{"title":"SST","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eSST is a German disc mastering and lacquer cutting company that operated under this name from 1969 until November 2016. It was founded by a sound engineer, *name*, as a side job to his main occupation with the German public broadcasting company. In 1971, *name's wife* started cutting due to an increasing order volume. The studio had two disc mastering studios equipped with Neumann VMS80 lathes. After the Brüggemanns retired in 2011, the studio was owned and operated by *Daniel Krieger*. The cutting engineers at SST included Christa Brüggemann (1971 - May 2011), Daniel Krieger (since 1997), Michael Haas (1995 - 2004), Martin Wegner (since 2011), and Alex Nimmermann (since 2014). In November 2016, the company moved to a new location and was renamed to Schallplatten Schneid Technik GmbH.\u003c\/p\u003e","products":[{"product_id":"wasted-again","title":"Wasted Again","description":"\u003cp\u003e\u003cem\u003eWasted Again\u003c\/em\u003e—the title tacitly acknowledges that some of these songs have been anthologised more than once—commemorates Black Flag's breakup after eight years and more than a dozen releases. Chatty liner notes detail the band's history and ever-shifting lineups, all of which were built around guitarist\/songwriter greg ginn. focusing mostly on the punk-oriented early years, with songs like \"wasted\" (later a college-radio hit for camper van beethoven in an entirely new arrangement), \"tv party\", \"six pack\", and \"jealous again\", the album gives short shrift to black flag's metal-jazz-hardcore mid-'80s era, with \"loose nut\" and \"annihilate this week\" best representing this sometimes-peculiar stage in the band's career. as a result, henry rollins' role in the band is somewhat de-emphasised, with songs sung by his predecessors dez cadena, chavo, and keith morris predominating. the compilation contains no new material and so is unessential for fans, but this is probably the best starting point for those unfamiliar with black flag's extensive discography.\u003c\/p\u003e","brand":"SST","offers":[{"title":"LP - Black","offer_id":50404374970699,"sku":"288316","price":26.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":53149754818891,"sku":"R7326-2721","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/78ec61eb-9edc-490e-999f-818d7bd86c45_thumbnail_4096.jpg?v=1726568601"},{"product_id":"makes-no-sense-at-all","title":"Makes No Sense At All","description":"\u003cp\u003egenius.\u003c\/p\u003e","brand":"SST","offers":[{"title":"7\" - Black","offer_id":50405032558923,"sku":"R5618-3214","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/husker-du-makes-no-sense.jpg?v=1754910381"},{"product_id":"loose-nut","title":"Loose Nut","description":"\u003cp\u003eOne of three LPs released by Black Flag in 1985, \u003ci\u003eLoose Nut\u003c\/i\u003e suffers from its creators' rampant profligacy. Some of the record is under-rehearsed and under-ripe, yet when the group hits its stride, as on Henry Rollins' brutal \"This Is Good,\" it's hard to deny the group's trademark, adrenaline-rush appeal. Other highlights include \"Annihilate This Week\" and \"Bastard in Love.\"\u003c\/p\u003e","brand":"SST","offers":[{"title":"LP - Black","offer_id":50407976108363,"sku":"288310","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Loose_Nut_f174a603_thumbnail_4096.jpg?v=1726601537"},{"product_id":"the-first-four-years-pqaapv","title":"The First Four Years","description":"\u003cp\u003eThe best collection of pre-Henry Rollins-era Black Flag. Much of \u003ci\u003eThe First Four Years\u003c\/i\u003e finds the band in developmental mode, but the sonic anarchy and political vituperation met head-on more than once, creating a ferociously good time. Not simply for completists, this is an important recording of the then-burgeoning L.A. hardcore scene.\u003c\/p\u003e\u003cp\u003eTracklisting  1. Nervous Breakdown 2. Fix Me 3. I’ve Had It 4. Wasted 5. Jealous Again 6. Revenge 7. White Minority 8. No Values 9. You Bet We’ve Got Something Against You! 10. Clocked In 11. Six Pack 12. I’ve Heard It Before 13. American Waste 14. Machine 15. Louie, Louie 16. Damaged I\u003c\/p\u003e","brand":"SST","offers":[{"title":"LP - Black","offer_id":50411216175435,"sku":"2047479","price":26.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53154896413003,"sku":"R2080-9233","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/product_id._b0f17380_thumbnail_4096.jpg?v=1726654075"},{"product_id":"the-politics-of-time","title":"The Politics Of Time","description":"\u003cp\u003eThe Minutemen had as high a batting average as any band that came out of the California punk scene, releasing a number of superb records that confirmed their status as one of the finest, most intelligent, most forward-thinking, and most individual bands of their time. This compilation ties together a bagful of studio outtakes, rehearsal recordings, and live tapes of highly variable quality (one of which is thoroughly inaudible). The album leads off well enough with seven tunes the band recorded for an unreleased album. Stylistically, the songs fit comfortably between the ambitious What Makes a Man Start Fires? and the magnum opus Double Nickels on the Dime; on their own, they would have made for a superb EP, and \"Working Men Are Pissed\" and \"Shit You Hear at Parties\" are excellent. Side two features many unfocused, lo-fi live tapes, and while the selections by the Reactionaries (an embryonic version of the Minutemen) are historically interesting, ultimately they're little more than juvenilia from a band destined to create much stronger music. \u003c\/p\u003e","brand":"SST","offers":[{"title":"LP - Black","offer_id":50412033900875,"sku":"2047537","price":26.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53150024565067,"sku":"R6837-5975","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/The_Politics_of_Time_205ff247_thumbnail_4096.jpg?v=1726664600"},{"product_id":"charge-2","title":"Charge","description":"\u003cp\u003e\u003ci\u003eCharge\u003c\/i\u003e is the fourth record overall and third on SST presented by HR of Bad Brains. These ten tracks are straightforward, classic reggae, with drum duties provided by Earl Hudson, HR's Bad Brains bandmate.\u003c\/p\u003e","brand":"SST","offers":[{"title":"LP - Black","offer_id":50413280952651,"sku":"2047534","price":26.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53149875503435,"sku":"R2805-1046","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/461643-2982474_17542b17_thumbnail_4096.jpg?v=1726672409"},{"product_id":"my-war-p6vhw6","title":"My War","description":"\u003cp\u003e\u003cem\u003eMy War\u003c\/em\u003e is the second studio album by American band Black Flag. It was the first of three full-length albums released by the band in 1984.\u003c\/p\u003e\n\u003cp\u003eIt polarised fans due to the LP's B-side, on which the band slowed down to a heavy, Black Sabbath-esque sludge, despite the reputation the band had earned as leaders in fast hardcore punk on its first album, \u003cem\u003eDamaged\u003c\/em\u003e (1981). After a period of legal troubles which prohibited the band from using its own name on recordings, Black Flag returned to the studio with a new approach to its music that incorporated a greater variety of styles, resulting in a sound orthodox punks found difficult to accept.\u003c\/p\u003e\n\u003cp\u003eThe line-up had shrunk from five members to three: vocalist Henry Rollins, drummer Bill Stevenson, and co-founding guitarist Greg Ginn. Ginn doubled on bass guitar under the name \"Dale Nixon\" for the recording as bassist Chuck Dukowski left the band shortly before recording; the album includes two tracks Dukowski wrote.\u003c\/p\u003e\n\u003cp\u003eThe A-side of the LP is composed of six generally high-paced, thrashy hardcore tracks, featuring guitar solos unusual in punk music. On the B-side are three tracks in a sludge metal style, each breaching six-minutes with ponderously slow tempos and dark, unrelenting lyrics of self-hatred.\u003c\/p\u003e\n\u003cp\u003eThe band members had grown their hair long when they toured the album in 1984, further alienating their hardcore skinhead fanbase. Despite mixed reception at the time of the album's release, \u003cem\u003eMy War\u003c\/em\u003e is now regarded as one of Black Flag's seminal releases and had a major influence on the development of sludge metal, grunge, and math rock.\u003c\/p\u003e","brand":"SST","offers":[{"title":"LP - Black","offer_id":50413944963403,"sku":"2047477","price":26.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53154808824139,"sku":"R2431-4731","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/product_id._6cf766fb_thumbnail_4096.jpg?v=1726680111"},{"product_id":"metal-circus","title":"Metal Circus","description":"\u003cp\u003eThis is the album on which the monster that was Hüsker Dü truly came alive. From here on out, this Minneapolis trio would define new directions and open new vistas for rock music with every release. Bob Mould's spectacularly demented lead work and furious vocal delivery are driven to a frenzied pace by drummer Grant Hart and bassist Greg Norton. At times, as on the incredible opener, \"Real World,\" the naked aggression and speed is hard to withstand. \"It's Not Funny Anymore\" is a great anthem, striking a blow against conformity and hinting at the pop territory the band would go on to explore more fully on future outings. \"Diane,\" with Hart on lead vocal, is a ballad of sorts—and probably one of the most horrifying in the history of rock.\u003c\/p\u003e","brand":"SST","offers":[{"title":"LP - Black","offer_id":50420589101387,"sku":"2168131","price":22.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":53149991207243,"sku":"R6934-3236","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Metal_Circus_d9b2ee82_thumbnail_4096_0056a2b4_thumbnail_4096.webp?v=1726753175"},{"product_id":"annihilate-this-week","title":"Annihilate This Week","description":"\u003cp\u003eThis SST EP captures Black Flag in three intense live moments. Henry Rollins sounds enraged, and the band teeters constantly on the verge of musical collapse. Although true fans will still insist that Black Flag had sold out long before this EP, you couldn't tell it by listening to their lean and hungry sound here. The original EP has an amusing drug paraphernalia-infested cover that would be banned by some record stores today, but which flew by with few ripples somehow in 1986.\u003c\/p\u003e","brand":"SST","offers":[{"title":"12\" - Black","offer_id":50420688585035,"sku":"2047475","price":11.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53153892401483,"sku":"R9698-4678","price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/image_d318a018_thumbnail_4096.jpg?v=1726753633"},{"product_id":"fromohio","title":"Fromohio","description":"\u003cp\u003efIREHOSE's second release, 1987's \u003ci\u003eIf'n\u003c\/i\u003e, was a major improvement over their 1986 debut, \u003ci\u003eRagin', Full On\u003c\/i\u003e. Again, the playing is inspired, and the new band had already established an original, identifiable sound. The best tracks prove to be Ed Crawford originals -- \"In My Mind\" and \"Time with You\" (the latter was an MTV video), while \"Whisperin' While Hollerin'\" and \"What Gets Heard\" soon became concert staples. The band's appreciation of folk shines through with a reading of the traditional black folk song \"Vastopol\" and the original \"Liberty for Our Friend,\" and drummer George Hurley takes centre stage on a pair of short, unaccompanied drum solos -- \"Let the Drummer Have Some\" and \"'Nuf That Shit, George.\" Other highlights include the album opener \"Riddle of the Eighties,\" the funky \"Mas Cojones,\" the laid-back rock of \"If'n\" and \"Understanding,\" plus the lethargic album closer \"The Softest Hammer.\"\u003c\/p\u003e","brand":"SST","offers":[{"title":"LP - Black","offer_id":50445545898315,"sku":"2027895","price":26.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50445545144651,"sku":"R6491-2315","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Fromohio_42e60d9e_thumbnail_4096.jpg?v=1727040498"},{"product_id":"3-way-tie-for-last-2","title":"3-Way Tie (For Last)","description":"\u003cp\u003e\u003ci\u003e3-Way Tie (For Last)\u003c\/i\u003e is the fourth and final full-length album recorded by the American punk band Minutemen. 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It combines the band's 1979 debut single, \"Ride The Wild b\/w It's A Hectic World\" with their 1981 \"Fat\" EP and the track \"Global Probing\" from the 1981 New Alliance compilation \"Chunks.\" The compilation's cover combines guitarist Frank Navetta's illustration for the \"Fat\" EP with a caricature of singer Milo Aukerman drawn by Jeff \"Rat\" Atkins.\u003c\/p\u003e","brand":"SST","offers":[{"title":"LP - Black","offer_id":50446393508171,"sku":"2210323","price":19.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53153919107403,"sku":"R4969-4650","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/product_id._eba0d03d_thumbnail_4096.jpg?v=1727058858"},{"product_id":"buzz-or-howl-under-the-influence-of-heat-2","title":"Buzz or Howl Under the Influence of Heat","description":"\u003cp\u003e\u003ci\u003eBuzz or Howl Under the Influence of Heat\u003c\/i\u003e is the sixth overall release (fourth extended play, or EP, release and their first 12-inch EP) from American hardcore punk band Minutemen. It was released by SST Records in 1983. It is noted for featuring tracks with greater depth and more conventional song structure than on the band's previous releases.\u003c\/p\u003e","brand":"SST","offers":[{"title":"LP - Black","offer_id":50446407172427,"sku":"2210313","price":22.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53150001660235,"sku":"R4557-5785","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Buzz_or_Howl_Under_the_Influence_of_Heat_af071115_thumbnail_4096.jpg?v=1727058965"},{"product_id":"damaged-1","title":"Damaged","description":"\u003cp\u003e\u003ci\u003eDamaged\u003c\/i\u003e is the blueprint for hardcore punk. This is a collection of some of the most quick, hard and brutal songs ever put together on one album. Rollins would eventually slow down and actually \"sing\" on susbsequent albums, but the songs here on \u003ci\u003eDamaged\u003c\/i\u003e are totally uncompromising. One spin of \"Police Story\" or \"Damaged\" would wake up even a corpse. If you like hardcore punk and don't own this album, drop everything immediately and purchase it. Then smack yourself in the head ten times for not having it up until now.\u003c\/p\u003e","brand":"SST","offers":[{"title":"LP - Black","offer_id":50446464975179,"sku":"285028","price":26.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50446463926603,"sku":"371268","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/19f01f10-86de-4365-b96f-7afc95ca682e_thumbnail_4096.jpg?v=1727059380"},{"product_id":"flip-your-wig-wnrvrj","title":"Flip Your Wig","description":"\u003cp\u003eSpot - SST's house producer who manned the boards for \u003cem\u003eZen Arcade\u003c\/em\u003e and \u003cem\u003eNew Day Rising\u003c\/em\u003e -- didn't produce \u003cem\u003eFlip Your Wig\u003c\/em\u003e, Hüsker Dü's second album of 1985, and the difference is immediately noticeable.\u003c\/p\u003e\n\u003cp\u003eEverything on \u003cem\u003eFlip Your Wig\u003c\/em\u003e is cleaner and brighter than on its two immediate predecessors, which is appropriate, considering that Bob Mould and Grant Hart have only increased their debt to '60s pop. The hooks and melodies are on the surface, right from the kick-start call-and-response of the title track.\u003c\/p\u003e\n\u003cp\u003eOn paper, it might sound as if Hüsker Dü have watered down their hardcore ideals, but it doesn't play that way. \u003cem\u003eFlip Your Wig\u003c\/em\u003e is pop played as punk, as if this is the only time these songs could ever be heard.\u003c\/p\u003e\n\u003cp\u003eWhich means Hart's love song \"\u003cem\u003eGreen Eyes\u003c\/em\u003e\" and Mould's pure pop single \"\u003cem\u003eMakes No Sense at All\u003c\/em\u003e\" are delivered with the same rage and passion as Mould's blistering \"\u003cem\u003eDivide and Conquer\u003c\/em\u003e\" and Hart's \"\u003cem\u003eKeep Hanging On\u003c\/em\u003e,\" or the pair of surging, neo-psychedelic and noise-wracked instrumentals that close the album.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFlip Your Wig\u003c\/em\u003e would be a remarkable record on its own terms, but the fact that it followed \u003cem\u003eNew Day Rising\u003c\/em\u003e by a matter of months and \u003cem\u003eZen Arcade\u003c\/em\u003e by just over a year is simply astonishing.\u003c\/p\u003e","brand":"SST","offers":[{"title":"LP - Black","offer_id":50446678950219,"sku":"2210325","price":26.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":53154558869835,"sku":"R9748-4563","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/product_id._78dc3c83_thumbnail_4096.jpg?v=1727061152"},{"product_id":"in-my-head-2","title":"In My Head","description":"\u003cp\u003eThis is the last if not the greatest of all the Black Flag albums, but this is full of great songs and a massive production sound that makes a wonderfull farewell album mixing raging hardcore with beatnik jazz and Sabbath-esque wizardry.\u003c\/p\u003e","brand":"SST","offers":[{"title":"LP - Black","offer_id":50446703067467,"sku":"R2864-3992","price":26.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53149730570571,"sku":"R2864-4231","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/1733cb2f-01b1-4243-a854-d9b1917e2c80_thumbnail_4096.jpg?v=1727061552"},{"product_id":"new-day-rising","title":"New Day Rising","description":"\u003cp\u003eFor \u003ci\u003eNew Day Rising\u003c\/i\u003e, the follow-up to their breakthrough double-album \u003ci\u003eZen Arcade\u003c\/i\u003e, Hüsker Dü replaced concept with conciseness, concentrating on individual songs delivered as scalding post-hardcore pop. \u003ci\u003eNew Day Rising\u003c\/i\u003e is not only a more vicious and relentless record than \u003ci\u003eZen Arcade\u003c\/i\u003e, it's more melodic. Bob Mould and Grant Hart have written tightly crafted, melodic pop songs that don't compromise Hüsker's volcanic, unchecked power. Mould and Hart's songs owe a great deal to '60s pop, as the verses and choruses ebb and flow with immediately catchy hooks. Occasionally, the razor-thin production and waves of noise mean that it takes a little bit of effort to pick out the melodies, but more often the furious noise and melodies fuse together to create an overwhelming sonic force. It's possible to hear the rivalry between Mould and Hart on the album itself -- each song is like a game of one-upmanship, as Mould responds to \"The Girl Who Lives on Heaven Hill\" with \"Celebrated Summer.\" Neither songwriter slips -- both turn in songs that are catchy, clever, and alternately wracked with pain or teeming with humour. \u003ci\u003eNew Day Rising\u003c\/i\u003e is a positively cathartic record and ranks as Hüsker Dü's most sustained moment of pure power.\u003c\/p\u003e","brand":"SST","offers":[{"title":"LP - Black","offer_id":50446706803019,"sku":"2168132","price":26.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":53149995827531,"sku":"R8940-5979","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/New_Day_Rising_1635e24f_thumbnail_4096.jpg?v=1727061660"},{"product_id":"everything-went-black-qlsnpa","title":"Everything Went Black","description":"\u003cp\u003eWhen \u003ci\u003eEverything Went Black\u003c\/i\u003e was first released in 1983, Black Flag was in the middle of a backbreaking legal dispute with Unicorn Records. 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The fourth side of the original vinyl issue also included a sequence of radio spots discussing forthcoming Black Flag gigs, which is entertaining stuff, but it's more useful as a historical document than a listening experience.\u003c\/p\u003e","brand":"SST","offers":[{"title":"2LP - Black","offer_id":50446717387083,"sku":"2047476","price":36.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53154552054091,"sku":"R5185-8638","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Everything_Went_Black_066cfd70_thumbnail_4096.jpg?v=1727061965"},{"product_id":"enjoy-xfj3r7","title":"Enjoy!","description":"\u003cp\u003eThere are no shortage of things to talk about when looking back on this record. It certainly wasn’t entirely well-received at the point of release, for a start. People were perfectly happy to be critical of the puerility of some of the subject matter (and in the case of \u003cem\u003eOrgofart\u003c\/em\u003e, the literal content as well), the heavy metal influences on tracks like \"\u003cem\u003eHurtin’ Crue\u003c\/em\u003e\" and \"\u003cem\u003eOrgo 51\u003c\/em\u003e\", the fact that one of the best songs on it is a Beach Boys cover, the dark expansiveness of \"\u003cem\u003eDays are Blood\u003c\/em\u003e\" and plenty more things besides.\u003c\/p\u003e\n\u003cp\u003eBasically, a lot of people wanted more of the same that they got on 1985’s \u003cem\u003eI Don’t Want To Grow Up\u003c\/em\u003e. Yet ironically, when that unwillingness to grow up manifests itself in references to shitting and farting, extending to the album artwork and lyrics alike, I guess some people felt that it cheapened the message of ‘not growing up’ and it’s kind of hard to argue listening to the record now.\u003c\/p\u003e\n\u003cp\u003eThere are still plenty of amazing tracks which are closer to the classic Descendents template if you’re not into the more experimental (or scatological) stuff. 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