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Then, accompanied by occasional eerie, abstract electronic \nmusic, Price’s sinister satisfaction only mounts as he provides \ninstruction in the dark arts, with such tracks as “How to Make a Pact \nwith the Devil” and “Curses, Spells, Charms.” It’s all in good fun, of \ncourse…or is it? The mysterious writer of the script, one Terry \nd’Oberoff, has only one other credit to his name: as the “mascot” of an \nearly ‘70s band called…wait for it…Black Magic.\u003c\/p\u003e\u003cp\u003eThis 1969 double-LP release has long been coveted \nby collectors of the curious and macabre, and for its first reissue in \nover 50 years, we are giving it the Real Gone treatment, reproducing the\n gatefold jacket and the full-size, 8-page booklet that accompanied some\n copies. It’s a combination history textbook and how-to manual in \nwitchcraft, with a title page depicting a particularly unsettling spell \ncalled “The Hand of Glory” involving the severed, salted, and dried hand\n of a convicted felon. \u003cbr\u003e\u003c\/p\u003e","brand":"Real Gone Music","offers":[{"title":"2LP - Orange","offer_id":50380098175307,"sku":"2211474","price":57.99,"currency_code":"GBP","in_stock":true},{"title":"2CD","offer_id":52973005472075,"sku":"R1281-6770","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"2LP - Flickering Orange","offer_id":58214043287883,"sku":"R1281-1885","price":52.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Witchcraft_Magic_-_An_Adventure_In_Demonology_8996994d_thumbnail_4096.jpg?v=1726207332"},{"product_id":"signs-of-life-6","title":"Signs of Life","description":"\u003cp\u003eSince selling out the Concert Hall at the Sydney Opera House in 2010, Neil Gaiman and FourPlay String Quartet have been firm friends and collaborators. 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It is produced by Les Davies (singer and guitarist with Squeezebox) who also plays on four tracks. 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Your voice is exquisite, layered and hauntingly sensuous.\" Prestigious newspapers reviewed the album, one of which being the London Times, who compared Neogy's enunciation to Lawrence Olivier, her range to Yma Sumac, and her sensuality to Eartha Kitt!       Leaving the music industry behind to pursue dramatic arts, Neogy went on to perform in films like To Sir With Love, Lady J, Premonition, Eliza's Horoscope, The Saint, and The Prisoner. 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Originally compiled in 1986 by producer Bill Rich, the album features Burroughs's experimental recordings from 1961 to 1976, featuring field recordings by Burroughs of the Master Musicians of Jajouka, experimental collaborations with mathematician Ian Sommerville and painter\/cut-up originator Brion Gysin. \u003c\/p\u003e\u003cp\u003e\u003ci\u003e Break Through In Grey Room\u003c\/i\u003e documents William S. Burroughs during his time in Europe and England, working with Ian Sommerville on recording with the 'cut-up' technique. Sommerville's technical background enabled him to contribute to the early development of sound-and-light shows in London, leading to work with gear provided by Paul McCartney in an apartment owned by Ringo Starr. Experimental in nature, the record is as much an exhibition of studio and composition technique as it is a document of underground culture at that time. \u003c\/p\u003e\u003cp\u003e For the 2023 reissue, Dais Records has collaborated with the Estate of William S. 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Recorded in one take and unedited the lads find out Yoda’s top 5 rap albums and his personal stories associated with them.\u003c\/p\u003e","brand":"Lewis Recordings","offers":[{"title":"LP","offer_id":50504660812107,"sku":"1129607","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/7769092b-f538-489d-8acf-a2aa47966458_thumbnail_4096.jpg?v=1727808702"},{"product_id":"nothing-here-now-but-the-recordings-2","title":"Nothing Here Now but the Recordings","description":"\u003cp\u003eIn 1980, Genesis P-Orridge and Peter “Sleazy” Christopherson of (then-) Throbbing Gristle travelled to New York City to meet up at the fortified apartment, known as The Bunker, of famed beat writer and cultural pioneer William S. Burroughs and his executor James Grauerholz. Genesis and Sleazy started the daunting task of compiling the experimental sound works of Burroughs, which, up until that point, had never been widely heard. \u003c\/p\u003e\u003cp\u003e During those visits, Burroughs would play back his tape recorder experiments featuring his spoken word “cut-ups”, collaged field recordings from his travels and his flirtations with EVP recording techniques, pioneered by Latvian intellectual Konstantins Raudive. Over the following year, P-Orridge, Christopherson and Grauerholz spent countless hours compiling various edits, each collection showcasing Burroughs sensitive ear and experimental prowess for audio anomaly within technical limitations. In early 1981, Burroughs had relocated to Lawrence, KS to escape the violence and manias of New York City life. There, P-Orridge and Christopherson put the finishing touches on the record that would be known as Nothing Here Now but the Recordings. \u003c\/p\u003e\u003cp\u003e Released in Spring 1981, the album would end up as the final release on Industrial Records, brought about by the dissolution of Throbbing Gristle. It was quietly out of print until 1998, when John Giorno and the Giorno Poetry Systems included the album on a retrospective CD box set, which compiled the majority of Burroughs's seminal recordings. In 2015, Dais Records worked closely with the Estate of William S. Burroughs to finally re-release, for the first time in 36 years, a proper vinyl reissue of William S. Burroughs \u003ci\u003eNothing Here Now but the Recordings\u003c\/i\u003e to celebrate the centennial anniversary of William S. Burroughs. 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It is available to buy in-store and 8am on 29\/11\/2024 (Black Friday Record Store Day) and online from 8am on 30\/11\/2024.\nTIP: Click 'Notify Me' to be the first to know about its availability online first. It also helps us to place accurate orders so that we can please as many of you as possible on the day.\u003c\/p\u003e\u003cp\u003eSteve Martin's King Tut is a humorous and catchy tribute to the infamous Egyptian pharaoh. The track list includes the lively instrumental Sally Goodin and the upbeat Hoedown At Alice's, showcasing Martin's range of talents. 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Bill Butler, the bookshop owner, was still paying off a viciously punitive fine and associated court costs imposed in 1968 after a guilty verdict in an obscenity trial. Burroughs, a ‘fellow American’, was only too happy to help out by letting him have the rights to the recording. Rumours abound as to how many copies of the LP actually sold and how many were damaged after having been left on a heater, but, whatever the facts, this magnanimous gesture would still have been very handy. This is the first official reissue of this lost audio recording. A tale of revenge, heartless cruelty and amulet power, muddied with frequent recourse to Scientological references.\u003c\/p\u003e\u003cp\u003eThe rest of the LP is taken up with 30 minutes of audio tape supplied by Burroughs in answer to various questions mailed to him by a freelance journalist. It also includes several readings from material he was working on at the time. 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Scott Endsley, my friend and creative partner, offered to produce the CD. I was overwhelmed with joy and gratitude.“It was a magical experience and Richard was exceptional to work with,” Neogy recalls. Together, there were five musicians taking cues from Neogy’s vocal phrasings. 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Conceived by executive producer Michael Minzer for his Paris Records label, the project was produced by Hal Willner, who brought Bill Frisell in as composer\/arranger\/conductor. Bill then assembled a stellar group of musicians including Curtis Fowlkes (trombone), Ron Miles (trumpet), Eyvind Kang (viola), Doug Weiselman (woodwinds), Jenny Scheinman (violin), Hank Roberts (cello) and Kenny Wolleson (drums, percussion). 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