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Accompanied by pianist and long-term collaborator Helmut Deutsch, Kaufmann explores the emotional and poetic nuances of these Romantic masterpieces. These works are complemented by “Doppelgänger”, a strikingly original stage adaptation of Schubert’s Schwanengesang (Swan Songs), directed by Claus Guth. This production reimagines the cycle through a contemporary theatrical lens, adding a powerful visual and narrative dimension to Schubert’s final songs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\"\u003eAs a special bonus, the release includes six previously unreleased recordings from Kaufmann’s private archive: selections from \u003ci\u003eDichterliebe\u003c\/i\u003e recorded in 1994 during his student years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e \u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003eWhile \u003ci\u003eDichterliebe\u003c\/i\u003e is one of the most beloved song cycles of the Romantic era—capturing the full spectrum of love, from rapture to heartbreak, with exquisite sensitivity and poetic depth—the \u003ci\u003eKerner-Lieder\u003c\/i\u003e reveal a more introspective and dramatic side of Schumann. 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Taking its name from the final song, “Der Doppelgänger”—in which a soldier confronts the haunting realization that he did not survive the war—this Armory commission poignantly explores the longing for life’s beauty and the idea that death is not an abrupt end, but a final, reflective journey.\u003c\/span\u003e\u003c\/p\u003e","brand":"Sony Classical","offers":[{"title":"CD\/DVD","offer_id":52105563472203,"sku":"R9695-7123","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Kaufmann_Doppelgaenger_Digi_3D_Packshot_sRGB.jpg?v=1749800409"},{"product_id":"bach-cello-suites","title":"Bach: Cello Suites","description":"\u003cp\u003eAnastasia Kobekina’s career has been gathering momentum since her receipt in 2024 of both the Leonard Bernstein Award and an Opus Klassik Award and the release of the full-length documentary ‘Jetzt oder nie!’ through ARD. \u003c\/p\u003e\n\u003cp\u003eTaking on Bach’s set of six suites for solo cello – an Everest for cellists – she aims to open up ‘a shared space for interpretation, mine and yours.’ As with her previous album for Sony Classical, the hugely acclaimed Venice, Anastasia Kobekina promises a fresh view of familiar music. She performs on period instruments, bringing a historically informed perspective to these iconic works. \u003c\/p\u003e\n\u003cp\u003eThe works themselves represent the baroque composer’s most inwardly concentrated and revered music. Each consists of a prelude and a suite of dance movements. Adding to the work’s iconic status is the mystery behind its creation. No autograph score exists – only a copy, in the hand of Anna Magdalena Bach, the composer’s second wife – while the work’s original recipient remains unknown. \u003c\/p\u003e","brand":"Sony Classical","offers":[{"title":"2CD","offer_id":52532862779723,"sku":"R9823-0733","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Anastasia_Kobekina_BACH_COVER.jpg?v=1750932917"},{"product_id":"summer-night-concert-2025","title":"Summer Night Concert 2025","description":"\u003cp\u003eReleased via Sony Classical- Wiener Philharmoniker perform their annual Sommernachtskonzert at Schönbrunn Palace in Vienna. 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From the nostalgic beauty of the “Tara’s Theme” from Gone with the Wind to the haunting tenderness of Billie Eilish’s Oscar®-winning “What Was I Made For” from Barbie, Cinema captures the emotional essence of some of film’s most iconic moments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith richly orchestrated arrangements, Hauser breathes new life into works by the greatest composers in film history John Williams, Ennio Morricone, Henry Mancini, and John Barry as well as beloved ballads like Sam Smith’s “Writing’s on the Wall” (Spectre) and “The Music of the Night” from The Phantom of the Opera. 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