u003c\/em\u003e\", and others by Aretha Franklin, Boz Scaggs, Bob Seger, Lynyrd Skynyrd and Wilson Pickett.\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"LP","offer_id":50410081681739,"sku":"376596","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50410081845579,"sku":"287350","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/429eed61-9b4c-4da5-993a-ef42b64258e8_thumbnail_4096.jpg?v=1726636298"},{"product_id":"wagonwheel-blues-1","title":"Wagonwheel Blues","description":"\u003cp\u003eBack in stock. 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Molina has all the communal warmth of a bonfire sing-along, with vivid, often bloody tales of love and betrayal served with a twang and a smile - Details\"\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"CD","offer_id":50410557243723,"sku":"1099231","price":14.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50410557407563,"sku":"260564","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e0c6b2c4-deb7-44ed-9386-f35a29bb6b1a_thumbnail_4096.jpg?v=1726644407"},{"product_id":"axxess-and-ace-1","title":"Axxess and Ace","description":"\u003cp\u003eSongs: Ohia takes a big step forward with Axxess \u0026amp; Ace, both in ambition and accessibility. Whereas the self-titled debut and the follow-up, Impala, could be esoteric and downright depressing in places, Axxess weaves intensely personal lyrics with universal worries and anxieties to create a rich musical tapestry. An all-star team of Chicago-based musicians, including Joe Ferguson of Pinetop Seven, Julie Liu of Rex, and Boxhead Ensemble's Michael Krassner add musical support, while Edith Frost sings backup on a few numbers. The musicians heard songwriter Jason Molina's planned songs for the first time on the day of recording and performed them almost entirely live; the finished product is one of spontaneity yet surprising fullness. Any exploration of the music of Songs: Ohia should start with this album.\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"Black LP","offer_id":50410561798475,"sku":"1099232","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50410562027851,"sku":"182979","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/71f996e2-7e9d-4f29-a635-d481cdea83c3_thumbnail_4096.jpg?v=1726644583"},{"product_id":"outside-love","title":"Outside Love","description":"\u003cp\u003e'outside love' is ten songs of love and hate that read like a danielle steele romance novel but that would probably make for bad television. 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Damien Jurado and his longtime collaborator Eric Fisher have built these dozen songs with a pop sculptor's sense of space and scale. They're capable of anchoring the songs that one can imagine strummed plaintively and alone, to the subtle propulsion of drums (as on \"Lion Tamer,\" \"Simple Hello\"). They also build songs over rhythmic foundations that are an inescapable part of the song's identity (\"I Am The Mountain\"). Lyrically the set is suffused with loss and jealousy, tempered with glimmers of hope and redemption. The set's closing number, \"A Jealous Heart Is A Heavy Heart\" ends with the simple plea, \"Grow old with me.\" \u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"CD","offer_id":50410596827467,"sku":"1044552","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/44bcb758-5ee1-4347-9957-1159bb7b3df5_thumbnail_4096.jpg?v=1726645379"},{"product_id":"other-worlds-1","title":"Other Worlds","description":"\u003cp\u003etaken by trees' 'other worlds' is a impressionist poem for the hawaiian islands, where on a recent visit, chanteuse victoria bergsman found a swell of creative inspiration. working closely with photographer amanda marsalis, victoria intimately documented her time in hawaii. \"i gathered ideas for songs, recorded nature sounds and amanda filmed and took photos of me constantly. her work is very dear to me and both of us believed this (project) to be something special and very precious.\" the album's dub ventures are gently layered with synths and victoria's voice, floating along with the bass line. the music reflects the natural beauty of the hawaiian islands - floating in a perfectly blue pond, a kind breeze coasting off the waves, abundant deep green foliage, sweet slices of pineapple and milky coconut, the delicate pink of a seashell curled like a baby's ear. sandy toes, hidden waterfalls, the dreams you have after a long day at the beach. producer henning frst collaborated with bergsman on the sound and overall feel of the album. \"i remember two songs that really triggered the whole 'hawaiian \/ tropical' album idea and kept hanging on through out the whole process of the album as sound and feel atmosphere. the first song was the instrumental track 'diamond head' by the beach boys and the other one is augustos pablo's song 'ap spezial,' also an instrumental track. both of the songs have beautiful nature sounds added to them of waves, thunder and birds. the beach boys song turned me onto pedal steels and the augustos pablo song turned me onto the more dubby feeling you can hear in my album.\" \"i am hoping it can take you on a little trip, somewhere luscious and warm,\" she adds. \"lay back and enjoy.\"\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"Black | LP","offer_id":50410908713291,"sku":"355286","price":16.99,"currency_code":"GBP","in_stock":true}]},{"product_id":"richard-swift-as-onassis","title":"Richard Swift As Onassis","description":"\u003cp\u003ethe double-ep richard swift as onasis is as creatively fortifying as it is unhinged and unpolished, a primal slab thrown into the fire for dancing and merriment during the chilly months while we await richard swift's second full-length. once upon a time, the idea of a record was to capture a performance, to grab the those undulating wave lengths from the air and stick them to this thing that went round and round, so later on that performance could be heard and felt and experienced again. before the beloved studio trickery of our beloved beatles or beach boys, cats gathered around a couple microphones, plugged into that thing that went round and round, and let at it. this is hardly a forgotten art, but its purveyors are languishing in the onslaught of computer perfected 1's and 0's coming from our speakers, where honesty and blemish and truth are subjected to a recording filter called sheen that actually has setting to choose how much soul is removed from the music. so it's no surprise swift, a long-in-the-tooth impresario of all not-a-computer, would jangle and stomp out this tangent of jams that tape-echo a generation of pioneers who believed rock and roll and the blues a celestial calling and not a lifestyle choice. now most listeners won't think about how swift did this on a cheap four-track; they won't immediately see his nods to link wray and howlin' wolf; it doesn't matter. the songs stand up. the songs get in your belly and wiggle your hips and stomp your foot and bob your head. some of them float around like organ music that slipped out the church backdoor and headed to that bar with vinyl booths and a little richard photo over the burbling wurlitzer of 45's. they got vibe and atmosphere. they act like great harmony, making whatever they're accompanying richer and wider and thicker.\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"CD | x2","offer_id":50411063705931,"sku":"298969","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/18910318-76e3-4d51-8d3c-d63664fc811b_thumbnail_4096.jpg?v=1726652159"},{"product_id":"secretly-distribution-x-music-declares-emergency-presents","title":"Secretly Distribution x Music Declares Emergency Presents","description":"\u003cp\u003e\u003cb\u003e\n                            This product is a Record Store Day title and not available to pre-order. \u003cbr\u003e\u003cbr\u003e\n                            Available to buy in-store from 22\/04\/2023 (Record Store Day). \u003cbr\u003e\n                            Remaining copies will be available to buy online from 8pm, 24\/04\/2023. \u003cbr\u003e\u003cbr\u003e\n                            Don’t forget: Click 'Notify Me' to be the first to know about its availability online.\n                            \u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eA collaborative compilation between Secretly Distribution and Music Declares Emergency pressed to Bioplastic Vinyl – and in support of the work Music Declares Emergency carry out – this is a compilation of some incredible UK artists and groups with whom Secretly Distribution partners.  An insanely diverse collection of artists, this will be an incredible opportunity to purchase one of the first widely available pieces of bioplastic vinyl and contribute to an amazing cause at the same time!\n\nMusic Declares Emergency is a group of artists, music industry professionals and organisations that stand together to declare a climate and ecological emergency and call for an immediate governmental response to protect all life on Earth.\nWe believe in the power of music to promote the cultural change needed to create a better future.\n\nEvolution Music are the company behind the the world’s first Bioplastic LPs. They are using circular economy principles to replace the harmful production and use of single use plastics and minimise waste in the music industry. The aim is to make it easy for labels and artists to make the change by producing bioplastic LPs (instead of PVC) using the record pressing plants’ existing machinery and production processes.  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Black Thought – Champion (Remix) (Big Crown Records) \nMaster Peace – Veronica (PMR Records) \nEaves Wilder – I Stole Your Jumper (Secretly Canadian) \nmui zyu – totally ok (Father\/Daughter Records) \nFort Romeau – The Truth (Ron Trent Remix) (Ghostly International) \nKelly Lee Owens – Find Our Way (Smalltown Supersound) \nIbibio Sound Machine – All That You Want (Joe Goddard Remix) (Merge Records) \nCVC – Music Stuff (CVC Recordings) \nShame – Fall of Paul (Dead Oceans) \nThe Tubs – Sniveller (Trouble in Mind)\n\n\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"Black LP","offer_id":50411389452619,"sku":"2012461","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/va-music-declares-emergency-1_d70eaf61_thumbnail_4096.jpg?v=1726657384"},{"product_id":"please-have-a-seat","title":"Please Have a Seat","description":"\u003cp\u003eNnamdi has never been able to stay in one place. The Chicago multi-instrumentalist and songwriter set a blistering pace in 2020 with his critically acclaimed genre-fusing LP \u003ci\u003eBrat\u003c\/i\u003e, a punk EP Black Plight, and Krazy Karl, a full-length tribute to Looney Tunes composer Carl Stalling. Add in his role as co-owner of label Sooper Records, as well as recent tours with Wilco, Sleater-Kinney, and black midi, and it’s an overwhelming schedule. However, his latest album, \u003ci\u003ePlease Have A Seat\u003c\/i\u003e, is the result of a much- needed pause.\u003c\/p\u003e\u003cp\u003e“I realized I never take time to just sit and take in where I’m at,” says Nnadmi. “It’s just nice to not be on ‘Go, Go, Go!’ mode, and reevaluate where I wanted to go musically.” This period of reflection allowed him to take stock of his life and his relationships. “I wanted to be present,” he says. “Each song came from a moment of clarity.” Please Have A Seat serves as an invitation to listen. It’s a request to sit down, be present, and take in a moment. With this quiet introspection, Nnadmi found inspiration in silence and nuance.\u003c\/p\u003e\u003cp\u003eWhile making the record, he decided to stretch the limits of his pop songwriting: every track had to be hummable. Though he’s written earworms throughout his career from playing in bands in Chicago’s DIY community or releasing goofy raps as Nnamdi’s Sooper Dooper Secret Side Project, here, his shapeshifting hooks are undeniable. Each of the album’s fourteen songs, which Nnadmi wrote, produced, and performed entirely himself, are relentlessly replayable, careening into unexpected and disorienting places. With Nnadmi’s singular vision, \u003ci\u003ePlease Have A Seat\u003c\/i\u003e is yet another leap from Chicago’s hardest working musician. By taking a minute to sit down and catch his breath, he reemerged with the most ambitious, accessible, and nuanced work of his career.\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"Brown | LP","offer_id":50411590615371,"sku":"1159387","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"Black | LP","offer_id":50411591991627,"sku":"1159386","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"Tape","offer_id":50411590123851,"sku":"1159381","price":19.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50411592876363,"sku":"1159385","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/486eb620-7ef8-4431-9776-33db2005c38e_thumbnail_4096.jpg?v=1726660463"},{"product_id":"atlanta-millionaires-club","title":"Atlanta Millionaires Club","description":"\u003cp\u003e\u003ci\u003eAtlanta Millionaires Club\u003c\/i\u003e is in Faye Webster’s feelings, and that’s the way she likes it. “Everything is way personal,” Webster says. “I have to write about very personal things for me to even want to write.” On the 21-year-old Atlanta native’s new album, the omnipresence of pedal steel eschews bluegrass trappings, flexible under Webster’s genre-bending direction. Webster didn’t set out to make it sound like any artist in particular, but she cites Aaliyah as her main musical inspiration for how she uses sound. \u003c\/p\u003e\u003cp\u003e“That’s where I first heard, ‘Oh, there’s this weird guitar that’s bendy and it could totally be in a country song,’ but the way she’s using it is what makes her music so special to me,” Webster explains. “I try to do that. I try to change the way pedal steel is supposed to sound, or keys, to make it more R\u0026amp;B.” \u003c\/p\u003e\u003cp\u003ePulling from a familial lineage of folk storytelling and time spent in Atlanta’s hip-hop scene, Webster’s work is a study of duality, weaving through her own introversion and heartbreak; it’s an idiosyncratic sadness punctuated by fleeting observations and an unexpected, sly sense of humor. And like the way Webster takes the traditional instrumentation of Americana and flips it into something else, she uses her own calm, laid-back demeanor to say you can be boldly and unapologetically yourself in a quiet way, too.\u003c\/p\u003e\u003cp\u003eLP - First Pressing on Gold Vinyl.\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"Orange | LP","offer_id":50414965358923,"sku":"1156398","price":27.99,"currency_code":"GBP","in_stock":false},{"title":"Black LP","offer_id":50414969913675,"sku":"1059221","price":32.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50414970962251,"sku":"1059220","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/48208010-c383-4b87-8e1f-26c5d5eabc2f_thumbnail_4096.jpg?v=1726686933"},{"product_id":"unfinished-music-no-1-two-virgins","title":"Unfinished Music No 1 - Two Virgins","description":"\u003cp\u003eTurns out the very sound of falling in love is just as abstract, subjective and loopy as the concept itself. Yoko Ono and John Lennon are two of history’s greatest lovers, and \u003ci\u003eTwo Virgins\u003c\/i\u003e is the musique concrete fever dream document of the pair falling in love in real time. It’s a Cageian suite recorded over one weekend in Spring 1968 at Lennon’s Kenwood home: Distant conversations; comedic role playing and footsteps; laughter, birdcalls and plunking piano lines; silly songs and space; tape delay stretching shrieks, bass rumbles and moans to the moon and back again. It’s two young people attempting to weird one another out, attempting to make one another laugh, falling deeply into one another. John mucks around with delay and loops while Yoko exercises her expressionist vocalizations. The smoke and wine is nearly audible. This reissue also includes \u003ci\u003eRemember Love\u003c\/i\u003e, which did not appear on the original release.\u003c\/p\u003e\u003cp\u003eLP - With Download including Bonus Tracks.\u003c\/p\u003e\u003cp\u003eLP+ - Limited White Vinyl with Download including Bonus Tracks.\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"Black LP","offer_id":50416746955083,"sku":"1001033","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50416745152843,"sku":"1001608","price":19.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50416746692939,"sku":"1001031","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/3a448d57-68ee-441c-9ef2-206faa34806e_thumbnail_4096.jpg?v=1726709268"},{"product_id":"pyramid-electric-co","title":"Pyramid Electric Co","description":"\u003cp\u003ePyramid Electric Co. is the first full-length solo album by Jason Molina, released in 2004 on Secretly Canadian Records. It was recorded by Mike Mogis and received universal critical acclaim according to Metacritic (with an 81 aggregate score). While critics found it hard going: \"Pyramid is not Songs: Ohia but the musical equivalent of A Season in Hell, not something one can take in often, but which is beautiful for the fact that it was completed at all\", they also commented on the sincerity of the delivery: \"The delivery is too matter-of-fact, too genuine to evoke pity or sadness. It is lethargic, yet not dreary — it grabs you violently and lays you down so, so gently.\"\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"LP","offer_id":50417049272651,"sku":"286514","price":37.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/1f8afa30-bf87-43e7-a259-73fd0519d43c_thumbnail_4096.jpg?v=1726714860"},{"product_id":"visions-of-us-on-the-land","title":"Visions of Us on the Land","description":"\u003cp\u003eProviding the ideal entry point for neophytes and an intoxicating aural high for the faithful, Damien Jurado's new opus extends the hot streak ignited by 2012's \u003ci\u003e'Maraqopa' \u003c\/i\u003eand its 2014 follow-up \u003ci\u003e'Brothers and Sisters of the Eternal Son'\u003c\/i\u003e. Cut once again with label mate and super producer Richard Swift at the latter's National Freedom recording facility in rural Oregon, \u003ci\u003e'Visions of Us On The Land'\u003c\/i\u003e, on Secretly Canadian, completes the tale of an individual who has had to disappear from society in order to discover some universal truths. \u003ci\u003e'Visions of Us On The Land'\u003c\/i\u003e journeys further into the subconscious mind, a symbolic road trip spotlighting the people and towns that our central figure and his travelling companion, Silver Katherine, encounter upon leaving the commune. Hence the capitalized track titles, alluding to real American locations refracted through one's third eye in the rear view mirror. Like all great art, it's about life and death and love and freedom. A sonic map with no set destination, revealing more with each ride.\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"LPx2","offer_id":50417123426635,"sku":"397149","price":34.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50417123164491,"sku":"397148","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/7738535b-c5aa-4b50-8b96-ddf12498be71_thumbnail_4096.jpg?v=1726717474"},{"product_id":"life-will-see-you-now","title":"Life Will See You Now","description":"\u003cp\u003eJens Lekman releases his new album, \u003ci\u003eLife Will See You Now\u003c\/i\u003e via Secretly Canadian. Across three studio albums, the Swedish singer \/ songwriter and musician has proven not only his flair for telling very personal stories with a sharp self-awareness, but also his skill for balancing depth of emotional expression with droll and often self-deprecating detail. It’s a winning pop combination. His fourth, \u003ci\u003eLife Will See You Now \u003c\/i\u003eis a typical Lekman album in several ways: sly humour is key to its heartfelt nature; it inverts pop’s writing norm by making songs with sad concerns sound happy and songs with a happy subject sound sad; and it plays with notions of identity and the self. But, as the title suggests, it also represents a significant move forward, as if across a threshold. \u003ci\u003eI Know What Love Isn’t\u003c\/i\u003e (2012) was informed by a painful relationship breakdown that pitched its author into something of a crisis and so necessarily put him at its center, using a muted sound palette. But \u003ci\u003eLife Will See You Now\u003c\/i\u003e is the more expansive, upbeat sound of a revitalized Lekman, who is just one of many characters in his new stories about the magic and messiness of different kinds of relationships. It’s also the result of deliberate steps he took to create this fresh sound. Lekman experiments with different kinds of rhythms – disco, calypso, samba and bossa nova all get a bespoke twirl in the spotlight – and so he called on producer Ewan Pearson (M83, The Chemical Brothers, Goldfrapp) to help realize his new songs. \u003c\/p\u003e\u003cp\u003eLP - Black Vinyl with Download.\u003c\/p\u003e\u003cp\u003eLP+ - Limited Orange Vinyl with Download.\u003cbr\u003e\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"LP","offer_id":50417496129867,"sku":"1003867","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50417496424779,"sku":"1003865","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/8c9410fa-171c-4131-b34a-580ef4ff2720_thumbnail_4096.jpg?v=1726731238"},{"product_id":"let-me-go-let-me-go-let-me-go","title":"Let Me Go, Let Me Go, Let Me Go","description":"\u003cp\u003eJason Molina's (Magnolia Electric Co., Songs: Ohia) second solo album was recorded in Bloomington with Jim Zespy. According to Jason \"...These are meditations on depression, waiting, dislocation, separation, doubt, fear, loneliness...The usual from me...But here, if I did not see redemption or even a glimmer of hope, and thought I could put that into lyrics and a simple melody, I allowed that to be the driving force of the song. In the past I would edit these themes out or push them to the sides in favor of a better line technically, or a more anticipated rhyme. This session, in my mind, leads easily into my upcoming projects\". \u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"Black | LP","offer_id":50419836584267,"sku":"275423","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/4ede53ea-df92-489d-83c2-7e63ea1352e1_thumbnail_4096.jpg?v=1726749517"},{"product_id":"waterslide-diving-board-ladder-to-the-sky","title":"Waterslide, Diving Board, Ladder To The Sky","description":"\u003cp\u003eWhen Porridge Radio’s Dana Margolin, one of the most vital new voices in rock, began to consider the themes of her new album, three vivid words began to emerge: joy, fear and endlessness. The artwork of the band’s third full-length, \u003ci\u003eWaterslide, Diving Board, Ladder To The Sky\u003c\/i\u003e, is a surreal image that evokes the ducks and dives, slippery slopes and existential angst of life in recent times. “To me, the feelings of joy, fear and endlesses coexist together,” says Dana. “You’re never just happy or unhappy.” Following\u003ci\u003e Every Bad’\u003c\/i\u003es release in 2020, Margolin was quickly becoming regarded as one of the most magnetic band leaders around. But if \u003ci\u003eEvery Bad \u003c\/i\u003eestablished Dana’s bravery in laying herself bare, her band’s third record takes that to anthemic new heights. While there are moments of guttural release, she also finds soft power on songs. “I used to think I had to be loud to be heard,” she admits, “but now I’m definitely less afraid of being gentle.” \u003c\/p\u003e\u003cp\u003eThe band’s first new single, \u003ci\u003eBack To The Radio\u003c\/i\u003e, sets out their stall, a lurching call to arms that contrasts Dana’s lyrics of panic and closing herself off. This song is just one of example in \u003ci\u003eWDBLTTS \u003c\/i\u003ethat explores something that has long been an important part of Porridge Radio’s process: playfulness. “I think the album needed to have that balance,” Dana explains. Balance: that’s the word the album seems to be eternally striving for – joy, fear and endlessness in harmony but also self-acceptance. Dana is more aware of how she’s creating a persona as her star continues to rise, and how she’s singing personal songs that now belong to other people which gives her purpose. She says, “I wrote these songs for myself, but I think everyone wants to feel like what they’re doing is useful in some way. I’m ready to embrace it all now, whatever happens.\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"Pink | LP","offer_id":50426456113483,"sku":"1146297","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"Black LP","offer_id":50426456736075,"sku":"1146290","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"Green LP","offer_id":50426456965451,"sku":"1146292","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50426456539467,"sku":"1146289","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e4591257-e0d3-402b-82e0-6e93ac72cfbe_thumbnail_4096.jpg?v=1726810431"},{"product_id":"how-we-lost","title":"How We Lost","description":"\u003cp\u003ewindsor for the derby create music that is equal parts dance and folk, a truly disparate combination of styles that comes out sounding completely organic. \"'how we lost' is actually a celebratory album. it's a reflective record and, in its own way, celebrates the windsor for the derby continuum that's been culled from their first release, 'calm hades float' in 1996 to their last, 'giving up the ghost' from 2005. each of these recordings is a sequel to the next both musically and in narrative, especially since the band found themselves in constant dialogue about their body of work and the paths they'd chosen due to the rerelease of their first two records calm hades float and minnie greutzfeldt. also a part of that ongoing dialogue were the records that the band found itself consistently re-visiting, swell maps, section 25, psychic tv and what it was that made those recordings timeless and resonate in a personal way to the band. the songs on how we lost is about the ways they've changed over the years, the things they hold onto and what's been left behind.\" - music direct\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"LP","offer_id":50426746601803,"sku":"345852","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/078593ae-bcc2-4438-9067-4178459ad445_thumbnail_4096.jpg?v=1726816938"},{"product_id":"giving-the-world-away","title":"Giving the World Away","description":"\u003cp\u003eThe second album from Hatchie, \u003ci\u003eGiving The World Away\u003c\/i\u003e is the truest introduction to the songwriter at the helm of the project, Harriette Pilbeam. Although her sound arrived fully-formed, a dazzling dream-pop and shoegaze tangle, it’s here that she distills the core of herself into a record.\u003c\/p\u003e\u003cp\u003eFor \u003ci\u003ePilbeam\u003c\/i\u003e, that bigger picture explored here includes confronting her anxieties after decades of compartmentalisation; realising her own self-confidence and self-esteem; taking control of her own narrative, and her place in both her professional and personal life. On \u003ci\u003eGiving the World Away\u003c\/i\u003e, she held herself to higher standards, especially with personal lyrical precision. At the time she started working on it, she was caught in a strange headspace. When 2018 EP \u003ci\u003eSugar and Spice \u003c\/i\u003eand subsequent debut LP \u003ci\u003eKeepsake\u003c\/i\u003e both arrived to critical acclaim and catapulted Hatchie into an international spotlight, she felt both unsure of herself and an intense, self-imposed pressure to keep going forward. Trapped in constant motion, Pilbeam was unable to be present or appreciative of herself, both professionally and personally. \u003c\/p\u003e\u003cp\u003eProduced by Jorge Elbrecht, also recently Grammy-nominated and known for his work with Sky Ferreira, Japanese Breakfast, and Wild Nothing, \u003ci\u003eGiving the World Away\u003c\/i\u003e is Hatchie’s most thunderous, sprawling work yet. Featuring extensive input from longtime Hatchie collaborator Joe Agius, it takes the celestial, shimmering shoegaze and pop sensibilities of her earlier releases, but with the volume knob cranked up tenfold. 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